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All good things must come to an end, and sadly that's true for one of the brightest, breeziest comedies to ever adorn the HBO schedules. That's right, this is the sixth and final (sob!) outing for the ladies from SEX AND THE CITY. Carrie Bradshaw (Sarah Jessica Parker) is joined once again by her three best friends, Miranda (Cynthia Nixon), Charlotte (Kristen Davis) and Samantha (Kim Cattrall) as they parade around the Big Apple looking for love and expensive footwear. But naturally these girls want to go out with a bang (quite literally in Samantha's case!), so viewers can put down the tissues and pick up the action as the ladies offer plot twists galore before hanging up their costly Prada jackets for the last time. The laughs come thick and fast throughout, and a few tears are shed as the show builds to its gripping double-episode climax, entitled "An American Girl In Paris (Part Une and Part Deux)." They may be gone, but with this collection as a reminder, they'll certainly never be forgotten.

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Before Clark Kent (Tom Welling) became a full-fledged superhero, he was an awkward teenager. But unlike most teenagers, this Clark has bigger issues to contend with, like the mysterious powers that he possesses, his tumultuous relationship with kryptonite, and the strangely demonic happenings that have tormented Smallville ever since a meteor shower rained down upon the small Kansas town 12 years before. As Clark struggles through his high school days, lusting after the beautiful Lana Lang (Kristin Kreuk) and forming a strong friendship with Lex Luthor (Michael Rosenbaum), he must gradually come to terms with the knowledge that he might be a truly super human. This collection contains the entire first season of the wildly popular WB television series.

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Edward Zwick directs this sumptuously designed, action-packed period epic that stars Tom Cruise as Captain Nathan Algren. Algren, a former Civil War hero, is adrift in 1870s San Francisco after the war, a lost soul struggling to stay afloat in a booze-soaked stupor. When he is recruited by the Japanese government to train the Emperor's army, he departs for the unknown shores of Japan and begins training the soldiers in American military tactics. But these skills are useless against a band of samurai rebels led by the proud warrior Katsumoto (Ken Watanabe), and Algren is easily defeated. He is taken to a remote samurai village where he learns samurai warrior codes and ways of life, developing a deep bond with Katsumoto and sharing philosophical conversations with him. Caught between the feudal culture of the ancient samurai warriors and the encroachment of modern society, Algren is forced to choose between his own culture or Katsumoto's. THE LAST SAMURAI is lavish in its dramatic period costumes and intense performances, and will thrill fans of both historical drama and action films.

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Returning for a fourth season of adventures in SMALLVILLE, the young Clark Kent (Tom Welling) once again attempts to balance his high school life with the superpowers he was equipped with at birth. The season begins with Lois Lane (Erica Durance) turning up in Smallville to investigate the death of her cousin. In a neat touch, Margot Kidder, who plays Lois in the Christopher Reeve-era SUPERMAN movies, makes an appearance in the first episode. Meanwhile, Lana (Kristin Kreuk) has picked up a new boyfriend in Paris, Lex (Michael Rosenbaum) has got his hands on a kryptonian crystal in Egypt, and Lionel (John Glover) sets a mutant on the trail of Chloe (Allison Mack) to determine whether she is dead or not. A wonderful counterpart to the adult adventures of SUPERMAN, SMALLVILLE continues to go from strength to strength.

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This collection presents the entire third season of LITTLE HOUSE ON THE PRAIRIE, the beloved television series based on Laura Ingalls Wilder's novels about the trials and tribulations of a young family living on the wild American frontier of the 1870s. Episodes include "The Collection," "Bunny," "Journey in the Spring," "Little Girl Lost," "Gold Country," and more.

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Gabriele Muccino (THE PURSUIT OF HAPPYNESS) directs this tale of a man devastated by a tragedy in his past who is seeking redemption. To the outside world, Ben Thomas (Will Smith) is a cordial, atypically helpful agent for the Internal Revenue Service. But when he's alone, Ben is tormented by a tragic incident in his past, sinking into grief. He's even cut off communication with his beloved brother (Michael Ealy). Nevertheless, Ben is especially interested in strangers with challenging circumstances. He's taken particular interest in Emily Posa (Rosario Dawson), a lovely young woman with congenital heart disease who is being audited by the IRS. Ben finds himself falling for Emily, and has to choose the best way to follow his heart. Smith wears Ben's heart on his sleeve, the pain of his past loss and his impending future apparent in his face both when he is alone and when he begins to feel happiness--which he doesn't think he deserved--with Emily. He also nails Ben's pleasant work persona, masking his pain as he charms strangers and earns their trust. Dawson is beguiling as Emily, whose only wish is to have more time to experience life, especially once she finds love with Ben. With flashbacks mixed into the story, SEVEN POUNDS takes a circuitous route, saving some surprises for its end. Woody Harrelson appears as a blind man, and Barry Pepper plays Ben's best friend and confidante, Dan.

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Viewed through our photographs, it would seem we have lived a joyous, leisurely existence. Sy Parrish (Robin Williams), who makes this observation, adversely leads a lonely life, operating a photo lab in a SavMart department store. He escapes his dreary reality through the family photos of Nancy Yorkin (Connie Nielsen) and her family. His admiration of the Yorkins becomes an obsession, as he fashions himself as Uncle Sy to little Jake (Dylan Smith). Sy's judgment becomes impaired by his unhealthy interest, causing him to lose his job of 11 years. As his final day approaches, Sy develops photographs revealing an indiscretion on the part of Mr. Yorkin (Michael Vartan). The unstable Sy now develops a disturbing, calculated plan to instill family values to the Yorkin clan. Much of ONE HOUR PHOTO takes place inside a department store similar to a Wal-Mart, bordered in an icy blue. This cold atmosphere creates a solitary framework for the disturbed photo developer Sy Parrish, played with a melancholic detachment by Williams, working here against type. Director Mark Romanek (STATIC) has created a thriller with little violence. Instead, it is permeated with an uncomfortable fear emanating from its damaged protagonist.

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This collection presents the entire second season of Little House on the Prairie, the beloved television series based on Laura Ingalls Wilder's novels about the trials and tribulations of a young family that settles on the wild American frontier of the 1870s. Episodes include "The Richest Man in Walnut Grove," "Haunted House," "The Spring Dance," "At the End of the Rainbow," "The Talking Machine," "The Pride of Walnut Grove," and many more.

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Football is one of the most popular sports in America, but in Texas it's closer to religion. This Emmy Award-winning show uses the game as a focal point for each episode's structure--but the gridiron action often takes the backseat to the more pressing issues of life in Middle America. The real star of the show is the fictional town of Dillon, a place that represents the struggle of hardworking yet flawed human beings getting through another year of life in a small town. The local team, the Panthers, may be headed for the top, but can their coach (EARLY EDITION's Kyle Chandler) and the players keep it together as the pressure of their personal lives threatens to knock them down? This collection presents the second season of the documentary-style series.

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A stellar cast collides haphazardly in this insightfully written roundelay of racism, rage, and redemption which takes place over the course of one day in LA and involves a circus of cops, robbers, and civilians. A detective (Don Cheadle) with a heroin addict mother and criminal brother investigates the shooting of a black cop by a white one. Two hoodlums (Larenz Tate and Ludacris) jack the car of the District Attorney (Brendon Fraser) and his angry, racist wife (Sandra Bullock). Terrence Howard and Thandie Newton play an upper-class African American couple harassed by a racist cop (Matt Dillon). And the chaos continues, with other roles played by Tony Danza, Michael Pena, and Jennifer Esposito. A propulsive Mark Isham score keeps the disparate narrative threads electrified from the get-go; when they finally connect, the results are explosive and beautiful. Everything is tied together with tight editing and artistic shots of car headlights cutting through dense morning smog. Writer-director Paul Haggis' (writer of MILLION DOLLAR BABY) Los Angeles is a world of alienated people struggling to connect across vast barriers of language, class, and culture; that they manage to do so is testament to their depth as characters more than some trite message of brotherly love. There are no easy answers, but this film is tough, intelligent, and gutsy enough to find some anyway; and for that it's a winner.

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An updating of the classic police show of the 1950s, DRAGNET '67 featured color photography and grappled with the many issues facing the nation during the period. Creator and main star Jack Webb returned as Sgt. Joe Friday, the hard-nosed, no-nonsense cop who only wanted the facts. Like the earlier program, DRAGNET '67 dramatized cases taken directly from the files of the LAPD, presented in a hard-boiled, realistic fashion--rumor has it that the department used episodes of the show for training purposes. In the 17 episodes of SEASON ONE, Friday and his partner Bill Gannon (Harry Morgan) have to deal with a bomb plot, kidnappings, robberies, corrupt cops, murders, and an LSD-addicted teen in a particularly famous episode. DRAGNET '67 was a worthy follow-up to the original, which had set the pattern for every cop show to follow.

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Controversial rapper Eminem (real name Marshall Mathers) makes his big screen debut with 8 MILE, a bracing drama directed by the increasingly audacious Curtis Hanson. Set in 1995 in the bleak, urban battle zone of Detroit, the film follows the struggles of a young man who is desperate to make a better life for himself. Jimmy Smith, Jr., better known as Rabbit, is destined for a life of squalor. Living in a cramped trailer with his deadbeat mom (Kim Basinger), Rabbit works in a factory to make ends meet. His only outlet is hip-hop. Possessing a talent for freestyle rapping, Rabbit still hasn't managed to unleash his true potential. But his best friend, Future (Mekhi Phifer), is determined to make that happen. Future forces Rabbit to enter a freestyle battle that he blew the week before, giving him another chance at redemption. Hanson's stellar portrait of lower-class urban disillusionment, shot with uncompromisingly gritty realism by Rodrigo Prieto, proves that the issue is no longer about race, it's about money. Eminem delivers a bold performance as the troubled youngster who is still trying to find his place in a harsh, cruel world.

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Director Ridley Scott confronts hundreds of years of religious conflict in KINGDOM OF HEAVEN. An epic film set in Europe and the Middle East, the story follows one man's struggle to better himself and the world around him. Orlando Bloom stars as Balian, a French blacksmith who is mourning the deaths of his wife and baby when his estranged nobleman father (Liam Neeson) arrives and asks him to join the Crusades in Jerusalem. Mindful that conducting the Lord's work will help him atone for his sins, Balian agrees, and embarks on the perilous journey. Along the way, he reveals his gifts of inherent goodness and fair treatment of all human beings. Upon reaching Jerusalem, a city where his meager beginnings no longer matter, Balian earns respect and fealty, while the evil Guy de Lusignan (Marton Csokas) looks down his aristocratic nose at the former laborer. As he did in GLADIATOR, Scott explores the theme of a man who chooses his fate, instead of accepting the fate given to him at birth. Balian comes to life in Jerusalem, protecting the weak and defenseless as his father told him he must, and catching the eye of the beautiful Princess Sibylla (Eva Green), unhappily married to de Lusignan. Scott paints a stirring portrait of the struggle over Jerusalem among Christians, Jews, and Muslims. In doing so, he also shows the passionate fight for religious freedom. KINGDOM OF HEAVEN ably handles these delicate issues, effectively treating characters from all factions as individuals and not as stereotypes. By placing a virtuous man at the center of this conflict, Scott creates a powerful, universal story.

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A white-collar revenge fantasy in the vein of DEATH WISH (and based on a novel by the same author, Brian Garfield), DEATH SENTENCE ponders the nature and limits of retribution, asking if murder can ever be justified. Director James Wan (SAW) delivers a high-end exploitation film, complete with a washed-out, grainy appearance and some startling violence, but with complex, thrilling action sequences. Kevin Bacon is Nick Hume, a successful businessman with two children and a lovely wife (Kelly Preston). While driving home from his older, college-bound son's hockey game, Nick must pull into a gas station in a tough part of town. When the boy goes into the store to buy a drink, his throat is slit during a bloody robbery attempt. Nick identifies the killer, but with him as the only witness, the case is unable to go to trial. Discovering that the murder was merely a gang initiation, Nick is pushed over the edge, taking on the deadly gang headed by the fierce Billy Darley (Garrett Hedlund). Payback becomes all-encompassing for Nick: it not only takes over his life, but it also causes a startling physical transformation. Wan forgoes emotional impact in favor of souped-up, visceral, and occasionally thrilling setpieces. Bacon makes Nick's transformation from a suburban, suit-and-tie family man into a gaunt, shaved-headed angel of death startling and believable. Full of interesting contradictions, DEATH SENTENCE lets viewers have it both ways--fulfilling their bloodlust while ensuring that Nick's targets are despicable people who deserve their fates. Ultimately, though it serves to remind us that, as a solution, violence only begets more violence.

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This teen psychodrama directed by John Polson plays like a Generation Y version of FATAL ATTRACTION. Ben Cronin (Jesse Bradford) is a high school swimmer with an incredibly promising future. On the verge of securing a scholarship to Stanford, and in love with the too-good-to-be-true Amy (Shiri Appleby), Ben seems to have it all. But the arrival of a new student threatens to ruin everything Ben has worked so hard to attain. Temptation arrives in the form of Madison Bell (Erika Christiansen), a beautiful, sultry cellist whose overt sexuality is too much for Ben too handle. In a fit of passion, he succumbs to her advances, but is immediately wracked with guilt. Trying to eradicate his mistake before it can escalate any further, Ben confronts Madison. To his dismay, he discovers that she has formed an abnormally strong attachment to him. Soon, Ben has been accused of taking steroids, fired from his hospital job, and targeted by the police for trying to kill Amy. With the help of friends, Ben must find a way to expose Madison and stop her reign of terror. Polson's entertaining film is fueled by an amped hard rock soundtrack and Louis Febre's moody score.

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With superb investigative skills heightened by uncanny natural instincts, Iliana Scott (Angelina Jolie) is not a typical FBI profiler. This beautiful, no-nonsense Special Agent is a cut above the rest, which is why her old friend Captain Le Claire (Tcheky Karyo) calls her to assist his detectives in Montreal when a brutalized body is discovered in a construction site. A murder the next night provides proof of a serial killer, but this time, there is a witness. Artist James Costa (Ethan Hawke) not only saw the murder, but also tried to save the victim, and is even able to provide a sketch of the killer. The plot only thickens as ultra-dedicated Scott, along with ornery, territorial Detective Paquette (Olivier Martinez) and good-natured Detective Duval (Jean-Hughes Anglade), continue their investigation, linking together numerous similar murders over the years and arriving at a disturbing conclusion. To complicate matters even more, Scott is drawn to their charming key witness, Costa, and finds herself in uncomfortable territory as she fights her romantic impulses in an effort to remain professional. Director D.J. Caruso's (THE SALTON SEA) second feature also stars Keifer Sutherland and Gena Rowlands, and was filmed on location in Canada.

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Based on the popular British comedy of the same name, THE OFFICE takes place in and around the Dunder Mifflin Paper Company in Scranton, Pennsylvania. Using the same mockumentary style as the original, the series succeeds in capturing the quiet desperation of the poor souls working in this socially stifling environment under the direction of delusional boss, regional manager Michael Scott. Comic actor Steve Carell beautifully inhabits the role, playing a man so eager to be liked, he completely alienates people with one stupid antic after another. Blindly believing himself beloved by his employees for his laid-back nature, Michael fails to see that, with the exception of nerdy and bizarre Dwight (Rainn Wilson), he is resented and despised by all. Carell perfectly walks the line between despicable and pathetic, enlisting his audience's sympathies just moments before doing or saying something horribly inappropriate. The second season is even better than the first, with several romantic storylines getting into full swing in episodes like "Email Surveillance," "Sexual Harassment," and "Booze Cruise." THE OFFICE may be a remake, but it has charms of its very own. SEASON TWO contains all 22 episodes from the season.

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Billy Bob Thornton is terrific as Willie T. Stokes, a lowlife department-store Santa in Terry Zwigoff's outrageous comedic follow-up to his offbeat hit GHOST WORLD. Every year, Stokes takes a job as Santa in a different place in order to rob the store he's working in. The diminutive Tony Cox plays his horny sidekick, Marcus, the real mastermind, who is even more foulmouthed than Stokes. Brett Kelly is Thurman Merman, an eight-year-old who desperately needs to believe in the real Santa Claus--and just might have a good enough heart to change Stokes's evil ways. Or maybe not. And Lauren Graham plays Sue, a young sexpot who wants to get a different kind of gift from Santa. Providing excellent comic relief in this black comedy is John Ritter, in his last film role, as the mousy mall manager, and Bernie Mac as Gin, the mall security guard who suspects something is not right. Be warned--BAD SANTA is not a family holiday movie. It is lewd, crude, and very funny, but it is most definitely not for children. Joel and Ethan Coen, the brothers behind such quirky hits as RAISING ARIZONA and BARTON FINK, are the executive producers who came up with the idea in the first place, influenced by the likes of THE BAD NEWS BEARS and SOUTH PARK.

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Based on the autobiographical novels of children's author Laura Ingalls Wilder, the beloved 1970s television drama LITTLE HOUSE ON THE PRAIRIE chronicles the trials and tribulations of a loving family on the American frontier during the late 1800s. Centered around farmer Charles Ingalls (Michael Landon), his wife Caroline (Karen Grassle), and their three daughters Mary (Melissa Sue Anderson), Laura (Melissa Gilbert), and Carrie (twins Lindsay and Sidney Greenbush), the series also features a strong supporting cast of characters that make up the town of Walnut Grove, providing a warm and textured portrait of 19th-century frontier life. This collection includes every episode of the family drama's eighth season, which witnesses the departure of Melissa Sue Anderson.

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Raincoat-clad detective Columbo (Peter Falk) is one of television's most popular private investigators. Outwardly Columbo appears to be a pushover, a quiet man who appears to only grasp rudimentary facts concerning detective work. His mind is brilliant, however, and he always appears able to ask the one question that no one else thought to ask, leading to a string of successful cases. Each episode of the series features a careful deconstruction of events by the placid cigar smoking sleuth, aiming to keep viewers second-guessing everything until the final moments of the show. This release offers 7 episodes from the first season, as well as two COLUMBO TV movies.

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