Electronic buttons in Electronic Music

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"Sticky Buttons" (06/28/2005) Electronic Eats Tapes, Tigerbeat6Eats Tapes: Marijke Jorritsma, Gregory Zifcak. With the 2005 onslaught of acid house revivalism courtesy of Aphex Twin and James T. Cotton (among others) in full steam, it was only a matter of time before the mighty Tigerbeat6 came through their yearly campaign of full-length madness with their own version. Right from the onset of rave revival anthem "Supreme Master," Eats Tapes make it abundantly clear that their debut album is no-frills acid house and techno of the highest pedigree, and there are even a few tracks bordering the waters of gabber/happy hardcore tempo. "Hard Reset" is easily one of the best of the bunch, recalling early techno classics from Rob Hood and Jeff Mills in its abrasive minimalism and ferocious attack. At nearly an hour in length, Sticky Buttons' intensity is only overshadowed by its ambitiousness to represent all scopes of the acid house movement. ~ Rob Theakston

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"360 Degrees [12" Single] [Maxi Single]" (10/02/2001) Electronic Push Button Objects, Chocolate Industries

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"Ghetto Blaster" (04/22/2003) Electronic Push Button Objects, Chocolate IndustriesPush Button Objects: Edgar Farinas. Additional personnel: Mr. Lif, Vast Aire, Del Tha' Funkee Homosapien, Akrobatik, Anticon, Aesop Rock. Personnel: Juan Montoya (guitar). Audio Mixers: Edgar Farinas; Omar Clemetson. Featuring guest appearances from Aesop Rock, Mr. Lif, Cannibal Ox's Vast Aire, Del tha Funkee Homosapien, Dose One, and a handful of other indie MCs, Ghetto Blaster finds Push Button Objects' Edgar Farinas ditching academic instrumental electronic music in favor of a more overtly hip-hop aesthetic. Freed from the trappings of his inward-looking electronic gymnastics routines of old, Farinas turns in some inspired production; in deference to his new direction, Ghetto Blaster's backing tracks are rich, hook-laden, and beat-heavy. Reminiscent of Prefuse 73's finely sliced organic tapestries, they're also well-suited to withstand a barrage of MCs. Whether in the soulful guitar twitches of first single "360 Degrees" (in which Lif and Del trade verses, lines, and -- finally -- syllables), the paranoaic-in-Disneyland swirl of the sublime "3 Doctors" (with relative unknowns Philco, Illustrate, and Verb sharing mike duties), or the open-ended jazz chords of the wonky "Shut Down" (featuring the on-point Aesop Rock), it's clear that Farinas has found his legs. With the exception of a few missteps (both the scrambly "Sleep" and the comically overwrought "Air" are worth skipping), Ghetto Blaster is an admirable reinvention that should indoctrinate Farinas into the new school of bleeding-edge underground hip-hop producers. ~ Mark Pytlik

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"Push the Button" (01/25/2005) Electronic Chemical Brothers (The), Astralwerks (Record Label)The Chemical Brothers: Ed Simons, Tom Rowlands. Personnel: Anna-Lynne Williams (vocals); Jon Brookes (drums). Additional personnel: Q-Tip, Tim Burgess, Kele Okereke, Anwar Superstar, Magic Numbers (vocals). Recording information: Hit Factory, NY; Miloco Studios, South London. Editor: Cheeky Paul. Illustrator: Kam Tang. The Chemical Brothers' fifth album--a stunning return to bold, brilliant, mid-1990s form--delivers fierce beats, propulsive rhythms, and hallucinatory samples that are, if anything, even better than some of the duo's earliest work, moving in exciting and different directions. The requisite "big beat" dance-floor material is exemplified by "The Big Jump" and the ever-evolving "Believe" (with vocals by Bloc Party's Kele Okereke), but the real surprise here is the wealth of gentler tracks. "Hold Tight London" features a lovely vocal by Anna-Lynne Williams and a glistening sonic edge that's both glacial and warm, and the lengthy, gorgeous instrumental "Surface to Air" glides along on haunting, beat-driven lines. Then there's the flipside of that, as on "Galvanize," a deep-funk-fried slice of Arabian techno-rap featuring Q-Tip, and "Left Right," a blistering anti-war track with rhymes by Anwar Superstar. Unlike much of the Brothers' earlier output, PUSH THE BUTTON covers a lot of ground, uncovering other sonic worlds just beneath the well-tread electronica surface.

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"Push the Button" (01/18/2005) Electronic Chemical Brothers (The), EMI Music DistributionThe Chemical Brothers' fifth album--a stunning return to bold, brilliant, mid-1990s form--delivers fierce beats, propulsive rhythms, and hallucinatory samples that are, if anything, even better than some of the duo's earliest work, moving in exciting and different directions. The requisite "big beat" dance-floor material is exemplified by "The Big Jump" and the ever-evolving "Believe" (with vocals by Bloc Party's Kele Okereke), but the real surprise here is the wealth of gentler tracks. "Hold Tight London" features a lovely vocal by Anna-Lynne Williams and a glistening sonic edge that's both glacial and warm, and the lengthy, gorgeous instrumental "Surface to Air" glides along on haunting, beat-driven lines. Then there's the flipside of that, as on "Galvanize," a deep-funk-fried slice of Arabian techno-rap featuring Q-Tip, and "Left Right," a blistering anti-war track with rhymes by Anwar Superstar. Unlike much of the Brothers' earlier output, PUSH THE BUTTON covers a lot of ground, uncovering other sonic worlds just beneath the well-tread electronica surface.

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$44
 

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"Push the Button" (01/25/2005) Electronic Chemical Brothers (The), Astralwerks (Record Label)The Chemical Brothers' fifth album--a stunning return to bold, brilliant, mid-1990s form--delivers fierce beats, propulsive rhythms, and hallucinatory samples that are, if anything, even better than some of the duo's earliest work, moving in exciting and different directions. The requisite "big beat" dance-floor material is exemplified by "The Big Jump" and the ever-evolving "Believe" (with vocals by Bloc Party's Kele Okereke), but the real surprise here is the wealth of gentler tracks. "Hold Tight London" features a lovely vocal by Anna-Lynne Williams and a glistening sonic edge that's both glacial and warm, and the lengthy, gorgeous instrumental "Surface to Air" glides along on haunting, beat-driven lines. Then there's the flipside of that, as on "Galvanize," a deep-funk-fried slice of Arabian techno-rap featuring Q-Tip, and "Left Right," a blistering anti-war track with rhymes by Anwar Superstar. Unlike much of the Brothers' earlier output, PUSH THE BUTTON covers a lot of ground, uncovering other sonic worlds just beneath the well-tread electronica surface.

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"Push the Button" (01/24/2005) Electronic Chemical Brothers (The), Virgin Records (USA)2005, Italian issue; includes "Boxer" and "Galvanize." The Chemical Brothers' fifth album--a stunning return to bold, brilliant, mid-1990s form--delivers fierce beats, propulsive rhythms, and hallucinatory samples that are, if anything, even better than some of the duo's earliest work, moving in exciting and different directions. The requisite "big beat" dance-floor material is exemplified by "The Big Jump" and the ever-evolving "Believe" (with vocals by Bloc Party's Kele Okereke), but the real surprise here is the wealth of gentler tracks. "Hold Tight London" features a lovely vocal by Anna-Lynne Williams and a glistening sonic edge that's both glacial and warm, and the lengthy, gorgeous instrumental "Surface to Air" glides along on haunting, beat-driven lines. Then there's the flipside of that, as on "Galvanize," a deep-funk-fried slice of Arabian techno-rap featuring Q-Tip, and "Left Right," a blistering anti-war track with rhymes by Anwar Superstar. Unlike much of the Brothers' earlier output, PUSH THE BUTTON covers a lot of ground, uncovering other sonic worlds just beneath the well-tread electronica surface.

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"Playhouse: Push the Play Button" (01/13/2003) Electronic Various Artists, Quadrophon Records

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"Push the Button" (08/15/2005) Electronic Chemical Brothers (The), Toshiba EMI (Japan)Includes a bonus DVD (NTSC, Region 2). The Chemical Brothers' fifth album--a stunning return to bold, brilliant, mid-1990s form--delivers fierce beats, propulsive rhythms, and hallucinatory samples that are, if anything, even better than some of the duo's earliest work, moving in exciting and different directions. The requisite "big beat" dance-floor material is exemplified by "The Big Jump" and the ever-evolving "Believe" (with vocals by Bloc Party's Kele Okereke), but the real surprise here is the wealth of gentler tracks. "Hold Tight London" features a lovely vocal by Anna-Lynne Williams and a glistening sonic edge that's both glacial and warm, and the lengthy, gorgeous instrumental "Surface to Air" glides along on haunting, beat-driven lines. Then there's the flipside of that, as on "Galvanize," a deep-funk-fried slice of Arabian techno-rap featuring Q-Tip, and "Left Right," a blistering anti-war track with rhymes by Anwar Superstar. Unlike much of the Brothers' earlier output, PUSH THE BUTTON covers a lot of ground, uncovering other sonic worlds just beneath the well-tread electronica surface.
 
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"360 Degrees [12" Single] [Maxi Single]" (10/02/2001) Electronic Push Button Objects, Chocolate Industries
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