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By all rights, THE HANGOVER should have been a minor success that did satisfactory box office and lived on through beer-laden guys? night viewings. The marquee boasts no big-name stars, and the premise--an alcohol-soaked bachelor party--seems tried and tired. But OLD SCHOOL director Todd Phillips?s boys-night-out comedy is a blockbuster revelation that revels in raunchy jokes and happily leaves the border of propriety behind. Groom-to-be Doug (Justin Bartha, NATIONAL TREASURE) has planned an epic night in Las Vegas with his two best friends, Phil (Bradley Cooper, YES MAN) and Stu (Ed Helms, THE OFFICE), and his fiancée's awkward brother, Alan (comedian Zach Galifianakis). But it turns out that they partied a little too hard: Phil, Stu, and Alan wake up the next morning with a missing groom, a tiger in the hotel-room bathroom, a baby in the closet, and no memory of the night before. Though the funny script glories in the gutter, the credit for most of the film?s laughs goes to the excellent cast. Phillips?s OLD SCHOOL had Will Ferrell, Vince Vaughn, and Luke Wilson, but even though THE HANGOVER?s cast members aren?t A-listers (yet), they?re just as talented. Cooper and Helms have gotten laughs in WEDDING CRASHERS and THE OFFICE, respectively, but the perfectly awkward Galifianakis is a hilarious surprise. THE HANGOVER is sure to please everyone in the audience, except the easily offended who will cringe from the film?s foul first moments to its over-the-top closing credits.

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Billy Bob Thornton is terrific as Willie T. Stokes, a lowlife department-store Santa in Terry Zwigoff's outrageous comedic follow-up to his offbeat hit GHOST WORLD. Every year, Stokes takes a job as Santa in a different place in order to rob the store he's working in. The diminutive Tony Cox plays his horny sidekick, Marcus, the real mastermind, who is even more foulmouthed than Stokes. Brett Kelly is Thurman Merman, an eight-year-old who desperately needs to believe in the real Santa Claus--and just might have a good enough heart to change Stokes's evil ways. Or maybe not. And Lauren Graham plays Sue, a young sexpot who wants to get a different kind of gift from Santa. Providing excellent comic relief in this black comedy is John Ritter, in his last film role, as the mousy mall manager, and Bernie Mac as Gin, the mall security guard who suspects something is not right. Be warned--BAD SANTA is not a family holiday movie. It is lewd, crude, and very funny, but it is most definitely not for children. Joel and Ethan Coen, the brothers behind such quirky hits as RAISING ARIZONA and BARTON FINK, are the executive producers who came up with the idea in the first place, influenced by the likes of THE BAD NEWS BEARS and SOUTH PARK.

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By all rights, THE HANGOVER should have been a minor success that did satisfactory box office and lived on through beer-laden guys? night viewings. The marquee boasts no big-name stars, and the premise--an alcohol-soaked bachelor party--seems tried and tired. But OLD SCHOOL director Todd Phillips?s boys-night-out comedy is a blockbuster revelation that revels in raunchy jokes and happily leaves the border of propriety behind. Groom-to-be Doug (Justin Bartha, NATIONAL TREASURE) has planned an epic night in Las Vegas with his two best friends, Phil (Bradley Cooper, YES MAN) and Stu (Ed Helms, THE OFFICE), and his fiancée's awkward brother, Alan (comedian Zach Galifianakis). But it turns out that they partied a little too hard: Phil, Stu, and Alan wake up the next morning with a missing groom, a tiger in the hotel-room bathroom, a baby in the closet, and no memory of the night before. Though the funny script glories in the gutter, the credit for most of the film?s laughs goes to the excellent cast. Phillips?s OLD SCHOOL had Will Ferrell, Vince Vaughn, and Luke Wilson, but even though THE HANGOVER?s cast members aren?t A-listers (yet), they?re just as talented. Cooper and Helms have gotten laughs in WEDDING CRASHERS and THE OFFICE, respectively, but the perfectly awkward Galifianakis is a hilarious surprise. THE HANGOVER is sure to please everyone in the audience, except the easily offended who will cringe from the film?s foul first moments to its over-the-top closing credits.

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By all rights, THE HANGOVER should have been a minor success that did satisfactory box office and lived on through beer-laden guys? night viewings. The marquee boasts no big-name stars, and the premise--an alcohol-soaked bachelor party--seems tried and tired. But OLD SCHOOL director Todd Phillips?s boys-night-out comedy is a blockbuster revelation that revels in raunchy jokes and happily leaves the border of propriety behind. Groom-to-be Doug (Justin Bartha, NATIONAL TREASURE) has planned an epic night in Las Vegas with his two best friends, Phil (Bradley Cooper, YES MAN) and Stu (Ed Helms, THE OFFICE), and his fiancée's awkward brother, Alan (comedian Zach Galifianakis). But it turns out that they partied a little too hard: Phil, Stu, and Alan wake up the next morning with a missing groom, a tiger in the hotel-room bathroom, a baby in the closet, and no memory of the night before. Though the funny script glories in the gutter, the credit for most of the film?s laughs goes to the excellent cast. Phillips?s OLD SCHOOL had Will Ferrell, Vince Vaughn, and Luke Wilson, but even though THE HANGOVER?s cast members aren?t A-listers (yet), they?re just as talented. Cooper and Helms have gotten laughs in WEDDING CRASHERS and THE OFFICE, respectively, but the perfectly awkward Galifianakis is a hilarious surprise. THE HANGOVER is sure to please everyone in the audience, except the easily offended who will cringe from the film?s foul first moments to its over-the-top closing credits.

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A gaggle of single Manhattan women experience the ups and downs of dating in this comedic HBO series that has earned wild popularity for its honesty regarding women's attitudes toward sex and relationships, as well as for its racy content. Sarah Jessica Parker stars as Carrie Bradshaw, the writer of a relationship column, who still has none of the answers. Though the men in her life come and go, Carrie is always surrounded by her friends: sex-hungry publicist Samantha Jones (Kim Cattrall), independent lawyer Miranda Hobbes (Cynthia Nixon), and Park Avenue princess Charlotte York (Kristin Davis). The four women couldn't be more different in their careers and romantic lives, but they come together over laughter and tears, especially where men are concerned. This collection gathers all six seasons of the show loved by women (and secretly watched by men).

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This female flip on "lose your virginity" comedies follows an 18-year-old girl as she tries desperately to become a woman the night before throwing her cap in the air for graduation. With teenage libidos pulsing all around her, getting laid would seem a cinch. Unfortunately, that's easier said than she's done.

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Following up his hit DUDE, WHERE'S MY CAR? writer-director Danny Leiner has come up with the riotous road-trip comedy HAROLD & KUMAR GO TO WHITE CASTLE. Harold (John Cho) has graduated college and is now working at a cubicle, where he is abused by other workers and forced to do their jobs for them. Kumar (Kal Penn) is expected to go to medical school to follow in the footsteps of his father and brother, but he'd rather spend his time partying. The entire film takes place in one night, as wild Kumar is determined to get a sack of burgers at White Castle, even though his more staid roommate would prefer to stay home and finish a project for his officemates. While Kumar seeks fun and adventure, lusting after nearly every woman he meets, Harold dreams only of Maria (Paula Garces), the woman down the hall whom he likes but is too afraid to talk to. Harold & Kumar's excellent adventure includes an outrageous bathroom scene in a college; a cop who takes his job way too seriously; a group of extreme, rad dudes who harass Harold, Kumar, and a convenience store manager; LAW & ORDER: SVU's Chris Meloni as an incredibly disgusting possible psycho; and Neil Patrick Harris playing himself, making fun of his Doogie Howser image. In addition to plenty of raunchy--and very funny--references to sex, drugs, and rock & roll, Leiner also takes on stereotypes and the meaning of love.

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Art imitates life in NATIONAL LAMPOON'S PLEDGE THIS! when Paris Hilton plays Victoria, a beautiful and rich woman that all the girls want to be and all the guys want to be with. Victoria is the head of the Gamma Gammas, the most elite sorority at Miami's South Beach University. Only girls who meet Victoria's strict criteria are allowed entrance into the Greek society. When FHM magazine names the Gamma Gamma girls the hottest sorority in America, Victoria decides to take advantage of both the publicity and the famous magazine's photo shoot. Paula Garces, Simon Rex, and Geoffrey Arend star along with Hilton, and Carmen Electra makes an appearance as well. In the spirit of movies like VAN WILDER and AMERICAN PIE, PLEDGE THIS! is a raunchy comedy about sexy coeds. This release boasts unique special features like topless menus and naked commentary.

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In this funny documentary exploring the many talents of porn star Ron Jeremy, whose stout physical build and hairy back earned him the nickname The Hedgehog, director Scott J. Gill explores the actor from every possible angle while carefully avoiding hard core content. Bubbling with personality, Jeremy is extroverted and perverted, he loves attention of any kind, and he boasts a bold sexual aptitude (which viewers of his movies can certainly assert). Having starred in hundreds of films ranging from the campy THREE FOXES AND A DWEEB (which he directed, casting himself in the role of a professor whose students are especially eager to learn) to the trashy SNATCH MASTERS series (Jeremy starred in parts 9 through 12), this porn star has certainly been around the block. However, PORN STAR is not all breathy bedroom scenes, nor is it laugh-out-loud comedy. The documentary reveals a more human, lonely, vulnerable side of Jeremy that may make viewers reconsider the idea that the porn industry is all fun and games. In fact, maintaining such a prolific career has not been easy for Jeremy, and has taken a toll on his personal relationships. However, that does not subtract from Jeremy's celebrity status in the porn niche or his avid fan base.

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While nearly all Will Ferrell's films are enjoyable on some level, they tend to fire on all cylinders when Adam McKay is involved. McKay co-wrote and directed ANCHORMAN: THE LEGEND OF RON BURGUNDY and TALLADEGA NIGHTS: THE BALLAD OF RICKY BOBBY, two of Ferrell's most popular and consummately hilarious films. McKay reteamed with not only Ferrell for STEP BROTHERS, but also Ferrell's co-star in TALLADEGA NIGHTS, John C. Reilly (who has steadily proven himself to be one of Hollywood's most versatile actors); and though STEP BROTHERS may be the most threadbare of the three movies on which the duo have collaborated, it's arguably their best. The plot is about as simple as they come: Brennan Huff (Ferrell) and Dale Doback (Reilly) are deadbeat man-children thrown together when the single parents with whom they live marry. The two initially despise one another, but become fast friends over a shared love of ninjas, COPS, porno mags, and the comforts of living in the fantasy world of a prolonged adolescence. What makes STEPBROTHERS so much fun, however, has nothing to do with story or script; rather, it's McKay's foresight to step back and let Ferrell and Reilly run wild. The duo kick and punch, fart and burp, laugh and cry, yet somehow elevate such banalities to a level of grotesque poetry, hitting upon what feels like an entirely new comedic language. When the pair act like children, they are not presenting themselves as immature adults, but are literally acting like children, meticulously duplicating everything from the fears and concerns to the speech patterns and awkward physicality of children. It sounds simple enough, but it requires a dexterity and sense of timing and delivery that is actually quite amazing. In the end, STEP BROTHERS is really nothing more than an absurd comedy; then again, isn't that what they called WAITING FOR GODOT?

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A surprise hit comedy, Paul and Chris Weitz's AMERICAN PIE follows four high school friends--Jim (Jason Biggs), Finch (Eddie Kaye Thomas), Kevin (Thomas Ian Nicholas), and Oz (Chris Klein)--through their sexually frustrated senior year. Boy-next-door Kevin hopes to finally lose his virginity to his bubbly girlfriend, Vicky (Tara Reid), while football player Oz begins an unlikely relationship with quiet chorus girl Heather (Mena Suvari). Finch struggles to maintain his cool air of witty detachment, while the neurotic Jim, most famously, has an intimate moment with apple pastry--and, eventually, sexy exchange student Nadia (Shannon Elizabeth). This hysterical yet sensitive movie also features memorable characters such as the ever-wise Jessica (Natasha Lyonne), the imbecilic Stifler (Seann William Scott), the dorky Sherminator (Chris Owen), the flute-playing Michelle (Alyson Hannigan), and Jim's hilariously nerdy dad (Eugene Levy).

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Produced by Judd Apatow and co-written by Seth Rogen--both of 40 YEAR OLD VIRGIN and KNOCKED UP fame--SUPERBAD is the story of two horny teenage geeks looking to lose their virginity before college. Seth (Jonah Hill) and Evan (Michael Cera) are hoping to end high school on a high note, and when one of their crushes (Emma Hill) invites them to a graduation party, the boys are ecstatic. That is, until they become responsible for supplying the party with alcohol. They hurriedly concoct a scheme to use their friend Fogell's (Christopher Mintz-Plasse) horrendously fake ID, but trouble soon arises when Fogell becomes the victim of a liquor store robbery. The cops (Rogen and Bill Hader) show up, and the evening quickly disintegrates into a hilarious mess of misunderstandings, crackhead sing-alongs, and beer mixed with laundry detergent. Hill is a riot as the wild-haired and foul-mouthed Seth, and Mintz-Plasse is great fun as the uber-geek Fogell. But Michael Cera (formerly of ARRESTED DEVELOPMENT) steals the show as the sensitive and levelheaded Evan. His oddball line delivery and excellent comic timing make for some of the most bizarre but best moments of the film. The sexual humor can be pretty graphic at times, which is no doubt what earned the movie its R rating. Yet, despite gross-out jokes involving menstrual blood and penis drawings, SUPERBAD somehow manages to fly far above frat-boy, AMERICAN PIE-style humor. This is partly due to the comedic skill of the actors, but also because the characters--silly and absurd though they can be--are so well-written. Watching these bungling outcasts is a vivid reminder of the horrific lows and supreme highs of high school life, and their antics rather poignantly capture how age 18 can indeed be super bad, but also super good.

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University of Ithaca College freshman Josh (Breckin Meyer) misses his childhood sweetheart, Tiffany (Rachel Blanchard), who is going to school in Austin, Texas. Josh makes a tape proclaiming his love for her, but one of his friends accidentally mails the wrong tape; he instead sends the tape of Josh having sex with the beautiful Beth (Amy Smart). Josh had slept with Beth only after assuming that Tiffany had found someone else. So Josh, E.L. (Seann William Scott), Rubin (Paulo Costanzo), and Kyle (DJ Qualls), the geek with a car, set off in a powder blue Ford Taurus to intercept the tape before Tiffany can see it. They leave behind the insane Barry (Tom Green), who is on the multiyear graduating plan and would rather stay in the dorm and feed a live mouse to Mitch the snake. The group's 1,800-mile trip will feature encounters with exploding cars, crazy motel clerks, too-hip grandparents, stealing from the blind, the wrong fraternity, and that old stand-by, chef's revenge. The story is told in flashback, as the always frightening Tom Green leads a group of prospective students and their parents through an absurdly hilarious tour of the Ithaca campus, selling Josh's story as a reason to attend the school. ROAD TRIP is good raunchy fun, starring a likable cast of characters, told by director Todd Phillips with a charm that places it above the standard teen exploitation flick.

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No two ways about it, Tila Tequila is hot! And speaking of ways, she goes both. In this totally out-of-control, libido-driven bisexual dating show anyone can get lucky. So who will it be? Which of the male or female contestants will get a shot at being with the former Maxim model? Sixteen men and sixteen women enter and will all do their best to impress--and what they are willing to put themselves through rivals anything the reality TV genre has seen before. Now every wild moment is available here, completely uncensored. If fans thought what they saw was nuts before, they're not going to be able to tear their eyes from the screen. There are reality dating shows and then there's A SHOT AT LOVE, taking the format to the next level of outrageous behavior.

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Fraternal twins Conner (Flanery - SUICIDE KINGS) and Murphey (Reedus - GOSSIP) MacMannus are on a mission from God to rid Boston of crime. However, instead of signing up for the police force, these hard-drinking Irish-American brothers take the law into their own hands a la Charles Bronson in DEATH WISH. Heralded as saints by the city's beleaguered residents, the brothers also attract the attention of Paul Smecker (Dafoe - EXISTENZ), the openly gay FBI special agent assigned to investigate the spate of killings amongst the ranks of the Russian mafia. First-time director Duffy pulls out all the breaks in this inventive, action-packed thriller sure to please fans of HARD BOILED and RESERVOIR DOGS.

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This amped action drama stars Vin Diesel as Xander (aka Triple X), a rebellious extreme sports star with a mission to defy authority and create anarchy. In the dramatic opening scene of the movie, Xander pulls an outrageous serious of stunts with the help of a band of similar-minded jocks, broadcasts the whole event live onto the Internet with a network of strategically placed digital cameras, and then avoids being captured by the squadron of police who pursue him. When Triple X is later taken into custody, Gibbons (Samuel L. Jackson), a representative from a government agency, hires the chiseled athlete and turns him into a secret agent with a mission to travel to Prague and collapse a dangerous terrorist cell operated by Yorgi (Martin Csokas) and the seductive Yelena (Asia Argento). Triple X is quickly drawn into Yorgi's lair, a stunning chateau situated in the mountains that is equipped with every high-tech modern amenity imaginable, along with a sizeable team of extra-large Slav bodyguards, a laboratory staffed by top scientists, and an always-ready gaggle of gorgeous concubines. Non-stop stunts, pounding hard-core music, elaborate sets, and inventive costumes make this Rob Cohen-directed adrenaline overload a visually exciting, aurally engaging, highly entertaining success.

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In DODGEBALL: A TRUE UNDERDOG STORY, Ben Stiller and Vince Vaughn team up once again (following STARSKY & HUTCH) for another comic romp. While hilariously satirizing modern-day gym culture, the film also celebrates a sport that has previously been relegated to the elementary school playground. Peter La Fleur (Vaughn) owns the decrepit Average Joe's gym, which has been losing its clients ever since the glitzy Globo Gym opened up across the street. White Goodman (Stiller), Globo Gym's main spokesman, is a preposterously vain egomaniac on the cusp of taking over La Fleur's failing business. La Fleur learns from a beautiful attorney (Christine Taylor) that if he doesn't come up with $50,000 in 30 days, his career running a gym will be over. Potential salvation arrives in the form of a Las Vegas dodgeball tournament, but conquering a sport one hasn't played in several decades isn't such an easy feat. Fortunately for Peter, he finds a coach for his team: the hardheaded, ex-superstar Patches O'Houlihan (Rip Torn). As Peter and his ragtag team make their way to the championship in Las Vegas, they must contend with White, who has assembled a team of his very own. Rawson Marshall Thurber's debut feature is a highly assured work, which features hilarious cameos from Chuck Norris, Lance Armstrong, David Hasselhoff, and William Shatner.

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In this final chapter of the AMERICAN PIE teen comedy trilogy, mishap magnet Jim (Jason Biggs) and former band geek Michelle (Alyson Hannigan) have decided to tie the knot. Jim's friends Finch (Eddie Kaye Thomas) and Kevin (Thomas Ian Nicholas) are on hand to help with preparations, but the trio soon gets an unwanted fourth wheel in the form of the eternally obnoxious Steve "Stifmeister" Stifler (Seann William Scott). Meanwhile, Michelle's lovely younger sister, Cadence (January Jones), arrives and quickly becomes the object of affection for both the scholarly Finch and the loudmouthed Stifler. Who will win the heart of Cadence? And how many things will go wrong before Jim and Michelle walk down the aisle? (Hint: A lot.) By once again balancing the lewd and the crude with the touching, AMERICAN WEDDING continues the charmingly funny yet gross streak of the first two films. Anchored by creator/screenwriter Adam Herz's obvious love for the characters, the film begins with a hilarious proposal scene and keeps the antics coming. As with past films, Biggs and Scott are the instigators of most outrageous acts, but the movie also gives ample screen time to comedy veterans Eugene Levy (once again playing Jim's always-understanding father) and Fred Willard (who portrays Michelle's overprotective dad). A fitting finale to the series, AMERICAN WEDDING doesn't involve pie, but that doesn't mean something can't happen to the cake....

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In COYOTE UGLY, an aspiring songwriter, Violet Sanford (Piper Perabo), leaves her small-town home and her supportive father (John Goodman) for New York City in hopes of starting a music career. But life in the big city is harder than she imagined. Feeling defeated, and unemployed, she hears about a job opening at a bar called Coyote Ugly, and persuades the bar owner, Lil (Mario Bello), to give her a chance among the bar's beautiful brigade of bartenders. When Violet arrives for work the bouncer tells her it's a quiet night, but when she goes inside the bar she is hit by a wall of throbbing music and howling men. Two women are atop the bar, pulling a customer back over it, pulling up his shirt, and pouring beer on his chest. Welcome to COYOTE UGLY. How will Violet deal with the bar? How will it deal with her? What of her songwriting plans? Inside this raucous, raunchy movie, coproduced by Don Simpson and Jerry Bruckheimer (FLASHDANCE), is a sweet romance between Violet and Kevin (Adam Garcia), a refreshing escape from the chaos of the bar.

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