R mpaa in Foreign DVDs & Videos

Description:

In the midst of World War II, as the tide turns against the Axis, a German U-boat crew is sent out to patrol the Atlantic and fire at Allied ships bringing supplies to England. The submarine also carries a press correspondent, there to report from the front lines of nautical warfare. Meanwhile, the crew's captain (Jürgen Prochnow) is becoming disillusioned with the Nazi regime and with war in general. What starts out as a routine mission is soon livened up beyond the crew's expectations when their boat's surprise attack on a convoy is thwarted by a fast-moving destroyer. Battered by depth charges, the crew must pull together to survive the attacks of their unseen enemy. Widely considered to be director Wolfgang Petersen's best film and one of the finest German films ever made, DAS BOOT is stunningly realistic in its portrayal of the cramped conditions aboard a German submarine. Based on a novel by Lothar G. Buchheim, it is a striking example of an intelligent antiwar film clothed in the guise of a military thriller.

Description:

A well-crafted horror film in the tradition of Guillermo del Toro's THE DEVIL'S BACKBONE, Swedish import LET THE RIGHT ONE IN ably blends genre chills with genuine feeling. Oskar (Kåre Hedebrant) is a 12-year-old outcast who is frequently picked on by his classmates. He dreams of getting his revenge, but he never stands up to the boys. With the arrival of his new next-door neighbor, 12-year-old Eli (Lina Leandersson), Oskar may finally have found a friend, ally, and first love. But Eli is no ordinary girl: she must keep her pale skin out of the sunlight, she can perform inhuman physical feats, and she has thirst for blood. The bodies begin to pile up, but Oskar can't stay away from the girl who has finally given him courage. Based on the novel by John Ajvide Linqvist (who also wrote the script), LET THE RIGHT ONE IN is the best kind of horror film: one that transcends the tropes of the genre to become something new. This is director Tomas Alfredson's first foray into horror, and he doesn't hesitate to include bits of vampire mythology. But his background making comedies and dramas gives the film a surprising depth; the relationship between Oskar and Eli is tentative and sweet, even though their interactions may be surrounded by blood and violence. Composer Johan Soderqvist and the sound department create a fascinating palette of music and sounds that add to the film's perfectly chilly mood, and setting the film in a snowy Swedish suburb gives director of photography Hoyte Van Hoytema a starkly beautiful environment for shooting. Though LET THE RIGHT ONE IN is ostensibly about a pair of children, this is a horror film for adults. There are plenty of scares, but it remains moving and intelligent, a rare feat for the genre.

Description:

Written and directed by Guillermo del Toro, PAN'S LABYRINTH is a thrilling, violent fairy tale set in post-Civil War Spain. Ivana Baquero stars as Ofelia, a young girl who moves with her mother, Carmen (Ariadna Gil), into the home of Captain Vidal (Sergi López), in an abandoned mill in the middle of dark, dangerous woods. Vidal is leading his team of soldiers against resistance fighters--and he will do whatever is necessary to kill every last one of them. As Vidal bosses around the pregnant Carmen, a flying creature leads Ofelia through a garden labyrinth and into an underground cave ruled by Pan (HELLBOY's Doug Jones), who believes that Ofelia might be the lost princess of this strange yet magical place. To prove she is royalty, Ofelia must complete three tasks, each more difficult and terrifying than the previous one. Meanwhile, Vidal is becoming more and more paranoid, torturing and murdering seemingly at will. Del Toro (THE DEVIL'S BACKBONE, HELLBOY, CRONOS) creates a marvelous battle between good and evil, between heroes and villains, in both the real world aboveground and the mystical land below. Baquero gives a compelling performance as the terrorized Ofelia, who is befriended by Mercedes (Maribel Verdú), a woman who harbors some secrets of her own. Stellar production design, superb special effects, and a stirring score by Javier Navarrete add to the scary fun. Selected as the closing-night entry in the 2006 New York Film Festival, PAN'S LABYRINTH is a captivating story that is not for the squeamish.

Description:

In the midst of World War II, as the tide turns against the Axis, a German U-boat crew is sent out to patrol the Atlantic and fire at Allied ships bringing supplies to England. The submarine also carries a press correspondent, there to report from the front lines of nautical warfare. Meanwhile, the crew's captain (Jürgen Prochnow) is becoming disillusioned with the Nazi regime and with war in general. What starts out as a routine mission is soon livened up beyond the crew's expectations when their boat's surprise attack on a convoy is thwarted by a fast-moving destroyer. Battered by depth charges, the crew must pull together to survive the attacks of their unseen enemy. Widely considered to be director Wolfgang Petersen's best film and one of the finest German films ever made, DAS BOOT is stunningly realistic in its portrayal of the cramped conditions aboard a German submarine. Based on a novel by Lothar G. Buchheim, it is a striking example of an intelligent antiwar film clothed in the guise of a military thriller.

Description:

Among the scariest movies ever put on celluloid, like its similarly styled sister, RINGU, this tale of death-by-curse is nothing short of blood chilling. With chapters named after each subsequent victim, it plays like a series of increasingly daunting, deadly vignettes. All of the stories surround a haunted house where the evil spirit of a 5-year-old boy still lurks. The first to enter the residence and be cursed is a young hospice worker visiting an elderly client. She finds the boy duct-taped in a closet, where he first appears to her in the form of a black cat, and then shows his human form which is a shockingly ghoulish white face and blackened eyes. Invisible to all except for those who are next to die, his presence seems like a true mystery. But when family members, friends, curious teenagers, and frightened police investigators begin to drop like flies, it is clear that his spirit thrives. Perhaps it is the unsolvable problem of the boy's vengeance that makes the premise so terrifying--his anger and his penalty cannot be curbed. But unforgettable scenes, such as the boy's very dead mother crawling serpentinely down the stairway, deserve the lion's share of the credit for the fearfulness of the film. What's more, the percussive, electronic score by Shiro Sato is spine-tingling. From Japanese director Takeshi Shimizu, whose RINGU was so successful that it received both prequels and sequels--and an American remake, THE RING, with Naomi Watts--fans should not miss this extraordinary fright-fest.

Description:

Directed by Andrew Lau and Alan Mak, INFERNAL AFFAIRS is a tense thriller featuring Hong Kong superstars Andy Lau and Tony Leung. The film follows the parallel lives of Ming (Lau), a cop who secretly reports to ruthless Triad crime boss Sam (Eric Tsang); and Yan (Leung), an undercover police officer who poses as a Triad member in Sam's gang. For Yan, the years of living in the criminal underworld have taken their toll, and he longs to return to regular police duty. However, the only person who knows Yan's true identity is his mentor Superintendent Wong (Anthony Wong), also the unsuspecting superior of Ming. When Wong's officers come face to face with Sam's gang, both leaders realize there are moles in their midst. Soon Yan and Ming must track each other down, leading to an inevitable confrontation. Unlike many contemporary Hong Kong films, INFERNAL AFFAIRS steers clear of over-the-top action in favor of a more stylized and subdued story that builds on emotional and psychological tension. Leung is riveting as the undercover cop who desperately wants a normal life, while Lau instills his corrupt character with confidence and charm that mask his deep inner conflict. These two stellar turns are ably supported by veteran actors Wong and Tsang, along with Sammi Cheng and Kelly Chen. A huge blockbluster in Asia, INFERNAL AFFAIRS is a landmark of Hong Kong cinema that deserves the same status abroad.

Description:

In the spirit of LIKE WATER FOR CHOCOLATE comes this enchanting, humorous tale about Esperanza (Heredia), a fervently devout young widow who leaves the confines of her provincial village for the seedy back alleys and brothels of urban Mexico and Los Angeles in search for her missing daughter. Guided by visions of St. Jude, who appears in the grease of her oven door, Eperanza embarks on an incredible odyssey that puts her faith to the test while awakening her to a new world of sensuality and independence.

Description:

In SATYRICON, Italian New Wave director Federico Fellini depicts the hedonistic, amoral, pre-Christian world of ancient Rome. Using the unfinished classical writings of Petronius as his guide, Fellini invents a dreamlike culture full of strange, distant characters and odd, grotesque events. Though the film lacks a definitive plot or narrative structure, its constants are Gitone (Max Born) and Encolpius (Martin Potter), whose unsavory encounters with sex, the theater, and religion are the film's focal point. Presenting a loosely structured episodic tale of decadence and depravity in ancient Rome, SATYRICON follows the adventures of two students as they negotiate their way through a variety of mishaps, dangers, and sexual encounters. What results is a bizarre journey through ancient Rome. This story is a perfect example of Fellini's accomplished skill in bringing fantasy to the screen.

Description:

A sensuous comic fable of a young Mexican woman's tortured life and her main influences--her domineering mother, her forbidden lover, and the overwhelmingly sensual power of food and cooking. Based on the novel by Laura Esquivel.

Description:

Tony Jaa follows in the powerful martial arts footsteps of Bruce Lee, Jackie Chan, and Jet Li in ONG-BAK: THE THAI WARRIOR, one of the first films to center on the ancient fighting system of Muay Thai, which utilizes the body's limbs to potentially devastating effect. Jaa stars as Ting, a quiet young man who lives in the peaceful village of Nong Pradu. As the village's special celebration approaches, a Bangkok villain named Don (Wannakit Siriput) steals the head of the Buddha statue Ong-Bak, which is said to protect the village from bad luck. Ting volunteers to go to the big city to bring back the head of Ong-Bak, but remembers what he was taught by sage monk Pra Cru (Woranard Tantipidok): he must not use his Muay Thai skills to harm people. However soon after arriving in Bangkok, Ting, a peaceful fish out of water, finds that the only way to recapture the village's sacred treasure is by using his arms, his legs--and his head. Influenced by the films of Thai action star Phanna Rithikrai, director Prachya Pinkaew hired the Muay Thai expert to serve as martial arts and stunt choreographer for ONG-BAK, resulting in highly effective and believable scenes between Ting and a multitude of criminals and evil boxers out to get him. Pinkaew adds a fun sense of humor to the serious story, not only in some of the crazy stunts but also in the character of George, played by Thai comic Petchthai Wongkamlao. Jaa is charmingly fearless in the lead role, performing all his own stunts without any special effects, computer enhancement, or ropes.

Description:

This World War I mystery finds limitless beauty in the nostalgia of loss. Directed by Jean-Pierre Jeunet, whose whimsical AMELIE riveted audiences, A VERY LONG ENGAGEMENT also stars Audrey Tautou--the 21st century's Audrey Hepburn--in the stubbornly emotional role of a widow in denial. Here she is Mathilde, a waifish young woman with a pronounced limp from childhood polio. Living with her quirky aunt and uncle in a farmhouse by the sea, and waiting desperately for her fiance Manech (Gaspard Ulliel) to return from the war, she believes that if he were truly lost she would feel it in her heart. Thus, when the bad news arrives--Manech and five fellow soldiers were exiled to No Man's Land for shooting off their own fingers in hope of being discharged--Mathilde refuses to believe he is dead. Instead, she begins her own investigation into Manech's infantry, hiring a private detective and tracking down the wives and girlfriends of each of Manech's compatriots. Conducting countless interviews, Mathilde pieces together Manech's war stories--which are told in earthshaking flashbacks involving gruesome explosions, flying guts, and massive suffering. And yet, the all-in-this-together humanity of these awful scenes, and the heartfelt bravery with which Mathilde absorbs the details of each battle, is undeniably moving. Jodie Foster appears as Elodie, one of the widows, in a charismatic yet muted performance and with a flawless accent. However, the most intriguing of the widows is Tina Lombardi (Marion Cotillard), a thrilling dominatrix-assassin bent on avenging her lover. A timeless masterwork that raises the bar for breathtaking camerawork, vivid landscapes, and fantastical storytelling, A VERY LONG ENGAGEMENT is adapted from the novel by Sebastien Japriscot.

Description:

Italian director Gabriele Salvatores (MEDITERRANEO) masterfully directs this eerie and engrossing suspense thriller involving a 10-year-old boy who lives in rural southern Italy. It is summertime and Michele (Guiseppe Cristiano) is free to spend the long sunny days riding his bike and running through the wheat fields. In fact, the wheat could be considered Michele's costar, as it often consumes the entire scope of the screen, showing how Michele plays, hides, and ponders life in the vast expanses of flowing yellow stalks. Because there are only a few other children in the village, Michele often plays alone, and one day he discovers a hole in the ground, obscured by wheat, where a boy his age is chained and imprisoned. The boy has clearly been starved and mistreated, yet Michele approaches him fearlessly and attempts to make friends with him. With the dreaminess that is a 10-year-old's truest treasure, Michele doesn't ask too many questions, nor does he draw conclusions about why the boy is in the hole, or who put him there. Through the expressions on young Michele's face, viewers can read his light questioning of human existence, human morality, and human rights. However, as the film draws on, subtly revealing shocking secrets about the adults in Michele's village, the beauty of this utterly simple yet deadly powerful plot come clear. I'M NOT SCARED is a moving film built on crystal-clear images of the Italian sun, sky, and wheat fields; strangely offset by its startling loss-of-innocence story.

Description:

This sequel to 1978's DRUNKEN MASTER features Jackie Chan returning to his role as the mischievous martial artist who outsmarts his father and tangles with Euro-thugs in the streets of Hong Kong in order to rescue stolen Chinese artifacts. Chan employs the hilarious but effective style of kung fu known as the "drunken" style. The movie is a true action masterpiece featuring some of the most intense fighting sequences ever filmed.

Description:

He Ping, the director of the cult classic SWORDSMAN IN DOUBLE FLAG TOWN and the better-known RED FIRECRACKER, GREEN FIRECRACKER, enters the big time with WARRIORS OF HEAVEN AND EARTH, an epic battle between two heroic figures fighting for themselves and for their countries. When Li (Jiang Wen) refuses to kill innocent women and children, he becomes a rogue soldier without a land. Master swordsman Lai Xi (Nakai Kiichi) is ordered to assassinate him if wants to get back to to his home in Japan and see his mother before she dies. But first they must join together to help a caravan with precious cargo make its way safely across the desert--with a beautiful woman, Wen Zhu (SHAOLIN SOCCER's Zhao Wei), caught in between them. The gorgeous cinematography is by Zhao Fei, who shot such Asian epics as RAISE THE RED LANTERN as well as such Woody Allen films as SWEET AND LOWDOWN and SMALL TIME CROOKS. The lush look of the film is echoed by A.R. Rahman's marvelous score and outstanding costuming and set design. Ping masterfully recreates seventh-century China as horses and camels lead the protagonists down the famous Silk Road during the time of the Tang Dynasty.

Description:

The third installment in Hark's Wong Fei-Hong franchise, sees Hung (Jet Li) and his sidekick Chung arriving in China just in time for the Empress-sponsored Lion Dance kung fu invitational. But Wong has other concerns to deal with--including winning back his secret love Yee from Tumanovsky, an evil Russian diplomat/spy who plans to assassinate the president! As if that isn't enough, he is to face his fearsome rival Thunder Foot in the competition. Li's formidable martial arts and acrobatic skills blend with a healthy dose of humor to create a worthy installment to this popular series.

Description:

An international cast of beauties brings cosmopolitan flavor to what could have been a typical melodrama. Adapted from the best-selling novel by Peruvian author Jaime Bayly, LA MUJER DE MI HERMANO (English translation--MY BROTHER'S WIFE) is a soap-operatic tale, complete with adulterous transgressions, hysterical breakdowns, devastating betrayals, and a shocking finale. Stunning Uruguayan actress Barbara Mori is the focal point of this Byzantine affair, entrancing viewers with her nuanced performance as Zoe. In the tradition of those Douglas Sirk heroines who made it a gorgeous act to suffer quietly, Zoe is wildly unhappy and frustrated with her dying marriage to Ignacio (Peruvian soap star Christian Meier). Not content to remain isolated in her high-class Mexico city apartment--a stylishly cold fortress of minimalist design and shiny surfaces--Zoe seeks out Ignacio's estranged brother Gonzalo (Colombian hunk Manolo Cardona). A volatile artist, Gonzalo is a man of sensations and extremes, thus serving as the perfect antidote to Zoe's dull, stale life. The two strike up the inevitable passionate affair, but what follows is as unexpected as the set-up is standard. Zoe's transgression leads not only to her debilitating Catholic guilt, but also to a revived relationship between the brothers, whose new communication brings a startling revelation about the past. Peruvian director Ricardo de Montreuil leads this production with a sure hand, eliciting performances more complex than in the typical soap opera. Though it can veer toward slightly over-the-top melodrama, the film is too intelligently written and acted to be passed off as fluff, and instead is a serious, deep look into the eternal problems of love, sexuality, and betrayal.

Description:

SO CLOSE is a high-energy, high-tech, visually arresting film by action director Cory Yuen, known for his collaborations with Jet Li. Sisters Lynn (Shu Qi) and Sue (Zhao Wei) are slick, fearless, and equipped with enough firearms and gadgetry to outwit an army. The girls were raised as assassins after witnessing their parents' murder by a group of ruthless businessmen who stole their father's ground-breaking invention: a way to control video security cameras via satellite. Now that they're all grown up, the super-sisters use their father's technology to mastermind their way into the guts of a corporate building. Once inside, they perform supernatural feats of martial arts and levitation (a la CROUCHING TIGER, HIDDEN DRAGON) to assassinate bigwig computer mogul Chow Lui. The sinister (but always lovable) sisters meet their match in Kong Yat Hong (Karen Mok), a whip-smart detective investigating Chow Lui's murder. Just before Hong can book them for the crime, all three women become the target of Lui's corrupt brother Chow Nunn, and the lines between law and lawlessness are pleasantly blurred. Lynn reconsiders a life of crime when old flame Yan (Seoung-Heon Song) shows up unexpectedly, but her tenacious younger sister, desperate for a promotion, is not about to let go of life on the edge.

Description:

Youth gangs took over the slums of Rio de Janiero during the 1960s and didn't relinquish their stronghold until the mid-1980s. Only a sucker wouldn't have turned to crime and this is exactly how naive teen Rocket (Alexandre Rodrigues) views himself. His attempts in illegal activity fail as he finds potential victims too friendly. Equally unsuccessful in love, he regularly fails to lose his virginity. Blood spills throughout the streets of the Ciudad de Deus as gang leader Li'l Ze (Leandro Firmino da Hora) is challenged by local druglords and a gang of pre-teens known as the Runts. Rocket shoots all of this action with his weapon of choice, a camera. Director Fernando Meirelles combines visual flashiness with dark history in telling the story of three decades of unrest in underground Rio de Janiero. Technically flawless, the Brazilian film uses a rapid-cutting style to flash back and forth in time. Cinematographer Cesar Charlone shoots with an overexposed glow in a film that may seem numb to violence, but reveres photography. Director Meirelles was assisted by Katia Lund, a filmmaker who had previously shot in the Rio ghettos.

Description:

Penelope Cruz and Victoria Abril are arch enemies in the Faustian tale DON'T TEMPT ME. Sent to Earth to determine the fate of boxer Manny (Demian Bichir), Lola (Abril) is an angel from Heaven, and Carmen (Cruz) is a devil pulled out of the vortex of Hell. For Lola, the mission is a chore, a nightmare, and puts her at risk for losing her cushy celestial spot. For Carmen, it is a gift, a vacation, and the one chance she has for redemption. Manny is stuck in the middle of these two manic forces, who must influence his decision to either stick with his competitive boxing career and risk a brain hemorrhage, or quit and save himself. At either end of the spectrum are higher forces. Gael Garcia Bernal plays the slick and slimy Davenport (read: Satan), ruling the chaotic, violent red regions of Hell from which Carmen was sprung. In Heaven, a lovely white oasis of cabaret and leisure time, Fanny Ardant is a graceful Marina D'Angelo who encourages Lola with her singing career. A witty and amusing film in French (Heaven), Spanish (Earth), and English (Hell), with many moments of tongue-in-cheek insight on the battle of good versus evil, director Augustin Diaz Yanes has spun an entertaining yarn with DON'T TEMPT ME.

Description:

Two young Indians, a brother and sister, travel from their remote Guatemalan village to the "promised land" of the north--Los Angeles. Academy Award Nominations: Best (Original) Screenplay.

Description:

Written and directed by Guillermo del Toro, PAN'S LABYRINTH is a thrilling, violent fairy tale set in post-Civil War Spain. Ivana Baquero stars as Ofelia, a young girl who moves with her mother, Carmen (Ariadna Gil), into the home of Captain Vidal (Sergi López), in an abandoned mill in the middle of dark, dangerous woods. Vidal is leading his team of soldiers against resistance fighters--and he will do whatever is necessary to kill every last one of them. As Vidal bosses around the pregnant Carmen, a flying creature leads Ofelia through a garden labyrinth and into an underground cave ruled by Pan (HELLBOY's Doug Jones), who believes that Ofelia might be the lost princess of this strange yet magical place. To prove she is royalty, Ofelia must complete three tasks, each more difficult and terrifying than the previous one. Meanwhile, Vidal is becoming more and more paranoid, torturing and murdering seemingly at will. Del Toro (THE DEVIL'S BACKBONE, HELLBOY, CRONOS) creates a marvelous battle between good and evil, between heroes and villains, in both the real world aboveground and the mystical land below. Baquero gives a compelling performance as the terrorized Ofelia, who is befriended by Mercedes (Maribel Verdú), a woman who harbors some secrets of her own. Stellar production design, superb special effects, and a stirring score by Javier Navarrete add to the scary fun. Selected as the closing-night entry in the 2006 New York Film Festival, PAN'S LABYRINTH is a captivating story that is not for the squeamish.

Description:

In Francois Ozon's SWIMMING POOL, Charlotte Rampling plays Sarah Morton, a prim and proper British author who has written a successful series of mystery-crime novels. However, when she visits her London publisher (Charles Dance) in a dour mood, wearing a depressive pout, and complains that she's no longer his favorite, he invites her to use his vacation home in the south of France as a tranquil escape to try her hand at writing something different. Once there, Sarah receives an unexpected and highly unwelcome visit from his bold, sexy, confrontational teenage daughter Julie (Ludivine Sagnier). The two are instantly at odds with each other, as Julie drinks, smokes, and slinks around the pool topless. Her loose sexual mores and mysterious late nights infuriate Sarah, whose puritanical unease is only exacerbated in Julie's presence. Wonderful scenes of Sarah writing at her computer, her lips twitching wickedly with twisted inspiration, indicate that the story is about to take a turn for the weird. And that it does, quickly, as booze-clouded activities by the swimming pool become dark and seedy. In this immaculate thriller, Rampling and Sagnier ignite the screen with static tension. Stunted conversations, resentful glances, and strange insights about the personality of each character give the story a tangible electricity. The idyllic vacation home and sun-drenched swimming pool put an ironic spin on the haunting story. And as Ozon works his magic with pensive camerawork, providing moments of true visual comedy that only enhance the plot's intrigue, viewers will delight in what is at once an understated yet powerful narrative feat.

Description:

Tadanobu Asano stars in this violent thriller/comedy as Samehada, the Shark Skin Man of the title. The film begins as Samehada is making a getaway from some former yakuza cohorts when his car is struck by a pretty young woman piloting an SUV. Named Toshiko, she is also on the run, and the two quickly team up to become an unlikely couple. Stylish and bizarre, SHARK SKIN MAN AND PEACH HIP GIRL is based on Minetaro Mochizuki's popular series of mangas.

Description:

DOG DAYS is a scathing satire, exposing the ugly underbelly of contemporary suburban mores. It is the first dramatic feature of notorious documentarian Ulrich Seidl (ANIMAL LOVE). With a keen visual sense and lacerating wit, Seidl weaves together the sordid tales of a large group of people in suburban Austria during a heat wave. There's the Greek divorced couple who continue to live together, miserable and haunted by the memory of their young daughter's death. There's the alarm system salesman who has to find a scapegoat when the cars in a housing complex that he has serviced are vandalized. There's the desperate older woman whose sadistic boyfriend brings a friend along to watch him humiliate her. There's the elderly control freak who weighs every item he's bought at the supermarket when he gets home. Tying them all together is Anna (Maria Hofstatter), who hitches rides to nowhere, verbally assaulting those who pick her up with a constant barrage of inane top ten lists, advertising jingles, and embarrassing personal questions. Seidl gets solid performances from his cast, many of whom are not professional actors. For those who can stomach it, he offers a compelling glimpse of hell on earth. This film was included in the 31st New Directors/New Films 2002 series presented by The Film Society of Lincoln Center and The Department of Film and Media of The Museum of Modern Art in New York City.

Description:

DOG DAYS is a scathing satire, exposing the ugly underbelly of contemporary suburban mores. It is the first dramatic feature of notorious documentarian Ulrich Seidl (ANIMAL LOVE). With a keen visual sense and lacerating wit, Seidl weaves together the sordid tales of a large group of people in suburban Austria during a heat wave. There's the Greek divorced couple who continue to live together, miserable and haunted by the memory of their young daughter's death. There's the alarm system salesman who has to find a scapegoat when the cars in a housing complex that he has serviced are vandalized. There's the desperate older woman whose sadistic boyfriend brings a friend along to watch him humiliate her. There's the elderly control freak who weighs every item he's bought at the supermarket when he gets home. Tying them all together is Anna (Maria Hofstatter), who hitches rides to nowhere, verbally assaulting those who pick her up with a constant barrage of inane top ten lists, advertising jingles, and embarrassing personal questions. Seidl gets solid performances from his cast, many of whom are not professional actors. For those who can stomach it, he offers a compelling glimpse of hell on earth. This film was included in the 31st New Directors/New Films 2002 series presented by The Film Society of Lincoln Center and The Department of Film and Media of The Museum of Modern Art in New York City.

Description:

Erika (Isabelle Huppert) teaches classical piano in a cold and often abrasive style. Approaching middle age, she lives with her doting mother (Annie Girardot) and still sleeps in the same bed with her. Erika's social life consists of occasionally sneaking away to a peep show where she secretly comes into contact with perverse passion, often using the discarded trash of previous customers. Her beautiful piano playing seduces youthful Walter (Benoit Magimel), who then takes the instructor's advanced class. Walter reveals his desire during a class session. Erika reacts curiously, presenting a long list of cruel, humiliating sexual acts she would like him to perform on her. Meanwhile, the teacher also torments a talented student (Anna Sigalevitch) who is already plagued by her own fears. Michael Haneke (CODE UNKNOWN) directed this unflinching allegorical tale of cruelty. The film caused a stir at the Cannes Film Festival where it was controversial not only for its subject matter, but also because it won multiple awards there--the Grand Prize and acting awards for both Huppert and Magimel--despite leaving many audience members outraged. Based on a novel by Elfriede Jelinek, the film features numerous classical piano sonatas banged out in an aggressive style.

Description:

Based on a novel by Ramsey Campbell, LOS SIN NOMBRE (THE NAMELESS) is a stylish and atmospheric horror film from director Jaume Balaguero (DARKNESS). After she goes missing, the body of Claudia's daughter Angela is discovered by the police. Five years later, Claudia is still distraught over the senseless murder when she receives a phone call from a young woman claiming to be her daughter. Bruno, a now-retired cop who was in charge of the original investigation, takes pity on Claudia and decides to help her track down the caller. What they find, however, is shadowy organization known only as "the Nameless" who may have some sort of supernatural power.

Description:

Alejandro Gonzalez Iniarritu makes an electrifying directorial debut with AMORES PERROS, an energetic, assured motion picture that jumps off the screen with a seemingly boundless energy. Told in three separate chapters--OCTAVIO AND SUSANA, DANIEL AND VALERIA, and EL CHIVO AND MARU--the film deals with love in the lives of several individuals residing in modern day Mexico City. Octavio (Gael Garcia Bernal) has fallen in love with his brother's wife, Susana (Vanessa Bauche). He begins entering his dog in illegal dogfights in order to save up enough money to run away with her, but eventually learns a powerful lesson when she fails to keep her word. Meanwhile, Daniel (Alvaro Guerrero) has left his wife and daughters for the gorgeous model Valeria (Goya Toledo), but when she is hurt badly in a car accident, the strain on their relationship is stretched to its limits. Finally, El Chivo (Emilio Echevarria) is an ex-revolutionary who has become a paid assassin. Saddened that he has lost all contact with his daughter, he takes one final stand when an intended act of kindness turns brutally tragic. Shot with hand-held immediacy on grainy film stock, Iniarritu's invigorating, Oscar-nominated film gets an added jolt of adrenaline from its throbbing soundtrack.

Description:

Based on a Korean folk tale, A TALE OF TWO SISTERS is a highly acclaimed horror film from director Ji-woon Kim. The film delicately balances a slow, building atmosphere of dread with sudden horrific shocks through stately, handsome cinematography and a suitably spooky musical score. Soo-mi (Su-jeong Lim) and Soo-yeon (Geun-yeong Mun) are sisters, released after a spell in a mental hospital to return to their father's gothic mansion. Once home, they meet their new stepmother (Jung-ah Yum), who they mistrust and suspect of some vague wrongdoing. Around the same time, perhaps uncoincidentally, a series of strange events begin to occur, apparently the work of a poltergeist. Already struggling with the presence of their new stepmother, the ghostly actions threaten to destabilize the girls' fragile mental states. A TALE OF TWO SISTERS joins RINGU and JU-ON in the cycle of films rejuvenating Asian horror.

Description:

Directed by Pierre Salvadori, this delightful French comedy features AMELIE star Audrey Tautou and the charming Gad Elmaleh (THE VALET). Jean (Elmaleh) is a hardworking employee at one of southern France's elite resort hotels. He is known for his excellent work ethic, but that changes after a chance encounter with sexy hotel guest Irene (Tautou). Bored with her wealthy and much older boyfriend/benefactor, Irene is looking for some excitement. She finds it with Jean, whom she believes to be another guest at the hotel. When she discovers that he is merely an employee there, she is furious, and wants nothing more to do with him. Jean tries to rekindle their affair, but Irene lets him know that she is only interested in men with money--lots and lots of money. Jean is broke and brokenhearted, until he crosses paths with another hotel guest--this one an older woman of considerable means. He soon finds himself living the high life alongside Irene and her own rich patron. But Jean is far more interested in romance than in riches, and the glitzy fun and games quickly come to a head. The film makes the most of its dazzling location, luxuriating in the wealth and beauty of the French Riviera. The story obviously owes a firm tip of the hat to BREAKFAST AT TIFFANY's, and indeed Tautou's effortless grace and style do bring to mind Ms. Hepburn. In the hands of less skilled actors, the plot could have felt a bit flimsy, but Tautou and Elmaleh are so engaging, one can't help but root for them and their romantic hijinks.