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UN DIA SIN SEXO is a day in the life of four Peruvian couples of varying ages and backgrounds as they struggle over issues between the sheets. This is a lighthearted comic look at the pitfalls of sex in relationships, whether the couples are young and hot to trot, or a little bit older and less full of fire. Either way, these lovers find themselves in all sorts of hilarious scenarios that speak to the voyeurs among us.

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A Polish film set amid the ravages of World War II, PORNOGRAFIA follows two middle-aged men as they pontificate and speculate on the future of their country. Although the battle comes perilously close, the two men prefer to ignore it, and instead focus their lusty attentions on a nearby farmer's daughter.

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This collection of music videos contains video tracks for 12 hit songs. All the big names from the genre appear here, including Chicos Aventura, Chiripa, Super Auto, Alberto Pedraza, and Viento Calido. Filmed around Mexico, the videos include "Mi Novia," "Cuanto Daria," "Dos Palabras," and more.

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In this Mexican comedy classic, Tin-Tan and El Zorrillo are the same person and Lupe has fallen in love with the latter. But when Don Martin and his workers are jailed by the evil Don Gaspar, it's up to El Zorrillo to save the day.

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PORN THEATER, as its title suggests, covers a day in the life of a Parisian pornographic cinema, foregrounding its marginalized male patrons and their activities inside. Because the film cuts between only three locations--the ticket area, the main viewing theater, and the grungy, yellow bathroom--it effectively seals off the world outside, providing the viewer with a heightened sense of containment. An extraordinary amount of screentime is given to the spectators in the theater simply watching the film, the effect of which is almost Hitchcockean in the sense of cinematic double entendre--as one watches the characters in the movie viewing a movie, one becomes conscious of the architecture of the theater, the mechanics of film projection, and the other viewers. When PORN THEATER draws to a close, then, it is no surprise the pornographic film the characters watch also comes to conclusion, and everyone must leave their respective theaters more or less together. The film additionally makes comment on disease and desire and provides comic relief, though mostly at the expense of one hirsute drag queen. As one might also expect from the title, the film carries a ton of sexual content, though only between the male patrons of the theater, unsure as to whether they've come to reinforce their heterosexual desires through the movie or to cruise the other customers for homosexual encounters.

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Young and in love, newlyweds Helene (Mary Johnson) and Sommer (William Dieterle, who also directed) endure an enforced separation when the accidental death of a nightclub owner--who was harassing Helene and incurred her husband's wrath--lands Sommer in jail. There his sexual longing finds other outlets in the absence of women, namely with a handsome young cellmate. Meanwhile, Helene aches for the comfort of her husband's embrace, and she finds solace in the arms of her kind employer. Exemplary of the creative freedom and unfettered cultural mores of Germany's Weimar period, this gem of the silent period was later banned under Nazi law. Dieterle's treatment of his subject matter is remarkable both for its lack of inhibition and its mixture of melodrama and eroticism with genuine tenderness. The stunning photography, craft, and restrained, subtle performances make this film an enduring masterpiece.

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An epic tale of one of the greatest rulers of India, ASOKA is a testament to the redemptive power of love. Asoka inherited India's throne in third century B.C. The Indian dynasty was poised to conquer the entire peninsula and the king began his reign by leading the charge. However, the emperor found greater meaning in the love of two women and was soon transformed, renouncing warfare and adopting the principles of the Buddha. This 2001 Indian biopic of the peaceful leader is a work of great political and dramatic significance.

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A police officer loses his colleague in an intense operation to bump off a gangster kingpin, leading to a botched operation, and a killer on the lose. After ten years pass, the deceased officer's kids grow up, and decide to take on the task of seeking vengeance for their father.

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The popular South Korean mini-series DAE JANG GEUM (aka JEWEL IN THE PALACE) earned that country's highest-ever television ratings with an epic blend of historical and personal intrigue. Based on a true story, the period-piece costume drama centers on its titular heroine, Jang-geum (Yeong-ae Lee), a 16th-century orphan girl who enters the king's royal court as a lowly kitchen maid. When the political machinations of an evil duchess send Jang-geum into exile, she leaves to study medicine and triumphantly returns to the palace as the King's personal physician. Bolstered by strong acting, gripping plotlines, and well-drawn characters, the series' most remarkable achievement remains the lavish, detail-rich production design that presents a historically accurate depiction of 16th-century Korean history, culture, and politics--as well as mouthwatering cooking sequences a la BABETTE'S FEAST. This third volume concludes the series with episodes 37-54.

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$36
 

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An international cast of beauties brings cosmopolitan flavor to what could have been a typical melodrama. Adapted from the best-selling novel by Peruvian author Jaime Bayly, LA MUJER DE MI HERMANO (English translation--MY BROTHER'S WIFE) is a soap-operatic tale, complete with adulterous transgressions, hysterical breakdowns, devastating betrayals, and a shocking finale. Stunning Uruguayan actress Barbara Mori is the focal point of this Byzantine affair, entrancing viewers with her nuanced performance as Zoe. In the tradition of those Douglas Sirk heroines who made it a gorgeous act to suffer quietly, Zoe is wildly unhappy and frustrated with her dying marriage to Ignacio (Peruvian soap star Christian Meier). Not content to remain isolated in her high-class Mexico city apartment--a stylishly cold fortress of minimalist design and shiny surfaces--Zoe seeks out Ignacio's estranged brother Gonzalo (Colombian hunk Manolo Cardona). A volatile artist, Gonzalo is a man of sensations and extremes, thus serving as the perfect antidote to Zoe's dull, stale life. The two strike up the inevitable passionate affair, but what follows is as unexpected as the set-up is standard. Zoe's transgression leads not only to her debilitating Catholic guilt, but also to a revived relationship between the brothers, whose new communication brings a startling revelation about the past. Peruvian director Ricardo de Montreuil leads this production with a sure hand, eliciting performances more complex than in the typical soap opera. Though it can veer toward slightly over-the-top melodrama, the film is too intelligently written and acted to be passed off as fluff, and instead is a serious, deep look into the eternal problems of love, sexuality, and betrayal.

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In the midst of World War II, as the tide turns against the Axis, a German U-boat crew is sent out to patrol the Atlantic and fire at Allied ships bringing supplies to England. The submarine also carries a press correspondent, there to report from the front lines of nautical warfare. Meanwhile, the crew's captain (Jürgen Prochnow) is becoming disillusioned with the Nazi regime and with war in general. What starts out as a routine mission is soon livened up beyond the crew's expectations when their boat's surprise attack on a convoy is thwarted by a fast-moving destroyer. Battered by depth charges, the crew must pull together to survive the attacks of their unseen enemy. Widely considered to be director Wolfgang Petersen's best film and one of the finest German films ever made, DAS BOOT is stunningly realistic in its portrayal of the cramped conditions aboard a German submarine. Based on a novel by Lothar G. Buchheim, it is a striking example of an intelligent antiwar film clothed in the guise of a military thriller.

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THE SISSI COLLECTION includes the trilogy of romantic films about the Austrian princess: SISSI, THE YOUNG EMPRESS, and SISSI: THE FATEFUL YEARS OF THE EMPRESS. The three movies follow the adventures of Sissi and her husband Kaiser Franz Josef (Karl Heinz Böhm). Romy Schneider (WHAT'S NEW PUSSYCAT, TRIPLE CROSS), stars as the young princess, who has to endure the frustrations of court life in Vienna and a difficult mother-in-law. This popular series of costume dramas was directed by Ernst Marischka (SEASON IN SALZBURG), and this collection also includes two of his other movies, THE STORY OF VICKI and FOREVER MY LOVE.

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Spanish actress turned director Laura Mana delivers an enchanting fable, by turns funny and achingly poignant, and seasoned with a bit of magical realism. Opening in black-and-white and set in a dull, drab Mexican town, the inhabitants of the film are beset by a bad case of the doldrums: the kids are taciturn, the adults are listless, and the elderly are afflicted. Among them, Dolores (Elisabeth Margoni, LOVE, ACTUALLY) stands out as a pious, big-hearted, and lovable woman, but her husband leaves her because he finds her undiluted goodness difficult to stomach. Shocked, hurt and angry, Dolores goes to bed with the first man who asks her, and soon she is providing all of the love-starved men of the town with the intimacy they have been missing. The changes are immeasurable and color is brought back into the lives of all the villagers, until problems arise in the form of the local prostitutes whose business has been hurt. Dolores's husband also returns and demands a stop to her behavior, forcing Delores to make a difficult decision. Mana delivers a beautiful, life-affirming, feminist take on the conservative mores of small-town life.

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With his trademark mix of traditional rancheras and pop ballads, Alejandro Fernandez has risen to be one of Mexico's biggest performers. This collection presents Fernandez's greatest hits along with the music videos to some of his most enduring songs, including "Me Dediqué a Pederte," "No Se Olvidar," and "Si Tu No Vulves."

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A stark drama awash in postmodern nihilism, BOOTLEG FILM follows two friends who are driving to a funeral: Tatsuo (Akira Emoto), a low-level criminal, and Seiji (Kippei Shiina), a police officer. The dearly departed was Ayako (Tamaki), a woman who at one time was married to Seiji and at another involved with Tatsuo. The circumstances of this journey have brought tensions between the pair to the surface, and they've been arguing when they encounter Yoji (Kazuki Kitamura) and Junko (Maika), a disaffected young couple who soon find out more about the two men than it's healthy for them to know. The second feature film from director Masahiro Kobayashi, BOOTLEG FILM was shown as part of the Un Certain Regard series at the 1999 Cannes Film Festival.

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An epic tale of the Spanish Civil War, LIBERTARIAS focuses on the role that women played in the conflict. Maria (Ariadna Gil, known in Spain for her success with roles deemed impossible for other actresses) is a nun forced to flee her convent when the war brings troops to Barcelona. She hides in a brothel, where she meets and unites with a women's organization to assist with the war effort against Franco's fascists, and thereby secures the rights for their sex. Through her experiences Maria encounters many women from various social groups and occupations, and learns that they are all united in being oppressed merely because of their gender. LIBERTARIAS concentrates on how the struggle for freedom and civil rights during the Spanish Civil War took on special meaning for women. The film was nominated for six Goya Awards in 1996, and director Vicente Aranda (best know internationally for his film AMANTES aka LOVERS) took home the Special Jury Prize at the Tokyo Film Festival.

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$2
 

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$36
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The popular South Korean mini-series DAE JANG GEUM (aka JEWEL IN THE PALACE) earned that country's highest-ever television ratings with an epic blend of historical and personal intrigue. Based on a true story, the period-piece costume drama centers on its titular heroine, Jang-geum (Yeong-ae Lee), a 16th-century orphan girl who enters the king's royal court as a lowly kitchen maid. When the political machinations of an evil duchess send Jang-geum into exile, she leaves to study medicine and triumphantly returns to the palace as the King's personal physician. Bolstered by strong acting, gripping plotlines, and well-drawn characters, the series' most remarkable achievement remains the lavish, detail-rich production design that presents a historically accurate depiction of 16th-century Korean history, culture, and politics--as well as mouthwatering cooking sequences a la BABETTE'S FEAST. This second volume continues the series with episodes 19-36.

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$36
 

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$8
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A hit across the globe, bachata boy-band Aventura leave their adoring fans breathless in this sold-out concert at New York's Madison Square Garden. Joined onstage by a dazzling array of surprise guests--including Miri Ben-Ari, Olga Tanon, El Torito, Toby Love, and Anthony Santos--this live performance features knockout renditions of the songs "Obsesion," "No no no," "Ella y yo," and "Noche de sexo," among many others.

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Spanish singer Isabel Pantoja performs folk songs in the Copla tradition in this live concert. She is one of the gems of the genre, and she puts all her talent on display at the Palau De La Musica in Spain. A 52-person orchestra accompanies Pantoja on classics such as "La Lirio" and "Madrina."

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