Woody allen woody allen not in DVDs & Videos

Description:

Comedic genius Peter Sellers brings his talent to these four classics: THE PINK PANTHER, CASINO ROYALE, THE PARTY, and WHAT'S NEW PUSSYCAT? See individual titles for synopsis information.

Description:

A collection of eight of director Allen's finest works, from what he self-mockingly referred to in STARDUST MEMORIES as his "earlier, funnier ones" to his deconstructionist comedy-dramas of the late 70s. Includes: ANNIE HALL, BANANAS, EVERYTHING YOU ALWAYS WANTED TO KNOW ABOUT SEX* (*But Were Afraid to Ask), INTERIORS, LOVE AND DEATH, MANHATTAN, SLEEPER, and STARDUST MEMORIES.

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A screen adaption of Neil Simon's hilarious story of two legendary comedians (Allen, Falk) and their return to the stage after a lengthy hiatus from show business and each other.

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Woody Allen combined the best parts of his earlier films in creating HANNAH AND HER SISTERS, his 1986 masterwork about the changing relationships among three sisters living in New York City. Hannah (Mia Farrow) has put her acting career aside in order to take care of her family with second husband Elliot (Michael Caine in an Oscar-winning performance). Elliot has fallen in love with Hannah's sister Lee (Barbara Hershey), who herself is feeling suffocated by her cynical, mean-spirited loner of a lover, played with great intensity by Ingmar Bergman regular Max von Sydow. Meanwhile, third sister Holly (Oscar winnner Dianne Wiest) is struggling to find her own voice, working as a caterer while she tries to get her own acting career going. And in the middle of everything is Mickey (Woody Allen at his most neurotic), a television writer who is divorced from Hannah, has dated Holly, and, when he suspects he might have a brain tumor, decides to reevaluate his life and his faith in God. HANNAH AND HER SISTERS is Allen's most fully realized, optimistic adult comedy. He won a well-deserved Oscar for his marvelous screenplay, filled with his trademark sharp, witty dialogue, his undying passion for New York (its culture, architecture, music, romance), and some of his most well developed characters. The cast is extraordinary, the music illuminating, the settings magnificent. Taking place over the course of a few Thanksgivings, Allen's insightful, wonderful film is a thoroughly enjoyable mature look at the trials, tribulations, and triumphs of family life.

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A fashion editor seeking psychiatric help finds that his analyst is the one in need of professional services. Great script by Woody Allen.

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This swinging spoof of Ian Fleming's spy hero features an aging James Bond (David Niven), reluctantly dragged out of retirement to chase down the evil crime clique called SMERSH. In order to confound the forces led by the villainous Le Chiffre (Orson Welles), the Secret Service enlists five other agents, also under the name "Bond," and all six converge on the titular casino. Meanwhile, Woody Allen, as the retiring secret agent's nephew, causes havoc at every turn. The gleefully chaotic product of five directors, numerous screenwriters, and the late 1960s in general, CASINO ROYALE revels in its psychedelic spy satire premise. The comedy features a legion of stars in roles both large and small: Niven, Welles, Allen, Peter Sellers, Ursula Andress, William Holden, Jean-Paul Belmondo, Jacqueline Bisset, Deborah Kerr, and many more. (Apparently, Sellers and Welles despised each other, and Sellers would frequently not show up for his scenes.) Amid the wackiness, there are genuine moments of hilarity, making the film a surreal romp through Bond lore and the more eccentric aspects of 1960s pop culture.

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A lovable schlub of a Broadway agent struggles to revive the sagging careers of of his motley clients. His misguided efforts to get a fading lounge singer's career back on track land him right in the middle of a gangland battle.

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Time-Life has picked out a wide array of some of the best and funniest live comedy moments from the 1950s and '60s. These comedians were masters of the genre, brought up on vaudeville and at their best on live television, where they were seen by millions of viewers. Some of the many stars featured here include Bob Hope, Woody Allen, Lucille Ball, Bill Cosby, Bob Newhart, and Abbot and Costello. Rare footage, along with more famous clips, is presented in this wide-ranging and extensive collection, which combines nostalgia with laughs in one completely entertaining package.

Description:

This swinging spoof of Ian Fleming's spy hero features an aging James Bond (David Niven), reluctantly dragged out of retirement to chase down the evil crime clique called SMERSH. In order to confound the forces led by the villainous Le Chiffre (Orson Welles), the Secret Service enlists five other agents, also under the name "Bond," and all six converge on the titular casino. Meanwhile, Woody Allen, as the retiring secret agent's nephew, causes havoc at every turn. The gleefully chaotic product of five directors, numerous screenwriters, and the late 1960s in general, CASINO ROYALE revels in its psychedelic spy satire premise. The comedy features a legion of stars in roles both large and small: Niven, Welles, Allen, Peter Sellers, Ursula Andress, William Holden, Jean-Paul Belmondo, Jacqueline Bisset, Deborah Kerr, and many more. (Apparently, Sellers and Welles despised each other, and Sellers would frequently not show up for his scenes.) Amid the wackiness, there are genuine moments of hilarity, making the film a surreal romp through Bond lore and the more eccentric aspects of 1960s pop culture.

Description:

Woody Allen combined the best parts of his earlier films in creating HANNAH AND HER SISTERS, his 1986 masterwork about the changing relationships among three sisters living in New York City. Hannah (Mia Farrow) has put her acting career aside in order to take care of her family with second husband Elliot (Michael Caine in an Oscar-winning performance). Elliot has fallen in love with Hannah's sister Lee (Barbara Hershey), who herself is feeling suffocated by her cynical, mean-spirited loner of a lover, played with great intensity by Ingmar Bergman regular Max von Sydow. Meanwhile, third sister Holly (Oscar winnner Dianne Wiest) is struggling to find her own voice, working as a caterer while she tries to get her own acting career going. And in the middle of everything is Mickey (Woody Allen at his most neurotic), a television writer who is divorced from Hannah, has dated Holly, and, when he suspects he might have a brain tumor, decides to reevaluate his life and his faith in God. HANNAH AND HER SISTERS is Allen's most fully realized, optimistic adult comedy. He won a well-deserved Oscar for his marvelous screenplay, filled with his trademark sharp, witty dialogue, his undying passion for New York (its culture, architecture, music, romance), and some of his most well developed characters. The cast is extraordinary, the music illuminating, the settings magnificent. Taking place over the course of a few Thanksgivings, Allen's insightful, wonderful film is a thoroughly enjoyable mature look at the trials, tribulations, and triumphs of family life.

Description:

Often considered the crown jewel in a highly acclaimed and prolific film career, ANNIE HALL is Woody Allen's only film to have won the Academy Award for Best Picture. This recognition, however, is not what makes the film significant. ANNIE HALL marks the beginning of the second phase of Allen's career as a filmmaker, abandoning the slapstick of SLEEPER and BANANAS for more thoughtful comedies (and eventually dramas) that explored human relationships and psychology. Allen's capacity as a creative filmmaker had also grown with the film, as he utilized creative subtitles, split screens, and animation, as well as evincing a sophisticated understanding of the potential of editing and camera movement for comic effect--consider the cutaway to Allen's character Alvy Singer, as seen through the eyes of "Grammy Hall" during the dinner sequence, or shortly afterward the slow pan to Alvy in the passenger seat of a car driven by Annie's unhinged brother Duane. The film is a brutally honest assessment of the prospects of a relationship between two very different people. Allen's Alvy is (like the filmmaker himself) an introverted, neurotic intellectual and a complete mismatch for Diane Keaton's vivacious, flaky Annie Hall. Although the romance is undoubtedly the center of the film, it affords Allen the opportunity to contrast his beloved New York culture with that of the Midwest, where Annie comes from, and Los Angeles, which tempts Annie with the possibility of fame and success as a singer. The city of New York itself plays an important part for the first time in an Allen film, with a great deal of location shooting that serves to highlight the city's character and atmosphere. Finally, the many comedic cameos peppered through the film--from Truman Capote to Paul Simon to media theorist Marshall McLuhan--pay tribute to the deserved reputation that Allen had gained for himself.

Description:

WHAT'S UP, TIGER LILY?, Woody Allen's first directorial effort, started life as a low-grade Japanese James Bondian spy drama called KEY OF KEYS. Executive producer Henry G. Saperstein bought the film and hired Allen to dub in an entirely new soundtrack, featuring brand-new dialogue (cowritten by the new voices) that turns the story into a riotously ridiculous search for the perfect egg salad recipe; Saperstein also added scenes with the Lovin' Spoonful to give the film a hip 1960s feel wholly out of touch with what is occurring onscreen. Allen did shoot some new scenes for the film, in which he describes the genesis of the idea and its place in film history, claiming that the first film to do this was GONE WITH THE WIND. The new story features the Japanese cast playing such characters as Phil Moskowitz, Terry Yaki, and Suki Yaki, battling to find out just the right amount of mayonnaise to mix in with chopped eggs. Many of the jokes are about food and sex, two things that Allen would go on to explore more and more in his films.

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This 4-DVD box set celebrates the first ten years of Sony Pictures Classics with four of their most successful films. Included in the box are CROUCHING TIGER, HIDDEN DRAGON, SWEET AND LOWDOWN, THE SPANISH PRISONER, and POLLOCK (the Special Edition DVD). See individual titles for details.

Description:

Often considered the crown jewel in a highly acclaimed and prolific film career, ANNIE HALL is Woody Allen's only film to have won the Academy Award for Best Picture. This recognition, however, is not what makes the film significant. ANNIE HALL marks the beginning of the second phase of Allen's career as a filmmaker, abandoning the slapstick of SLEEPER and BANANAS for more thoughtful comedies (and eventually dramas) that explored human relationships and psychology. Allen's capacity as a creative filmmaker had also grown with the film, as he utilized creative subtitles, split screens, and animation, as well as evincing a sophisticated understanding of the potential of editing and camera movement for comic effect--consider the cutaway to Allen's character Alvy Singer, as seen through the eyes of "Grammy Hall" during the dinner sequence, or shortly afterward the slow pan to Alvy in the passenger seat of a car driven by Annie's unhinged brother Duane. The film is a brutally honest assessment of the prospects of a relationship between two very different people. Allen's Alvy is (like the filmmaker himself) an introverted, neurotic intellectual and a complete mismatch for Diane Keaton's vivacious, flaky Annie Hall. Although the romance is undoubtedly the center of the film, it affords Allen the opportunity to contrast his beloved New York culture with that of the Midwest, where Annie comes from, and Los Angeles, which tempts Annie with the possibility of fame and success as a singer. The city of New York itself plays an important part for the first time in an Allen film, with a great deal of location shooting that serves to highlight the city's character and atmosphere. Finally, the many comedic cameos peppered through the film--from Truman Capote to Paul Simon to media theorist Marshall McLuhan--pay tribute to the deserved reputation that Allen had gained for himself.

Description:

WHAT'S UP, TIGER LILY?, Woody Allen's first directorial effort, started life as a low-grade Japanese James Bondian spy drama called KEY OF KEYS. Executive producer Henry G. Saperstein bought the film and hired Allen to dub in an entirely new soundtrack, featuring brand-new dialogue (cowritten by the new voices) that turns the story into a riotously ridiculous search for the perfect egg salad recipe; Saperstein also added scenes with the Lovin' Spoonful to give the film a hip 1960s feel wholly out of touch with what is occurring onscreen. Allen did shoot some new scenes for the film, in which he describes the genesis of the idea and its place in film history, claiming that the first film to do this was GONE WITH THE WIND. The new story features the Japanese cast playing such characters as Phil Moskowitz, Terry Yaki, and Suki Yaki, battling to find out just the right amount of mayonnaise to mix in with chopped eggs. Many of the jokes are about food and sex, two things that Allen would go on to explore more and more in his films.

Description:

This double feature presents two popular animated films sure to please the entire family: in ANTZ (1998), a restless worker ant changes roles with a soldier ant in order to get the girl, who just happens to be a princess; and in SHARK TALE (2004), a fast-talking everyfish rejects his life at the whale wash while longing for fame and fortune. See individual titles for further plot details.

Description:

This double feature presents two popular animated films sure to please the entire family: in ANTZ (1998), a restless worker ant changes roles with a soldier ant in order to get the girl, who just happens to be a princess; and in SHARK TALE (2004), a fast-talking everyfish rejects his life at the whale wash while longing for fame and fortune. See individual titles for further plot details.

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This two-pack features the hit animated comedies ANTZ and CHICKEN RUN. Please see individual titles for complete story information.

Description:

This two-pack features the hit animated comedies ANTZ and CHICKEN RUN. Please see individual titles for complete story information.

Description:

If a film fan had never heard of director Mike Leigh, one might explain him as a British Woody Allen. Not that Leigh's films are whimsical or neurotic; they are tough-love examinations of British life--funny, outlandish, and biting. His films share a...

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Comic writer-director Albert Brooks ( Lost in America , Defending Your Life , Mother ) specializes in difficult characters. Not characters who are neurotic in a fumbling but endearing Woody Allen kind of way; Brooks creates characters who would be a...

Description:

This is a preowned DVD movie. It is guaranteed to work on your DVD player and may not include original box.Woody Allen, Diane Keaton, Meryl Streep and Mariel Hemingway star in Woody Allen's extraordinary and funny film that explores the embattled life...

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This is a preowned DVD. It is guaranteed to work on your DVD player and may not include original box.Woody Allen heads up an amazing cast including Gene Wilder, Tony Randall and Lynn Redgrave, in several hysterical vignettes that spoof the unorthodox...

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This is a preowned DVD. It is guaranteed to work on your DVD player and may not include original box.Woody Allen invades the spirit of Tolstoy in this hilarious spoof of 18th Century Russia, when Napoleon is preoccupied with perfecting his pastry and...

Description:

This is a preowned DVD. It is guaranteed to work on your DVD player and may not include original box.Woody Allen and Diane Keaton star in this humorous foray into the year 2173 when Allen awakens to find the world quite different than when he was...

Description:

This double feature presents two popular animated films sure to please the entire family: in ANTZ (1998), a restless worker ant changes roles with a soldier ant in order to get the girl, who just happens to be a princess; and in SHARK TALE (2004), a fast-talking everyfish rejects his life at the whale wash while longing for fame and fortune. See individual titles for further plot details.

Description:

Often considered the crown jewel in a highly acclaimed and prolific film career, ANNIE HALL is Woody Allen's only film to have won the Academy Award for Best Picture. This recognition, however, is not what makes the film significant. ANNIE HALL marks the beginning of the second phase of Allen's career as a filmmaker, abandoning the slapstick of SLEEPER and BANANAS for more thoughtful comedies (and eventually dramas) that explored human relationships and psychology. Allen's capacity as a creative filmmaker had also grown with the film, as he utilized creative subtitles, split screens, and animation, as well as evincing a sophisticated understanding of the potential of editing and camera movement for comic effect--consider the cutaway to Allen's character Alvy Singer, as seen through the eyes of "Grammy Hall" during the dinner sequence, or shortly afterward the slow pan to Alvy in the passenger seat of a car driven by Annie's unhinged brother Duane. The film is a brutally honest assessment of the prospects of a relationship between two very different people. Allen's Alvy is (like the filmmaker himself) an introverted, neurotic intellectual and a complete mismatch for Diane Keaton's vivacious, flaky Annie Hall. Although the romance is undoubtedly the center of the film, it affords Allen the opportunity to contrast his beloved New York culture with that of the Midwest, where Annie comes from, and Los Angeles, which tempts Annie with the possibility of fame and success as a singer. The city of New York itself plays an important part for the first time in an Allen film, with a great deal of location shooting that serves to highlight the city's character and atmosphere. Finally, the many comedic cameos peppered through the film--from Truman Capote to Paul Simon to media theorist Marshall McLuhan--pay tribute to the deserved reputation that Allen had gained for himself.

Description:

Woody Allen combined the best parts of his earlier films in creating HANNAH AND HER SISTERS, his 1986 masterwork about the changing relationships among three sisters living in New York City. Hannah (Mia Farrow) has put her acting career aside in order to take care of her family with second husband Elliot (Michael Caine in an Oscar-winning performance). Elliot has fallen in love with Hannah's sister Lee (Barbara Hershey), who herself is feeling suffocated by her cynical, mean-spirited loner of a lover, played with great intensity by Ingmar Bergman regular Max von Sydow. Meanwhile, third sister Holly (Oscar winnner Dianne Wiest) is struggling to find her own voice, working as a caterer while she tries to get her own acting career going. And in the middle of everything is Mickey (Woody Allen at his most neurotic), a television writer who is divorced from Hannah, has dated Holly, and, when he suspects he might have a brain tumor, decides to reevaluate his life and his faith in God. HANNAH AND HER SISTERS is Allen's most fully realized, optimistic adult comedy. He won a well-deserved Oscar for his marvelous screenplay, filled with his trademark sharp, witty dialogue, his undying passion for New York (its culture, architecture, music, romance), and some of his most well developed characters. The cast is extraordinary, the music illuminating, the settings magnificent. Taking place over the course of a few Thanksgivings, Allen's insightful, wonderful film is a thoroughly enjoyable mature look at the trials, tribulations, and triumphs of family life.

Description:

This swinging spoof of Ian Fleming's spy hero features an aging James Bond (David Niven), reluctantly dragged out of retirement to chase down the evil crime clique called SMERSH. In order to confound the forces led by the villainous Le Chiffre (Orson Welles), the Secret Service enlists five other agents, also under the name "Bond," and all six converge on the titular casino. Meanwhile, Woody Allen, as the retiring secret agent's nephew, causes havoc at every turn. The gleefully chaotic product of five directors, numerous screenwriters, and the late 1960s in general, CASINO ROYALE revels in its psychedelic spy satire premise. The comedy features a legion of stars in roles both large and small: Niven, Welles, Allen, Peter Sellers, Ursula Andress, William Holden, Jean-Paul Belmondo, Jacqueline Bisset, Deborah Kerr, and many more. (Apparently, Sellers and Welles despised each other, and Sellers would frequently not show up for his scenes.) Amid the wackiness, there are genuine moments of hilarity, making the film a surreal romp through Bond lore and the more eccentric aspects of 1960s pop culture.

Description:

Comedic genius Peter Sellers brings his talent to these four classics: THE PINK PANTHER, CASINO ROYALE, THE PARTY, and WHAT'S NEW PUSSYCAT? See individual titles for synopsis information.