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In this funny documentary exploring the many talents of porn star Ron Jeremy, whose stout physical build and hairy back earned him the nickname The Hedgehog, director Scott J. Gill explores the actor from every possible angle while carefully avoiding hard core content. Bubbling with personality, Jeremy is extroverted and perverted, he loves attention of any kind, and he boasts a bold sexual aptitude (which viewers of his movies can certainly assert). Having starred in hundreds of films ranging from the campy THREE FOXES AND A DWEEB (which he directed, casting himself in the role of a professor whose students are especially eager to learn) to the trashy SNATCH MASTERS series (Jeremy starred in parts 9 through 12), this porn star has certainly been around the block. However, PORN STAR is not all breathy bedroom scenes, nor is it laugh-out-loud comedy. The documentary reveals a more human, lonely, vulnerable side of Jeremy that may make viewers reconsider the idea that the porn industry is all fun and games. In fact, maintaining such a prolific career has not been easy for Jeremy, and has taken a toll on his personal relationships. However, that does not subtract from Jeremy's celebrity status in the porn niche or his avid fan base.

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This sequel to the Russian film NIGHT WATCH centers on an epic battle between forces of good and evil. An uneasy truce has kept the armies at bay for centuries, but that peace is about to end, and it will pit vampires, psychics, and witches against one another. Both factions, the Day Watch and the Night Watch, have beings of extraordinary power called "Great Others," and if these two people meet, a supernatural war will begin. Anton Gorodetsky (Konstantin Khabensky) finds himself torn between his son, the dark side's Great Other, and the woman he loves, the champion for the Light Others. DAY WATCH (DNEVNOI DOZOR) explodes in the mind-bending space between THE MATRIX and UNDERWORLD. The Russian film boasts the same visual verve as THE MATRIX, and it's just as revolutionary. Director Timur Bekmambetov is operating on a completely different level of creativity than most of his peers, fashioning a unique world and jaw-dropping set pieces. The fate of the universe hangs in the balance, but DAY WATCH doesn't take itself too seriously. From humor in the subtitles themselves to jokes at the expense of the Russian bureaucracy, there's a lot of fun to be had at the dawn of the apocalypse. Though NIGHT WATCH was an enjoyable experience, Bekmambetov ups the ante with this sequel, improving on the original in every way. DAY WATCH may clock in at an epic 140 minutes, but it's a tight film filled with action and style.

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No two ways about it, Tila Tequila is hot! And speaking of ways, she goes both. In this totally out-of-control, libido-driven bisexual dating show anyone can get lucky. So who will it be? Which of the male or female contestants will get a shot at being with the former Maxim model? Sixteen men and sixteen women enter and will all do their best to impress--and what they are willing to put themselves through rivals anything the reality TV genre has seen before. Now every wild moment is available here, completely uncensored. If fans thought what they saw was nuts before, they're not going to be able to tear their eyes from the screen. There are reality dating shows and then there's A SHOT AT LOVE, taking the format to the next level of outrageous behavior.

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This amped action drama stars Vin Diesel as Xander (aka Triple X), a rebellious extreme sports star with a mission to defy authority and create anarchy. In the dramatic opening scene of the movie, Xander pulls an outrageous serious of stunts with the help of a band of similar-minded jocks, broadcasts the whole event live onto the Internet with a network of strategically placed digital cameras, and then avoids being captured by the squadron of police who pursue him. When Triple X is later taken into custody, Gibbons (Samuel L. Jackson), a representative from a government agency, hires the chiseled athlete and turns him into a secret agent with a mission to travel to Prague and collapse a dangerous terrorist cell operated by Yorgi (Martin Csokas) and the seductive Yelena (Asia Argento). Triple X is quickly drawn into Yorgi's lair, a stunning chateau situated in the mountains that is equipped with every high-tech modern amenity imaginable, along with a sizeable team of extra-large Slav bodyguards, a laboratory staffed by top scientists, and an always-ready gaggle of gorgeous concubines. Non-stop stunts, pounding hard-core music, elaborate sets, and inventive costumes make this Rob Cohen-directed adrenaline overload a visually exciting, aurally engaging, highly entertaining success.

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A gaggle of single Manhattan women experience the ups and downs of dating in this comedic HBO series that has earned wild popularity for its honesty regarding women's attitudes toward sex and relationships, as well as for its racy content. Sarah Jessica Parker stars as Carrie Bradshaw, the writer of a relationship column, who still has none of the answers. Though the men in her life come and go, Carrie is always surrounded by her friends: sex-hungry publicist Samantha Jones (Kim Cattrall), independent lawyer Miranda Hobbes (Cynthia Nixon), and Park Avenue princess Charlotte York (Kristin Davis). The four women couldn't be more different in their careers and romantic lives, but they come together over laughter and tears, especially where men are concerned. This collection gathers all six seasons of the show loved by women (and secretly watched by men).

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Following up his hit DUDE, WHERE'S MY CAR? writer-director Danny Leiner has come up with the riotous road-trip comedy HAROLD & KUMAR GO TO WHITE CASTLE. Harold (John Cho) has graduated college and is now working at a cubicle, where he is abused by other workers and forced to do their jobs for them. Kumar (Kal Penn) is expected to go to medical school to follow in the footsteps of his father and brother, but he'd rather spend his time partying. The entire film takes place in one night, as wild Kumar is determined to get a sack of burgers at White Castle, even though his more staid roommate would prefer to stay home and finish a project for his officemates. While Kumar seeks fun and adventure, lusting after nearly every woman he meets, Harold dreams only of Maria (Paula Garces), the woman down the hall whom he likes but is too afraid to talk to. Harold & Kumar's excellent adventure includes an outrageous bathroom scene in a college; a cop who takes his job way too seriously; a group of extreme, rad dudes who harass Harold, Kumar, and a convenience store manager; LAW & ORDER: SVU's Chris Meloni as an incredibly disgusting possible psycho; and Neil Patrick Harris playing himself, making fun of his Doogie Howser image. In addition to plenty of raunchy--and very funny--references to sex, drugs, and rock & roll, Leiner also takes on stereotypes and the meaning of love.

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XXX
This amped action drama stars Vin Diesel as Xander (aka Triple X), a rebellious extreme sports star with a mission to defy authority and create anarchy. In the dramatic opening scene of the movie, Xander pulls an outrageous serious of stunts with the help of a band of similar-minded jocks, broadcasts the whole event live onto the Internet with a network of strategically placed digital cameras, and then avoids being captured by the squadron of police who pursue him. When Triple X is later taken into custody, Gibbons (Samuel L. Jackson), a representative from a government agency, hires the chiseled athlete and turns him into a secret agent with a mission to travel to Prague and collapse a dangerous terrorist cell operated by Yorgi (Martin Csokas) and the seductive Yelena (Asia Argento). Triple X is quickly drawn into Yorgi's lair, a stunning chateau situated in the mountains that is equipped with every high-tech modern amenity imaginable, along with a sizeable team of extra-large Slav bodyguards, a laboratory staffed by top scientists, and an always-ready gaggle of gorgeous concubines. Non-stop stunts, pounding hard-core music, elaborate sets, and inventive costumes make this Rob Cohen-directed adrenaline overload a visually exciting, aurally engaging, highly entertaining success.

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By all rights, THE HANGOVER should have been a minor success that did satisfactory box office and lived on through beer-laden guys? night viewings. The marquee boasts no big-name stars, and the premise--an alcohol-soaked bachelor party--seems tried and tired. But OLD SCHOOL director Todd Phillips?s boys-night-out comedy is a blockbuster revelation that revels in raunchy jokes and happily leaves the border of propriety behind. Groom-to-be Doug (Justin Bartha, NATIONAL TREASURE) has planned an epic night in Las Vegas with his two best friends, Phil (Bradley Cooper, YES MAN) and Stu (Ed Helms, THE OFFICE), and his fiancée's awkward brother, Alan (comedian Zach Galifianakis). But it turns out that they partied a little too hard: Phil, Stu, and Alan wake up the next morning with a missing groom, a tiger in the hotel-room bathroom, a baby in the closet, and no memory of the night before. Though the funny script glories in the gutter, the credit for most of the film?s laughs goes to the excellent cast. Phillips?s OLD SCHOOL had Will Ferrell, Vince Vaughn, and Luke Wilson, but even though THE HANGOVER?s cast members aren?t A-listers (yet), they?re just as talented. Cooper and Helms have gotten laughs in WEDDING CRASHERS and THE OFFICE, respectively, but the perfectly awkward Galifianakis is a hilarious surprise. THE HANGOVER is sure to please everyone in the audience, except the easily offended who will cringe from the film?s foul first moments to its over-the-top closing credits.

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While nearly all Will Ferrell's films are enjoyable on some level, they tend to fire on all cylinders when Adam McKay is involved. McKay co-wrote and directed ANCHORMAN: THE LEGEND OF RON BURGUNDY and TALLADEGA NIGHTS: THE BALLAD OF RICKY BOBBY, two of Ferrell's most popular and consummately hilarious films. McKay reteamed with not only Ferrell for STEP BROTHERS, but also Ferrell's co-star in TALLADEGA NIGHTS, John C. Reilly (who has steadily proven himself to be one of Hollywood's most versatile actors); and though STEP BROTHERS may be the most threadbare of the three movies on which the duo have collaborated, it's arguably their best. The plot is about as simple as they come: Brennan Huff (Ferrell) and Dale Doback (Reilly) are deadbeat man-children thrown together when the single parents with whom they live marry. The two initially despise one another, but become fast friends over a shared love of ninjas, COPS, porno mags, and the comforts of living in the fantasy world of a prolonged adolescence. What makes STEPBROTHERS so much fun, however, has nothing to do with story or script; rather, it's McKay's foresight to step back and let Ferrell and Reilly run wild. The duo kick and punch, fart and burp, laugh and cry, yet somehow elevate such banalities to a level of grotesque poetry, hitting upon what feels like an entirely new comedic language. When the pair act like children, they are not presenting themselves as immature adults, but are literally acting like children, meticulously duplicating everything from the fears and concerns to the speech patterns and awkward physicality of children. It sounds simple enough, but it requires a dexterity and sense of timing and delivery that is actually quite amazing. In the end, STEP BROTHERS is really nothing more than an absurd comedy; then again, isn't that what they called WAITING FOR GODOT?

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Katherine Heigl (GREY'S ANATOMY) and Seth Rogen star in this hilarious and touching comedy as two mismatched people brought together by a one-night-stand that results in an accidental pregnancy. Using many of the same actors from his previous film, THE 40-YEAR OLD VIRGIN, and his cult television series' UNDECLARED and FREAKS AND GEEKS, director Judd Apatow once again finds fresh humor in relationships and sex. Young, bright, and talented, Alison (Heigl) has everything going for her. After being promoted to an on-camera role at E! Television, Alison goes out to celebrate with her older sister, Debbie (Leslie Mann). Not long into the evening Debbie is called home to her kids, leaving Alison in the eager company of charming slacker Ben (Rogen). In the dark of the nightclub and in the ensuing drunk hours, Ben seems like a great guy. But in the sober light of day, Alison quickly discovers the man in her bed is nothing more than an overgrown child with no job, no money, and the social habits of a teenager. Brushing him off politely as a one-time affair, Alison goes on with her life, until two months later she realizes that the unthinkable has happened. Apatow establishes the differences between his protagonists early in the film, bringing their contrasting worlds to life with stellar performances by secondary characters. Paul Rudd has never been better in his role as Alison's bitter brother-in-law, whose somewhat dysfunctional marriage to Alison's feisty but insecure sister unfolds in parallel to Alison and Ben's story. Meanwhile, Ben's home resembles a frat house, and his friends (Jay Baruchel, Jason Segel, Jonah Hill, and Martin Starr), while hilarious, are hardly role models. KNOCKED UP will have audiences cracking up from start to finish, and it also deals with some serious issues about commitment, life choices, and becoming an adult. The film asks universal questions in a sweet and touching way, achieving a sad humor that distinguishes it from other films of its genre.

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A surprise hit comedy, Paul and Chris Weitz's AMERICAN PIE follows four high school friends--Jim (Jason Biggs), Finch (Eddie Kaye Thomas), Kevin (Thomas Ian Nicholas), and Oz (Chris Klein)--through their sexually frustrated senior year. Boy-next-door Kevin hopes to finally lose his virginity to his bubbly girlfriend, Vicky (Tara Reid), while football player Oz begins an unlikely relationship with quiet chorus girl Heather (Mena Suvari). Finch struggles to maintain his cool air of witty detachment, while the neurotic Jim, most famously, has an intimate moment with apple pastry--and, eventually, sexy exchange student Nadia (Shannon Elizabeth). This hysterical yet sensitive movie also features memorable characters such as the ever-wise Jessica (Natasha Lyonne), the imbecilic Stifler (Seann William Scott), the dorky Sherminator (Chris Owen), the flute-playing Michelle (Alyson Hannigan), and Jim's hilariously nerdy dad (Eugene Levy).

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This prequel to the frat comedy VAN WILDER revisits the campus titan?s freshman year in college. With his beer bongs prepped and shot glasses polished, Van Wilder (Jonathan Bennett) is amped to start his raunchy tenure at Coolidge College. But a formidable obstacle blocks the party animal?s path: the campus girls have taken a vow of chastity, thanks to the school dean. Can Van Wilder free these pent-up student bodies (especially one belonging LAGUNA BEACH's Kristin Cavallari) before they squander their youth studying?

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Owen Wilson and Vince Vaughn are an unbeatable combination as two Washington DC lawyers who get their kicks, and their girls, by crashing weddings. Displaying talent, wit, intelligence, and ample charm, the pair seldom fails at their mutual mission of seduction. But eventually they get bored with the routine. Everything explodes when they crash an upper-crust wedding given by US Senator William Cleary (Christopher Walken). Jeremy (Vaughn) makes the ostensible mistake of seducing Cleary's sexually ravenous daughter Gloria (Isla Fisher) and John (Wilson) falls head over heels for the beautiful, slightly sarcastic older sister, Claire (Rachel McAdams). But Claire is nearly engaged to a slimy, macho, ivy-league snob played with beady-eyed gusto by ALIAS's Bradley Cooper. The boys get lured away on a weekend trip to the Cleary's estate, which is when the film begins to resemble an early 1930s pre-code comedy with its innuendo-filled banter, eccentric grandmothers, suspicious rivals, and copious bed-hopping. Vaughn's motor-mouth aggression plays off Wilson's irresistible sensitivity (and vice versa) to such perfection that they leave other contemporary romantic comedy teams in the dust. They manage to get plenty of laughs and warmth from their believably close male friendship without resorting to any clichéd homoerotic references. Their respective love interests are also outstanding, particularly McAdams who displays extraordinary wit and presence in addition to her stunning beauty. Walken is surprisingly low-key as the senator, tuning his usual craziness down to a few tensile stares. Seventies mini-series staple Jane Seymour is memorable as the senator's sex-starved, boozed-up wife, who makes a play for John.

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Fraternal twins Conner (Flanery - SUICIDE KINGS) and Murphey (Reedus - GOSSIP) MacMannus are on a mission from God to rid Boston of crime. However, instead of signing up for the police force, these hard-drinking Irish-American brothers take the law into their own hands a la Charles Bronson in DEATH WISH. Heralded as saints by the city's beleaguered residents, the brothers also attract the attention of Paul Smecker (Dafoe - EXISTENZ), the openly gay FBI special agent assigned to investigate the spate of killings amongst the ranks of the Russian mafia. First-time director Duffy pulls out all the breaks in this inventive, action-packed thriller sure to please fans of HARD BOILED and RESERVOIR DOGS.

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By all rights, THE HANGOVER should have been a minor success that did satisfactory box office and lived on through beer-laden guys? night viewings. The marquee boasts no big-name stars, and the premise--an alcohol-soaked bachelor party--seems tried and tired. But OLD SCHOOL director Todd Phillips?s boys-night-out comedy is a blockbuster revelation that revels in raunchy jokes and happily leaves the border of propriety behind. Groom-to-be Doug (Justin Bartha, NATIONAL TREASURE) has planned an epic night in Las Vegas with his two best friends, Phil (Bradley Cooper, YES MAN) and Stu (Ed Helms, THE OFFICE), and his fiancée's awkward brother, Alan (comedian Zach Galifianakis). But it turns out that they partied a little too hard: Phil, Stu, and Alan wake up the next morning with a missing groom, a tiger in the hotel-room bathroom, a baby in the closet, and no memory of the night before. Though the funny script glories in the gutter, the credit for most of the film?s laughs goes to the excellent cast. Phillips?s OLD SCHOOL had Will Ferrell, Vince Vaughn, and Luke Wilson, but even though THE HANGOVER?s cast members aren?t A-listers (yet), they?re just as talented. Cooper and Helms have gotten laughs in WEDDING CRASHERS and THE OFFICE, respectively, but the perfectly awkward Galifianakis is a hilarious surprise. THE HANGOVER is sure to please everyone in the audience, except the easily offended who will cringe from the film?s foul first moments to its over-the-top closing credits.

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This sequel to the Russian film NIGHT WATCH centers on an epic battle between forces of good and evil. An uneasy truce has kept the armies at bay for centuries, but that peace is about to end, and it will pit vampires, psychics, and witches against one another. Both factions, the Day Watch and the Night Watch, have beings of extraordinary power called "Great Others," and if these two people meet, a supernatural war will begin. Anton Gorodetsky (Konstantin Khabensky) finds himself torn between his son, the dark side's Great Other, and the woman he loves, the champion for the Light Others. DAY WATCH (DNEVNOI DOZOR) explodes in the mind-bending space between THE MATRIX and UNDERWORLD. The Russian film boasts the same visual verve as THE MATRIX, and it's just as revolutionary. Director Timur Bekmambetov is operating on a completely different level of creativity than most of his peers, fashioning a unique world and jaw-dropping set pieces. The fate of the universe hangs in the balance, but DAY WATCH doesn't take itself too seriously. From humor in the subtitles themselves to jokes at the expense of the Russian bureaucracy, there's a lot of fun to be had at the dawn of the apocalypse. Though NIGHT WATCH was an enjoyable experience, Bekmambetov ups the ante with this sequel, improving on the original in every way. DAY WATCH may clock in at an epic 140 minutes, but it's a tight film filled with action and style.

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A clever, refreshing take on the "teensploitation" comedy, presented from the female perspective. Stream (Root) and her elite New York City prep school friends Jenny (Hoffmann) and Nell (Vessey) seemingly have it all--brains, looks, money, popularity--but when Stream looses her virginity to the ultra-popular "butter boy" Chad (Roday), she's left feeling that she's missing something... satisfaction. Confused, unfulfilled, and armed with a stack of self-help books, women's magazines and the comically misinformed advice of her peers, Stream besets upon a quest to achieve the ecstasy so often promised, but so rarely delivered.

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University of Ithaca College freshman Josh (Breckin Meyer) misses his childhood sweetheart, Tiffany (Rachel Blanchard), who is going to school in Austin, Texas. Josh makes a tape proclaiming his love for her, but one of his friends accidentally mails the wrong tape; he instead sends the tape of Josh having sex with the beautiful Beth (Amy Smart). Josh had slept with Beth only after assuming that Tiffany had found someone else. So Josh, E.L. (Seann William Scott), Rubin (Paulo Costanzo), and Kyle (DJ Qualls), the geek with a car, set off in a powder blue Ford Taurus to intercept the tape before Tiffany can see it. They leave behind the insane Barry (Tom Green), who is on the multiyear graduating plan and would rather stay in the dorm and feed a live mouse to Mitch the snake. The group's 1,800-mile trip will feature encounters with exploding cars, crazy motel clerks, too-hip grandparents, stealing from the blind, the wrong fraternity, and that old stand-by, chef's revenge. The story is told in flashback, as the always frightening Tom Green leads a group of prospective students and their parents through an absurdly hilarious tour of the Ithaca campus, selling Josh's story as a reason to attend the school. ROAD TRIP is good raunchy fun, starring a likable cast of characters, told by director Todd Phillips with a charm that places it above the standard teen exploitation flick.

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This female flip on "lose your virginity" comedies follows an 18-year-old girl as she tries desperately to become a woman the night before throwing her cap in the air for graduation. With teenage libidos pulsing all around her, getting laid would seem a cinch. Unfortunately, that's easier said than she's done.

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Though it is one of America's most popular sporting events, the association of NASCAR with uneducated, backwards rednecks seems cemented into the American consciousness. So the brilliant comedy TALLADEGA NIGHTS: THE BALLAD OF RICKY BOBBY, is not just a sidesplitting series of slapstick pratfalls and over-the-top accents, but a lens into an important part of American culture. Comic sensation Will Ferrell (SATURDAY NIGHT LIVE, ANCHORMAN) plays the title character, Ricky Bobby, a figure who is at once laughably ridiculous, infuriating, and loveable. Ricky Bobby, with his bleached-blond wife, cute sons Walker and Texas Ranger, and dim-bulb sidekick Cal (award-winning actor John C. Reilly, flexing his considerable comedic muscle), has got it made. He is NASCAR's most popular driver, and nearly every aspect of his life is endorsed by a recognizable product. Yet his racetrack kingdom is not unshakeable: two formidable opponents, his unpleasable father, Reese (Gary Cole), and a flashy new opponent, the openly gay French import Jean (played by a hilarious Sasha Baron Cohen, known to millions as Ali G), threaten to hijack his crown and expose his vulnerabilities. Though many of the jokes are easy laughs (having Ferrell run around shirtless is a guaranteed guffaw-fest), the script (co-written by Farrell and Adam McKay) is nuanced and intelligent, lending its characters much more sympathy and complexity than dumber comedies are want to do. And every performer--from Ferrell to Amy Adams (as Susan, Bobby's fawning assistant)--tackles his or her part with joy and relish. A knee-slapper with smarts and savvy, TALLADEGA NIGHTS ensures Ferrell's position as one of comedy's shining talents.

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