Gone

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"Lost and Gone Forever" (09/28/1999) Rock & Pop Guster, RepriseGuster: Adam Gardner (vocals, guitar, trumpet, bass); Ryan Miller (vocals, guitar, piano, organ); Brian Rosenworcel (vocals, trombone, percussion). Additional personnel: Tracy Silverman (violin, viola); Dan Rieter (cello); Karl Denson (flute, saxophone); Tony Levin (bass, Chapman stick); Chris Manning (bass); Page McConnell (Theremin). Recorded at The Plant, Sausalito, California and Bearsville Studio, Bearsville, New York in 1999.

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"Gone Dead Train: The Best of Crazy Horse 1971-1989 *" (11/15/2005) Rock & Pop Crazy Horse, Raven Music

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Harper's 30 In. Multi-Surface Indoor/Outdoor Push Broom has a combination of medium-stiff center bristles for heavy debris, with fine outer bristles for the lighter debris allowing you to sweep both dust and debris with one push! This broom performs...

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Yamazaki "Gone Fishin'" 5-Piece Place Setting Home - Dining & Entertaining DINING - Flatware - BRANDS

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"Never Gone" (06/14/2005) Rock & Pop Backstreet Boys, Jive Records (USA)Backstreet Boys: Howie Dorough, Kevin Richardson, Nick Carter, Brian Littrell, AJ McLean (vocals). Recording information: Westlake Audio, Hollywood, California; Dr. Luke's New York, NY; Woodland Ranch, Woodland Hills, CA. The Backstreet Boys were the primary sensation of the late-1990s boy-band craze, and their fourth record bears the title NEVER GONE. It is an almost defiant proclamation for a group that held five years of silence since its last release, but it is also a truly fitting title. While the musical winds had inevitably changed since 2000's BLACK & BLUE, there's always room for winsome, well-crafted pop and this fivesome still know how to effortlessly wrap their charming harmonies around a sweet pop concoction. NEVER GONE opens on a majestic note with the subtly complex "Incomplete," an aching ballad with an imperial piano-and-strings backing that falls somewhere between Five For Fighting and Nickelback. From there the record presents compositions as attractive as the pastoral settings on the album's cover, which the Backstreet Boys instill with the same soft-burning passion for which they've become known. Whether on the driving pop of "Just Want You To Know," the throwback soul of "Weird World," the modern funk of "Poster Girl," or the earnest and reflective folk of "Safest Place to Hide," the Backstreet Boys have a keen ear for melody and the comfortable ease of singers who have played off each other for a decade. NEVER GONE continues the legacy of the best boy band around.

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Goo Gone, 8 OZ Remover, Removes Chewing Gum, Grease, Tar, Stickers, Labels, Tape Residue, Oil, Blood, Lipstick & Mascara, Shoe Polish, Crayon, Bumper Stickers From Carpets, Hair, Upholstery, Clothing Vinyl, Leather, Autos & Boats, Fiberglass, Glassware.

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The winning formula for this popular series once again satisfies the fantasies of many an American male. The Girls Gone Wild cameras venture forth into drunken debauchery and convince young women to defrock for the camera. This volume amps it up a notch, concentrating on lovely vixens who not only appreciate one another's charms, but utterly desire them.

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"Where Have All the Merrymakers Gone?" (05/07/2005) Rock & Pop Harvey Danger, SlashHarvey Danger: Sean Nelson (vocals); Jeff J. Lin (guitar); Aaron Huffman (bass); Evan Sult (drums). Recorded at John & Stu's Place, Seattle, Washington. One of the few Seattle bands who can't be classified under the dreaded "G" word, Harvey Danger's muse lies closer to Sebadoh than Soundgarden. The band revels in pop culture, a cynical outlook towards life and a melodic sensibility that manages to mothball some great hooks in a pool of lo-fi sensibilities and squawky guitar. Among the more notable cultural touchstones dropped in verse are the Psychic Friends Network, Rage Against The Machine and Moby Dick. Hooking up with Team Dresch producer John Goodmanson, the boys keep any kind of gloss from entering into their sound. Their break-out single "Flagpole Sitta" is anthemic in the way the Call's "Let The Day Begin" was back in the '80s. Utilizing plenty of jittery rhythms, cooing harmonies and a lo-fi guitar buzz, songs such as "Carlotta Valdez" and "Jack The Lion" make for perfect slices of pomo punk. With this kind of quirky pop sensibility and slightly cynical edge, Harvey Danger ensures that the hunt for merrymakers isn't that far a trip.

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"Still Feel Gone [Remaster]" (04/15/2003) Rock & Pop Uncle Tupelo, Legacy RecordingsThis reissue contains 5 bonus tracks; 3 previously unreleased, plus 1 that appears on CD for the first time. Uncle Tupelo: Jay Farrar (vocals, acoustic & electric guitars, banjo, mandolin, harmonica); Jeff Tweedy (vocals, acoustic guitar); Mike Heidorn (drums). Additional personnel includes: Brian Henneman (acoustic guitar); Gary Louris (electric guitar); Chris Bess (accordion, piano); Sean Slade (piano, organ). Includes liner notes by Holly George Warren.

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"The Sky's Gone Out" (05/07/2005) Rock & Pop Bauhaus, A&M Records (USA)Bauhaus: Daniel Ash (vocals, guitar); David J. (vocals, bass); Peter Murphy (vocals); Kevin Haskins (drums). Principally recorded at Rockfield Studios, England. 1982's THE SKY'S GONE OUT marks a stylistic midpoint in Bauhaus brief but spectacular career. The group released its first single in 1979 and disbanded in mid-1983. In comparison with their earlier, almost impenetrably convoluted literary references and effectively murky production, this album is lyrically more direct, musically more straightforward, and features vastly cleaner production. The first of these changes is exemplified in the album's second track, "Silent Hedges," with its "Going to hell again" chorus and in the bitter "All we ever wanted was everything, all we ever got was cold" from "All We Ever Wanted Was Everything." Daniel Ash's guitar work has finally become part of the structure of the songs as opposed to an ornamental splash used for emphasis. The music is less harsh--almost inviting the listener in before the slicing lyrics drop like poised blades. Production-wise, the sound is no longer as cacophonously dense. Such tracks as "Spirit" feature dueling guitars, rumbling drums, and a harpsichord, all clearly separated--at least until the intentional crush of the song's end. The CD appends bonus tracks from several singles, including a reverent treatment of David Bowie's "Ziggy Stardust."

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"Four Thieves Gone" (02/07/2006) Rock & Pop Avett Brothers (The), Ramseur RecordsThe Avett Brothers: Seth Avett, Scott Avett, Bob Crawford . On their third full-length, the North Carolina trio performs acoustic country and folk with pretty harmonies, filtering influences from the Everly Brothers to the Violent Femmes through their unique worldview, and incorporating a bare-bones production that at times has the authentic sound of a field recording.

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"Gone Troppo [Remaster]" (02/24/2004) Rock & Pop Harrison, George, Capitol/EMI RecordsPersonnel includes: George Harrison (vocals, guitar, mandolin, marimba, synthesizer, bass); Ray Cooper (Fender Rhodes piano, marimba, synthesizer, percussion, effects); Billy Preston (piano, organ, keyboards, synthesizer); Mike Moran (piano, keyboards, synthesizer); Neil Larsen (piano); Gary Brooker (synthesizer); Willie Weeks, Herbie Flowers (bass); Jim Keltner, Dave Mattacks, Henry Spinetti (drums). Producers: George Harrison, Ray Cooper, Phil McDonald. Generally overlooked in the ex-Beatle's solo discography, 1982's GONE TROPPO finds George Harrison flirting with radio-friendly, synth-driven pop hooks of the early-1980s, while still demonstrating his penchant for great, timeless melodies. The opener, "Wake Up My Love," establishes the light, breezy tone of the album, which continues through the Caribbean-via-Fab Four vibe of the title track. The languid love song "Unknown Delight" and the goofy doo-wop of "I Really Love You," which recalls Beatles novelty numbers such as "You Know My Name (Look Up the Number)," vary the record's feel and pace. The 2004 reissue includes an acoustic demo version of the song "Mystical One," which is arguably--given its intimacy and stripped-down production--the album's strongest track.

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Recorded live before a packed house in Manchester, this charismatic concert film captures Rihanna at her best, energizing fans with a top to bottom performance of her multi-platinum album GOOD GIRL GONE BAD. The Grammy-winning pop phenomenon tears through 19 of her hits, including the smash singles "Disturbia," "Take a Bow," "Umbrella," and "Don't Stop the Music," with the powerhouse vocal range that made her famous.

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"Ten Years Gone: The Best of Everclear 1994-2004" (10/05/2004) Rock & Pop Everclear, Capitol/EMI RecordsRecording information: 1994 - 2004. By the time Everclear hit the airwaves in 1994, the word "grunge" had already been so heavily engrained into pop-culture consciousness that even soccer moms and corporate dads were hip to it. A step away from being used in fast-food ads, the term was becoming dated even back then. Perhaps that's why some dismissed Everclear's guitar-heavy early work as too Nirvana-esque. Although Everclear did hail from the Northwest, the band's impeccable musicianship, clever hooks, infectious melodies, and singer Art Alexakis's gifted voice set the band apart from the grunge of the day. If anything, the TEN YEARS GONE anthology proves that incredible songwriting stands on its own in any genre. Over the course of a decade, songwriter Alexakis composed insightful and unpretentious songs that did not compromise substance, despite acceptance by a Top 40 audience. Against the backdrop of fuzzed-out, upbeat, and roaring pop-rock, Alexakis's lyrics display a unique kind of poignancy, offering an intimacy often missing in mainstream music. TEN YEARS GONE compiles the finest from Everclear's catalog, including the wonderfully nostalgic "Santa Monica" and the spirited "Local God" (from 1996's ROMEO & JULIET soundtrack). The collection also features two unreleased songs, "Sex with a Movie Star (Good Witch Gone Bad)" and "The New Disease," the latter being an epic rocker (with bells). Everclear's music could feasibly be called "post-grunge," but it's probably more accurately (and simply) labeled "great rock & roll."

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The GUYS GONE WILD series turns the tables on male voyeurism as women get behind the camera to document the wild, sexy, naked antics of fantastically muscled men. This volume celebrates the the naughty charms of the all-American bad boy with a collection of uninhibited studs baring it all.

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"She's Gone And Other Hits" (06/10/1997) Rock & Pop Hall & Oates, Flashback Records

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"Gone Out of Your Mind *" (04/25/2006) Rock & Pop Johnson, Mike, Up