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You Give Me Good Loving CD

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"You Give Me Good Loving *" (10/04/2005) Blues Stewart, Kim, Little, Hep' Me RecordsAudio Mixer: Frederick Brown.

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"Shirley & Lee" (03/14/2000) R&B Shirley & Lee, Ace Records (UK)Contains tracks recorded for the Aladdin label from 1952 to 1959. Personnel includes: Shirley & Lee; Justin Adams (guitar); Alvin "Red" Tyler, Lee Allen (saxophone); Earl Palmer (drums). Includes liner notes by Jeff Hannusch. The track listing of this 30-song disc is based on the 1973 double-LP Shirley & Lee compilation in United Artists' Legendary Masters series, with "I Feel Good" substituted for "Do You Mean to Hurt Me So." Spanning their 1952-59 work for Aladdin, it's comprehensive enough to serve as a best-of, particularly as it included the four songs that are by far their most famous cuts: "Let the Good Times Roll," "I'm Gone," "I Feel Good," and "Feel So Good." As the American best-of CD compilation Legendary Masters (issued first on EMI America, then on Collectables) has only 20 numbers, one might presume that this 30-track anthology has the edge. It doesn't make the Legendary Masters CD redundant, though, as Legendary Masters has seven songs that don't appear here. At any rate, Let the Good Times Roll will almost certainly be a sufficient overview of the duo's prime output for those who haven't picked up a Shirley & Lee greatest hits anthology yet. Truth to tell, for most listeners 30 Shirley & Lee songs is more than enough, as the accomplished, good-timey New Orleans R&B/rock groove gets pretty similar-sounding over the course of an hour-plus. One thing you could note is how the contrasting male-female duet style of Shirley & Lee was influential on early ska and reggae productions from Jamaica; listen to "Marry Me" for one instance in which Shirley & Lee themselves played calypso/Caribbean rhythms. It's also interesting to note that almost all of the material on this disc was self-penned, an impressive feat for teenage R&B singers of the '50s. ~ Richie Unterberger

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Ice Cube "Today Was a Good Day" Shirt (Available in sizes small, medium, large, extra large.)Welcome to our store. Our custom t-shirts are made professionally, with professional equipment (NOT an iron on). We guarantee no cracks or peeling in our...
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Neighborhood Superstarz

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2007 mitxtape release from the Rap artist and music mogul. What most people don t realize is that JT discovered platinum-plus artist The Game and word is he also discovered G-Unit s Young Buck. And like any good businessman, he s making good use of...

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A South Bronx Story, Vol. 2

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Nearly 25 years after their debut, this NY quartet were a major influence on Post-Punk, Rap, No Wave and House music. Following up from the amazing South Bronx Story, this collection features rare recordings that are just as good as anything the...

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Lilith Fair A Celebration Of Women In Music New Music Sampler 1999. . . This is a 1999 New Music , Sampler, Promotional Copy. . . Song List:::: , Mandy Barnett-I've Got A Right To Cry , Ben Folds Five-Mess , Collective Soul-Compliment , DJ Rap-Good To...

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A South Bronx Story, Vol. 2

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Nearly 25 years after their debut, this NY quartet were a major influence on Post-Punk, Rap, No Wave and House music. Following up from the amazing South Bronx Story, this collection features rare recordings that are just as good as anything the...

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Good Woman

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"Good Woman" (02/25/2003) R&B Knight, Gladys, Universal Special ProductsPersonnel includes: Gladys Knight (vocals); Bubba Knight (vocals); D.C. (guitar, keyboards, bass, programming, background vocals); Michael J. Powell (guitar); David McMurray, Gerald Albright (saxophone); Greg Philinganes (acoustic piano); Bobby Cavanest (keyboards, synthesizer); Vernon D. Fails (keyboards); Nathan East (bass); Ricky Lawson (drums); Ramsey Embrick (programming); Valerie Pinkston-Mayo, Jim Gilstrap, Angel Rogers, Vancile Fagget, Kelly Connelly, Patti LaBelle, Dionne Warwick, David Peaston, Phineas Newborn III, Alfie Silas, Patti Howard, Attala Zane Giles, Vesta Williams, Forrest Gardner, Henry Thomas, Jean McClain, Wil Wheaton, Ronnee Martin, Marcellina Hawthorne (background vocals); George Duke. Composer: Guy Moon. Personnel: Gladys Knight (vocals, background vocals); Robert Kelly (vocals, keyboards, drums); Bubba Knight (vocals, background vocals); D.C. (guitar, keyboards, programming, background vocals); Michael Powell (guitar, percussion); Michael J. Powell (guitar); Mark Nilon (strings, synthesizer, Synclavier, programming); Eddie Fluellan (strings); David McMurray, Gerald Albright (saxophone); Greg Phillinganes, Greg Philinganes (piano); Howie Rice (keyboards, synthesizer, programming); Bobby Cavanest (keyboards, synthesizer); Robert Kelley (keyboards, drums); Guy Moon (keyboards, programming); Vernon D. Fails (keyboards); Ramsey Embick (synthesizer, programming); Michael Baird , Michael Williams, Ricky Lawson (drums); Alan Tatum, David Ward II, Barry Mann (programming); David Preston, Kevin Guillaume, Pattie Howard, Dionne Warwick, Valerie Pinkston-Mayo, Dorian Holley, Marcellina Hawthorne, Marie Woodard, Henry Thomas , Rene Martin, Voncile Fogget, Voncielle Faggett, Kelley Connelly, Carolyn Dennis, Jim Gilstrap, Alex Brown, Louis Silas, Jr., Alfie Silas, Patti LaBelle, Phineas Newborn, Jr., Vesta Williams, Wil Wheaton, Mortonette Jenkins, Jean McClain, Angel Rogers (background vocals). Audio Mixers: Chris Hufford; Elliot Peters; Alfie Silas; Michael Powell ; Attala Zane Giles; Tom Lord-Alge; Barney Perkins. Audio Remasterers: Robert Kelly ; Michael Stokes; Tom Lord-Alge; Brian Malouf. Liner Note Author: Pete Johnson . Recording information: Encore Recording Studios, Burbank, CA; Howie Sound, Studio City, CA; Institute Of Groove Research, Malibu, CA; M'Bila Recording Studio, Hollywood, CA; Paramount Recording Studios, Los Angeles, CA; Sound Suite Recording Studios, Detroit, MI; Soundworks Studios, New York, NY; Studio 2810, Las Vegas, NV; Studio 56, Hollywood, CA; Vanguard Recording Complex, Oak Park, MI. Photographers: Matthew Rolston; Randee Saint Nicholas. Arrangers: Robert Kelly ; Guy Moon; D.C.; Howie Rice; Eddie Fluellan; Alex Brown; Michael Powell ; Paul Riser; Attala Zane Giles; Barry Mann. After performing with the Pips since 1952, Gladys Knight parted company with them in the late '80s and became a full-time solo artist. Good Woman wasn't Knight's first solo album (she'd recorded a neglected solo album in 1978), but it was the first to do anything commercially. Like her final recordings with the Pips, Good Woman found Knight taking an urban contemporary-oriented approach without sacrificing her artistic integrity. The highly infectious single "Men" is an absolute gem, and cuts ranging from the smooth "This Is Love" to the gritty new jack swing number "Meet Me In the Middle" (which contains a sample of Public Enemy's Flavor Flav) are definitely the work of an artist being true to herself. Some may find it hard to imagine Knight embracing new jack swing, but in fact, she does so convincingly. Though a few of the cuts aren't very memorable, this is a CD that the veteran singer can, for the most part, be proud of. ~ Alex Henderson

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Gameday Pbb (Explicit Version)

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Have a Good Time

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"Have a Good Time [Remaster]" (01/24/2006) R&B Green, Al (Vocals), Capitol/EMI RecordsPersonnel: Al Green (vocals); Michael Toles (guitar, sitar); Teenie Hodges (guitar); The Memphis Strings (strings); Andrew Love (alto saxophone); Lewis Collins, Bill Easley (tenor saxophone); James Mitchell (baritone saxophone); Wayne Jackson, Jack Hale, Jr. (trumpet); Jack Hale, Jackie Thomas (trombone); Archie Turner, Michael Allen, James Brown (piano); Charles Hodges (organ); Leroy Hodges (bass); Howard Grimes (drums, conga, bongos); Gene Chrisman (drums); Rhodes, Chalmers & Rhodes (background vocals). Recorded at Royal Recording Studio and Allied Recording Studio, Memphis, Tennessee. Includes liner notes by Alan Robinson. All tracks have been digitally remastered. Personnel: Al Green (vocals); Andrew Love (alto); Bill Easley, Lewis Collins (tenor); Michael Toles (guitar, sitar); Mabon "Teenie" Hodges (guitar); James Mitchell (baritone saxophone); Jack Hale (trumpet, trombone); Wayne Jackson (trumpet); Jackie Thompson (trombone); James Brown, Michael Allen, Archie Turner (piano); Charles Hodges (organ); Leroy Hodges (bass instrument); Howard Grimes (drums, congas, bongos); Gene Chrisman (drums). The final offering from the magical collaboration between Al Green and producer Willie Mitchell, Have a Good Time found the dynamic duo in the midst of a creative crossroads. Green had just purchased a church and was looking to pour his energies into his congregation and his newly appointed title of Reverend. While the message and tones of religion aren't as obvious on Have a Good Time as they were on Full of Fire, they still do make appearances here and there. But it wasn't just a change in Green's life that made Have a Good Time so distinct from the earlier classics; it was also the changing shift in cultural tastes (thanks in no small part to the emergence of disco to the forefront of America's collective dance consciousness). With style shifts and members of a once solid backing band going their own way, the writing on the wall couldn't have been any clearer to both Green and Mitchell. With Have a Good Time they recapture moments of classic collaboration, the wonderful "Nothing Takes the Place of You" being the prime example of how good the two could be when they were in sync. ~ Rob Theakston

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Good

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Compact Disc Good

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The Best Of Major Lance: Everybody Loves A Good Time!

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Funky Good Time: The Anthology

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"Funky Good Time: the Anthology" (02/28/1995) R&B J.B.'s (The), Polydor (USA)Personnel includes: James Brown (vocals, organ, synthesizer, drums); Lyn Collins, Vicki Anderson (vocals); Phelps "Catfish" Collins, Hearlon "Cheese" Martin, Jimmy Nolen (guitar); Jimmy Parker (alto saxophone); Maceo Parker (alto saxophone, flute); St. Clair Pinckney (tenor saxophone); Darryl "Hasaan" Jamison, Jerone "Jasaan" Sanford, Russell Crimes, Isaiah "Ike" Oakley (trumpet); Fred Wesley (trombone, vocals); Bobby Byrd (piano); Dave Matthews (electric piano, organ); William "Bootsy" Collins, Fred Thomas (bass); John "Jabo" Starks (drums); Johnny Griggs (congas). Producers: James Brown, Charles Bobbit, Don Love, Fred Wesley. Compilation producer: Harry Weinger. Recorded from 1970 to 1976. Includes liner notes by Alan Leeds. The J.B.'s recorded under various billings in the early '70s, including the J.B.'s, Fred Wesley & the J.B.'s, Maceo & the Macks, the First Family, the Last Word, and others. This double CD gathers 30 of the prime tracks by all of the above configurations from the first half of the '70s, including all nine of their chart hits and quite a few rare singles and long versions. Often, James Brown himself chips in with incidental vocals (though this is mostly instrumental) and keyboards. The two-and-a-half-hour program can start to sound monotonous if taken all at once, but it's prime, often riveting funk, jammed with lockstep grooves that vary between basic R&B vamps and imaginative, almost jazzy improvisation. ~ Richie Unterberger

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Good Morning Heartache

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"Good Morning Heartache" (08/01/1993) R&B Adams, Johnny, Rounder SelectPersonnel: Johnny Adams (vocals); Walter "Wolfman" Washington (guitar); Joe Saulsbury, Jr. (alto saxophone); Tony Dagradi, Ralph Johnson (tenor saxophone); Edward "Kidd" Jordan (baritone saxophone); Clyde Kerr, Jr. (trumpet, flugelhorn); Jamil Sharif (trumpet); Maynard Chatters (trombone); David Torkanowsky (piano, keyboards); James Singleton (bass); Johnny Vidacovich (drums). Recorded at Ultrasonic Recording Studios, New Orleans, Louisiana in April 1993. Includes liner notes by Michael "Mr. Jazz" Gourrier & Scott Billington. This is billed as New Orleans legend Adams' first jazz album, which isn't 100% accurate if you count the fourth track, "The Jealous Kind." A great '60s Memphis soul ballad by first generation rock songwriter Bobby Charles, it's stylistically very similar to any number of things Adams has recorded over the years, and by no stretch of the imagination jazz. The rest of the album, however, lives up to the claim, with Adams fronting both a small group and a big band and sounding great in both settings, whether delivering "You Don't Know About Love" with a heartbreaking, hushed intensity, or swinging like mad through Sammy Cahn's "Teach Me Tonight."

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More of the Good Life

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More of the Good Life
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Have a Good Forever

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Have a Good Forever
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Neighborhood Superstarz

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2007 mitxtape release from the Rap artist and music mogul. What most people don t realize is that JT discovered platinum-plus artist The Game and word is he also discovered G-Unit s Young Buck. And like any good businessman, he s making good use of...

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A South Bronx Story, Vol. 2

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Vinyl LP pressing. Nearly 25 years after their debut, this NY quartet were a major influence on Post-Punk, Rap, No Wave and House music. Following up from the amazing South Bronx Story, this collection features rare recordings that are just as good as...

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