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Swordfish: The Album [PA] by Original Soundtrack/Paul Oakenfold (Remix DJ) (CD - 06/05/2001)
 

Swordfish: The Album [PA] by Original So...

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Swordfish: The Album [PA] by Original Soundtrack/Paul Oakenfold (Remix DJ) (CD - 06/05/2001)
"Swordfish: The Album [PA]" (06/05/2001) Electronic Original Soundtrack, Sire Records (USA)Original score composed by Paul Oakenfeld. Personnel: Andy Gray (programming). Audio Mixers: Lemon Jelly; Andy Gray ; Paul Oakenfold ; Salt Tank. Audio Remixers: Andy Gray ; PMT; Paul Oakenfold . Trance master Paul Oakenfold takes a stab at film composing with the soundtrack to this John Travolta cyber-espionage thriller. In creating music (and remixing other artists) for a film about computer hacking and international intrigue, Oakenfold keeps the tempo for SWORDFISH moving along at a fairly quick pace. The best remixes here include the slamming beats and undulating house vibe permeating Jan Johnston's "Unafraid" and the swooshing synths and jackhammer beats that find the British-born DJ exposing his inner Giorgio Moroder on Muse's "New Born." Elsewhere, the Kraftwerk samples found in Afrika Bambaataa's classic "Planet Rock" get beefed up and Oakenfold's dalliance with hip-hop extends to the Outkast-flavored remix of "Lapdance," featuring Nerd, Lee Harvey and Vita. Other highlights include the fusion of ambient swaths of sound and breakneck beats on the Planet Perfecto team-up "Get Out Of My Life Now" and the hard-driving Christopher Young collaboration "On Your Mind" featuring dialogue snippets of Travolta and Halle Berry from the film.

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XX/XY by Original Score/Original Soundtrack (CD - 05/06/2003)
 

XX/XY by Original Score/Original Soundtr...

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XX/XY by Original Score/Original Soundtrack (CD - 05/06/2003)
"XX/XY" (05/06/2003) Electronic Original Soundtrack, Thrive RecordsOriginal score composed and performed by The Insects. Personnel: Johnny Harris, Alison Moyet, Sean Cook (vocals); Stuart Gordon (strings); Pete Judge (trumpet, flugelhorn); John Baggot (Fender Rhodes piano); Tony Orrell, Damon Reece (drums). Audio Remixer: Alpha.

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The Animatrix by Original Soundtrack (CD - 06/03/2003)
 

The Animatrix by Original Soundtrack (CD...

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The Animatrix by Original Soundtrack (CD - 06/03/2003)
"The Animatrix" (06/03/2003) Electronic Original Soundtrack, Warner Home VideoPersonnel: Hubert Tubbs (vocals). Audio Mixer: Junkie XL.

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Rollcage, Stage 2 by Original Soundtrack/Various Artists (CD) [IMPORT - UK]
 

Rollcage, Stage 2 by Original Soundtrack...

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Rollcage, Stage 2 by Original Soundtrack/Various Artists (CD) [IMPORT - UK]
"Rollcage, Stage 2" (04/25/2000) Electronic Original Soundtrack, Moving Shadow Ltd.

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Great Expectations [Original Soundtrack] by Original Soundtrack (CD - 01/06/1998)
 

Great Expectations [Original Soundtrack]...

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Great Expectations [Original Soundtrack] by Original Soundtrack (CD - 01/06/1998)
"Great Expectations [Original Soundtrack]" (01/06/1998) Electronic Original Soundtrack, Atlantic (USA)Producers include: Tori Amos, Chris Cornell, Alain Johannes, Richard Smith, Chris Thomas. Engineers include: Mark Hawley, Marcel Van Limbeck, Peter Nashel. Personnel: Chris Cornell (vocals, guitar); Duncan Sheik (vocals, acoustic guitar, electric guitar, keyboards); Tori Amos (vocals, piano, harpsichord); Carey Wilson (whistling); Bay (guitar, 12-string guitar); Gerry Leonard , Teddy Freese, Stefan Henry Cush, Alain Johannes, Luis Ramos (guitar); Jacinto Pereira (cavaquinho); Totinho (soprano saxophone, percussion); Nando Andrade, Ron Wasserman (piano); Jos? Paris (acoustic bass); Mark Plati (fretless bass); Greg Upchurch, Tim Newton (drums); Ralph Salmins (percussion); Mel Wesson (programming). Audio Mixers: Chris Lord-Alge; Bruno Quinquet; Elliot Scheiner; Jos? de Silva; Marcel VanLimbeek; Mark Hawley; Mark Plati; Tracy Chisholm; Brian Malouf. A winner of an album all the way around, this soundtrack features a combination of modern and classic rock tracks, and should appeal to fans of both. The newer generation of rock artists comprises most of the album, delivering well-crafted pop songs that also retain a certain amount of '90s angst. Selections by Tori Amos, Mono, Pulp and Poe are among those artists' better work. The older generation of rock royalty is represented here by the Grateful Dead and Iggy Pop. But the real standout tracks are eagerly awaited solo cuts from Chris Cornell and Scott Weiland. Cornell's "Sunshower" is a mid-tempo track, similar to Soundgarden's "Black Hole Sun." Weiland's "Lady, Your Roof Brings Me Down" showcases his vocal ability and is a Sgt. Pepper-era Beatles-flavored song along the lines of STP's "Lady Picture Show." Overall, an extremely listenable album that will whet your appetite for the movie.

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Antarctica by Original Soundtrack/Vangelis (CD - 10/25/1990)
 

Antarctica by Original Soundtrack/Vangel...

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Antarctica by Original Soundtrack/Vangelis (CD - 10/25/1990)
"Antarctica" (10/25/1990) Electronic Original Soundtrack, Polydor (USA)Original score composed and performed by Vangelis. Recorded at Nemo Studios, London, England. Recording information: Nemo STudios, London, England. Arranger: Vangelis. Antarctica is the soundtrack to Koreyoshi Kurahara's film of the same name. Vangelis composed and performed all of the music. It is a very dynamic and dramatic set, but does not convey the iciness that listeners would expect. Conveying feelings of angst, isolation, and even desolation, it is actually very good music. It just does not feel like, well, the Antarctic. ~ Jim Brenholts

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Gone in 60 Seconds [PA] by Original Soundtrack (CD - 06/06/2000)
 

Gone in 60 Seconds [PA] by Original Soun...

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Gone in 60 Seconds [PA] by Original Soundtrack (CD - 06/06/2000)
"Gone in 60 Seconds [PA]" (06/06/2000) Electronic Original Soundtrack, PolygramOriginal music composed by Trevor Rabin. The soundtrack set behind GONE IN 60 SECONDS, the Nicholas Cage/Angelina Jolie car theft, uh, vehicle, pumps a pulse of pounding pop, funk, soul, electronic and hip-hop. The collection stands as one of the more flowing mixed artist compilations. There's logic in the song order, and at times the album even sounds like a solo artist's. Kicking off with one of the odder pairings, The Cult makes a stab at a Dianne Warren original, "Painted on My Heart." British jack-of-all-trades Gomez eases its funky "Machismo" right in besides Moby's gospel-tinged "Flower," while Method Man & Redman, one of the best collaborations since peanut butter met jelly, contribute the wicked old school electronica hip-hop jam "Da Rockwilder." M. Doughty, late of Soul Coughing, provides vocals on techno wizard BT's infectious "Never Gonna Come Back Down." For those in search of familiar material, there's DMX's anthem "Party Up," Apollo Four Forty's twisted electro-novelty tune "Stop The Rock," and a new take on Citizen King's hit "Better Days." GONE IN 60 SECONDS is a consistently enjoyable soundtrack.

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Nip/Tuck by Original TV Soundtrack/Various Artists (CD - 01/01/2006)
 

Nip/Tuck by Original TV Soundtrack/Vario...

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Nip/Tuck by Original TV Soundtrack/Various Artists (CD - 01/01/2006)
"Nip/Tuck" (01/01/2006) Electronic Original Soundtrack, Nettwerk AmericaPersonnel: Chris Coco, Gavin Rossdale, Sacha Puttnam, Karen Ann Poole (vocals). DJ: Gabriel & Dresden. Audio Mixers: Dave "the Wave" Dresden; Josh Gabriel.

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CSI: Miami: The Soundtrack by Original Soundtrack/Original TV Soundtrack (CD - 06/29/2004)
 

CSI: Miami: The Soundtrack by Original S...

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CSI: Miami: The Soundtrack by Original Soundtrack/Original TV Soundtrack (CD - 06/29/2004)
"CSI: Miami: The Soundtrack" (06/29/2004) Electronic Original Soundtrack, Hip-O RecordsThe Who's "Won't Get Fooled Again" serves as a rousing theme song for the CBS spinoff hit CSI: Miami, and it opens the show's soundtrack as well. From there, Miami tries on some thickheaded nu-metal (Ill Ni?o's self-explanatory "I Am Loco"), but it's only afterburning background music. The set's remainder consists of oddly England-centric rock (Oasis, Ian Brown) and the kind of crackling modernist electronica that's perfect for CSI's stylized version of true crime. The requisite Massive Attack track appears in the form of "Everywhen," while FC Kahuna, Baxter, and Nitin Sawhney contribute variations on the Clicky Downtempo with Female Lead motif. Lamb's "Gabriel" leads down that duo's darker electronic path, while "Invisible Pedestrian" is a chattering atmospheric piece in the vein of Air. There aren't a lot of risks taken here -- most of these tracks have made the chillout compilation rounds. But the CSI brand and David Caruso's mug on the front cover should get their grooves into some new places. Credit goes to CSI: Miami: The Soundtrack's producers for not clogging it with second and third-tier modern rock and neon holdovers from the Miami Vice years. ~ Johnny Loftus

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Gone in 60 Seconds [Edited] by Original Soundtrack (CD - 06/06/2000)
 

Gone in 60 Seconds [Edited] by Original ...

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Gone in 60 Seconds [Edited] by Original Soundtrack (CD - 06/06/2000)
"Gone in 60 Seconds [Edited]" (06/06/2000) Electronic Original Soundtrack, Island Records (USA)Original music composed by Trevor Rabin. The soundtrack set behind GONE IN 60 SECONDS, the Nicholas Cage/Angelina Jolie car theft, uh, vehicle, pumps a pulse of pounding pop, funk, soul, electronic and hip-hop. The collection stands as one of the more flowing mixed artist compilations. There's logic in the song order, and at times the album even sounds like a solo artist's. Kicking off with one of the odder pairings, The Cult makes a stab at a Dianne Warren original, "Painted on My Heart." British jack-of-all-trades Gomez eases its funky "Machismo" right in besides Moby's gospel-tinged "Flower," while Method Man & Redman, one of the best collaborations since peanut butter met jelly, contribute the wicked old school electronica hip-hop jam "Da Rockwilder." M. Doughty, late of Soul Coughing, provides vocals on techno wizard BT's infectious "Never Gonna Come Back Down." For those in search of familiar material, there's DMX's anthem "Party Up," Apollo Four Forty's twisted electro-novelty tune "Stop The Rock," and a new take on Citizen King's hit "Better Days." GONE IN 60 SECONDS is a consistently enjoyable soundtrack.

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$10
Angst (Sdtk) [2/21]
 

Angst (Sdtk) [2/21]

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Angst (Sdtk) [2/21]
"Angst [Revisited] [Digipak] [Remaster]" (02/21/2006) Rock & Pop Original Soundtrack, Inside Out MusicPersonnel: Klaus Schulze (synthesizer, electronic drums). Liner Note Author: Klaus D. Mueller. Recording information: Hambuhren (04/1983-10/1983); Munich, Germany (04/1983-10/1983). Photographer: Klaus D. Mueller. Translators: Markus Schurr; Matt Goodluck. Angst is a unique soundtrack for a documentary film about judicial scandal in Austria. The music came first and the film was edited to fit the soundtrack, so the score drives the film. Klaus Schulze called upon his many influences to build this project. The primary style is Berlin school, but Schulze uses his symphonic synths, his classical training, and his atmospheric sensitivity as well. For the most part, it does work as a stand-alone musical event, but loses some of its impact with the rhythmic pieces. They have drama and mystery and are, undoubtedly, important to the score -- they just don't stand alone. ~ Jim Brenholts Angst is a unique soundtrack for a documentary film about judicial scandal in Austria. The music came first and the film was edited to fit the soundtrack, so the score drives the film. Klaus Schulze called upon his many influences to build this project. The primary style is Berlin school, but Schulze uses his symphonic synths, his classical training, and his atmospheric sensitivity as well. For the most part, it does work as a stand-alone musical event, but loses some of its impact with the rhythmic pieces. They have drama and mystery and are, undoubtedly, important to the score -- they just don't stand alone. [This edition contains one bonus track.] ~ Jim Brenholts

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Tour De France Soundtracks *
 

Tour De France Soundtracks *

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Tour De France Soundtracks *
"Tour de France Soundtracks" (08/19/2003) Jazz Instrument Kraftwerk, Astralwerks (Record Label)Recording information: Kling Klanf Studio. It is a testament to Kraftwerk's brilliance that some 30 years after pioneering the electronica revolution they were able to keep pace with the legions of acts they inspired. 2003's TOUR DE FRANCE SOUNDTRACK is as crisp, modern, and appealing as any minimal techno turned out in the 2000s, and is all the more impressive for its direct link to the band's legacy from the 1970s. Like the music on their landmark releases AUTOBAHN and TRANS-EUROPE EXPRESS, the meticulously calibrated synth-scapes of TOUR DE FRANCE SOUNDTRACKS conjure visions of machines churning in mechanized perfection and sensations of robotic ecstasy. The cerebral yet infectious beats that characterize the three versions of the single and tracks like "Chrono" and "Titanium" are ambitious and compelling, full of clicking polyrhythms and edgy, icy funk. As usual, these are layered with electronic micro-melodies and Vocoder-filtered vocals. The theme of France's famous bike race plays heavily in the album, from the song titles to the heatbeat and heavy breathing in "Electro Kardiogramm." Kraftwerk began this project in 1983, when they released the "Tour de France" single; though it took the band 20 years to complete the album, the results are fresh as anything Kraftwerk ever released.

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Threat [Original Soundtrack] by Original Soundtrack/Various Artists (CD - 01/24/2006)
 

Threat [Original Soundtrack] by Original...

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Threat [Original Soundtrack] by Original Soundtrack/Various Artists (CD - 01/24/2006)
"Threat [Original Soundtrack]" (01/24/2006) Electronic Original Soundtrack, Halo EightPerformers include: Elephant Man, Beenie Man, Sizzla, Assassin, Lexxus, Mr. Vegas. Photographer: Jelle Wagenaar. The 32nd installation in the Greensleeves Rhythm Album series is Threat, built by Steely & Clevie and produced by the hot dancehall producers Troy McLean and Garfield Hamilton. With a fiery rhythm blazing around a strong melodic hook, Threat indeed is guaranteed to menace the dancehalls. Always ready to storm the floors, Elephant Man gets the bashment going with his homage to "Ghetto Girls." Assassin is also ready to "Celebrate" with this lethal riddim. Beenie Man intends on seeing off the competition, threatening "Don't Come Around," but there's not a taker in sight, for the rest of the boys are too busy chasing the girls to pay him any mind. T.O.K. score with their perfect party piece, boldly declaring that "Where I'm From" "every man have a woman, dat a rule number one as a born Jamaican." Rule number two, apparently, is to dissect every aspect of a woman's physique, followed by rule number three: if you've got one, boast about her. And so they do, in a dizzying array of nonstop commentary across the set. Red Rat demands girl "Wine Your Waist," Mr. Vegas jumps on that bandwagon with "Gi Dem the Wine," while Beenie's baby brother Kirk Davis coaxes his girl to "Shake It." He's a sweet singer, but it's the sultrier Lukie D who will attract the women like bees to honey. Spragga Benz attempts to inject some culture into this girl-crazed scene, but he's overwhelmed by the likes of Lexxus, Frisco Kid, Bling Dog, and many more. Kiprich's ferocious "Pick a Side" finally and convincingly shakes some cultural sense onto the riddim, as does Shaddu's strong "Fi Real," but it's Hawkeye's keeping it real on "Dreams & Hopes" that cleans up the cultural arena. Still it's the party pieces that will fire up the dancefloors, and Threat is awash in them, most strong enough to keep this riddim hot for months to come. ~ Jo-Ann Greene

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Deals on Soundtrack electronics in Electronic Music. Visit BizRate to find the best deals on Electronic Music. See which Music stores have the Soundtrack electronics that you want. Read reviews on Music merchants and buy with confidence. Find savings on Swordfish: The Album [PA] by Original Soundtrack/Paul Oakenfold (Remix DJ) (CD - 06/05/2001) - Apollo: Atmospheres & Soundtracks [Slipcase] by Original Soundtrack/Brian Eno (CD - 07/08/2008).