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The ambitious miniseries adaptation of MacKinley Kantor's eponymous novel about the inmates of the notoriously overcrowded and brutal Andersonville, Georgia Confederate army prison at the height of the Civil War. Winner of an Emmy for director John Frankenheimer. Produced for TNT.

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Griffin family madness continues into the fourth volume of this much-loved animated comedy. Patriarch Peter Griffin bumbles his way through 14 episodes, which also feature his evil son Stewie, a baby bent on world domination, and his two teenage kids. Wife Lois is a voice of sanity amidst the chaos, while the dog, Brian, sips martinis and airs with well-spoken opinions. The series features the voices of creator Seth MacFarlane, MAD TV's Alex Borstein, THAT 70s SHOW's Mila Kunis, and BUFFY's Seth Green.

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This 10-part HBO television miniseries focuses on Easy Company, a group of American soldiers in World War II, tracking their experiences from the beginning of boot camp to the end of the war. Anchored by actors Damian Lewis and Ron Livingston, the series gives detailed attention to their experiences as a group, as well as the way that each of them develops individually. Based on historian Stephen E. Ambrose's book of real-life accounts, BAND OF BROTHERS was executive produced by Steven Spielberg and Tom Hanks, who worked together on SAVING PRIVATE RYAN. Hanks also directed one episode, featuring his son, Colin Hanks.

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Matthew Weiner, a writer and executive producer for THE SOPRANOS, may have set this series in the picture-perfect 1960s, but his characters are just as scheming as the mobsters on his last show. MAD MEN begins in 1960 on Manhattan's Madison Avenue at the fictional ad agency of Sterling Cooper. Creative director Don Draper (Jon Hamm) rules the halls of his company and the hearts of every woman he meets, while his wife, Betty (January Jones), struggles to be the perfect mate and mother in a suburb upstate. But just as in the world of advertising, Don may not be all that he appears. In MAD MEN, the glass ceiling is dangerously low, and sexism reigns in a way that may shock modern viewers. But this isn't the prim '60s of THE DICK VAN DYKE SHOW; Weiner's characters seduce, smoke, and swig with abandon--often within the walls of Sterling Cooper. MAD MEN takes equal parts substance and style to create an addictive cocktail that fully earned its freshman season wins at the Golden Globes for Best Dramatic Series and Best Actor in a Drama.

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Three of the all-time greatest Christmas movies are collected here in this perfect companion to the holiday season. RUDOLPH THE RED-NOSED REINDEER, SANTA CLAUS IS COMING TO TOWN, and FROSTY THE SNOWMAN make this enough entertainment for a full night of nostalgic joy.

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This film from the wizards at Pixar centers on Carl Fredericksen, a character far different from any of the animation company's previous heroes. Carl isn't a fish, or a toy, or a monster. Instead, Carl is simply a 78-year-old man, but his age doesn't keep him from having a rollicking adventure in this film featuring the voices of Ed Asner, Christopher Plummer, and Pixar favorite John Ratzenberger.

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Though HARRY POTTER AND THE PRISONER OF AZKABAN director Alfonso Cuaron still holds the crown for best film in the series, David Yates is making an attempt at a coup with HARRY POTTER AND THE HALF-BLOOD PRINCE. Dark, gleefully funny, and beautifully shot, this adaptation of J.K. Rowling?s novel should please fans despite numerous changes to the 650-page source material. In this sixth film in the series, Harry?s (Daniel Radcliffe) inevitable confrontation with the dark wizard Voldemort grows closer, and Hogwarts headmaster Dumbledore (Michael Gambon) wants the young student to be prepared. He guides Harry through a memory of a young Voldemort, but an important moment is missing. Harry must extract this memory from the new Hogwarts teacher, Horace Slughorn (a perfectly slimy Jim Broadbent), who is as eager for fame as he is reluctant to revisit this painful moment. Meanwhile, romance rules the school of witches and wizards, with Hermione (Emma Watson) and Ron (Rupert Grint) refusing to admit their feelings for each other. Harry also harbors a secret love of his own: Ron?s younger sister, Ginny (Bonnie Wright). But despite his crush, Harry keeps an eye on Snape (Alan Rickman) and Draco Malfoy (Tom Felton), who may be responsible for attacks on the school. HALF-BLOOD PRINCE deftly balances the humor of Hogwarts heartbreak and the thrills of dark villains attacking the school. The cast is as talented as ever, and the youngest members--Radcliffe, Grint, and Watson--have developed their talent well. However, this film is most remarkable for its fine cinematography from AMELIE director of photography Bruno Delbonnel. Using a muted palette, Delbonnel makes Hogwarts look hauntingly beautiful in a way that fans have never seen. There?s always plenty of fun and adventure in the series, but this entry boasts impressive visuals as well.

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With both impressive scope and incredible detail, PLANET EARTH explores the entire world using high definition cinematography. Boasting a budget of over $25 million, this BBC/Discovery Channel co-production exposes the beauty of the earth and its animal inhabitants from a cuddly panda cub to an attacking shark. David Attenborough narrates, as the vivid documentary takes to the sea, as well as to the mountains, caves, deserts, jungles, and more. With 40 cameramen traveling to 200 locations, this is an epic series that can't be missed. This set contains every episode: "Living Planet," "Mountains," "Fresh Water," "Caves," "Deserts," "Frozen Worlds," "The Great Plains," "Forests," "Jungles," "The Shallow Seas," "Ocean Wide, Ocean Deep," and "Planet Earth - The Future."

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All good things must come to an end, and sadly that's true for one of the brightest, breeziest comedies to ever adorn the HBO schedules. That's right, this is the sixth and final (sob!) outing for the ladies from SEX AND THE CITY. Carrie Bradshaw (Sarah Jessica Parker) is joined once again by her three best friends, Miranda (Cynthia Nixon), Charlotte (Kristen Davis) and Samantha (Kim Cattrall) as they parade around the Big Apple looking for love and expensive footwear. But naturally these girls want to go out with a bang (quite literally in Samantha's case!), so viewers can put down the tissues and pick up the action as the ladies offer plot twists galore before hanging up their costly Prada jackets for the last time. The laughs come thick and fast throughout, and a few tears are shed as the show builds to its gripping double-episode climax, entitled "An American Girl In Paris (Part Une and Part Deux)." They may be gone, but with this collection as a reminder, they'll certainly never be forgotten.

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"Some names have been changed to protect the guilty." Such is the cheeky spirit of THE BANK JOB, a solidly entertaining British heist film based on England's famous walkie-talkie bank job. The year is 1971 and Michael X--emerging black activist and budding crime lord--has British authorities over a barrel after he gets hold of sexually incriminating photos of royal Princess Margaret. Desperate to recover the photos, the government pressures troubled model Martine Love (Saffron Burrows) to recruit a team and steal the bank safety deposit box containing the photos. Martine promptly enlists small-time con man and old flame Terry Leather (Jason Statham), luring him and his crew with the promise of millions. But also in their loot is a ledger detailing payoffs made to crooked cops by reputed gangster Porn King Vogel (David Suchet). Leather and mates soon find themselves on the run from both the British spy community and the ruthless British underworld, needing to stay one step ahead if they are to stay alive. Veteran director Roger Donaldson (THE WORLD'S FASTEST INDIAN, NO WAY OUT) deftly juggles the shifting intricacies and loyalties of THE BANK JOB's plot, balancing backroom politics with bank caper humor and cringe-inducing criminal brutality. Statham (LOCK, STOCK & TWO SMOKING BARRELS) is excellent as the petty criminal who finds himself in over his head, and who will need some quick thinking and a whole lot of guts to protect his friends and family. Briskly paced and lively in its handling of some serious intrigue, THE BANK JOB is an enjoyable entry in the bank robbery genre.

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Share the holidays with Snoopy, Linus, Lucy, and of course Charlie Brown in this collection of PEANUTS' beloved TV specials. Included here are IT'S THE GREAT PUMPKIN, CHARLIE BROWN; A CHARLIE BROWN THANKSGIVING; A CHARLIE BROWN CHRISTMAS; as well as an album of the shows' classic songs. Please see individual titles for synopsis information.

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After playing a mild-mannered funeral home director in SIX FEET UNDER, Michael C. Hall makes a smooth transition to a serial killer in this Showtime original series. But the twist in this smart show is that Dexter chooses to prey only on other serial killers. As a child, Dexter was adopted by a cop (James Remar) who quickly realizes that his new son is no ordinary boy. Since Dexter is compelled to kill, his law-abiding father pushes him to choose his quarry in a way that will best benefit society. As Dexter grows older, he works as a blood splatter expert in Miami, giving him a close view of other murderers and their handiwork. Stylish and blackly comic, this drama is adapted from Jeff Lindsay's novel DARKLY DREAMING DEXTER. This release includes the entire first season, which largely focuses on Dexter's pursuit of the coldblooded Ice Truck Killer and his own efforts to evade detection.

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AN ORPHAN ON THE STREETS: An orphan resorts to unusual tactics to find someone to look after him--by attaching a "for sale" sign to his body--in this feature film from 1949. THE WATCH: A poor young boy named Calf steals a watch and has to face some dire consequences for his actions in THE WATCH.

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Created by SIX FEET UNDER?s Alan Ball, TRUE BLOOD is like a sexier, bloodier older sister to the relatively well-behaved TWILIGHT. This HBO drama is based on the Southern Vampire Mysteries novels by Charlaine Harris, a series set in a world where vampires have just begun to "come out" after a synthetic blood substitute called True Blood is introduced. Oscar winner Anna Paquin stars as Sookie Stackhouse, a telepathic waitress living in Bon Temps, Louisiana, who falls hard for Bill Compton (Stephen Moyer), a Civil War veteran and vampire. But their romantic romps aren?t the only draw for the series: the existence between humans and vampires is an uneasy one, and people are dying. Clothes fall to the floor almost as often as blood spatters the walls in this show that blends supernatural horror, sex, and mystery, with just a little bit of social commentary thrown in for good measure. Executive producer Ball and his writers have shaped a variety of fascinating characters in addition to Sookie and Bill, including Sookie?s mysterious boss, Sam Merlotte (Sam Trammell); her best friend, Tara (Rutina Wesley); her womanizing brother, Jason (Ryan Kwanten); and her sweet grandmother, Adele (Lois Smith). This collection presents the series' complete first season.

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Everyone reads her scandalous Internet commentary on the lives of Manhattan's most privileged teenagers. But exactly who is Gossip Girl? No one knows, but she certainly adds spice to the lives of these fashionable prep schoolers, divulging some of their most closely guarded secrets. The first season of this glossy series begins when party girl Serena (Blake Lively) returns to the Upper East Side from boarding school. Though she seems to have changed her ways, she still has to navigate the icy waters of her social world, including her fragile friendship with Blair (Leighton Meester), the wrongs of her past, and of course the caustic commentary of a mysterious blogger. This collection presents all 18 episodes of the series, based on the popular teen novels by Cecily von Ziegesar.

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A gaggle of single Manhattan women experience the ups and downs of dating in this comedic HBO series that has earned wild popularity for its honesty regarding women's attitudes toward sex and relationships, as well as for its racy content. Sarah Jessica Parker stars as Carrie Bradshaw, the writer of a relationship column, who still has none of the answers. Though the men in her life come and go, Carrie is always surrounded by her friends: sex-hungry publicist Samantha Jones (Kim Cattrall), independent lawyer Miranda Hobbes (Cynthia Nixon), and Park Avenue princess Charlotte York (Kristin Davis). The four women couldn't be more different in their careers and romantic lives, but they come together over laughter and tears, especially where men are concerned. This collection gathers all six seasons of the show loved by women (and secretly watched by men).

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Ice Cube replaces Vin Diesel for this hard-bangin' sequel which favors fists, cars, and snooping over the original's heavy dose of extreme sports stunts. NSA agent Gibbons (Samuel Jackson, back from the original) finds his group under attack by well-armed, well-informed combatants, forcing him to activate a new XXX, Darius Stone (Cube), an old Navy Seal buddy currently cooling his heels in an army prison. It turns out there's a plan to whack the president (Peter Strauss) and a deranged secretary of defense played by Willem Dafoe is behind it. What's more important is the cool way Darius knows how to land a speeding boat on a bridge, then walk away in slow motion as it blows up behind him. Other great scenes include a tank battle on an aircraft carrier and a race with a bullet train that makes THE FRENCH CONNECTION look like a turtle race. There's some hilarious dialogue, such as when Darius recruits his old D.C. car-jacking buddies to ride into battle against the corrupt militia, leading to the "first tank-jacking in history." Scott Speedman plays a sympathetic Fed; Lola Jackson and Sunny Mabrey are the sexy chicks. There's lots of greal looking cars, cool gadgets, and pumpin' rap-crunk music. Director Lee Tamahori also helmed James Bond's DIE ANOTHER DAY and the 1997 thriller THE EDGE.

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By all rights, THE HANGOVER should have been a minor success that did satisfactory box office and lived on through beer-laden guys? night viewings. The marquee boasts no big-name stars, and the premise--an alcohol-soaked bachelor party--seems tried and tired. But OLD SCHOOL director Todd Phillips?s boys-night-out comedy is a blockbuster revelation that revels in raunchy jokes and happily leaves the border of propriety behind. Groom-to-be Doug (Justin Bartha, NATIONAL TREASURE) has planned an epic night in Las Vegas with his two best friends, Phil (Bradley Cooper, YES MAN) and Stu (Ed Helms, THE OFFICE), and his fiancée's awkward brother, Alan (comedian Zach Galifianakis). But it turns out that they partied a little too hard: Phil, Stu, and Alan wake up the next morning with a missing groom, a tiger in the hotel-room bathroom, a baby in the closet, and no memory of the night before. Though the funny script glories in the gutter, the credit for most of the film?s laughs goes to the excellent cast. Phillips?s OLD SCHOOL had Will Ferrell, Vince Vaughn, and Luke Wilson, but even though THE HANGOVER?s cast members aren?t A-listers (yet), they?re just as talented. Cooper and Helms have gotten laughs in WEDDING CRASHERS and THE OFFICE, respectively, but the perfectly awkward Galifianakis is a hilarious surprise. THE HANGOVER is sure to please everyone in the audience, except the easily offended who will cringe from the film?s foul first moments to its over-the-top closing credits.

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This collection presents the entirety of LITTLE HOUSE ON THE PRAIRIE, the beloved 1974-1983 television series based on Laura Ingalls Wilder's novels about the trials and tribulations of a young family that settles on the wild American frontier of the 1870s. Michael Landon stars as a simple farmhouse patriarch who heads a household consisting of his wife, four daughters, and, eventually, a slew of adopted children. Look for a late-series appearance by a young Jason Bateman as a boy whose parents were killed in a wagon accident. Proof that a family-friendly primetime drama can indeed be successful and enjoy a prosperous run, LITTLE HOUSE should be credited with paving the way for such later moralistic hits as 7TH HEAVEN. Included among these 200-plus episodes are three feature-length TV movie events and the revamped ninth season--dubbed LITTLE HOUSE ON THE PRAIRIE: A NEW BEGINNING and considered by some to be a spin-off series--in which the focus shifted to middle daughter Laura (Melissa Gilbert) and her husband Almanzo in the wake of Landon's departure.

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Johnny Galecki (ROSEANNE) and Jim Parsons (JUDGING AMY) star as two socially inept scientists who, while accustomed to probing the secrets of the universe, are totally unprepared for the greatest mystery of all: women. When a beautiful blonde, Penny (Kaley Cuoco), moves next door and invades their dweebish den, these friends have their lives turned upside down. Plenty of hijinks are in store for the two roommates as they get a crash course in the ways of the opposite sex. This collection presents every episode of the show's first season, featuring a theme song performed by Barenaked Ladies.

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