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Rare: Collected B-Sides by Moby (CD - 08/20/1996)
 

Rare: Collected B-Sides by Moby (CD - 08...

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Rare: Collected B-Sides by Moby (CD - 08/20/1996)
"Rare: Collected B-Sides" (08/20/1996) Electronic Moby, InstinctRARE: THE COLLECTED B-SIDES collects the B-sides of the records Moby recorded for the Instinct label. Personnel: Moby; Nicole Zaray (vocals). Personnel: Nicole Zaray (vocals). Audio Remixers: Jam & Spoon; Moby. Recording information: 1989-1993. Unknown Contributor Roles: David Lynch ; Angelo Badalamenti. Collectors. You can usually spot them skulking their way through the darkened streets at night, wearing their official tour jackets and clutching to their bodies a stack-load of obscure Belgian-only 12" dance remixes of their favorite songs. No one knows where exactly these rarities are obtained, and the true collectors never reveal their sources. The vast majority of fans are usually left forced to watch and drool in their frustration. Luckily, Moby understands the anguish that his fans go through in trying to catalog his prolific body of work. RARE: THE COLLECTED B-SIDES is manna from heaven for those unable to find those Moby rarities. Moreover, Moby's throwaways could move even the Amish onto the dance floor. With fat grooves like "Voodoo Child (Poor in NYC Mix)" and the "Next is the E (Club Mix)," it's easy to see why these b-sides have finally been collected together on one CD.

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Ambient by Moby (CD - 07/12/1993)
 

Ambient by Moby (CD - 07/12/1993)

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Ambient by Moby (CD - 07/12/1993)
"Ambient" (07/12/1993) Electronic Moby, InstinctSolo performer: Moby (various instruments). Photographer: Jill Greenberg. Sure, we all know that Moby can drop a beat like he was the house DJ at the funkiest warehouse party this side of the South Bronx. But that's not all the Evil Little Ninja (which along with Voodoo Child is one of Richard Melville Hall's many aliases) can do. For within Moby there exists a classic dichotomy; on one hand, there's Moby the rock-the-house DJ, and on the other hand there's a quiet and meditative musician. AMBIENT is a collection of some of the most beautiful atmospheric music one can hear this side of early Brian Eno (who, along with Kraftwerk, is a clearly a formative influence). Moby, a frequent contributor to various soundtracks (see also I LIKE TO SCORE, a collection of his soundtrack contributions) seems to be writing soundtracks this time for the movies in his head. And what soundtracks they are! "My Beautiful Blue Sky" is the perfect soundtrack to the long lost sequel to 2001, while "Heaven" could be the background to a cheerier BLADE RUNNER. AMBIENT is a meditative flip side to Moby's usual party and perfect for mellowing out to after dancing.

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Everything Is Wrong by Moby (CD - 03/14/1995)
 

Everything Is Wrong by Moby (CD - 03/14/...

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Everything Is Wrong by Moby (CD - 03/14/1995)
"Everything Is Wrong" (03/14/1995) Electronic Moby, ElektraPersonnel: Moby (classical & electric guitars, keyboards, synthesizers, electric bass, drums, congas, programming); Mylm Rose, Kochie Banton, Nicole Zaray, Rozz Morehead, Saundra Williams, Mimi Goese (vocals). Includes liner notes by Moby. Personnel: Moby (programming); Nicole Zaray, Mimi Goese, Rozz Morehead, Kochie Banton, Saundra Williams (vocals). Recording information: Current Sounds, New York, NY; Moby's Studio, Newyork City, NY. Photographer: Jill Greenberg. Unknown Contributor Role: Moby. At some point, every musical movement produces a work so evocative, inclusive, and challenging that it stands out as a reference for what is best in an entire musical genre. EVERYTHING IS WRONG is the WHITE ALBUM of dance music. On this album, Moby's interests in techno, ambient, punk rock, and gospel mix together in a sonic stew of epic proportions that not only holds together, but seems perfectly natural. As such, the beautifully moody "Hymn" is followed by the diva-driven "Feeling So Real," which is followed by the techno-punk of "All That I Need is To Be Loved." These tracks flow seamlessly together without a sense that genres are even being mixed, much less jumbled. But EVERYTHING's brilliance lies not so much in Moby's eclectic taste in rhythm and melody, but in the nuances of the vocals, most of which are contributed by a variety of female singers. In particular, Moby's collaborations with singer Mimi Goese on "Into the Blue" and "When it's Cold Out I'd Like to Die" are among the most revealing and humanistic moments in Moby's career. A masterpiece.

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Animal Rights by Moby (CD - 02/11/1997)
 

Animal Rights by Moby (CD - 02/11/1997)

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Animal Rights by Moby (CD - 02/11/1997)
"Animal Rights" (02/11/1997) Electronic Moby, ElektraPersonnel: Moby (guitar, keyboards, drums, percussion); Hahn Rowe (violin). Audio Mixers: Alan Moulder; Moby. Photographer: Moby. The two guitar-based, pseudo-hardcore punk songs on EVERYTHING IS WRONG whetted Moby's appetite for destruction enough to yield ANIMAL RIGHTS, an album that is chock-full of guitars. Although ANIMAL RIGHTS is book-ended by two melancholy acoustic guitar and violin duets ("Now I Let it Go" and "Love Song for My Mother"), the rest of the record contains the kind of raucous and loud music Moby made with the obscure punk band the Vatican Commandos. Fans of Moby's ambient work might not find this record as appealing as those who favor Moby's aggressive side. However, it might be hard for anyone to resist the hard soloing on songs like the Prince-meets-Minor Threat thrash-fest "Come on Baby" or the slam-fests that are "Someone to Love," "Heavy Flow," and "You." "Soft" and "Say it's All Mine" bring the pace down for a few moments to allow those slam-dancing in their bedrooms to rest for a moment. "Face it" could almost pass for a Black Sabbath cover. The excellent "That's When I Reach for My Revolver" is a Mission of Burma cover.

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In This World [UK CD #2] by Moby (CD - 10/28/2002)
 

In This World [UK CD #2] by Moby (CD - 1...

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In This World [UK CD #2] by Moby (CD - 10/28/2002)
"In This World [UK CD #2]" (10/28/2002) Electronic Moby, Mute Records

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Hotel (+1 Bonus Track)
 

Hotel (+1 Bonus Track)

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Hotel (+1 Bonus Track)
"Hotel" (03/14/2005) Electronic Moby, Mute RecordsU.K. issue features a bonus track. Following the runaway success of PLAY and 18, Moby takes a detour into pop/rock that leaves his signature sample-heavy electronica by the side of the road. Keyboards and drum machines are still prominent here, but they are used as background for Moby's songs, which often aim for a majestic, redemptive atmosphere. With the exception of live drums, Moby plays every instrument on the album, and sings lead on numerous tracks. Although, he's not a natural singer, Moby manages to make his half-spoken phrasing fit surprisingly well with the music, leaving the more emotive vocal tracks to Laura Dawn, as on her drowsy rendition of New Order's "Temptation." The anthemic "Lift Me Up" and "Spiders" are prime examples of Moby's pop-savvy direction, revealing what seems like a yearning to get in touch with his inner U2 and Coldplay. On HOTEL's second disc, however, Moby returns to the ambient work that garnered him attention in the early 1990s. These wonderfully quiet and dreamy instrumental tracks make for an excellent counterbalance to the songs on the first disc, proving that Moby remains an intriguing, multifaceted artist.

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Porcelain, Vol. 2 [Single] [Limited] by Moby (CD - 08/19/2000)
 

Porcelain, Vol. 2 [Single] [Limited] by ...

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Porcelain, Vol. 2 [Single] [Limited] by Moby (CD - 08/19/2000)
"Porcelain, Vol. 2 [Single] [Limited]" (08/19/2000) Electronic Moby, Mute Records

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Go Remixes [Maxi Single] by Moby (CD - 07/25/2000)
 

Go Remixes [Maxi Single] by Moby (CD - 0...

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Go Remixes [Maxi Single] by Moby (CD - 07/25/2000)
"Go Remixes [Maxi Single]" (07/25/2000) Electronic Moby, Instinct

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