Jane seymour, SecondSpin.com in DVDs & Videos

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It's Los Angeles, 1977, and adult film director Jack Horner (Burt Reynolds) meets Eddie Adams (Mark Wahlberg), a well-endowed dishwasher in a nightclub. Jack recruits Eddie to be his newest star and Eddie, hungry for fame, quickly agrees, changing his name to Dirk Diggler. Soon Dirk is the hottest star in the porn industry, alongside Rollergirl (Heather Graham), a high school dropout who never removes her roller skates, and Amber Waves (Julianne Moore), the veteran star who pines for the son she's not allowed to visit. On the fringes, Little Bill (William H. Macy) fumes while his wife cheats on him in public, and Buck Swope (Don Cheadle) tries to escape the stigma of being a porn actor. The good times roll, but before long Dirk falls victim to the pressures of stardom and a drug habit that ruins his career while Jack struggles with porn's conversion from film to cheaper videotapes. Director Paul Thomas Anderson's breakthrough film is an exhilarating ride along the underbelly of the 1970s inspired by the films of Altman and Scorsese, featuring colorful camera work, a dynamic soundtrack, and excellent performances from the entire cast, most notably Reynolds in an Oscar-nominated comeback role.

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Two full-length movies based on the television series DR. QUINN, MEDICINE WOMAN are contained on this release. Jane Seymour stars as the small-town doctor trying to establish a medical practice in America's Wild West while struggling to overcome the locals' prejudice towards her. She is often aided in her crusade by the mysterious cowboy outsider, Sully (Joe Lando).

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This multi-volume box set collects all 24 episodes from the second season of the popular and award-winning family drama Dr. Quinn, Medicine Woman. Jane Seymour stars as the smalltown doctor trying to establish a medical practice in America's Wild West while struggling to overcome the locals' prejudice towards her. She is often aided in her crusade by the mysterious cowboy outsider Sully (Joe Lando). Entertaining and educational, Dr. Quinn, Medicine Woman is a moving, touching show for the whole family.

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Set in the 19th century, DR. QUINN, MEDICINE WOMAN involves the turbulent life of a doctor who makes a new life for herself in the wilds of the Colorado Springs. Michela "Mike" Quinn (Jane Seymour) is the doctor in question, who leaves the safe surroundings of Boston in order to bring more advanced medical practices to a brand new frontier. The action centers around her life, her family, and the people she treats in the local town. She chooses to raise three children after their mother passes away from a fatal rattlesnake bite, which perfectly illustrates her kind nature and willingness to help others. This release presents season five of the show in its entirety, with 26 episodes included. Having won five Emmy awards, the show has firmly established a place for itself in the televisual history books, and devoted fans of the series are sure to be delighted at this chance to own further installments of this gripping period drama.

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This collection includes FROM RUSSIA WITH LOVE, FOR YOUR EYES ONLY, ON HER MAJESTY'S SECRET SERVICE, LIVE AND LET DIE, and GOLDENEYE. See individual titles for details.

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A fantasy-adventure dealing with the exploits of the legendary sailor. In this one he goes on a dangerous journey where he encounters saber-toothed tigers and other dreadful beasts.

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This family film is full of heart, humor, and horses! The lovely Jane Seymour (TV's DR. QUINN, MEDICINE WOMAN) stars as a stern woman who lives on an isolated and serene island. When her troubled young nephew Mark is sent to stay with her, they initially bash heads. But when Mark forms a special bond with one of the island's wild horses, his transgression brings the pair together.

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LIVE AND LET DIE is famed Bond portrayer Roger Moore?s first turn as 007. In it, the super spy infiltrates a gang of narcotics smugglers in voodoo-infested Jamaica. His daring exploits lead him on a number of incredible chases. As the sexy Solitaire, a young Jane Seymour makes for one of the more memorable Bond girls, and the always captivating Yaphett Kotto delivers an excellent performance as one of the more grounded (and, as such, arguably more chilling) villains of the series. The film?s theme song, Paul McCartney?s ?Live and Let Die,? is one of the highlights of the entire Bond music canon and a classic in its own right.

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LIVE AND LET DIE is famed Bond portrayer Roger Moore?s first turn as 007. In it, the super spy infiltrates a gang of narcotics smugglers in voodoo-infested Jamaica. His daring exploits lead him on a number of incredible chases. As the sexy Solitaire, a young Jane Seymour makes for one of the more memorable Bond girls, and the always captivating Yaphett Kotto delivers an excellent performance as one of the more grounded (and, as such, arguably more chilling) villains of the series. The film?s theme song, Paul McCartney?s ?Live and Let Die,? is one of the highlights of the entire Bond music canon and a classic in its own right.

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Owen Wilson and Vince Vaughn are an unbeatable combination as two Washington DC lawyers who get their kicks, and their girls, by crashing weddings. Displaying talent, wit, intelligence, and ample charm, the pair seldom fails at their mutual mission of seduction. But eventually they get bored with the routine. Everything explodes when they crash an upper-crust wedding given by US Senator William Cleary (Christopher Walken). Jeremy (Vaughn) makes the ostensible mistake of seducing Cleary's sexually ravenous daughter Gloria (Isla Fisher) and John (Wilson) falls head over heels for the beautiful, slightly sarcastic older sister, Claire (Rachel McAdams). But Claire is nearly engaged to a slimy, macho, ivy-league snob played with beady-eyed gusto by ALIAS's Bradley Cooper. The boys get lured away on a weekend trip to the Cleary's estate, which is when the film begins to resemble an early 1930s pre-code comedy with its innuendo-filled banter, eccentric grandmothers, suspicious rivals, and copious bed-hopping. Vaughn's motor-mouth aggression plays off Wilson's irresistible sensitivity (and vice versa) to such perfection that they leave other contemporary romantic comedy teams in the dust. They manage to get plenty of laughs and warmth from their believably close male friendship without resorting to any clichéd homoerotic references. Their respective love interests are also outstanding, particularly McAdams who displays extraordinary wit and presence in addition to her stunning beauty. Walken is surprisingly low-key as the senator, tuning his usual craziness down to a few tensile stares. Seventies mini-series staple Jane Seymour is memorable as the senator's sex-starved, boozed-up wife, who makes a play for John.

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Hollywood couple Jane Seymour (DR. QUINN, MEDICINE WOMAN) and James Keach (DISEASE OF THE WIND) team up to produce this romantic comedy that works hard to tug on the heartstrings. Keach, a former actor turned director/producer, who is known for his close relationship with Johnny Cash, directs this tale about a blind Everyman looking for love. Danny (the charismatic Chris Pine, SMOKIN' ACES) has been blind since birth, and has had trouble with women because of his overprotective family. However, many of those close to Danny want to help with his situation: his mischievous, limo-driving brother Larry (Eddie Kaye Thomas, HAROLD AND KUMAR 2) sets him up on a series of blind dates, while his therapist (Jane Seymour) goes beyond the call of duty when she learns that Danny is a virgin. Danny becomes convinced that his blindness is to blame for his lack of amorous success, and undertakes an experimental remedy that helps him regain partial sight through a micro-chip implanted in his brain. Ultimately, Danny believes he's found love with the eye doctor's receptionist, Leeza (Anjali Jay), but their relationship is complicated by Leeza's arranged engagement. Although somewhat schizophrenic in tone and subject matter, BLIND DATING succeeds as a heartwarming tale of love triumphing against all odds--and rather bizarre ones, at that.

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Owen Wilson and Vince Vaughn are an unbeatable combination as two Washington DC lawyers who get their kicks, and their girls, by crashing weddings. Displaying talent, wit, intelligence, and ample charm, the pair seldom fails at their mutual mission of seduction. But eventually they get bored with the routine. Everything explodes when they crash an upper-crust wedding given by US Senator William Cleary (Christopher Walken). Jeremy (Vaughn) makes the ostensible mistake of seducing Cleary's sexually ravenous daughter Gloria (Isla Fisher) and John (Wilson) falls head over heels for the beautiful, slightly sarcastic older sister, Claire (Rachel McAdams). But Claire is nearly engaged to a slimy, macho, ivy-league snob played with beady-eyed gusto by ALIAS's Bradley Cooper. The boys get lured away on a weekend trip to the Cleary's estate, which is when the film begins to resemble an early 1930s pre-code comedy with its innuendo-filled banter, eccentric grandmothers, suspicious rivals, and copious bed-hopping. Vaughn's motor-mouth aggression plays off Wilson's irresistible sensitivity (and vice versa) to such perfection that they leave other contemporary romantic comedy teams in the dust. They manage to get plenty of laughs and warmth from their believably close male friendship without resorting to any clichéd homoerotic references. Their respective love interests are also outstanding, particularly McAdams who displays extraordinary wit and presence in addition to her stunning beauty. Walken is surprisingly low-key as the senator, tuning his usual craziness down to a few tensile stares. Seventies mini-series staple Jane Seymour is memorable as the senator's sex-starved, boozed-up wife, who makes a play for John.

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This feature-length pilot episode of the sci-fi series introduces viewers to a band of intergalactic warriors struggling to protect an Earth-bound flotilla against the bloodthirsty Cylons.

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This feature-length pilot episode of the sci-fi series introduces viewers to a band of intergalactic warriors struggling to protect an Earth-bound flotilla against the bloodthirsty Cylons.

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Building on the darkly comic angst of WELCOME TO THE DOLLHOUSE, Todd Solondz's HAPPINESS conveys suburban desperation and frustration on a larger scale than his previous film. The ensemble cast of characters centers around the lives of three sisters: Joy (Jane Adams), an awkward, naive, and unlucky musician; Helen (Lara Flynn Boyle), a beautiful, self-obsessed writer; and Trish (Cynthia Stevenson), a conservative housewife who is married to Bill (Dylan Baker), a psychiatrist harboring an unhealthy fascination for young boys. Other dysfunctional characters include the sisters' unhappy parents, Lenny and Mona Jordan (Ben Gazzara and Louise Lasser), and the lonely, sex-obsessed Allen (Philip Seymour Hoffman), who lives next to Helen and goes to Bill for therapy. At once both scathingly funny and shockingly bleak, HAPPINESS addresses subjects that most films are afraid to touch, including pedophilia and masturbation. Unapologetic and unflinching, Solondz's film features bold performances from the entire cast and makes for uneasy but intriguing viewing as it peers behind the fragile facade of the American dream.

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Animation and live-action combine in this family film that brings Margery Williams's classic children's story to the screen. Featuring Jane Seymour, Tom Skerritt, and Ellen Burstyn, THE VELVETEEN RABBIT is the story of a boy and the magic that brings his beloved toy to life. This film is directed by Michael Landon Jr., who is most famous for working on LOVE COMES SOFTLY.

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Loosely based on the book by Gregory McDonald, director Michael Ritchie's FLETCH is a laugh-out-loud comedy that features a classic performance by Chevy Chase, who stars as Irwin "Fletch" Fletcher, a crack investigative journalist who goes undercover for a story about possible connections between the L.A. police department and the local drug trade. He gets derailed when a Santa Monica businessman, Alan Stanwyk (Tim Matheson), mistakes him for a homeless man and offers him $50,000 to commit a murder. The man claims to have terminal bone cancer but can't commit suicide if he wants his family to collect on his insurance policy, so he wants Fletch to do his dirty work. Fletch pretends to accept the offer and finds that it leads him deeper into the heart of his own investigation. Working from a crackling script by Andrew Bergman, Chase relishes every line of dialogue written for his goofy, master-of-disguise character, making FLETCH one of the most influential and oft-quoted comedies of the 1980s.

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