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Radio Days [DVD]
 

Radio Days [DVD]

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Radio Days [DVD]
RADIO DAYS is Woody Allen's charming, nostalgic, very funny love letter to growing up in 1940s Brooklyn during the golden age of radio. The setting is the close-knit working-class neighborhood of Rockaway, New York, where a warm, crazy, sprawling Jewish family lives, sharing their happiness as well as their disappointments. The youngest member of the family, Joe (Seth Green, of television's BUFFY THE VAMPIRE SLAYER), dreams of the glamour and excitement of Manhattan conjured up by the radio programs he and his family listen raptly to each night. Presented in a tapestry of interlocking vignettes, RADIO DAYS weaves tales of everyday family life with glimpses of the glittering--and not so glittering--world of established and aspiring radio celebrities. Allen makes the radio the film's central figure, taking its place as communicator to the world, existing almost as another member of the family. Allen and director of photography Carlo DiPalma capture the look and feel of the time marvelously, and the music is a joy to listen to. The result is a comic, bittersweet, kaleidoscopic look at a long-gone New York that is one of writer-director Woody Allen's most fully realized--and most enjoyable--films.

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$7
The Purple Rose of Cairo [DVD]
 

The Purple Rose of Cairo [DVD]

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$7
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The Purple Rose of Cairo [DVD]
The film that Woody Allen has said is his favorite of all that he's made, THE PURPLE ROSE OF CAIRO unites the competing tendencies in his work towards realism (be it comic, as in ANNIE HALL, or dramatic, as in INTERIORS) and comedic fantasy (such as SLEEPER or BANANAS). Cecilia (Mia Farrow) lives in New Jersey during the Great Depression, which appropriately describes her mood: she works a dead-end job as a waitress that supports her and her abusive, deadbeat husband Monk (Danny Aiello). Her only release is at the cinema, where she repeatedly goes to see a trite romantic adventure called "The Purple Rose of Cairo." But when Tom Baxter (Jeff Daniels), the lead character of the film, steps off the screen and falls in love with her, Cecilia has to deal with the disjoint between her own life and the glamorous world on the screen. Although the film begins realistically--there is close attention paid to period setting and costuming--the conceit of a film character emerging from the screen is one Allen would rarely use except in his outright comedies. However, THE PURPLE ROSE OF CAIRO blends dramatic and fish-out-of-water comedic situations to explore the disparity between the real world and fantasy. What is really at issue in the film is the positive psychological effects of the fantasies of the traditional film world. The film is the product of a true film lover, and stands as Allen's defense of the entertainments often derided by critics and other filmmakers of his stature. He received an Academy Award nomination for the screenplay.

starting at

$7
The Purple Rose of Cairo [VHS]
 

The Purple Rose of Cairo [VHS]

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The Purple Rose of Cairo [VHS]
The film that Woody Allen has said is his favorite of all that he's made, THE PURPLE ROSE OF CAIRO unites the competing tendencies in his work towards realism (be it comic, as in ANNIE HALL, or dramatic, as in INTERIORS) and comedic fantasy (such as SLEEPER or BANANAS). Cecilia (Mia Farrow) lives in New Jersey during the Great Depression, which appropriately describes her mood: she works a dead-end job as a waitress that supports her and her abusive, deadbeat husband Monk (Danny Aiello). Her only release is at the cinema, where she repeatedly goes to see a trite romantic adventure called "The Purple Rose of Cairo." But when Tom Baxter (Jeff Daniels), the lead character of the film, steps off the screen and falls in love with her, Cecilia has to deal with the disjoint between her own life and the glamorous world on the screen. Although the film begins realistically--there is close attention paid to period setting and costuming--the conceit of a film character emerging from the screen is one Allen would rarely use except in his outright comedies. However, THE PURPLE ROSE OF CAIRO blends dramatic and fish-out-of-water comedic situations to explore the disparity between the real world and fantasy. What is really at issue in the film is the positive psychological effects of the fantasies of the traditional film world. The film is the product of a true film lover, and stands as Allen's defense of the entertainments often derided by critics and other filmmakers of his stature. He received an Academy Award nomination for the screenplay.
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Radio Days [VHS]
 

Radio Days [VHS]

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Radio Days [VHS]
RADIO DAYS is Woody Allen's charming, nostalgic, very funny love letter to growing up in 1940s Brooklyn during the golden age of radio. The setting is the close-knit working-class neighborhood of Rockaway, New York, where a warm, crazy, sprawling Jewish family lives, sharing their happiness as well as their disappointments. The youngest member of the family, Joe (Seth Green, of television's BUFFY THE VAMPIRE SLAYER), dreams of the glamour and excitement of Manhattan conjured up by the radio programs he and his family listen raptly to each night. Presented in a tapestry of interlocking vignettes, RADIO DAYS weaves tales of everyday family life with glimpses of the glittering--and not so glittering--world of established and aspiring radio celebrities. Allen makes the radio the film's central figure, taking its place as communicator to the world, existing almost as another member of the family. Allen and director of photography Carlo DiPalma capture the look and feel of the time marvelously, and the music is a joy to listen to. The result is a comic, bittersweet, kaleidoscopic look at a long-gone New York that is one of writer-director Woody Allen's most fully realized--and most enjoyable--films.
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Radio Days [VHS]
 

Radio Days [VHS]

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Radio Days [VHS]
RADIO DAYS is Woody Allen's charming, nostalgic, very funny love letter to growing up in 1940s Brooklyn during the golden age of radio. The setting is the close-knit working-class neighborhood of Rockaway, New York, where a warm, crazy, sprawling Jewish family lives, sharing their happiness as well as their disappointments. The youngest member of the family, Joe (Seth Green, of television's BUFFY THE VAMPIRE SLAYER), dreams of the glamour and excitement of Manhattan conjured up by the radio programs he and his family listen raptly to each night. Presented in a tapestry of interlocking vignettes, RADIO DAYS weaves tales of everyday family life with glimpses of the glittering--and not so glittering--world of established and aspiring radio celebrities. Allen makes the radio the film's central figure, taking its place as communicator to the world, existing almost as another member of the family. Allen and director of photography Carlo DiPalma capture the look and feel of the time marvelously, and the music is a joy to listen to. The result is a comic, bittersweet, kaleidoscopic look at a long-gone New York that is one of writer-director Woody Allen's most fully realized--and most enjoyable--films.
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Radio Days [Laserdisc]
 

Radio Days [Laserdisc]

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Radio Days [Laserdisc]
RADIO DAYS is Woody Allen's charming, nostalgic, very funny love letter to growing up in 1940s Brooklyn during the golden age of radio. The setting is the close-knit working-class neighborhood of Rockaway, New York, where a warm, crazy, sprawling Jewish family lives, sharing their happiness as well as their disappointments. The youngest member of the family, Joe (Seth Green, of television's BUFFY THE VAMPIRE SLAYER), dreams of the glamour and excitement of Manhattan conjured up by the radio programs he and his family listen raptly to each night. Presented in a tapestry of interlocking vignettes, RADIO DAYS weaves tales of everyday family life with glimpses of the glittering--and not so glittering--world of established and aspiring radio celebrities. Allen makes the radio the film's central figure, taking its place as communicator to the world, existing almost as another member of the family. Allen and director of photography Carlo DiPalma capture the look and feel of the time marvelously, and the music is a joy to listen to. The result is a comic, bittersweet, kaleidoscopic look at a long-gone New York that is one of writer-director Woody Allen's most fully realized--and most enjoyable--films.
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Radio Days [VHS]
 

Radio Days [VHS]

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Radio Days [VHS]
RADIO DAYS is Woody Allen's charming, nostalgic, very funny love letter to growing up in 1940s Brooklyn during the golden age of radio. The setting is the close-knit working-class neighborhood of Rockaway, New York, where a warm, crazy, sprawling Jewish family lives, sharing their happiness as well as their disappointments. The youngest member of the family, Joe (Seth Green, of television's BUFFY THE VAMPIRE SLAYER), dreams of the glamour and excitement of Manhattan conjured up by the radio programs he and his family listen raptly to each night. Presented in a tapestry of interlocking vignettes, RADIO DAYS weaves tales of everyday family life with glimpses of the glittering--and not so glittering--world of established and aspiring radio celebrities. Allen makes the radio the film's central figure, taking its place as communicator to the world, existing almost as another member of the family. Allen and director of photography Carlo DiPalma capture the look and feel of the time marvelously, and the music is a joy to listen to. The result is a comic, bittersweet, kaleidoscopic look at a long-gone New York that is one of writer-director Woody Allen's most fully realized--and most enjoyable--films.
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The Purple Rose of Cairo [VHS]
 

The Purple Rose of Cairo [VHS]

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The Purple Rose of Cairo [VHS]
The film that Woody Allen has said is his favorite of all that he's made, THE PURPLE ROSE OF CAIRO unites the competing tendencies in his work towards realism (be it comic, as in ANNIE HALL, or dramatic, as in INTERIORS) and comedic fantasy (such as SLEEPER or BANANAS). Cecilia (Mia Farrow) lives in New Jersey during the Great Depression, which appropriately describes her mood: she works a dead-end job as a waitress that supports her and her abusive, deadbeat husband Monk (Danny Aiello). Her only release is at the cinema, where she repeatedly goes to see a trite romantic adventure called "The Purple Rose of Cairo." But when Tom Baxter (Jeff Daniels), the lead character of the film, steps off the screen and falls in love with her, Cecilia has to deal with the disjoint between her own life and the glamorous world on the screen. Although the film begins realistically--there is close attention paid to period setting and costuming--the conceit of a film character emerging from the screen is one Allen would rarely use except in his outright comedies. However, THE PURPLE ROSE OF CAIRO blends dramatic and fish-out-of-water comedic situations to explore the disparity between the real world and fantasy. What is really at issue in the film is the positive psychological effects of the fantasies of the traditional film world. The film is the product of a true film lover, and stands as Allen's defense of the entertainments often derided by critics and other filmmakers of his stature. He received an Academy Award nomination for the screenplay.
See More Info
The Purple Rose of Cairo [VHS]
 

The Purple Rose of Cairo [VHS]

See More Info
  • product
The Purple Rose of Cairo [VHS]
The film that Woody Allen has said is his favorite of all that he's made, THE PURPLE ROSE OF CAIRO unites the competing tendencies in his work towards realism (be it comic, as in ANNIE HALL, or dramatic, as in INTERIORS) and comedic fantasy (such as SLEEPER or BANANAS). Cecilia (Mia Farrow) lives in New Jersey during the Great Depression, which appropriately describes her mood: she works a dead-end job as a waitress that supports her and her abusive, deadbeat husband Monk (Danny Aiello). Her only release is at the cinema, where she repeatedly goes to see a trite romantic adventure called "The Purple Rose of Cairo." But when Tom Baxter (Jeff Daniels), the lead character of the film, steps off the screen and falls in love with her, Cecilia has to deal with the disjoint between her own life and the glamorous world on the screen. Although the film begins realistically--there is close attention paid to period setting and costuming--the conceit of a film character emerging from the screen is one Allen would rarely use except in his outright comedies. However, THE PURPLE ROSE OF CAIRO blends dramatic and fish-out-of-water comedic situations to explore the disparity between the real world and fantasy. What is really at issue in the film is the positive psychological effects of the fantasies of the traditional film world. The film is the product of a true film lover, and stands as Allen's defense of the entertainments often derided by critics and other filmmakers of his stature. He received an Academy Award nomination for the screenplay.
See More Info
The Purple Rose of Cairo [VHS]
 

The Purple Rose of Cairo [VHS]

See More Info
  • product
The Purple Rose of Cairo [VHS]
The film that Woody Allen has said is his favorite of all that he's made, THE PURPLE ROSE OF CAIRO unites the competing tendencies in his work towards realism (be it comic, as in ANNIE HALL, or dramatic, as in INTERIORS) and comedic fantasy (such as SLEEPER or BANANAS). Cecilia (Mia Farrow) lives in New Jersey during the Great Depression, which appropriately describes her mood: she works a dead-end job as a waitress that supports her and her abusive, deadbeat husband Monk (Danny Aiello). Her only release is at the cinema, where she repeatedly goes to see a trite romantic adventure called "The Purple Rose of Cairo." But when Tom Baxter (Jeff Daniels), the lead character of the film, steps off the screen and falls in love with her, Cecilia has to deal with the disjoint between her own life and the glamorous world on the screen. Although the film begins realistically--there is close attention paid to period setting and costuming--the conceit of a film character emerging from the screen is one Allen would rarely use except in his outright comedies. However, THE PURPLE ROSE OF CAIRO blends dramatic and fish-out-of-water comedic situations to explore the disparity between the real world and fantasy. What is really at issue in the film is the positive psychological effects of the fantasies of the traditional film world. The film is the product of a true film lover, and stands as Allen's defense of the entertainments often derided by critics and other filmmakers of his stature. He received an Academy Award nomination for the screenplay.
See More Info
The Purple Rose of Cairo [VHS]
 

The Purple Rose of Cairo [VHS]

See More Info
  • product
The Purple Rose of Cairo [VHS]
The film that Woody Allen has said is his favorite of all that he's made, THE PURPLE ROSE OF CAIRO unites the competing tendencies in his work towards realism (be it comic, as in ANNIE HALL, or dramatic, as in INTERIORS) and comedic fantasy (such as SLEEPER or BANANAS). Cecilia (Mia Farrow) lives in New Jersey during the Great Depression, which appropriately describes her mood: she works a dead-end job as a waitress that supports her and her abusive, deadbeat husband Monk (Danny Aiello). Her only release is at the cinema, where she repeatedly goes to see a trite romantic adventure called "The Purple Rose of Cairo." But when Tom Baxter (Jeff Daniels), the lead character of the film, steps off the screen and falls in love with her, Cecilia has to deal with the disjoint between her own life and the glamorous world on the screen. Although the film begins realistically--there is close attention paid to period setting and costuming--the conceit of a film character emerging from the screen is one Allen would rarely use except in his outright comedies. However, THE PURPLE ROSE OF CAIRO blends dramatic and fish-out-of-water comedic situations to explore the disparity between the real world and fantasy. What is really at issue in the film is the positive psychological effects of the fantasies of the traditional film world. The film is the product of a true film lover, and stands as Allen's defense of the entertainments often derided by critics and other filmmakers of his stature. He received an Academy Award nomination for the screenplay.
See More Info
The Purple Rose of Cairo [VHS]
 

The Purple Rose of Cairo [VHS]

See More Info
  • product
The Purple Rose of Cairo [VHS]
The film that Woody Allen has said is his favorite of all that he's made, THE PURPLE ROSE OF CAIRO unites the competing tendencies in his work towards realism (be it comic, as in ANNIE HALL, or dramatic, as in INTERIORS) and comedic fantasy (such as SLEEPER or BANANAS). Cecilia (Mia Farrow) lives in New Jersey during the Great Depression, which appropriately describes her mood: she works a dead-end job as a waitress that supports her and her abusive, deadbeat husband Monk (Danny Aiello). Her only release is at the cinema, where she repeatedly goes to see a trite romantic adventure called "The Purple Rose of Cairo." But when Tom Baxter (Jeff Daniels), the lead character of the film, steps off the screen and falls in love with her, Cecilia has to deal with the disjoint between her own life and the glamorous world on the screen. Although the film begins realistically--there is close attention paid to period setting and costuming--the conceit of a film character emerging from the screen is one Allen would rarely use except in his outright comedies. However, THE PURPLE ROSE OF CAIRO blends dramatic and fish-out-of-water comedic situations to explore the disparity between the real world and fantasy. What is really at issue in the film is the positive psychological effects of the fantasies of the traditional film world. The film is the product of a true film lover, and stands as Allen's defense of the entertainments often derided by critics and other filmmakers of his stature. He received an Academy Award nomination for the screenplay.
See More Info
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