Amazon Marketplace in Electronic Music

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"Degenerate *" (03/06/2003) Electronic Bozo Porno Circus, Underground, Inc. (USA)

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"Line Dance Favorites [Basix]" (02/26/2002) Electronic Various Artists, Basix RecordsAudio Mixer: Michael "Boogaloo" Boyer.

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"Details" (08/13/2002) Electronic Frou Frou, MCA Records (USA)Frou Frou: Imogen Heap (vocals, guitar, piano, synthesizer, drums, programming); Guy Sigsworth (gutiar, piano, synthesizer, drums, programming). Additional personnel includes: Iona Petcu-Colan (violin); Dair Malloy (glass harmonica, handbells, waterphone); Jon Hassell (trumpet); Elad Elharar (bass); Mich Gerber (bowed double bass); Makoto Sakamoto (drums). Personnel: Imogen Heap (vocals, guitar, piano, synthesizer, drums, sampler); Guy Sigsworth (guitar, piano, synthesizer, drums, sampler); Jon Hassell (trumpet); Makoto Sakamoto (drums). Audio Mixers: Damian Taylor; Guy Sigsworth; Tom Elmhurst; Imogen Heap. Recording information: At Home; Flat Studio, Bern, Switzerland; FrouFrou Central, London, England; Ganalahari Studios, Bangalore, India; Rak Studios, London, England. Arrangers: Guy Sigsworth; Imogen Heap. What do you get when you combine a producer/electronics whiz who's worked with Madonna, Bjork, and Seal, and a distinctive, charming female singer? Judging from the results of Frou Frou's debut album details, you get a duo capable of combining complex, arresting sonic vistas with very organic, intimate vocals to fine effect. From the dreamy, hypnotic quality of the opening track "Let Go" to the airy, Beth Orton-like "Hear Me Out," Guy Sigsworth consistently manages to find just the right setting for Imogen Heap's up-close vocal style. Whether Sigsworth is employing delicate ambient textures, gentle trip-hop beats, or near-techno dance arrangements, he's perfectly in tune with both the mood of the song and the breathy-but-confident delivery of Heap. There's an audible air of artistic simpatico between the two that runs throughout DETAILS and makes the whole thing work.

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"Lun tico" (04/11/2006) Electronic Gotan Project, XL Recordings/Beggars GroupAdditional personnel: Gustavo Beytelmann (piano). The distinctive sound of the Gotan Project, which merges electronica with tango and other traditional South American forms, is further refined and expanded on the group's sophomore release, LUNATICO. The album is more eclectic and ambitious than its predecessor, with intriguing instrumentation that includes bandoneon and strings. Guests include Calexico and vocalist Christina Villalonga (who join forces on the striking opener "Amore Porteno"), rapper Xoxmo, and musical director Gustavo Beytelmann, among others. LUNATICO finds the Gotan Project immersing itself more deeply in the tango, while still trafficking in trip-hop, downtempo, and ambient textures, creating a fine example of fresh, world music fusion.

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"Tri-State" (04/18/2006) Electronic Above & Beyond, Ultra Records

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"She's Back" (11/21/1995) Electronic Debbie Deb, Pandisc RecordsPersonnel: Debbie Deb (vocals); Count to Twenty (background vocals). Audio Mixers: Femio Hern ndez; Carleton Mills; Ivan Kopas; Carlos Santos. Audio Remixer: Mohamed Moretta. Liner Note Author: Debbie Deb. Recording information: Studio Center West.

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"100th Window" (02/11/2003) Electronic Massive Attack, Virgin Records (USA)Massive Attack: Mushroom, 3-D, Daddy G. Additional personnel: Sinead O'Connor, Horace Andy, Robert Del Naja (vocals); Angelo Bruschini (guitar); Skaila Kanga (harp); Stuart Gordon (violin); Jon Harris (bass); Damon Reece (drums). Producers: Robert Del Naja, Neil Davidge. After a five-year gap, the follow-up to 1998's lauded MEZZANINE finds Massive Attack picking up right where they left off, as though no time had passed at all. The trademark mix of downtempo electronica, slithery trip-hop, darkly ambient atmospherics, and spacious dub production touches is still strongly in place, and this time around Sinead O'Connor fills the dreamy-chanteuse role played on MEZZANINE by Cocteau Twin Elizabeth Fraser. The contrast of smooth, orchestral textures and wide, open sonic spaces with moody, paranoiac touches and creepy, downcast emotional vistas continues to make for some effective dynamics. The tempo picks up on the pulsing, insistent "A Prayer For England," but for the most part this is music to dream by, even if those dreams do turn out to be unsettling and subversive, full of strangely attractive uneasiness.

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"Do You Like My Tight Sweater?" (03/11/1997) Electronic Moloko, Warner Bros. Records (Record Label)Moloko: Mark Brydon, Roisin Murphy. The aptly named Do You Like My Tight Sweater? slinks and bounces on a funky backbone of fat basslines and innovative beats that support singer Roisin Murphy's sly, theatrical vocals and lyrics. Part catwoman, part droid, her singing ranges from a knowing purr to an androgynous growl and creates characters like party weirdos, dominatrixes, killer bunnies, and ghosts. As dramatic as her vocals are, however, Murphy is an antidiva; her musical surroundings equal her singing in importance. The other half of Do You Like My Tight Sweater?'s individuality comes from Mark Brydon's arrangements, which combine fluid tempos, sudden breakbeats, witty sound effects, and unearthly keyboards in sci-fi grooves that appeal to the brain and body. Standout tracks like "Fun for Me," "I Can't Help Myself," "Lotus Eaters," and "Party Weirdo" mix sensuality, technology, funk, and electronica in a unique and stylish blend. While some of the sillier songs like "On My Horsey" and "Dirty Monkey" disrupt the flow of Do You Like My Tight Sweater?, the danceable creativity of Moloko's debut overrides its quirks. ~ Heather Phares

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"Ultimate Trance Party, Vol. 2 [Box]" (01/13/2004) Electronic Various Artists, Topaz Records

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Deals on Amazon Marketplace in Electronic Music. Visit BizRate to find the best deals on Electronic Music. See which Music stores have the Amazon Marketplace that you want. Read reviews on Music merchants and buy with confidence. Find savings on Kraut Slut by Antiguo Automata Mexicano (CD - 04/24/2007) - Degenerate * by Bozo Porno Circus (CD - 03/06/2003).