Woody allen in DVDs & Videos

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A collection of eight of director Allen's finest works, from what he self-mockingly referred to in STARDUST MEMORIES as his "earlier, funnier ones" to his deconstructionist comedy-dramas of the late 70s. Includes: ANNIE HALL, BANANAS, EVERYTHING YOU ALWAYS WANTED TO KNOW ABOUT SEX* (*But Were Afraid to Ask), INTERIORS, LOVE AND DEATH, MANHATTAN, SLEEPER, and STARDUST MEMORIES.

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This program includes four comedies by director Woody Allen: ANYTHING ELSE, THE CURSE OF THE JADE SCORPION, HOLLYWOOD ENDING, and SMALL TIME CROOKS. Please see individual titles for complete information.

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A collection of six films from writer/director/actor Woody Allen. Includes A MIDSUMMER NIGHT'S SEX COMEDY (1982;PG), ZELIG (1983;PG), BROADWAY DANNY ROSE (1984;PG), HANNAH AND HER SISTERS (1986;PG-13), THE PURPLE ROSE OF CAIRO (1985;PG), and RADIO DAYS (1987;PG).

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Vicky Cristina Barcelona [DVD]

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From watching the trailer for VICKY CRISTINA BARCELONA, one might never have guessed that it was actually an offering from prolific auteur Woody Allen. There's no New York, no sight of Allen, and his trademark wit was nowhere to be seen. But this film--with its talented cast, sharp dialogue, and excellent use of gorgeous locations--marks Allen's best comic work since 1994's BULLETS OVER BROADWAY. Vicky (Rebecca Hall) and Cristina (Scarlett Johansson) are American best friends who have the luck of spending several summer months in the Spanish city of the title. Though the pair is inseparable, they clash over love: Vicky is engaged to the trustworthy Doug (Chris Messina), while Cristina is forever in search of new experiences and passions. When a fiery Spanish painter named Juan Antonio (Javier Bardem) proposes that the three fly off to Oviedo for the weekend with the goal of making love, the women are divided, but they both eventually agree to the trip. After unexpected events in Oviedo, they return to Barcelona where Juan Antonio's obsessive ex-wife (Pénélope Cruz) enters the picture. As the rule-bound Vicky, Hall--who has been largely unknown to American audiences before this film--gives a wonderfully witty performance that keeps pace with her more famous costars. Those who have only seen Bardem in his Oscar-winning role as the cold killer in NO COUNTRY FOR OLD MEN will be surprised by his sexy turn in VICKY CRISTINA BARCELONA. Though it's often women who steam up the screen, Bardem seduces Vicky, Cristina, and the audience with such abandon that it's tough for everyone involved not to emerge a little bit smitten. Johansson, Allen's new-millennium muse, is the director's mouthpiece--she's consistently funny and more than a little neurotic, and you can hear Allen's voice in her performance.

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Take the Money and Run [DVD]

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Although it followed his WHAT'S UP TIGER LILY (which was mostly just a humorous redubbing of a Japanese spy film), TAKE THE MONEY AND RUN was truly Woody Allen's directorial debut. After spending years writing gags for television comedies and as a stand-up comedian, Allen began to appear in films in the mid-1960s. He developed some frustration with the way his writing was being used and decided to make films himself, with the result being TAKE THE MONEY AND RUN. Allen plays Virgil Starkwell, the world's most inept thief, as an early version of the nebbish, neurotic persona he would later perfect. The film combines two formal styles; in part it is played as a documentary about Virgil's life and his turn to crime, with a voice-over narration and interviews, but many of the scenes are shot like a standard fiction-comedy feature. Although in light of Allen's later work the film may appear a bit crude, many of the elements of his filmmaking and comic style are evident in it. In common with his other early works (such as BANANAS and SLEEPER) the plotting is very loose, as the narrative exists mostly as a skeleton on which to hang a series of gags and jokes. The influence of fellow Jewish comedians the Marx Brothers is fully evident in that structuring principle (Allen even goes as far as to have a scene where Virgil's parents disguise themselves in interview with false Groucho glasses), as well as in the combination of verbal quips with slapstick visual gags (such as Allen attempting to play the cello in a marching band). Although TAKE THE MONEY AND RUN seems a bit simplistic, it still retains its comedic effect and offers an early view of Woody Allen's later filmmaking style.

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Scoop [DVD]

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In 2005, famed New York City filmmaker Woody Allen made MATCH POINT, a murder mystery set in London, starring Scarlett Johansson. Allen remains in London for the follow-up, the murder mystery SCOOP, again with Johansson, but this time he jumps in front of the camera as well. Woody plays Sid "Splendini" Waterman, a pathetic magician who somehow conjures up the ghost of Joe Strombel (Ian McShane), a recently deceased ace reporter who has been given a great scoop from beyond the grave. Strombel's spirit links onto young journalism student Sondra Pransky (Johansson), demanding that she get the story--and get it right. Pretending to be father and daughter, Sid and Sondra get into the good graces of Peter Lyman (Hugh Jackman), a wealthy British lord who just might be the Tarot Card Killer, a madman who has been terrifying London by brutally murdering prostitutes. Against her better judgment, Pransky starts falling for the charming playboy even as she gathers more and more evidence that points to him as the probable killer. Jackman and Johansson have an intoxicating on-screen romantic chemistry that is a terrific counterpoint to the manic energy she shares with Allen. While MATCH POINT was an homage to Alfred Hitchcock's STRANGERS ON A TRAIN, the comedy-thriller SCOOP pays tribute to the master director's FRENZY and NOTORIOUS. Allen also manages to get one of his favorite characters--Death (Peter Mastin) into the film. The score includes works by Tchaikovsky, Strauss, and Grieg as well as swinging numbers by Xavier Cugat and Lester Lanin.

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This swinging spoof of Ian Fleming's spy hero features an aging James Bond (David Niven), reluctantly dragged out of retirement to chase down the evil crime clique called SMERSH. In order to confound the forces led by the villainous Le Chiffre (Orson Welles), the Secret Service enlists five other agents, also under the name "Bond," and all six converge on the titular casino. Meanwhile, Woody Allen, as the retiring secret agent's nephew, causes havoc at every turn. The gleefully chaotic product of five directors, numerous screenwriters, and the late 1960s in general, CASINO ROYALE revels in its psychedelic spy satire premise. The comedy features a legion of stars in roles both large and small: Niven, Welles, Allen, Peter Sellers, Ursula Andress, William Holden, Jean-Paul Belmondo, Jacqueline Bisset, Deborah Kerr, and many more. (Apparently, Sellers and Welles despised each other, and Sellers would frequently not show up for his scenes.) Amid the wackiness, there are genuine moments of hilarity, making the film a surreal romp through Bond lore and the more eccentric aspects of 1960s pop culture.

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From watching the trailer for VICKY CRISTINA BARCELONA, one might never have guessed that it was actually an offering from prolific auteur Woody Allen. There's no New York, no sight of Allen, and his trademark wit was nowhere to be seen. But this film--with its talented cast, sharp dialogue, and excellent use of gorgeous locations--marks Allen's best comic work since 1994's BULLETS OVER BROADWAY. Vicky (Rebecca Hall) and Cristina (Scarlett Johansson) are American best friends who have the luck of spending several summer months in the Spanish city of the title. Though the pair is inseparable, they clash over love: Vicky is engaged to the trustworthy Doug (Chris Messina), while Cristina is forever in search of new experiences and passions. When a fiery Spanish painter named Juan Antonio (Javier Bardem) proposes that the three fly off to Oviedo for the weekend with the goal of making love, the women are divided, but they both eventually agree to the trip. After unexpected events in Oviedo, they return to Barcelona where Juan Antonio's obsessive ex-wife (Pénélope Cruz) enters the picture. As the rule-bound Vicky, Hall--who has been largely unknown to American audiences before this film--gives a wonderfully witty performance that keeps pace with her more famous costars. Those who have only seen Bardem in his Oscar-winning role as the cold killer in NO COUNTRY FOR OLD MEN will be surprised by his sexy turn in VICKY CRISTINA BARCELONA. Though it's often women who steam up the screen, Bardem seduces Vicky, Cristina, and the audience with such abandon that it's tough for everyone involved not to emerge a little bit smitten. Johansson, Allen's new-millennium muse, is the director's mouthpiece--she's consistently funny and more than a little neurotic, and you can hear Allen's voice in her performance.

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The Sunshine Boys [DVD]

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A screen adaption of Neil Simon's hilarious story of two legendary comedians (Allen, Falk) and their return to the stage after a lengthy hiatus from show business and each other.

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A restless worker ant changes roles with a soldier ant in order to get the girl, who just happens to be a princess. The animation is breathtaking in this story of true love amid a totalitarian state.

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Anything Else [DVD]

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Jason Biggs and Christina Ricci star as a mismatched couple in Woody Allen's funny and well-made romantic comedy ANYTHING ELSE. Biggs plays Jerry Falk, a young comedy writer looking to make it big, while Ricci is Amanda, a self-absorbed free spirit whom men go wild for. They fall for each other instantly near the beginning of the film, then spend the rest of the movie trying to work out their very complex and complicated relationship, especially after her mother (Stockard Channing) moves in to their small apartment to live with them. With echoes of such classic Allen fare as ANNIE HALL, ANYTHING ELSE is a lighthearted look at young love in the Big Apple. Allen himself stars as David Dobel, an older comedy writer who mentors Jerry, often on walks through Central Park, but it seems that Dobel has a bit of an anger management problem. Once again, New York City is virtually a character unto itself, as Allen includes scenes in such Gotham places as the Village Vanguard jazz club, Isabella's restaurant, Roosevelt Island, Sheepshead Bay, and the Quad Cinema. Good supporting work is turned in by Danny DeVito as Falk's manager. The soundtrack includes songs by Billie Holiday, Ravi Shankar, Teddy Wilson, Lester Young, Moby, and Diana Krall, who appears in the film.

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New York Stories [DVD]

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NEW YORK STORIES comprises three short films set in New York, directed by Martin Scorsese, Francis Ford Coppola, and Woody Allen. Scorsese directs "Life Lessons," in which painter Nick Nolte plays an abstract painter trying to save his relationship with Rosanna Arquette. Francis Ford Coppola directs "Life Without Zoe," which stars Heather McComb as a young schoolgirl who lives alone at the Sherry-Netherland Hotel while her parents (Talia Shire and Giancarlo Giannini) globetrot around the world. Precocious Zoe is lovingly watched over by her butler, Hector (Don Novello), until her parents return home one day with a surprising announcement. Sofia Coppola co-wrote the script with her father. The final segment is "Oedipus Wrecks," a classic Woody Allen piece about a Jewish nebbish who is a bit of a momma's boy.

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Sleeper

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The sci-fi satire SLEEPER is often hailed as the best of Woody Allen's early comedies, which relied mostly on slapstick and quick verbal asides, but still had more than their share of comic intelligence. SLEEPER tells the tale of Miles Monroe (Allen), who is accidentally cryogenically frozen following a minor operation. Released 200 years later, in 2173, Miles blunders his way through a bizarre future, featuring plenty of props and situations for Allen to mine for laughs. Eventually he meets vapid, hedonistic "poet" Luna Schlosser (Diane Keaton), with whom he eventually joins a rebel group opposed to the oppressive government. As in his earlier BANANAS and LOVE AND DEATH, Allen's character stumbles into a revolutionary plot, revealing the anti-authoritarianism that will appear again and again in his films. Loosely based on H.G. Wells' novel WHEN THE SLEEPER WAKES, the film features a strong parodic bent, particularly of the type of science fiction that was being written and filmed when it was made in 1973. Oppressive, faceless governments and the technological dominance over human life (altering even the most fundamental natural actions, such as sex) are the main tropes Allen skewers, as well as playing off the futuristic production design of films like A CLOCKWORK ORANGE and THX-1138. However, SLEEPER was still considered a strong work of science fiction, winning both the prestigious Hugo and Nebula Awards, which are given to the finest works in the genre.

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Woody Allen's funny, frantic THE CURSE OF THE JADE SCORPION is part screwball romantic comedy, part 1940s noir detective story, and part ingenious heist film. Allen stars as C.W. Briggs, a set-in-his-ways old-time insurance investigator who refuses to get along with the bright new efficiency expert, Betty Ann Fitzgerald (Helen Hunt), brought in to streamline his office's operations. Their back-and-forth bickering is reminiscent of the interplay between Cary Grant and Rosalind Russell in HIS GIRL FRIDAY. When a magician, played by the always excellent David Ogden Stiers, hypnotizes them as part of his stage act, Briggs unknowingly becomes a jewel thief while falling in and out of love with the exceedingly more confused Fitz, who is carrying on a secret affair with the married head of the company (Dan Aykroyd). Mayhem ensues as a pair of brother detectives zero in on the criminal, a sexy debutante comes on to Briggs, and Briggs and Fitz start suspecting each other. Production designer Santo Loquasto, who has been working with Allen for more than twenty years, once again has created beautiful sets, and the soundtrack, featuring such 1940s jazz treasures as Glenn Miller and Duke Ellington, is simply splendid.

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Small Time Crooks [DVD]

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Woody Allen returns to his slapstick days with this comic romp, which centers on a small-time hood, Ray Winkler, who just can't catch a break. It's as if Virgil Starkwell (Allen's hysterically incompetent criminal mastermind from TAKE THE MONEY AND RUN) has finally gotten out of prison and is still up to his old scheming. Against his wife Frenchy's (Tracey Ullman) better judgment, Ray puts together a ragtag group of misfits, including a scene-stealing Elaine May, and immerses them in a crazy plot to rob a bank. But everything gets upended when their front, a cookie store, takes off, thrusting the Winklers into the upper echelons of New York's high society. SMALL TIME CROOKS looks like no other Allen film; gone are the black-and-white shades of Manhattan, replaced instead by the ridiculously loud shirts Ray wears and the perfectly garish furniture and artwork Frenchy accumulates. Even the Allen soundtrack, usually exclusively jazz, big band, and Dixieland standards, features "Tequila" by the Champs as an underlying theme. What stands out most of all, however, is the offbeat, charming relationship between Ray and Frenchy, two ne'er-do-wells who get to spend a little time at the top.

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Woody Allen's delightful farce deals with the misadventures of three couples who spend the weekend together in the country. They all seem to end up in love with the wrong person.

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Scenes From a Mall [DVD]

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Bette Midler and Woody Allen star in director Paul Mazursky's comedy as a professional Los Angeles couple--Deborah (Midler) is the author of a best-selling self-help book about marriage and has been wed to successful lawyer Nick (Allen) for 16 years. They live a high-pressure professional life, complete with matching Saabs, two kids, a house in the hills, beepers, cell phones, and a constant barrage of client phone calls. To celebrate their anniversary, they decide to embark on a spending spree at the Beverly Center mall. But while there, each makes a startling revelation that rocks their marriage. Nick, following advice from his wife's book, kicks things off by announcing he's been having an affair. Deborah, staggered by the news, rebounds by requesting a divorce. The spoiled couple reconciles--until the author admits that she's been unfaithful herself. As Nick and Deborah wade their way through the mall, dodging a particularly annoying mime (clown Bill Irwin in a hilarious role), mariachi bands, and Christmas-carolling rappers, they are forced to realize the mistakes they've made along the way--all the while juggling the pros and cons of their marriage, dividing assets, and shooting off rapid rounds of compliments and insults. Midler and Allen make a terrific and suitably neurotic pair in Mazursky's hilarious satire of an outlandish Los Angles marriage.

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Hannah and Her Sisters [DVD]

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Woody Allen combined the best parts of his earlier films in creating HANNAH AND HER SISTERS, his 1986 masterwork about the changing relationships among three sisters living in New York City. Hannah (Mia Farrow) has put her acting career aside in order to take care of her family with second husband Elliot (Michael Caine in an Oscar-winning performance). Elliot has fallen in love with Hannah's sister Lee (Barbara Hershey), who herself is feeling suffocated by her cynical, mean-spirited loner of a lover, played with great intensity by Ingmar Bergman regular Max von Sydow. Meanwhile, third sister Holly (Oscar winnner Dianne Wiest) is struggling to find her own voice, working as a caterer while she tries to get her own acting career going. And in the middle of everything is Mickey (Woody Allen at his most neurotic), a television writer who is divorced from Hannah, has dated Holly, and, when he suspects he might have a brain tumor, decides to reevaluate his life and his faith in God. HANNAH AND HER SISTERS is Allen's most fully realized, optimistic adult comedy. He won a well-deserved Oscar for his marvelous screenplay, filled with his trademark sharp, witty dialogue, his undying passion for New York (its culture, architecture, music, romance), and some of his most well developed characters. The cast is extraordinary, the music illuminating, the settings magnificent. Taking place over the course of a few Thanksgivings, Allen's insightful, wonderful film is a thoroughly enjoyable mature look at the trials, tribulations, and triumphs of family life.

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Celebrity [DVD]

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Woody Allen's star-studded CELEBRITY skewers America's fascination with fame and glamour. Kenneth Branagh stars as Lee Simon, a travel writer who also interviews celebrities when he's not working on his novel and screenplay--or at least talking about writing them. As he hangs out more and more with supermodels and actresses, living the so-called good life, he ends his 16-year marriage to Robin (the marvelous Judy Davis). The split nearly sends Robin off the deep end until she meets Joe Gardella (Joe Mantegna), a television producer who introduces her to a whole new world. Allen shoots the film in black-and-white as if to take some of the gleam off the lives of these celebrities, many of whom are famous for just being famous. When Robin starts working for Joe, she is responsible for overseeing the talent--the kind of people who regularly appear on such shows as JERRY SPRINGER, looking for their moment in the spotlight. Even a television preacher has religious groupies who yearn for autographs. It is interesting to note that Allen wrote and directed CELEBRITY at a time when his own fame was reaching a crescendo because of his own personal problems, which became so much tabloid fodder; that is perhaps why he does not appear in the film, instead having Branagh speak the offbeat, cynical, funny lines that the Woodman himself usually delivers.

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This collection brings together a collection of films from writer-director-star Woody Allen's late-1980s, early-1990s period, a time for serious Bergmanesque drama married with bitter comedy. The set includes the delightful ALICE, the moving ANOTHER WOMAN, the nearly flawless CRIMES AND MISDEMEANORS, the penetrating SEPTEMBER, and the surreal SHADOWS AND FOG. Please see individual titles for details and technical specifications.

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