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"The Murder, Porn, And Fatherhood [EP]" (07/12/2005) Hardcore/Punk Zella Mayzell, Suburban HomeRecording information: Salad Days, Beltsville, MD.

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"Revolutions Per Minute" (04/08/2003) Hardcore/Punk Rise Against, Fat Wreck ChordsContains an untitled hidden track following "Amber Changing". Rise Against: Tim McIlrath (vocals, guitar); Todd Mohney (guitar, background vocals); Joe Principe (bass, background vocals); Brandon Barnes (drums, background vocals). Additional personnel: Chad Price (background vocals). Recorded at The Blasting Room, Fort Collins, Colorado between November & December 2002.

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"How to Clean Everything" (08/10/1993) Hardcore/Punk Propagandhi, Fat Wreck Chords

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"They're Only Chasing Safety" (06/15/2004) Hardcore/Punk Underoath, Solid StateUnderoath: Spencer Chamberlain (vocals); James Smith, Timothy McTague (guitar); Christopher Dudley (keyboards); Grant Brandell (bass guitar); Aaron Gillespie (drums, background vocals). Recording information: 2004. Any listener still under the impression that Christian music is strictly light and positive need only listen to a few moments of Underoath's THEY'RE ONLY CHASING SAFETY before realizing that the Lord works in mysterious, and in this case, uncompromisingly rocked-out, ways. The first and most obvious clue that indicates a break with the original CCM soft-pop sound is frontman Spencer Chamberlain's throat-shredding vocal style. With most lyrics emitted in a manner more reminiscent of Morbid Angel than Margaret Becker, the singer makes even Christian-metal masters Pillar and P.O.D. sound tame in comparison. The remaining members of Underoath deal in powerfully direct emo-core, replete with dissonant guitar chords, hyper-speed drumming, and complex rhythmic patterns. Even close examination of THEY'RE ONLY CHASING SAFETY's lyric sheet provides few obvious signs of the band's religious inclinations. That said, the intensity with which Underoath imbues its music is a perfect reflection of the unwavering commitment necessary for an active faith.

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"Sex... Violence... Whatever" (10/23/2007) Hardcore/Punk Index For Potential Suicide, Alone Records

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"Set It Off" (07/26/1994) Hardcore/Punk Madball, Roadrunner Records (USA)

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"Fat Music Vol. 1: Fat Music For Fat People" (08/11/1998) Hardcore/Punk Various Artists, Fat Wreck Chords

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"Fountain of Youth [EP]" (07/01/2004) Hardcore/Punk Measles Mumps Rubella, Troubleman Unlimited

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"Give 'Em the Boot" (10/01/2004) Hardcore/Punk Various Artists, Hellcat Records

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"Life on the Ropes" (09/09/2003) Hardcore/Punk Sick Of It All, Fat Wreck ChordsSick Of It All: Pete Koller (vocals, guitar); Craig Setari (vocals, bass); Armand Majidi (vocals, drums); Lou Koller (vocals). Additional personnel: John Joseph, Kevin White, Joe Garambone, Mei-Ling, Brian Franklin, Bob Strakele, Mike Dijan, Matt Henderson (vocals). Producers: Sick Of It All, Dean Baltolonis. Recorded at Atomic Recording Company, Brooklyn, New York.

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"Landshark/Where the Wild Things Are *" (04/07/1995) Hardcore/Punk Fang (Punk), BonerContains the album LANDSHARK (1982) and the EP WHERE THE WILD THINGS ARE (1984).

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"War of Ages" (04/25/2006) Hardcore/Punk War Of Ages, Strike First RecordsWar Of Ages: Leroy Hamp (vocals); Kang Garnic, Steve Brown (guitar); Nata Owensby (bass instrument); Rob Kerner (drums). Additional personnel: Heather Rapp (vocals).

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"We Are Electrocution" (11/03/2005) Hardcore/Punk Le Shok, Gold Standard Laboratories (GSL)

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"Less Hits, More Tits *" (11/27/2001) Hardcore/Punk Nobodys (Punk) (The), HopelessThe Nobodys includes: JJ Nobody (vocals, bass); Justin Disease (vocals, drums); The Rodman (guitar, background vocals). Additional personnel: Johnny Stroker (guitar); Grout Murphy (harmonica); Rick Respectable (drums, background vocals); Aaron Grunt (background vocals).

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"Waking the Fallen" (08/26/2003) Hardcore/Punk Avenged Sevenfold, HopelessAvenged Sevenfold: M. Shadows (vocals); Zacky Vengenance, Synyster Gates (guitar); Johnny Christ (bass); The Roll (drums). Where Avenged Sevenfold's debut, SOUNDING THE SEVENTH TRUMPET, announced their unique metalcore sound, their follow-up, WAKING THE FALLEN, perfects it. The band manages to sound both more melodically accessible-drawing on classic metal and dark, Alice in Chains-like harmonies-and more punishing-wielding a death metal-influenced crunch. The writing and performances are stepped up, too, yielding an album that consistently matches its sonic architecture with memorable vocal melodies and dizzying guitar leads. The title track opener invites the listener in with its ominously atmospheric feel, setting the stage for the pummeling to come on tracks like "Unholy Confessions" and "Reminissions." Frontman M. Shadows alternates between throat-shredding screams and hook-laden melody lines with ease, while the band's dual lead guitar attack offers up no shortage of grinding riffs and solos spilling over with superhuman technique. Add to these a rhythm section capable of splitting skulls, and one is left with an album of undeniable power.

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"Enemy of the Music Business" (03/06/2001) Hardcore/Punk Napalm Death, Spitfire Records (USA)Napalm Death includes: Mark " Barney" Greenway (vocals); Jesse Pintado, Mitch Harris (guitar); Shane Embury (bass); Danny Herrea (drums). Recorded at Parkgate Studios, England between May 26 and June 8, 2000.

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"Everything in Time (B-Sides, Rarities, Remixes)" (10/12/2004) Hardcore/Punk No Doubt, Interscope Records (USA)This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files. No Doubt: Gwen Stefani (vocals); Tom Dumont (guitar, keyboards, background vocals); Adrian Young (drums, percussion, background vocals). Additional personnel: Ms. Dynamite, Sweetie Irie, Elvis Costello (vocals); Stephen Bradley (trumpet, keyboards, background vocals); Phil Jordan (trumpet); Gabrial McNair (trombone, keyboards, background vocals). Recording information: 1996 - 2001. Previously only available as part of BOOM BOX, No Doubt's EVERYTHING IN TIME is exactly what its subtitle (B-SIDES, RARITIES, REMIXES) suggests--a collection of tracks that either didn't make it onto the band's official albums or were created for non-album purposes (i.e. movie soundtracks, etc.). Luckily, none of these recordings are throwaways; all are up to the standards of No Doubt's major releases and powerfully showcase the Southern California ensemble's trademark mix of ska, punk, and New Wave sounds. Several songs reveal the quartet's more experimental side. "Cellophane Boy" recalls the Beatles' SGT. PEPPER'S-era work, employing psychedelic Mellotron swirls and bouncy, McCartney-esque bass work from Tony Kanal. "New Friend" is one of the most hip-hop-oriented tracks the group has done, and wouldn't sound out of place on a Beyonce or Usher album. "You're So Foxy," on the other hand, brings Gwen Stefani's Debbie Harry influence to the fore, its propulsive disco rhythms strongly recalling Blondie's classic "Heart of Glass." Topping off the rarities section is the grand, mid-tempo Elvis Costello tune "I Throw My Toys Around" (from THE RUGRATS MOVIE), which features an appearance by the distinguished author himself.

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"Birth Is Pain" (10/23/2001) Hardcore/Punk Ringworm, Victory Records (USA)Ringworm: HF (vocals); Frank "3 Gun" Novinec, Matt Sorg (guitar); Aaron Ramirez (bass); Chris Dora (drums).

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"20th Century Masters: The Millennium Collection: The Best of the Mighty Mighty Bosstones" (07/12/2005) Hardcore/Punk Mighty Mighty Bosstones (The), MercuryThe Mighty Mighty Bosstones: Dicky Barrett (vocals); Nate Albert, Lawrence Katz (guitar); Roman Flysher, Tim Burton, Kevin Lenear (saxophone); Tim Bridewell (trumpet); Dennis Brockenborough (trombone); Joe Gittleman (bass guitar); Joe Sirois, Josh Dalsimer (drums). Key players in the 1990s ska revival, the Mighty Mighty Bosstones took the Specials' "Two-Tone" template and added elements of metal and hardcore, creating an energetic, party-ready vibe. Bold horn lines and formidable guitar riffs are essential to this Boston ensemble's sound, but the band's true calling card is the deep, gravelly voice of frontman Dicky Barrett. This 20TH CENTURY MASTERS collection surveys the group's Mercury Records heyday (1993-2000), a period that saw the Bosstones honing their pop sensibility. Nowhere is this more evident than on the surging "Someday I Suppose," and the band's finest and most successful single, the jubilant "The Impression That I Get." As a concise sampler of the Bosstones' peak years, this compilation hits every mark.

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"About Time [Remaster]" (03/08/2005) Hardcore/Punk Pennywise, Epitaph Records (USA)Pennywise: Jim (vocals); Fletcher (guitar); Jason (bass); Byron (drums). Recorded at Total Access Studios, Redondo Beach, California. Pennywise: Jim (vocals); Fletcher (guitar); Jason (bass guitar); Byron (drums). Recording information: Total Access, Redondo Beach, California (1995). One of Pennywise's finest outings, 1995's ABOUT TIME features the California skate-punk band continuing its early/mid-'90s winning streak. While the previous record, UNKNOWN ROAD, found frontman Jim Lindberg rejoining the group after a brief departure, ABOUT TIME fully conveys the singer's renewed commitment to the ensemble with passionate performances on tracks such as the surging "Peaceful Day" and the urgent "Not Far Away," both of which showcase the act's fierce rhythmic attack and blistering guitar lines. As always, Pennywise bears strong sonic resemblance to Bad Religion, but this works to charming effect, making the younger group an aspiring contender to the elder band's crown. Although Bad Religion and the Offspring had broken through to the mainstream by this time, Pennywise was seemingly unfazed by its former Epitaph label-mates' success, and soldiered on without signing to the majors. Sadly, this would be Pennywise's last record before the suicide of bassist Jason Thirsk, though the ensemble would admirably bounce back on '97's equally impressive FULL CIRCLE.

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"Everything Goes Numb" (08/26/2003) Hardcore/Punk Streetlight Manifesto, Victory Records (USA)Streetlight Manifesto: Tomas Kalnoky (vocals, guitar); Daniel Ross (alto & baritone saxophone); Jim Conti (tenor saxophone); Jamie Egan (trombone, trumpet); Josh Ansley (bass); Paul Lowndes (drums).

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"Perseverance [PA]" (03/26/2002) Hardcore/Punk Hatebreed, Universal Records (USA)Hatebreed includes: Jamey Jasta (vocals); Lou "Butcher" Richards, Sean Martin (guitar); Chris "The Xmas Bitch" Beattie (bass); Matt Byrne (drums). Additional personnel include: Kerry King, Jonathan Donais, Paul Romanko. Recorded at Long View Farm Studios, North Brookfield, Massachusetts. The New Haven, CT metallists never give up, as evidenced here on PERSEVERANCE, their third full-length album. They've further refined their sound--the guttural vocals are more full-throated, the tempos more breakneck, the lyrics just as extreme--all of which points to their second decade proving as tumultuous as their first. Hatebreed's no-frills, breakneck, double kick-drum propelled, back-to-basics approach is just as much in evidence here as it was on their debut, 1997's SATISFACTION IS THE DEATH OF DESIRE. Songs such as "A Call for Blood" and the tom-tom driven "Bloodsoaked Memories" remain almost as timeless as a Bram Stoker novel, with the same illicit, chilling effect, while "Hollow Ground" ("all that you cherish, all that you love, in the blink of an eye can be taken from you...") has particular resonance in a modern world rife with both random and premeditated violence. PERSEVERANCE is another roar from the crypt from these master exponents of the speed metal genre.

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"Box-Set [Box]" (02/27/1996) Hardcore/Punk Misfits (Punk) (The), CarolineBOX-SET is a 4-CD set containing 104 remastered tracks, 35 of which are rare or previously unreleased, including the previously unreleased Misfits debut album STATIC AGE and the original "Cough/Cool" single. It also contains a 28-page full-color booklet with complete lyrics, liner notes by Eerie Von, a complete discography, never-before-published photos, rare artwork and memorobilia. BOX-SET comes packaged in a coffin-shaped box with a faux-velour lined interior and includes a fired-enamel "Fiends Club" badge. The Misfits (Punk): Glenn Danzig (vocals); Franch? Coma, Doyle, Bobby Steele (guitar); Jerry Only (bass guitar); Arthur Googy, Mr. Jim, Robo, Joey Image (drums). BOX SET contains most of the Misfits recorded output, including COLLECTIONS I AND II, LEGACY OF BRUTALITY, EARTH A.D., EVILLIVE, and even the legendary long lost STATIC AGE album. Rarities, unreleased studio cuts and almost every cough, hiccup and burp that the original Misfits committed to tape in their all-too-brief history as a recording unit are also featured. The best of the unreleased material includes killer versions of "Night of the Living Dead," "I Turned Into a Martian," "Violent World," and "20 Eyes." Collectors may have most of this stuff in one form or another, but for a fan desiring the vast majority of the Misfits crucial releases (and not much wasn't crucial), this is a must-have. As an added bonus, fans will salivate over ex-Samhain member Eerie Von's liner notes and the comprehensive lyrics. The packaging (a mini-coffin) is probably the most appropriate design for a box set yet to be produced.

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"Be Not Content [Digipak]" (09/03/2003) Hardcore/Punk Trapdoor Fucking Exit, No IdeaTrapdoor Fucking Exit: Henke Anderson (vocals); Jens Aker (guitar); Daniel Fagerstrom (bass); Daniel Astgren (drums). Trapdoor Fucking Exit: Daniel Fagerstrom (vocals, guitar, keyboards, bass guitar); Daniel Astgren (vocals, drums, percussion); Henke Andersson (vocals); Jens Aker (guitar, drums, percussion). Additional personnel: Frederik Branstrom (saxophone); Carl Wikman (synthesizer).

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"Riverside County" (06/07/2005) Hardcore/Punk Change Up, Hairball 8

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"A Criminal Record [Digipak] *" (11/16/2004) Hardcore/Punk Malkovich, Reflections Records

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"World Poison" (04/04/2005) Hardcore/Punk Boils (The), Thorp Records (Chord)The Boils: Greg (vocals, guitar); Dave (bass); Dan (drums). Additional personnel: John (drums). The Boils: Greg (vocals, guitar); Mike (bass guitar, background vocals); Jon (drums, background vocals).

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"Nice Ass" (02/05/1995) Hardcore/Punk Free Kitten, Kill Rock StarsFree Kitten: Kim (vocals, guitar, drums); Julie (vocals, guitar); Mark (bass); Yoshimi (guitar, harmonica,trumpet, drums).

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"Ball of Destruction" (06/18/1996) Hardcore/Punk Madball, Century Media Records (USA)

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"Are a Drag" (05/04/1999) Hardcore/Punk Me First & The Gimme Gimmes, Fat Wreck ChordsMe First And The Gimme Gimmes: Spike (vocals); Joey, Jackson (guitar); Fat Mike (bass); Dave (drums). Additional personnel: Karina Denika, Sara K. Fisher (background vocals). Producers: Ryan Greene, Me First And The Gimme Gimmes. Includes liner notes by Christopher M. Dodge. On their second outing, ARE A DRAG, Me First & the Gimme Gimmes up the wackiness quotient by presenting a set of songs made famous on the stage and silver screen, often by female singers--hence the album's cheeky title and cross-dressing cover photo. Featuring vocalist Spike Slawson (Swingin' Utters), bassist Fat Mike (NOFX), and other Californian punk-pop nobility, the 1999 record includes a raucous take on "Over the Rainbow" (from THE WIZARD OF OZ) and a fast-paced rendition of "Favorite Things" (from THE SOUND OF MUSIC), resulting in a record that's ultimately even more fun than the Gimme Gimmes' first album, HAVE A BALL.

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"Droppin' Many Suckers" (11/22/2004) Hardcore/Punk Madball, Wreck-ageMadball includes: Freddy Madball, Roger Miret. Madball: Matt Henderson (vocals, guitar); Roger Miret (vocals, bass guitar); Freddy Cricien (vocals); Vinnie Stigma (guitar); Will Shepler (drums).

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"Chuck" (10/12/2004) Hardcore/Punk Sum 41, Island Records (USA)This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files. Sum 41: Biz (vocals, guitar, piano, Mellotron, keyboards); Dave Brownsound (guitar); Cone McCaslin (bass guitar); Stevo (drums). Sum 41's super-heavy 2002 album, DOES THIS LOOK INFECTED?, was an exercise in speedy hardcore matched with thundering metal bombast, suggesting that the group might soon morph into a full-fledged thrash band. While CHUCK does refine that style even further than its predecessor, the 2004 album also signals a growing musical curiosity. "Intro," the disc's aptly titled opening song, features tersely picked guitar lines that recall some of the darker moments of Pink Floyd's THE WALL, while "Slipping Away" and "Pieces" are pure melodic power pop. "The Bitter End," on the other hand, sounds like a conscious tribute to or rewrite of Metallica's "Battery" (the first track on the 1986 thrash masterpiece MASTER OF PUPPETS). Throughout CHUCK, the group's energetic performances and finely honed chops pull together these disparate styles to create a bracing re-examination of what it means to be a pop-punk band. (Note: The album title is a thank-you to Chuck Pelletier, the UN representative who helped Sum 41 make a safe exit from the Republic of Congo when violence broke out while the group was there taking part in a documentary.)

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"Sing the Sorrow" (03/11/2003) Hardcore/Punk AFI, Dreamworks SKGThis is an Enhanced CD, which contains both regular audio tracks and multimedia computer files. A.F.I.: Davey Havok (vocals); Jade Puget (guitar); Hunter (bass); Adam Carson (drums). Recorded at Cello Studios, Los Angeles, California. SING THE SORROW was nominated for the 2004 Grammy Award for Best Boxed Or Special Limited Edition Package. This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files. With its major label debut SING THE SORROW, AFI (aka A Fire Inside), has made the leap from being strictly hardcore punk denizens to a more complex outfit dabbling in goth guitar textures and a soaring sound. With Nirvana/Smashing Pumpkins producer Butch Vig and Green Day/Rancid knob-twirler Jerry Finn manning the board, this transition ends up being a smooth one. Swirling synths, disembodied harmonies and the Tool-like bashing of drummer Adam Carson help the foreboding "Miseria Cantare" set a mood closer to Dead Can Dance than the Dead Kennedys. Although "Death of Season" predominantly rides a hardcore vibe, the most obvious indicators that this ain't your older brother's punk rock are "The Leaving Song Pt. II," with its sing-along-chorus and pounding rhythm, the dark Cult-like rocker "Bleed Black," and "This Celluloid Dream," a charged anthem of vulnerability. Further indications that AFI successfully straddles the worlds of mainstream acceptance and street credibility are radio-friendly songs like "The Leaving Song" and "The Great Disappointment" featuring Jade Puget's melodic riffing and Davey Havok's heartfelt crooning. This Bay Area quartet seals the innovative SING THE SORROW with "Girl's Not Grey," a perfect pop-punk song that rides along on catchy, chanting harmonies and churning guitar.

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"2, 4, 6, 8 We're the Kids You Love to Hate [Digipak] *" (04/04/2006) Hardcore/Punk Clit 45, BYO Records

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"Thrill Seeker" (11/08/2005) Heavy Metal August Burns Red, Solid StateAugust Burns Red: Josh McManness (vocals); J. B. Brubaker, Brent Rambler (guitar); Jordan Tuscan (bass instrument); Matt Greiner (drums). Recording information: Dark Horse, Franklin, TN.

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"Conceived in Fire" (09/24/2002) Hardcore/Punk Living Sacrifice, Solid StateLiving Sacrifice: Bruce Fitzhugh (vocals, guitar); Rocky Gray (guitar); Arthur Green (bass); Lance Garvin (drums); Matthew Putman (percussion, background vocals). Additional personnel: Barry Poynter. Recorded at Poynters Palace, Little Rock, Arkansas.

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"The Beacon Street Collection" (10/21/1997) Hardcore/Punk No Doubt, Interscope Records (USA)No Doubt: Gwen Stefani (vocals); Tom Dumont (guitar); Eric Stefani (keyboards); Tony Kanal (bass); Adrian Young (drums). Additional personnel: Bradley (vocals); Eric Carpenter, Gerard Boisse (saxophone); Phil Jordan (trumpet); Gabe McNair (trombone). Engineers: Colin Mitchell, Ray Blair, Tom Dumont. Includes liner notes by No Doubt. THE BEACON STREET COLLECTION is No Doubt's sophomore release. Its ten tracks are the perfect prologue to their breakthrough album TRAGIC KINGDOM. On this album, No Doubt's sound is an amalgam of rock, hard-core and their own quirky spin on ska. One of the virtues of Gwen Stefani's guttural voice is the fact that it works well with any style No Doubt decides to use. A little more rocking than TRAGIC KINGDOM, THE BEACON STREET COLLECTION features a tasteful horn section and playful melodies that become instant sing-along hooks. No Doubt is now a household name. This reissue offers the opportunity to find out what made people want to bounce around to No Doubt's music before Stefani's bejeweled forehead became the totem of the skateboard generation.

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"The Sirens of Silence" (07/12/2005) Hardcore/Punk Swarm Of The Lotus, Abacus Records

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"Underground Network" (04/24/2001) Hardcore/Punk Anti-Flag, Fat Wreck ChordsAnti-Flag includes: Chris Head, Justin Sane (vocals, guitar); Chris (bass, background vocals); Pat Thetic (drums, background vocals). Engineers include: Mass Giorgini, Fergus Daly, Donnie Switchblade. Recorded at Sonic Iguana Studios, Lafayette, Indiana between November 1, 2000 and February 3, 2001.

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"Let's Go" (10/01/2004) Hardcore/Punk Rancid, Epitaph Records (USA)Rancid: Lars Frederiksen, Tim Armstrong (vocals, guitar); Matt Freeman (vocals, bass); Brett Reed (drums). Recorded at Fantasy Studios, Berkeley, California. As if the '80s never happened, Rancid pogo from their retro mosh pit into mainstream success with their newest album LET'S GO. Splattered with growling vocals and lurching chord progressions, Rancid albums sound like the bastard children of early Clash and Stiff Little Fingers albums. Barking out slurred, sing-along harmonies on top of a hyper toe-tapping rhythm section, LET'S GO plays like a relic from the late '70s rather than the '90s. Rancid's material boasts the anthemic rabble-rousing quality that made punk's energy so appealing when it broke nearly twenty years ago. Thankfully, they keep the energy vital and the material amazingly free of tired cliches. LET'S GO is an invigorating installment of punk calisthenics.

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"Rock For Light" (02/09/1991) Hardcore/Punk Bad Brains, CarolineThis 1991 reissue of ROCK FOR LIGHT contains three tracks that weren't on the original LP. Bad Brains: H.R. (vocals); Dr. Know (guitar, piano, organ, background vocals); Darryl (synthesizer, bass, percussion, background vocals); Earl Hudson (drums, percussion, background vocals). Additional personnel: Dave Id (background vocals). Digitally remastered by George Marino (Sterling Sound, New York, New York). In the early-'80s, the Bad Brains recorded many of the same songs at several different sessions, resulting in such releases as 1982's BAD BRAINS and ROCK FOR LIGHT, 1996's BLACK DOTS, and 1997's OMEGA SESSIONS. ROCK FOR LIGHT is made up of songs produced by Cars leader Ric Ocasek, but unlike the sound of his slick, chart-topping new-wave band, Ocasek wisely kept the production on ROCK FOR LIGHT raw and in-your-face. While such hardcore classics as "Attitude," "Right Brigade," "Banned in D.C.," "Supertouch," "I," "Coptic Times," "Sailin' On," and "At the Movies" would be included as different versions on the aforementioned collections, ROCK FOR LIGHT features rare studio takes of such favorites as "I and I Survive," "The Meek," and the title track.

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"Alaska" (09/06/2005) Hardcore/Punk Between The Buried And Me, Victory Records (USA)Between The Buried And Me: Tommy Rogers (vocals); Paul Waggoner (guitar); Dan Briggs, Blake Richardson, Dustie Waring. Though usually labeled as "hardcore," Between The Buried And Me has little to do with that music's original simplistic loud-fast-rules ethos. With a compositional complexity and rhythmic inventiveness that recall the work of Frank Zappa and the Mars Volta, ALASKA is not only unflinchingly heavy but dizzyingly varied. Though the album's death metal-esque grunts and 1980's shredder-style lead guitar will be familiar to metalcore fans, the frequent time changes, tempo shifts, jaw-dropping chops, and King Crimson references may find favor among fans of left-of-center metalheads System of a Down or followers of the NYC Downtown avant-garde scene.

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"Fuck World Trade [Digipak]" (09/07/2004) Hardcore/Punk Leftover Crack, Alternative TentaclesLeftover Crack: Stan (vocals, guitar); Brad (guitar, background vocals). Recording information: Electrical Audio, Chicago, Illinois; Coyote, Brroklyn, NY.

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"Paradise" (09/04/2005) Hardcore/Punk Paint It Black, Jade Tree RecordsPaint It Black: Dan Yamiri (vocals, guitar); Andy Nelson (vocals, bass guitar); Colin McGinnis (guitar); David Wagenschutz (drums). Recording information: Phase Studio, College Park, Maryland (09/2004).

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"Maybe I'll Catch Fire" (03/14/2000) Hardcore/Punk Alkaline Trio, Asian Man RecordsThe Alkaline Trio: Matt Skiba (vocals, guitar); Dan Andriano (bass, background vocals); Glenn Porter (drums). Recorded at Atlas Studios, Chicago, Illinois in October 1999.

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"The Singles 1992-2003" (11/25/2003) Hardcore/Punk No Doubt, Interscope Records (USA)No Doubt: Gwen Stefani (vocals); Tom Dumont (guitar, keyboards); Eric Stefani (piano, keyboards); Tony Kanal (keyboards, bass); Adrian Young (drums, percussion). Additional Personnel includes: Lady Saw, Bounty Killer (vocals); Gabriel McNair (trombone, piano, keyboards); Stephen Bradley (trumpet, keyboards); Matthew Wilder (keyboards); Stuart Price, Sly Dunbar (programming). Producers include: Glen Ballard, Nellee Hooper, Matthew Wilder, Sly & Robbie, Jerry Harrison. Compilation producer: Cindy Cooper. Includes liner notes by Paris Montoya and Tom Lanham. No Doubt's strength has always been in its singles, from the band's early phase as a ska/punk-pop ensemble to their latter-day status as pop chart-toppers. This 15-song collection features all of the band's hits, which are sequenced remarkably well. Gwen Stefani and the boys kick things off in an appropriately energetic fashion with their breakthrough single, "Just a Girl." The 1980s-influenced keyboard line of this jaunty track leads wonderfully into the group's deft cover of Talk Talk's '80s-pop classic "It's My Life," which sports a muscular, fuzzed-out bass backing and seems tailor-made for Stefani's plaintive vocals. The mood shifts to a dancehall vibe with the ultra-catchy "Hey Baby," and the track listing continues like a giddy roller coaster ride, including the spry "Sunday Morning," the reggae-tinged "Underneath It All," the guitar-heavy "Spiderwebs," and the melancholy "Don't Speak." And as a fitting nod to No Doubt's long-time fans, this sure-footed retrospective closes with the rhythmic workout of "Trapped in a Box" from their self-titled first album, bringing the band's musical legacy full circle.

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"The Warrior's Code" (06/21/2005) Hardcore/Punk Dropkick Murphys, Epitaph Records (USA)Dropkick Murphys: Marc Orrell (vocals, guitar, accordion); James Lynch (vocals, guitar); Ken Casey (vocals, bass guitar); Matt Kelly (vocals, drums, bodhran); Al Barr (vocals); Tim Brennan (acoustic guitar, mandolin, whistle, accordion); Scruffy Wallace (bagpipe). Additional personnel: Laura Casey (viola, cello); Peter Chase, Bill Janovitz, Bronson Arroyo, Lenny Dinardo, Johnny Damon, Dr. Charles Steinberg, Jeff Horrigan, Mark Rogoff, Sara Stevenson, Julie Cordeiro (background vocals). Recording information: Q Division, Somerville, Massachussets; The Outpost, Stoughton, Massachusetts (2004 - 2005). Like The Pogues before them, the Dropkick Murphys successfully combine traditional Irish music, (lusty, barroom choruses plus accordion and bagpipes) and punk rock (choppy guitar riffs, speedy drumming) into the kind of Celt-punk that's at the heart of their fifth album, THE WARRIOR'S CODE. Amid the folkie "Captain Kelly's Kitchen" and "I'm Shipping Up to Boston," (based around previously unreleased Woody Guthrie lyrics) and Australian troubadour Eric Bogle's anti-war anthem "The Green Fields of France," modern-day punk energy is a constant. Scruffy Wallace's aforementioned bagpipes fuse well with James Lynch and Marc Orrell's raging guitars on a title track dedicated to Massachusetts welterweight "Irish" Mickey Ward, while the raucous "Wicked Sensitive Crew" makes light of the DMs being "touchy feely sensitive guys." Most touching is "Last Letter Home," an homage to Sgt. Andrew Farrar, a die-hard fan who died serving in Iraq (the band played at his funeral).

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"Seize the Day *" (07/30/2002) Hardcore/Punk Enemies, LookoutEnemies: Mike Pelino (vocals, guitar); Dave Edwardson (bass); Jason Willer (drums, background vocals).

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"The Search: 1985-1989 *" (07/12/2005) Hardcore/Punk Bold (Hardcore), Revelation RecordsIncludes unreleased tracks and alternate takes. Bold (Hardcore): Matt (vocals); Tom Capone, John Zulu (guitar); Tim Brooks (bass instrument); Drew (drums). Recording information: 1985 - 1989.

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"Today's Empires, Tomorrow's Ashes" (02/06/2001) Hardcore/Punk Propagandhi, Fat Wreck ChordsThis is an Enhanced audio CD which contains regular audio tracks and multimedia computer files. Propagandhi: Chris, Jord, Todd. Principally recorded at Mid-Can Studios, Winnipeg, Canada in August, 2000. This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.

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"From the Dead End Blocks Where Life Means Nothing" (11/22/2005) Hardcore/Punk Shattered Realm, EulogyShattered Realm: Joe HC (vocals); Danny, Joe None (guitar); Bailey (bass guitar); Chris (drums). Recording information: 2005.

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"The Caitiff Choir" (09/24/2004) Hardcore/Punk It Dies Today, TrustkillIt Dies Today: Nicholas Brooks (vocals); Chris Cappelli, Mike Hatalak (guitar); Steve Lemke (bass guitar); Nick Mirusso (drums). Additional personnel: Tom Gammalo (guitar, background vocals).

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"This Time It's Personal *" (03/21/2000) Hardcore/Punk Fury Of Five, Victory Records (USA)Fury Of Five: James (vocals); Jay, Chico (guitar); Mike (bass); Chris (drums). Additional personnel: Karen Crisis (vocals). Includes liner notes by Drew Stone.

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"Full Leather Jacket" (08/29/2000) Hardcore/Punk Teen Idols, Honest Don'sTeen Idols: Keith (vocals); Phillip (guitar, background vocals); Heather (bass, background vocals); Matt (drums). Additional personnel: Dan Vapid (vocals). Recorded at Sonic Iguana Studios, Lafayette, Indiana.

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"And No One Else" (07/01/2005) Hardcore/Punk SNFU, Better Youth Organization (BYO)

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"And Their Name Was Treason" (05/10/2005) Hardcore/Punk Day To Remember (A), Indianola RecordsA Day To Remember: Jeremy McKinnon (vocals); Neil Westfall, Tom Denney (guitar); Joshua Woodard (bass guitar); Bobby Scruggs (drums).

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"The Elemental Gearbot" (n/a) Hardcore/Punk A Trillion Barnacle Lapse, Level Plane Records

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"Up Your Ass Tray [PA]" (05/16/2006) Hardcore/Punk Shocker (Punk) (The), Go-Kart RecordsThe Shocker: Precious (Vocals), Quist (Drums, Vocals), Ronnie James (Guitars, vocals), Lisa Howe (Bass, Vocals), Adam Fuller (Lead Guitar, Vocals) The Shocker (Punk): Adam Fuller, Jennifer Precious Finch, Ronnie James (vocals, guitar); Lisa Howe (vocals, bass guitar); Scott Quist (vocals, drums).

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"F.O.A.D." (01/08/2008) Hardcore/Punk Broken Bones, Beer City RecordsBroken Bones: Terry Bones.

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"From Here to Infirmary" (04/03/2001) Hardcore/Punk Alkaline Trio, Vagrant Records (USA)The Alkaline Trio: Matt Skiba (vocals, guitar); Dan Andrianno (vocals, piano, bass); Mike Felumlee (drums). Recorded at Pachyderm Studios, Cannon Falls, Minneapolis. This three-piece punk outfit comes out with all guns blazing on FROM HERE TO INFIRMARY. Throughout the album, the Alkaline Trio maintains a blazing, three-chord barrage whose stylistic pedigree runs through Green Day all the way back to first-generation punks like the Buzzcocks. For an accurate picture of the Trio's approach, picture the hard-hitting hooks of a Blink 182 mated with intelligent lyrics (a rare enough commodity in heavy rock to begin with) that nearly reach the philosophical heights of Bad Religion--the degree of introspection presented in the Alkaline Trio's lyrics is unprecedented. But once you focus on the raging rhythms and guitar firestorms, everything else is gravy. Put these boys down as Green Day sans the brattiness after a few college courses.

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"Fossil Fuel *" (05/02/2000) Hardcore/Punk Fuel (Hardcore), Broken RekidsThis compilation features Fuel's entire recorded history. Fuel: Jim Allison, Mike Kirsch (vocals, guitar); Aaron Arroyo (bass); Jeff Stofan (drums). Principally recorded at Sergay's Recording Emporium, Berkeley, California in 1989, Sound & Vision, San Francisco, California between February and June 1990 and 6 Feet Under Studios, Minneapolis, Minnesota in August 1991.

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