R mpaa in Foreign DVDs & Videos

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The first part of a trilogy, NIGHT WATCH is an old-fashioned good vs. evil parable that relies on some thoroughly modern special effects to ensnare its audience. Set in present-day Moscow, the movie begins with a quick skip back through the centuries to inform us how a delicate truce was struck between the forces of Light and Dark. These forces still exist in Moscow, with both sides keeping a close eye on each other as they attempt to disguise themselves from the earth's mere mortals. NIGHT WATCH's central character is Anton Gorodetsky (Konstantin Khabensky), who is defined as an "Other" by the legions of Light and Dark. Anton and his cohorts live as vampires, and await the arrival of a virgin who will announce the resumption of hostilities between the forces of Light and Dark; as the film progresses, it becomes apparent that an epic battle is just around the corner. One of the biggest films of all time in its native Russia, director Timur Bekmambetov's NIGHT WATCH positions itself somewhere in between THE MATRIX and BLADE in the pantheon of CGI-fueled sci-fi flicks. Although the plot is mind-boggling and occasionally verges on the incomprehensible, Bekmambetov is presumably using this first part of the trilogy to lure viewers into his wild cinematic world. Impressively, Bekmambetov's film was shot on a tiny budget, but it belies its meager origins. Even the English subtitles are integrated into several scenes, with words zipping across the screen and melting into the action as a heavy-metal soundtrack thumps away. Knowing he is set to film two sequels, Bekmambetov leaves his audience hanging as NIGHT WATCH nears its climax, with his second installment (DAY WATCH) promising further FX-laden feuding, and, in an intriguing twist, an English-language climax to the trilogy with DUSK WATCH.

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Night Watch

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The first part of a trilogy, NIGHT WATCH is an old-fashioned good vs. evil parable that relies on some thoroughly modern special effects to ensnare its audience. Set in present-day Moscow, the movie begins with a quick skip back through the centuries to inform us how a delicate truce was struck between the forces of Light and Dark. These forces still exist in Moscow, with both sides keeping a close eye on each other as they attempt to disguise themselves from the earth's mere mortals. NIGHT WATCH's central character is Anton Gorodetsky (Konstantin Khabensky), who is defined as an "Other" by the legions of Light and Dark. Anton and his cohorts live as vampires, and await the arrival of a virgin who will announce the resumption of hostilities between the forces of Light and Dark; as the film progresses, it becomes apparent that an epic battle is just around the corner. One of the biggest films of all time in its native Russia, director Timur Bekmambetov's NIGHT WATCH positions itself somewhere in between THE MATRIX and BLADE in the pantheon of CGI-fueled sci-fi flicks. Although the plot is mind-boggling and occasionally verges on the incomprehensible, Bekmambetov is presumably using this first part of the trilogy to lure viewers into his wild cinematic world. Impressively, Bekmambetov's film was shot on a tiny budget, but it belies its meager origins. Even the English subtitles are integrated into several scenes, with words zipping across the screen and melting into the action as a heavy-metal soundtrack thumps away. Knowing he is set to film two sequels, Bekmambetov leaves his audience hanging as NIGHT WATCH nears its climax, with his second installment (DAY WATCH) promising further FX-laden feuding, and, in an intriguing twist, an English-language climax to the trilogy with DUSK WATCH.

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Two young Indians, a brother and sister, travel from their remote Guatemalan village to the "promised land" of the north--Los Angeles. Academy Award Nominations: Best (Original) Screenplay.

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Let the Right One In [DVD]

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A well-crafted horror film in the tradition of Guillermo del Toro's THE DEVIL'S BACKBONE, Swedish import LET THE RIGHT ONE IN ably blends genre chills with genuine feeling. Oskar (Kåre Hedebrant) is a 12-year-old outcast who is frequently picked on by his classmates. He dreams of getting his revenge, but he never stands up to the boys. With the arrival of his new next-door neighbor, 12-year-old Eli (Lina Leandersson), Oskar may finally have found a friend, ally, and first love. But Eli is no ordinary girl: she must keep her pale skin out of the sunlight, she can perform inhuman physical feats, and she has thirst for blood. The bodies begin to pile up, but Oskar can't stay away from the girl who has finally given him courage. Based on the novel by John Ajvide Linqvist (who also wrote the script), LET THE RIGHT ONE IN is the best kind of horror film: one that transcends the tropes of the genre to become something new. This is director Tomas Alfredson's first foray into horror, and he doesn't hesitate to include bits of vampire mythology. But his background making comedies and dramas gives the film a surprising depth; the relationship between Oskar and Eli is tentative and sweet, even though their interactions may be surrounded by blood and violence. Composer Johan Soderqvist and the sound department create a fascinating palette of music and sounds that add to the film's perfectly chilly mood, and setting the film in a snowy Swedish suburb gives director of photography Hoyte Van Hoytema a starkly beautiful environment for shooting. Though LET THE RIGHT ONE IN is ostensibly about a pair of children, this is a horror film for adults. There are plenty of scares, but it remains moving and intelligent, a rare feat for the genre.

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Ong-Bak: The Thai Warrior

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Tony Jaa follows in the powerful martial arts footsteps of Bruce Lee, Jackie Chan, and Jet Li in ONG-BAK: THE THAI WARRIOR, one of the first films to center on the ancient fighting system of Muay Thai, which utilizes the body's limbs to potentially devastating effect. Jaa stars as Ting, a quiet young man who lives in the peaceful village of Nong Pradu. As the village's special celebration approaches, a Bangkok villain named Don (Wannakit Siriput) steals the head of the Buddha statue Ong-Bak, which is said to protect the village from bad luck. Ting volunteers to go to the big city to bring back the head of Ong-Bak, but remembers what he was taught by sage monk Pra Cru (Woranard Tantipidok): he must not use his Muay Thai skills to harm people. However soon after arriving in Bangkok, Ting, a peaceful fish out of water, finds that the only way to recapture the village's sacred treasure is by using his arms, his legs--and his head. Influenced by the films of Thai action star Phanna Rithikrai, director Prachya Pinkaew hired the Muay Thai expert to serve as martial arts and stunt choreographer for ONG-BAK, resulting in highly effective and believable scenes between Ting and a multitude of criminals and evil boxers out to get him. Pinkaew adds a fun sense of humor to the serious story, not only in some of the crazy stunts but also in the character of George, played by Thai comic Petchthai Wongkamlao. Jaa is charmingly fearless in the lead role, performing all his own stunts without any special effects, computer enhancement, or ropes.

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Written and directed by Guillermo del Toro, PAN'S LABYRINTH is a thrilling, violent fairy tale set in post-Civil War Spain. Ivana Baquero stars as Ofelia, a young girl who moves with her mother, Carmen (Ariadna Gil), into the home of Captain Vidal (Sergi López), in an abandoned mill in the middle of dark, dangerous woods. Vidal is leading his team of soldiers against resistance fighters--and he will do whatever is necessary to kill every last one of them. As Vidal bosses around the pregnant Carmen, a flying creature leads Ofelia through a garden labyrinth and into an underground cave ruled by Pan (HELLBOY's Doug Jones), who believes that Ofelia might be the lost princess of this strange yet magical place. To prove she is royalty, Ofelia must complete three tasks, each more difficult and terrifying than the previous one. Meanwhile, Vidal is becoming more and more paranoid, torturing and murdering seemingly at will. Del Toro (THE DEVIL'S BACKBONE, HELLBOY, CRONOS) creates a marvelous battle between good and evil, between heroes and villains, in both the real world aboveground and the mystical land below. Baquero gives a compelling performance as the terrorized Ofelia, who is befriended by Mercedes (Maribel Verdú), a woman who harbors some secrets of her own. Stellar production design, superb special effects, and a stirring score by Javier Navarrete add to the scary fun. Selected as the closing-night entry in the 2006 New York Film Festival, PAN'S LABYRINTH is a captivating story that is not for the squeamish.

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Maléna

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With MALÉNA, Italian director Giuseppe Tornatore spins a romantic coming-of-age yarn about love, loss, and courage. Set in 1941 in a tiny village in Sicily, the film focuses on a group of 13-year-old boys who fall madly in love with Maléna (Monica Bellucci), the wife of a local soldier. One of the boys, Renato Amoroso (Giuseppe Sulfaro), a dreamer who yearns for freedom from his war-bound village, revels in the exquisite beauty of the enchanting newcomer. He becomes her shadow, following her through the cobble stone streets and spying on her most intimate moments, overwhelmed with romantic longing for the first time. Maléna has a magical spellbinding effect on the male villagers; her presence inspires fantasy and escape from their daily lives. But the women of the village, hardened by war, are quick to judge the nubile outsider. Maléna becomes the focus of desire and seething jealousy in the town and she is eventually forced to face the female villagers in a bittersweet climax. Reminiscent of Federico Fellini's nostalgic masterpiece AMARCORD, native Sicilian Tornatore revisits the dusty village streets of his childhood where adolescent boys learn about sex, desire, and ultimately, love. Like Tornatore's critically acclaimed CINEMA PARADISO, he bathes the film in the sun-drenched light of his homeland, giving it a dreamy, earthy sensuality and a poetic spirit. Bellucci is a delicious revelation, the camera lingers seductively on her bewitching beauty. Inspired by the story MA L'AMORE NO... by Luciano Vincenzoni.

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The Sin Nombre [DVD]

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Based on a novel by Ramsey Campbell, LOS SIN NOMBRE (THE NAMELESS) is a stylish and atmospheric horror film from director Jaume Balaguero (DARKNESS). After she goes missing, the body of Claudia's daughter Angela is discovered by the police. Five years later, Claudia is still distraught over the senseless murder when she receives a phone call from a young woman claiming to be her daughter. Bruno, a now-retired cop who was in charge of the original investigation, takes pity on Claudia and decides to help her track down the caller. What they find, however, is shadowy organization known only as "the Nameless" who may have some sort of supernatural power.

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A Madrid waitress, Lucia (Paz Vega), is mourning the loss of her boyfriend Lorenzo (Tristan Ulloa), a young novelist who died suddenly under mysterious circumstances. Unable to come to terms with his death, she takes a trip to a Mediterranean island that he told her about long ago, thinking about the novels Lorenzo wrote and the way that his work moved her. In flashbacks Lucia remembers her passionate relationship with him, and tries to reconcile unresolved feelings while sorting through the events of the confusing weeks leading up to his death. Shifting time frames and memories combine with Lorenzo's stories and blur the activity of the present. Meanwhile, characters who may or may not be linked to her life with Lorenzo--Carlos (Daniel Freyre), Elena (Najwa Nimri), and Belen (Elena Anaya)--turn Lucia's stay on the island into an intriguing tangle of interconnected stories. SEX AND LUCIA, with its sultry eroticism, testing and questioning of fate and the unpredictability of life, and its brightly bleached beach scenes, is a winding, nostalgic journey. Directed by Julio Medem (LOVERS OF THE ARCTIC CIRCLE), SEX AND LUCIA was received with acclaim at the 2002 Sundance Film Festival.

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BROTHERHOOD OF THE WOLF is a wild mix of martial arts, horror, and French period drama. Grégoire de Fronsac (Samuel Le Bihan), a charming naturalist and libertine, arrives in Gevaudan with his companion, Mani (Mark Dacascos), a taciturn Mohawk Iroquois Indian with amazing fighting skills. Fronsac has been sent by the king to investigate a mysterious beast that is slaughtering women and children across the countryside. The local gentry include the friendly Marquis Thomas D'Apcher (Jérémie Rénier), Jean-François de Morangias (Vincent Cassel), a one-armed adventurer with a suspicious nature, and his beautiful sister, Marianne (Emilie Dequenne of ROSETTA). Though Fronsac is immediately attracted to Marianne, he still finds time to visit Sylvia (Monica Bellucci), a mysterious prostitute with a penchant for sharp objects. Fronsac and Mani quickly realize that the killer is not a wolf, but something bigger and far more deadly. As they attempt to track the beast, they encounter unexpected resistance from the locals, and find themselves in grave danger. BROTHERHOOD, a huge hit in France, is a uniquely entertaining film, featuring stunning fight scenes, suspense, and campy high drama. Director Christophe Gans captures it all with a visual panache few Hollywood directors can match.

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Chinese Connection

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After the kung fu instructor of Chen (Lee) is brutally murdered, Chen sets out to find the persons responsible for the killing. When he discovers that the killers are a Japanese gang, and that they are terrorizing his former school, Chen brings swift and deadly retribution to the evildoers.

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The Chinese Connection [DVD]

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After the kung fu instructor of Chen (Lee) is brutally murdered, Chen sets out to find the persons responsible for the killing. When he discovers that the killers are a Japanese gang, and that they are terrorizing his former school, Chen brings swift and deadly retribution to the evildoers.

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Eye

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Eye
THE EYE, directed by twin brothers Danny and Oxide Pang, is a Chinese/Thai horror film that focuses on Mun (Sin-je Lee), a cornea-transplant recipient who has been blind most of her life. As Mun adjusts to her newfound sight, she begins to see haunting visions of dead people. As these terrifying visions become more frequent, Mun turns to a young psychiatrist, Dr. Wah (Lawrence Chou), for help. Eventually the two track the identity of the deceased eye donor to Thailand, and there the mystery is finally brought to light. With THE EYE, the Pang brothers enter the increasingly populated subgenre of contemporary Asian horror. Drawing on the visual language of recent Japanese films such as RING and PULSE, as well as Hollywood films THE SIXTH SENSE and STIR OF ECHOES, this chilling tale implies more than it reveals, building a deep sense of dread, even from the opening credits. Although the "I-see-dead-people" plotline has been investigated numerous times, THE EYE manages to put a different lens on the idea through subtleties in the story and the charismatic performance of the radiant Sin-je Lee. Featuring scenes that will make all viewers wary of elevators, hospital recovery wards, and calligraphy, this film offers truly startling moments that will linger in the mind's eye for a long time.

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Apres Vous

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Paris, the city of light and love, plays host to this romantic comedy of unexpected complexity and a pervading humanity, which examines the damage that too much kindness can sometimes cause. Pierre Salvadori directs an outstanding cast, with two-time Cesar winner Daniel Auteuil (THE CLOSET, GIRL ON THE BRIDGE) as Antoine, a maitre d' at an upscale brasserie where he quietly runs the show. His altruism doesn't end at work, however, and on his way through the park to meet his girlfriend, Antoine encounters a man about to take his own life. Poised at the end of a rope and perched on a suitcase, Louis (Jose Garcia, TROUBLE EVERYDAY, JET SET) is suicidal over the loss of his girlfriend Blanche (Sandrine Kiberlain). Antoine steps in and saves the man's life, and both will live to regret it, as Antoine is unexpectedly guilty for preventing this tortured man's demise. Antoine is determined to make his charge happy again, but finding him a place to live, a job, and friendship is not enough to put the life back into Louis, so Antoine seeks out the one woman who could end Louis's heartache. Things get complicated as an attraction grows between Blanche and Antoine, and Louis comes to see Antoine as his rival. APRES VOUS contains some uproarious slapstick moments, such as a distressed Louis's disastrous run-in with a waiter mid-flambé, and a dissolute Antoine, drunk on the job and punctuating his sentences with a live lobster he's holding. But it's the universal themes of love and friendship that make the film resonate, with Auteuil's hangdog likability and Garcia's wide-eyed, perpetually lost look generating a chemistry that drives both the humor and the emotion of the action. Kiberlain rounds out the cast, possessed of an ethereal beauty and playing Blanche with understated, wry sensibility.

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When an oddball pair of Russian soldiers are captured and taken prisoner by a Chechen father hoping to barter them for the release of his captive son, the two disparate hostages begin to develop an unexpected--and frequently humorous--bond of friendship. Inspired by the Leo Tolstoy novella "A Prisoner of the Caucasus." Academy Award Nomination: Best Foreign Language Film.

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Pan's Labyrinth [Blu-ray Disc]

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Written and directed by Guillermo del Toro, PAN'S LABYRINTH is a thrilling, violent fairy tale set in post-Civil War Spain. Ivana Baquero stars as Ofelia, a young girl who moves with her mother, Carmen (Ariadna Gil), into the home of Captain Vidal (Sergi López), in an abandoned mill in the middle of dark, dangerous woods. Vidal is leading his team of soldiers against resistance fighters--and he will do whatever is necessary to kill every last one of them. As Vidal bosses around the pregnant Carmen, a flying creature leads Ofelia through a garden labyrinth and into an underground cave ruled by Pan (HELLBOY's Doug Jones), who believes that Ofelia might be the lost princess of this strange yet magical place. To prove she is royalty, Ofelia must complete three tasks, each more difficult and terrifying than the previous one. Meanwhile, Vidal is becoming more and more paranoid, torturing and murdering seemingly at will. Del Toro (THE DEVIL'S BACKBONE, HELLBOY, CRONOS) creates a marvelous battle between good and evil, between heroes and villains, in both the real world aboveground and the mystical land below. Baquero gives a compelling performance as the terrorized Ofelia, who is befriended by Mercedes (Maribel Verdú), a woman who harbors some secrets of her own. Stellar production design, superb special effects, and a stirring score by Javier Navarrete add to the scary fun. Selected as the closing-night entry in the 2006 New York Film Festival, PAN'S LABYRINTH is a captivating story that is not for the squeamish.

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Murmur of the Heart

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While convalescing at a health retreat, a sensitive and sexually curious teenage boy explores his identity, with a little help from his doting mother. The tender direction belies the film's provocative sexual themes, which caused it to be almost banned in France upon its release.

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A pair of lifelong friends are expelled from their Shaolin temple after being accused of cheating. Tienbao becomes a powerful and oppressive military leader while the other, Junbao, (Li) joins the rebels. Only the discipline of Tai Chi can help Junbao defeat his former friend. Includes some of the most spectacular martial arts fight scenes ever filmed, including a huge finale with a cast of thousands.

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El Mariachi

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While earning room and board for a song, a down-on-his-luck musician gets into deep hot water when he's mistaken for a guitar case-toting hitman in a small Mexican town. EL MARIACHI was produced by do-it-yourself Austin, Texas auteur Robert Rodriguez (FROM DUSK TILL DAWN, SPY KIDS) on a shoe-string budget for the Mexican video market but earned a major studio release. Winner of the Audience Award at the Sundance Film Festival.

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La Mujer de mi Hermano [DVD]

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An international cast of beauties brings cosmopolitan flavor to what could have been a typical melodrama. Adapted from the best-selling novel by Peruvian author Jaime Bayly, LA MUJER DE MI HERMANO (English translation--MY BROTHER'S WIFE) is a soap-operatic tale, complete with adulterous transgressions, hysterical breakdowns, devastating betrayals, and a shocking finale. Stunning Uruguayan actress Barbara Mori is the focal point of this Byzantine affair, entrancing viewers with her nuanced performance as Zoe. In the tradition of those Douglas Sirk heroines who made it a gorgeous act to suffer quietly, Zoe is wildly unhappy and frustrated with her dying marriage to Ignacio (Peruvian soap star Christian Meier). Not content to remain isolated in her high-class Mexico city apartment--a stylishly cold fortress of minimalist design and shiny surfaces--Zoe seeks out Ignacio's estranged brother Gonzalo (Colombian hunk Manolo Cardona). A volatile artist, Gonzalo is a man of sensations and extremes, thus serving as the perfect antidote to Zoe's dull, stale life. The two strike up the inevitable passionate affair, but what follows is as unexpected as the set-up is standard. Zoe's transgression leads not only to her debilitating Catholic guilt, but also to a revived relationship between the brothers, whose new communication brings a startling revelation about the past. Peruvian director Ricardo de Montreuil leads this production with a sure hand, eliciting performances more complex than in the typical soap opera. Though it can veer toward slightly over-the-top melodrama, the film is too intelligently written and acted to be passed off as fluff, and instead is a serious, deep look into the eternal problems of love, sexuality, and betrayal.

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Deals on R mpaa in Foreign DVDs & Videos. Visit BizRate to find the best deals on Foreign DVDs & Videos. See which DVDs & Videos stores have the R mpaa that you want. Read reviews on DVDs & Videos merchants and buy with confidence. Find savings on Night Watch (Checkpoint; Sensormatic; Widescreen) [Blu-ray Disc] - Night Watch.