Lightfoot gordon in Folk Music

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"Beautiful: A Tribute to Gordon Lightfoot" (10/07/2003) Rock & Pop Various Artists, Borealis RecordsPersonnel: Terry Tufts (vocals, guitar, dobro, mandolin); James Keelaghan, Jesse Winchester, Aengus Finnan, Ron Sexsmith (vocals, guitar); Colin Linden (vocals, electric guitar, mandolin); Stephen Fearing (vocals, electric guitar); Harry Manx (vocals, slide guitar, steel guitar, banjo); Bruce Cockburn (vocals, baritone guitar); Murray McLauchlan (vocals, pennywhistle, piano, string synthesizer); Connie Kaldor (vocals, piano); Cindy Church, Sarah Dugas, Nathan Rogers, Gwen Swick, Caitlin Hanford, Margo Timmins, Rick Fenton, Sylvia Tyson, Maria Muldaur, Paul Campagne (vocals); Jason Fowler, Michael Timmins, Gary Vogenson (guitar); Davy Gallant (acoustic guitar, electric guitar); Kevin Breit (National guitar, mandolin); Pete Grant, Burke Carroll (dobro); Jordan McConnell (flute, tin whistle, Uilleann pipe); Richard Bell (organ); John Burr (keyboards, string synthesizer); Tom McMahon (upright bass); Glen Scott (drums, bongos, background vocals); Randall Coryell (drums, percussion); Daniel Couture, Peter Timmins, Gary Craig (drums); Neil Golden (tabla); Andreas Olsson (tambourine); Jory Nash (background vocals). Audio Mixers: Colin Linden; Davy Gallant; Danny Greenspoon; Vezi Tayyeb; Jeff Wolpert; Jeremy Darby; John Jacob; Ken Friesen; Mark Vreeken; Martin Terefe; Andreas Olsson; Terry Tufts; Blue Rodeo; Paul Campagne; Bob Lanois. Liner Note Authors: Colin Linden; Grit Laskin; Fred Litwin; Michael Timmins; Stephen Fearing; Bill Garrett. Recording information: Canterbury Music Company (??/??/2002-03/29/2003); Clubhouse (??/??/2002-03/29/2003); Dogger Pond Studios, Drummondville, Quebec, Canada (??/??/2002-03/29/2003); Electric Earth East, London, England (??/??/2002-03/29/2003); Kensington Sound Studios, Toronto, Ontario, Canada (??/??/2002-03/29/2003); Marnie's Diner, Almonte, Ontario, Canada (??/??/2002-03/29/2003); Millstream Studio, Toronto, Ontario, Canada (??/??/2002-03/29/2003); New Improved Recording, Oakland, CA (??/??/2002-03/29/2003); Private Ear Studio, Winnipeg, Manitoba, Canada (??/??/2002-03/29/2003); Small Treasures Studio, San Jose, CA (??/??/2002-03/29/2003); The Bathouse, Bath, Ontario, Canada (??/??/2002-03/29/2003); The Shack, Ancaster, Ontario, Canada (??/??/2002-03/29/2003); The Woodshed, Toronto, Ontario, Canada (??/??/2002-03/29/2003); Workshop Recording, Victoria, British Columbia, Canada (??/??/2002-03/29/2003). Photographer: Norman James. Arranger: Murray McLauchlan. Virtually all of the 15 artists pitching in on this Lightfoot tribute are Canadian, Maria Muldaur being the notable exception. Otherwise, the roster mixes some Canadian, or at any rate Canadian-based (in Jesse Winchester's case), icons like Cowboy Junkies, Bruce Cockburn, and Murray McLauchlan; more mid-level acts like Blue Rodeo, Ron Sexsmith, the Tragically Hip, and Quartette (with Sylvia Tyson); and a smattering of artists known primarily to Canadian audiences. It's very much in the mold of many respectable but rather dull tribute albums. Some are competently reverent covers that stay pretty faithful to Lightfoot's well-known arrangements. Others put mild spins on the familiar renditions without threatening to displace the supremacy of Lightfoot's interpretations. But it's tastefully done, without any unnecessarily lush overhauls or particularly gratuitous liberties taken with the compositions. And certainly many of Lightfoot's most celebrated songs come in for tribute here, including "The Way I Feel" (Cowboy Junkies), "Sundown" (Winchester), "Ribbon of Darkness" (Cockburn), "If You Could Read My Mind" (Connie Kaldor), "For Lovin' Me" (Terry Tufts), "Black Day in July" (the Tragically Hip), and "Canadian Railroad Trilogy" (James Keelaghan). Blue Rodeo's sprightly "Go Go Round," Cowboy Junkies' "The Way I Feel," and Cockburn's slow, languorous take on "Ribbon of Darkness" are the readings that come off best. ~ Richie Unterberger

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Gord's Gold

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"Gord's Gold" (10/04/2005) Rock & Pop Lightfoot, Gordon, Reprise2 LPs on 1 CD; 1 song omitted from original 2-LP release ("Affair on 8th Avenue"). This re-release of Gordon Lightfoot's first greatest hits album, originally published in the mid-1970s, contains a medley of his first hit songs, "I'm Not Saying" and "Ribbon of Darkness" (the latter made famous by Marty Robbins), as well as many other '60s and early-'70s classics like "Early Morning Rain," the brooding "Sundown," and "If You Could Read My Mind." Lightfoot's sure way with a lyrical narrative, coupled with his appealingly diffident baritone voice, combines pop charm with artistic integrity, and these tracks sound as fresh today as when they were first recorded.

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Lightfoot!/The Way I Feel

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"Lightfoot!/The Way I Feel" (10/03/1994) Rock & Pop Lightfoot, Gordon, Bear Family (Germany)2 LPs on 1 CD: LIGHTFOOT! (1966)/THE WAY I FEEL (1967). Includes a 36-page booklet. Lightfoot was already 27 at the time of his solo debut, which might have accounted in part for the unusually fully developed maturity and confidence on this recording, in both his songwriting and vocals. This contains some of his best compositions, including "Early Mornin' Rain," "I'm Not Sayin'," "The Way I Feel," "Lovin' Me," and "Ribbon of Darkness." At this point Lightfoot was still including some covers in his repertoire, and he handles numbers by Phil Ochs ("Changes"), Ewan MacColl ("The First Time Ever I Saw Your Face"), and Hamilton Camp ("Pride of Man") well. For his next LP, The Way I Feel -- the second half of this two-fer -- he went for a fuller band sound, using a couple of the noted Nashville session men (Charlie McCoy and Ken Buttrey) who had played on Bob Dylan's Blonde on Blonde. The result was a brighter and more accessible sound, with the country elements more to the fore. The songs weren't quite as impressive as his first batch, but they were still very good, highlighted by the epic "Canadian Railroad Trilogy" and an electrified remake of "The Way I Feel." ~ Richie Unterberger

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"The Very Best of Gordon Lightfoot, Vols. 1-2 [Beat Goes On] *" (03/14/2006) Rock & Pop Lightfoot, Gordon, Beat Goes OnAudio Remasterer: Andrew Thompson . Liner Note Author: John Tobler. Beat Goes On's Very Best of Gordon Lightfoot, Vols. 1-2 collects both of the legendary Canadian singer/songwriter's early-'70s "best-of" sets on a single, remastered disc. These are not the versions of "Canadian Railroad Trilogy," "Early Mornin' Rain," and "Bitter Green" that he re-recorded for 1975's multi-platinum Gord's Gold. Rather, they represent the baritone-voiced troubadour's less opulent United Artists era. Listeners looking for a more complete overview of this period would be better off picking up 1993's superb United Artists Collection. ~ James Christopher Monger

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"Sunday Concert" (08/10/1993) Rock & Pop Lightfoot, Gordon, Bear Family (Germany)Recorded live at Massey Hall, Toronto, Canada in March 1969. Originally released as SUNDAY CONCERT on United Artists. This is part of EMI Records' Acoustic Highway series. Recorded at a March 1969 concert in Toronto, Sunday Concert holds more interest than the usual live album because about half of the songs are Gordon Lightfoot compositions that had not been previously recorded in the studio. Accompanied by Red Shea on lead guitar and Rick Haynes on bass, he also mixed old favorites like "I'm Not Sayin'" and "Canadian Railroad Trilogy" with the new material on this set, which has good (though not outstanding) sound. These then-new songs aren't among his classics, but are up to the general high standard of his '60s work, with the socially conscious "The Lost Children" and the poetic "Leaves of Grass" standing out as lyrical highlights. This is the only one of Lightfoot's '60s United Artists albums that is not included on The United Artists Collection. [Captiol/EMI reissued this on CD in 1996]. ~ Richie Unterberger

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"Did She Mention My Name/Back Here On Earth (BGO)" (11/15/2001) Rock & Pop Lightfoot, Gordon, Beat Goes On2 LPs on 1 CD: DID SHE MENTION MY NAME (1968)/BACK HERE ON EARTH (1969). Personnel: Gordon Lightfoot (vocals, guitar); Laurice Milton Shea (guitar); John Stockfish (bass guitar). Every '60s singer/songwriter of note expanded their instrumental approach as time went on, and Lightfoot was no exception. For his third album, he worked with John Simon (who would handle the Band and Big Brother), and occasionally used low-key orchestration. Though a tad more erratic than his earlier efforts, his songwriting remained remarkably consistent. His characteristically bright, uplifting outlook became more diverse as well, allowing for the chilling "Black Day in July" (written in response to the 1967 Detroit riots), the odd "Pussywillows, Cat-Tails" (an unusual and successful detour into baroque orchestral pop), and the ambiguous sobriety of "Does Your Mother Know." Back Here on Earth, the second half of this two-fer, was a retrenchment of sorts, recorded in Nashville with a three-piece acoustic lineup and a more countrified approach. It's not quite as outstanding as his first three albums, lacking highlights on the order of "Early Mornin' Rain" or "Black Day in July." Lightfoot never offered weak material on his United Artists efforts, however, and Back Here on Earth is still a very solid set. ~ Richie Unterberger Singer/songwriter Gordon Lightfoot's work from 1968 is compiled here on this release from Bear Family. ~ Chris True

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