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Night Watch

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The first part of a trilogy, NIGHT WATCH is an old-fashioned good vs. evil parable that relies on some thoroughly modern special effects to ensnare its audience. Set in present-day Moscow, the movie begins with a quick skip back through the centuries to inform us how a delicate truce was struck between the forces of Light and Dark. These forces still exist in Moscow, with both sides keeping a close eye on each other as they attempt to disguise themselves from the earth's mere mortals. NIGHT WATCH's central character is Anton Gorodetsky (Konstantin Khabensky), who is defined as an "Other" by the legions of Light and Dark. Anton and his cohorts live as vampires, and await the arrival of a virgin who will announce the resumption of hostilities between the forces of Light and Dark; as the film progresses, it becomes apparent that an epic battle is just around the corner. One of the biggest films of all time in its native Russia, director Timur Bekmambetov's NIGHT WATCH positions itself somewhere in between THE MATRIX and BLADE in the pantheon of CGI-fueled sci-fi flicks. Although the plot is mind-boggling and occasionally verges on the incomprehensible, Bekmambetov is presumably using this first part of the trilogy to lure viewers into his wild cinematic world. Impressively, Bekmambetov's film was shot on a tiny budget, but it belies its meager origins. Even the English subtitles are integrated into several scenes, with words zipping across the screen and melting into the action as a heavy-metal soundtrack thumps away. Knowing he is set to film two sequels, Bekmambetov leaves his audience hanging as NIGHT WATCH nears its climax, with his second installment (DAY WATCH) promising further FX-laden feuding, and, in an intriguing twist, an English-language climax to the trilogy with DUSK WATCH.

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Un Dia Sin Sexo [DVD]

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UN DIA SIN SEXO is a day in the life of four Peruvian couples of varying ages and backgrounds as they struggle over issues between the sheets. This is a lighthearted comic look at the pitfalls of sex in relationships, whether the couples are young and hot to trot, or a little bit older and less full of fire. Either way, these lovers find themselves in all sorts of hilarious scenarios that speak to the voyeurs among us.

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Sex in Chains [DVD]

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Young and in love, newlyweds Helene (Mary Johnson) and Sommer (William Dieterle, who also directed) endure an enforced separation when the accidental death of a nightclub owner--who was harassing Helene and incurred her husband's wrath--lands Sommer in jail. There his sexual longing finds other outlets in the absence of women, namely with a handsome young cellmate. Meanwhile, Helene aches for the comfort of her husband's embrace, and she finds solace in the arms of her kind employer. Exemplary of the creative freedom and unfettered cultural mores of Germany's Weimar period, this gem of the silent period was later banned under Nazi law. Dieterle's treatment of his subject matter is remarkable both for its lack of inhibition and its mixture of melodrama and eroticism with genuine tenderness. The stunning photography, craft, and restrained, subtle performances make this film an enduring masterpiece.

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Amelie (Special Edition) [DVD]

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Amélie Poulain (Audrey Tautou) is a young woman who glides through the streets of Paris as quietly as a mouse. With wide eyes and a tiny grin, she sees the world in a magical light, discovering minor miracles every day. A shy and reserved person whose favorite moments are spent alone skimming stones into the water, Amélie was raised by a pair of eccentrics who falsely diagnosed her with a heart problem at the age of six and so limited her exposure to the outside world. Now a free and independent woman, Amélie wears a bob that curls in every direction and dresses in red. With a job in a café and an aptitude for spying on her neighbors, Amélie entertains herself by enacting a series of homemade, kindhearted practical jokes. She returns a long-forgotten box of childhood knickknacks to its proper owner, she sends her father's garden troll on a trip around the world, and she creates a love connection at the café between the hypochondriac druggist and a beer-drinking old grouch. But when the day is done, Amélie finds one stone unturned, and decides to work her magic on the quirky object of her affections, Nino Quincampoix (Matthieu Kassovitz), whom she has never met. Director Jean-Pierre Jeunet (who codirected DELICATESSEN and THE CITY OF LOST CHILDREN with Marc Caro) presents AMÉLIE, an aesthetically gorgeous and inventive film. The rich, glowing color scheme is offset by flashbacks in black and white archival footage that give short biographies of each character. A soft-spoken narrator guides viewers through this enlightening fairy tale, which sometimes speeds through the streets and other times drifts in slow motion. AMÉLIE is humorous, questioning, and strange, and it will change the lives of all who watch it, if only for a short while after leaving Amélie's world.

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Sexo por Compasión

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Spanish actress turned director Laura Mana delivers an enchanting fable, by turns funny and achingly poignant, and seasoned with a bit of magical realism. Opening in black-and-white and set in a dull, drab Mexican town, the inhabitants of the film are beset by a bad case of the doldrums: the kids are taciturn, the adults are listless, and the elderly are afflicted. Among them, Dolores (Elisabeth Margoni, LOVE, ACTUALLY) stands out as a pious, big-hearted, and lovable woman, but her husband leaves her because he finds her undiluted goodness difficult to stomach. Shocked, hurt and angry, Dolores goes to bed with the first man who asks her, and soon she is providing all of the love-starved men of the town with the intimacy they have been missing. The changes are immeasurable and color is brought back into the lives of all the villagers, until problems arise in the form of the local prostitutes whose business has been hurt. Dolores's husband also returns and demands a stop to her behavior, forcing Delores to make a difficult decision. Mana delivers a beautiful, life-affirming, feminist take on the conservative mores of small-town life.

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THE SISSI COLLECTION includes the trilogy of romantic films about the Austrian princess: SISSI, THE YOUNG EMPRESS, and SISSI: THE FATEFUL YEARS OF THE EMPRESS. The three movies follow the adventures of Sissi and her husband Kaiser Franz Josef (Karl Heinz Böhm). Romy Schneider (WHAT'S NEW PUSSYCAT, TRIPLE CROSS), stars as the young princess, who has to endure the frustrations of court life in Vienna and a difficult mother-in-law. This popular series of costume dramas was directed by Ernst Marischka (SEASON IN SALZBURG), and this collection also includes two of his other movies, THE STORY OF VICKI and FOREVER MY LOVE.

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Josh

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Loosely based on the classic WEST SIDE STORY, JOSH tells the tale of two rival gangs, one led by Prakash (Sharad Kapoor), and the other by Max (Shah Rukh Khan). When Prakash's twin brother (Chandrachur Singh) returns to town, his newfound love for Max's sister, Shirley (Aishwarya Rai), threatens to upset the tenuous peace between the gangs.

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A hit across the globe, bachata boy-band Aventura leave their adoring fans breathless in this sold-out concert at New York's Madison Square Garden. Joined onstage by a dazzling array of surprise guests--including Miri Ben-Ari, Olga Tanon, El Torito, Toby Love, and Anthony Santos--this live performance features knockout renditions of the songs "Obsesion," "No no no," "Ella y yo," and "Noche de sexo," among many others.

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Let the Right One In [DVD]

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A well-crafted horror film in the tradition of Guillermo del Toro's THE DEVIL'S BACKBONE, Swedish import LET THE RIGHT ONE IN ably blends genre chills with genuine feeling. Oskar (Kåre Hedebrant) is a 12-year-old outcast who is frequently picked on by his classmates. He dreams of getting his revenge, but he never stands up to the boys. With the arrival of his new next-door neighbor, 12-year-old Eli (Lina Leandersson), Oskar may finally have found a friend, ally, and first love. But Eli is no ordinary girl: she must keep her pale skin out of the sunlight, she can perform inhuman physical feats, and she has thirst for blood. The bodies begin to pile up, but Oskar can't stay away from the girl who has finally given him courage. Based on the novel by John Ajvide Linqvist (who also wrote the script), LET THE RIGHT ONE IN is the best kind of horror film: one that transcends the tropes of the genre to become something new. This is director Tomas Alfredson's first foray into horror, and he doesn't hesitate to include bits of vampire mythology. But his background making comedies and dramas gives the film a surprising depth; the relationship between Oskar and Eli is tentative and sweet, even though their interactions may be surrounded by blood and violence. Composer Johan Soderqvist and the sound department create a fascinating palette of music and sounds that add to the film's perfectly chilly mood, and setting the film in a snowy Swedish suburb gives director of photography Hoyte Van Hoytema a starkly beautiful environment for shooting. Though LET THE RIGHT ONE IN is ostensibly about a pair of children, this is a horror film for adults. There are plenty of scares, but it remains moving and intelligent, a rare feat for the genre.

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A well-crafted horror film in the tradition of Guillermo del Toro's THE DEVIL'S BACKBONE, Swedish import LET THE RIGHT ONE IN ably blends genre chills with genuine feeling. Oskar (Kåre Hedebrant) is a 12-year-old outcast who is frequently picked on by his classmates. He dreams of getting his revenge, but he never stands up to the boys. With the arrival of his new next-door neighbor, 12-year-old Eli (Lina Leandersson), Oskar may finally have found a friend, ally, and first love. But Eli is no ordinary girl: she must keep her pale skin out of the sunlight, she can perform inhuman physical feats, and she has thirst for blood. The bodies begin to pile up, but Oskar can't stay away from the girl who has finally given him courage. Based on the novel by John Ajvide Linqvist (who also wrote the script), LET THE RIGHT ONE IN is the best kind of horror film: one that transcends the tropes of the genre to become something new. This is director Tomas Alfredson's first foray into horror, and he doesn't hesitate to include bits of vampire mythology. But his background making comedies and dramas gives the film a surprising depth; the relationship between Oskar and Eli is tentative and sweet, even though their interactions may be surrounded by blood and violence. Composer Johan Soderqvist and the sound department create a fascinating palette of music and sounds that add to the film's perfectly chilly mood, and setting the film in a snowy Swedish suburb gives director of photography Hoyte Van Hoytema a starkly beautiful environment for shooting. Though LET THE RIGHT ONE IN is ostensibly about a pair of children, this is a horror film for adults. There are plenty of scares, but it remains moving and intelligent, a rare feat for the genre.

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Ong-Bak: The Thai Warrior

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Tony Jaa follows in the powerful martial arts footsteps of Bruce Lee, Jackie Chan, and Jet Li in ONG-BAK: THE THAI WARRIOR, one of the first films to center on the ancient fighting system of Muay Thai, which utilizes the body's limbs to potentially devastating effect. Jaa stars as Ting, a quiet young man who lives in the peaceful village of Nong Pradu. As the village's special celebration approaches, a Bangkok villain named Don (Wannakit Siriput) steals the head of the Buddha statue Ong-Bak, which is said to protect the village from bad luck. Ting volunteers to go to the big city to bring back the head of Ong-Bak, but remembers what he was taught by sage monk Pra Cru (Woranard Tantipidok): he must not use his Muay Thai skills to harm people. However soon after arriving in Bangkok, Ting, a peaceful fish out of water, finds that the only way to recapture the village's sacred treasure is by using his arms, his legs--and his head. Influenced by the films of Thai action star Phanna Rithikrai, director Prachya Pinkaew hired the Muay Thai expert to serve as martial arts and stunt choreographer for ONG-BAK, resulting in highly effective and believable scenes between Ting and a multitude of criminals and evil boxers out to get him. Pinkaew adds a fun sense of humor to the serious story, not only in some of the crazy stunts but also in the character of George, played by Thai comic Petchthai Wongkamlao. Jaa is charmingly fearless in the lead role, performing all his own stunts without any special effects, computer enhancement, or ropes.

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Saawariya [DVD]

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Bollywood and Hollywood entwine for this mix of romance, singing, comedy, dancing, and melodrama, directed by Sanjay Leela Bhansali (DEVDAS) and produced in tandem with Sony/Columbia. The achingly beautiful Rani Mukherjee narrates and appears as Gulab, a streetcorner princess haunting the red light district in an expressionistic melange of Venice, Vegas, and Amsterdam. The irrepressibly callow musician Raj (Ranbir Kapoor) catches her eye, but Raj thinks he's in love with Sakina (Sonam Kapoor) who prefers to pine away for her absent lover, Imaan (Salman Kahn). All this longing (it's based on Dostoyevsky's WHITE NIGHTS) is stunningly captured through bizarre and elaborate backdrops, winding staircases, torrents of rain, and a color scheme heavy on the blues. Fans of Baz Luhrman's MOULIN ROUGE will want to live inside this film: there may not a whole lot of weight to all the tomfoolery, but the pain of youthful romantic idealism is part of the message. The music is always the thing with Bollywood films and SAAWARIYA packs in its share of rousing numbers. Western viewers entering the realm of Bollywood for the first time will find SAAWARIYA ("beloved" in Hindi) to be a crossover film that's ready to welcome them with open arms into a jubilant world of high-spirited song and dance, over-the-top goofiness, anguished melodrama, gyrating hips (with very sexy exposed belly buttons), and PG-rated romance.

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With his trademark mix of traditional rancheras and pop ballads, Alejandro Fernandez has risen to be one of Mexico's biggest performers. This collection presents Fernandez's greatest hits along with the music videos to some of his most enduring songs, including "Me Dediqué a Pederte," "No Se Olvidar," and "Si Tu No Vulves."

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Pan's Labyrinth [DVD]

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Written and directed by Guillermo del Toro, PAN'S LABYRINTH is a thrilling, violent fairy tale set in post-Civil War Spain. Ivana Baquero stars as Ofelia, a young girl who moves with her mother, Carmen (Ariadna Gil), into the home of Captain Vidal (Sergi López), in an abandoned mill in the middle of dark, dangerous woods. Vidal is leading his team of soldiers against resistance fighters--and he will do whatever is necessary to kill every last one of them. As Vidal bosses around the pregnant Carmen, a flying creature leads Ofelia through a garden labyrinth and into an underground cave ruled by Pan (HELLBOY's Doug Jones), who believes that Ofelia might be the lost princess of this strange yet magical place. To prove she is royalty, Ofelia must complete three tasks, each more difficult and terrifying than the previous one. Meanwhile, Vidal is becoming more and more paranoid, torturing and murdering seemingly at will. Del Toro (THE DEVIL'S BACKBONE, HELLBOY, CRONOS) creates a marvelous battle between good and evil, between heroes and villains, in both the real world aboveground and the mystical land below. Baquero gives a compelling performance as the terrorized Ofelia, who is befriended by Mercedes (Maribel Verdú), a woman who harbors some secrets of her own. Stellar production design, superb special effects, and a stirring score by Javier Navarrete add to the scary fun. Selected as the closing-night entry in the 2006 New York Film Festival, PAN'S LABYRINTH is a captivating story that is not for the squeamish.

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Tell No One [DVD]

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TELL NO ONE starts off innocently enough: sunlight streams through the trees at a gorgeous summer home as an Otis Redding song plays. But the ominous title is apt: the events in this French thriller based a Harlan Coben novel soon turn dark. Happily married couple Alex (François Cluzet) and Margot (Marie-Josée Croze) go for a swim, but their idyllic evening is interrupted by a brutal attack. Alex is knocked unconscious, and his wife is murdered. Almost a decade later, that night still haunts Alex. He receives an email pointing him to a link to a live webcam, where he sees a woman who looks remarkably like his dead wife turn and stare into the camera. Hope and confusion mount, but a discovery at the crime scene causes Alex to become the prime suspect in his wife's death, a murder that was thought to have been solved years ago. When TELL NO ONE played in its native France, it picked up four César awards, the country's equivalent of the Oscar, and it's easy to see why. Director Guillame Canet (who also plays a small role in the film) has crafted a taut, well-told film. TELL NO ONE's narrative journey is filled with numerous twists and turns, but the audience is content to be along for the ride with Canet at the wheel. There are elements of Hitchcock and THE FUGITIVE, but the film never feels like a rip-off of the classics. It's a gripping, entertaining tale that features solid performances, especially from Canet (L'ENFER) and Kristin Scott Thomas in a supporting role.

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Murmur of the Heart

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While convalescing at a health retreat, a sensitive and sexually curious teenage boy explores his identity, with a little help from his doting mother. The tender direction belies the film's provocative sexual themes, which caused it to be almost banned in France upon its release.

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REBELDE is a Mexican telenovela based in a school for the country's richest kids. But among the elite are a few children from poorer families whose natural gifts in a number of different fields have allowed them entrance to this exclusive institution. When these two markedly different groups meet, the poverty-stricken kids are tormented by their wealthy counterparts, and some explosive action follows. This release presents the series' first three seasons.

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Fascination [DVD]

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Rollin hauntingly blends the genres of vampire flicks and French cinema to create yet another intriguing, personal work.

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Howl's Moving Castle

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Acclaimed Japanese director Hayao Miyazaki adapts British writer Diana Wynne Jones's popular fantasy tale for this animated feature, adding his own unique and celebrated dreamlike spin. A young hat-maker named Sophie (voiced by Emily Mortimer) is turned into an old woman by the dreaded Witch of the Waste (Lauren Bacall) when she attracts the notice of Howl (Christian Bale), a young wizard whom the witch desires for herself. As the old woman, (voiced by Jean Simmons), Sophie finds refuge as a cleaning lady in Howl's magical castle, an impressively realized mishmash of anthropomorphic shafts and gears, where she meets, among other wonders, a cantankerous fire demon named Calcifer (Billy Crystal). Howl's courage inspires her to seek a cure for her curse, and vice versa, and the two work together to prevent a major war as the castle roams the countryside on its mechanical legs. There's lots of magic afoot as well, including travel through barriers of space and time, and shape-shifting, requiring full viewer attention to keep track of who, where, and when, but this how dreams really are and the film engages on that same subconscious level. As with Miyazaki's previous work (SPIRITED AWAY, KIKI'S DELIVERY SERVICE), the emphasis here is on creating a beautiful alternate reality, where anything can happen, and every frame is a breathtaking work of art. See it on the big screen if the chance presents itself; the elaborate intricacies and patiently realized alternate realities of Miyazaki's work makes him a true treasure.

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