Woody allen elaine stritch pg mpaa in DVDs & Videos

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Woody Allen returns to his slapstick days with this comic romp, which centers on a small-time hood, Ray Winkler, who just can't catch a break. It's as if Virgil Starkwell (Allen's hysterically incompetent criminal mastermind from TAKE THE MONEY AND RUN) has finally gotten out of prison and is still up to his old scheming. Against his wife Frenchy's (Tracey Ullman) better judgment, Ray puts together a ragtag group of misfits, including a scene-stealing Elaine May, and immerses them in a crazy plot to rob a bank. But everything gets upended when their front, a cookie store, takes off, thrusting the Winklers into the upper echelons of New York's high society. SMALL TIME CROOKS looks like no other Allen film; gone are the black-and-white shades of Manhattan, replaced instead by the ridiculously loud shirts Ray wears and the perfectly garish furniture and artwork Frenchy accumulates. Even the Allen soundtrack, usually exclusively jazz, big band, and Dixieland standards, features "Tequila" by the Champs as an underlying theme. What stands out most of all, however, is the offbeat, charming relationship between Ray and Frenchy, two ne'er-do-wells who get to spend a little time at the top.

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In a serene Vermont country house, six people share their dreams, their fears, and their desires, as secrets are revealed and trusts broken. The cast is led by Mia Farrow, who plays Lane, a woman who has never fully dealt with a long-ago shooting. Elaine Stritch plays Diane, Lane's mother, who never stops talking about her wild past spent with movie stars and gangsters; she is married to Lloyd (Jack Warden), a physicist with a gloomy view of the future of the universe. Sam Waterston plays Peter, a divorced writer wanna-be who loves Stephanie (Dianne Wiest), Lane's married best friend. Finally, Denholm Elliott plays Howard, the older and wiser professor who is coming to terms with his feelings for Lane. Writer-director Woody Allen's SEPTEMBER is a mature, grim, serious film, close in theme and pacing to INTERIORS, very different from such spirited romantic comedies as ANNIE HALL and HANNAH AND HER SISTERS.

starting at

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  • product
Woody Allen returns to his slapstick days with this comic romp, which centers on a small-time hood, Ray Winkler, who just can't catch a break. It's as if Virgil Starkwell (Allen's hysterically incompetent criminal mastermind from TAKE THE MONEY AND RUN) has finally gotten out of prison and is still up to his old scheming. Against his wife Frenchy's (Tracey Ullman) better judgment, Ray puts together a ragtag group of misfits, including a scene-stealing Elaine May, and immerses them in a crazy plot to rob a bank. But everything gets upended when their front, a cookie store, takes off, thrusting the Winklers into the upper echelons of New York's high society. SMALL TIME CROOKS looks like no other Allen film; gone are the black-and-white shades of Manhattan, replaced instead by the ridiculously loud shirts Ray wears and the perfectly garish furniture and artwork Frenchy accumulates. Even the Allen soundtrack, usually exclusively jazz, big band, and Dixieland standards, features "Tequila" by the Champs as an underlying theme. What stands out most of all, however, is the offbeat, charming relationship between Ray and Frenchy, two ne'er-do-wells who get to spend a little time at the top.
 
  • product
Woody Allen returns to his slapstick days with this comic romp, which centers on a small-time hood, Ray Winkler, who just can't catch a break. It's as if Virgil Starkwell (Allen's hysterically incompetent criminal mastermind from TAKE THE MONEY AND RUN) has finally gotten out of prison and is still up to his old scheming. Against his wife Frenchy's (Tracey Ullman) better judgment, Ray puts together a ragtag group of misfits, including a scene-stealing Elaine May, and immerses them in a crazy plot to rob a bank. But everything gets upended when their front, a cookie store, takes off, thrusting the Winklers into the upper echelons of New York's high society. SMALL TIME CROOKS looks like no other Allen film; gone are the black-and-white shades of Manhattan, replaced instead by the ridiculously loud shirts Ray wears and the perfectly garish furniture and artwork Frenchy accumulates. Even the Allen soundtrack, usually exclusively jazz, big band, and Dixieland standards, features "Tequila" by the Champs as an underlying theme. What stands out most of all, however, is the offbeat, charming relationship between Ray and Frenchy, two ne'er-do-wells who get to spend a little time at the top.
 
  • product
In a serene Vermont country house, six people share their dreams, their fears, and their desires, as secrets are revealed and trusts broken. The cast is led by Mia Farrow, who plays Lane, a woman who has never fully dealt with a long-ago shooting. Elaine Stritch plays Diane, Lane's mother, who never stops talking about her wild past spent with movie stars and gangsters; she is married to Lloyd (Jack Warden), a physicist with a gloomy view of the future of the universe. Sam Waterston plays Peter, a divorced writer wanna-be who loves Stephanie (Dianne Wiest), Lane's married best friend. Finally, Denholm Elliott plays Howard, the older and wiser professor who is coming to terms with his feelings for Lane. Writer-director Woody Allen's SEPTEMBER is a mature, grim, serious film, close in theme and pacing to INTERIORS, very different from such spirited romantic comedies as ANNIE HALL and HANNAH AND HER SISTERS.
 
  • product
In a serene Vermont country house, six people share their dreams, their fears, and their desires, as secrets are revealed and trusts broken. The cast is led by Mia Farrow, who plays Lane, a woman who has never fully dealt with a long-ago shooting. Elaine Stritch plays Diane, Lane's mother, who never stops talking about her wild past spent with movie stars and gangsters; she is married to Lloyd (Jack Warden), a physicist with a gloomy view of the future of the universe. Sam Waterston plays Peter, a divorced writer wanna-be who loves Stephanie (Dianne Wiest), Lane's married best friend. Finally, Denholm Elliott plays Howard, the older and wiser professor who is coming to terms with his feelings for Lane. Writer-director Woody Allen's SEPTEMBER is a mature, grim, serious film, close in theme and pacing to INTERIORS, very different from such spirited romantic comedies as ANNIE HALL and HANNAH AND HER SISTERS.
 
  • product
In a serene Vermont country house, six people share their dreams, their fears, and their desires, as secrets are revealed and trusts broken. The cast is led by Mia Farrow, who plays Lane, a woman who has never fully dealt with a long-ago shooting. Elaine Stritch plays Diane, Lane's mother, who never stops talking about her wild past spent with movie stars and gangsters; she is married to Lloyd (Jack Warden), a physicist with a gloomy view of the future of the universe. Sam Waterston plays Peter, a divorced writer wanna-be who loves Stephanie (Dianne Wiest), Lane's married best friend. Finally, Denholm Elliott plays Howard, the older and wiser professor who is coming to terms with his feelings for Lane. Writer-director Woody Allen's SEPTEMBER is a mature, grim, serious film, close in theme and pacing to INTERIORS, very different from such spirited romantic comedies as ANNIE HALL and HANNAH AND HER SISTERS.
 
  • product
In a serene Vermont country house, six people share their dreams, their fears, and their desires, as secrets are revealed and trusts broken. The cast is led by Mia Farrow, who plays Lane, a woman who has never fully dealt with a long-ago shooting. Elaine Stritch plays Diane, Lane's mother, who never stops talking about her wild past spent with movie stars and gangsters; she is married to Lloyd (Jack Warden), a physicist with a gloomy view of the future of the universe. Sam Waterston plays Peter, a divorced writer wanna-be who loves Stephanie (Dianne Wiest), Lane's married best friend. Finally, Denholm Elliott plays Howard, the older and wiser professor who is coming to terms with his feelings for Lane. Writer-director Woody Allen's SEPTEMBER is a mature, grim, serious film, close in theme and pacing to INTERIORS, very different from such spirited romantic comedies as ANNIE HALL and HANNAH AND HER SISTERS.
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