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The Live Record: Witless Banter & 25 Mildly Antagonistic Songs About Love * by Dance Hall Crashers (
 

The Live Record: Witless Banter & 25...

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The Live Record: Witless Banter & 25 Mildly Antagonistic Songs About Love * by Dance Hall Crashers (
"The Live Record: Witless Banter & 25 Mildly Antagonistic Songs About Love *" (06/06/2000) Hardcore/Punk Dance Hall Crashers, Pink & Black RecordsAdditional personnel: Billy Bouchard. Recorded live at The Troubadour, Hollywood, California. Personnel: Billy Bouchard (guitar). Audio Mixer: Ed Stasium. Recording information: The Troubador, Hollywood, CA. Illustrator: Adrian Tomine. Photographer: Lisa Johnson . It's virtually impossible to believe that DHC have been in existence for 11 years at the date of this album's release, outliving two or three times over virtually all the Two Tone heroes who were such an initial influence on the band. Sure, there's been lineup changes over the years, but not only has the group thrived, they've come back stronger with every shift. What's even more impressive than sheer longevity, is how true they've stayed to their original vision. Musical fads come and go, and many bands transmute over time (just look at No Doubt), but DHC gloriously remain DHC. Even though The Live Album, as the title suggests, is indeed a live album, the 25-song set works equally well as a greatest-hits collection, with tracks drawn almost evenly from their four albums and the Blue Plate Special EP. Over the years, DHC has evolved into a tight, proficient, and professional unit, but never slick, and thus even the oldest songs -- "D.H.C.," "My Problem," "Othello," and "He Wants Me Back" -- are graced with new life. The horns, rocksteady rhythms, and copycat Two Tone riffs may be gone, replaced with more mature, but equally crowd-pleasing, arrangements. Rockier riffs and guitar leads now rule in place of the brass, but the group's poppy core is still cement solid. Anyone who's ever seen DHC onstage knows how much enthusiasm the band brings with them. And this show at L.A.'s the Troubador was no exception; the sound is superb, and the songs bubble with an effervescent energy. The dueling, duoing vocals of Elyse Rogers and Karina Denike, with their edgy, biting lyrics, are the centerpiece, with the band expertly keeping the house jumping. A great group, an excellent gig, and a fabulous album. ~ Jo-Ann Greene

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The Record by Fear (CD - 10/17/2000)
 

The Record by Fear (CD - 10/17/2000)

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The Record by Fear (CD - 10/17/2000)
"The Record" (10/17/2000) Hardcore/Punk Fear, SlashFear: Lee Ving (vocals, guitar, bass); Philo Cramer (vocals, guitar); Derf Scratch (vocals, saxophone, bass); Spit Stix (drums). Recorded at Sound City Recording Studios, Van Nuys, California in December 1981. Personnel: Derf Scratch (vocals, guitar, saxophone); Philo Cramer, Lee Ving (vocals, guitar); Spit Stix (drums). Recording information: Sound City Recording Studios, Van Nuys, CA (12/1981). Unknown Contributor Role: Lee Ving. When John Belushi tried to book Black Flag on "Saturday Night Live" the powers that be shook with fear and vetoed the idea on the spot. They did, however, suggest the band Fear as a replacement. Somewhat paradoxically, Fear, with all its sound, fury, and decidedly politically incorrect ideas, was somehow acceptable. Make no mistake, THE RECORD is aggressive, offensive, and loud--it is the sound of a kid flipping the bird. And there is a barreling, garage-like catchiness to anthems such as "I Love Living in the City." The difference between Fear and bands like Black Flag is a subtle but crucial one: Fear does not cross the line into aural violence. Perhaps it is the tongue-in-cheek quality to Lee Ving's rants about minority groups in "Let's Have a War." Ving may be giving everyone within earshot the finger but he's doing it from a moving car.

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Cherry Red Records Punk Singles Collection by Various Artists (CD) [IMPORT - UK]
 

Cherry Red Records Punk Singles Collecti...

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Cherry Red Records Punk Singles Collection by Various Artists (CD) [IMPORT - UK]
"Cherry Red Records Punk Singles Collection" (12/07/1999) Hardcore/Punk Various Artists, Anagram (UK)

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Secret Records: The Punk Singles Collection by Various Artists (CD) [IMPORT - UK]
 

Secret Records: The Punk Singles Collect...

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Secret Records: The Punk Singles Collection by Various Artists (CD) [IMPORT - UK]
"Secret Records: The Punk Singles Collection" (12/07/1999) Hardcore/Punk Various Artists, Anagram (UK)

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Pax Records Punk Singles Collections by Various Artists (CD) [IMPORT - UK]
 

Pax Records Punk Singles Collections by ...

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Pax Records Punk Singles Collections by Various Artists (CD) [IMPORT - UK]
"Pax Records Punk Singles Collections" (12/07/1999) Hardcore/Punk Various Artists, Anagram (UK)Personnel: Lee Wilson, Mensi, Chris , Gary, Lee, Wattie Buchan (vocals); Big John, Mond, LEN (guitar); Mark Reynolds , Kip (drums). Liner Note Author: Mark Brennan .
Dance to the Potshot Record by Potshot (CD - 06/22/2004)
 

Dance to the Potshot Record by Potshot (...

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Dance to the Potshot Record by Potshot (CD - 06/22/2004)
"Dance to the Potshot Record" (06/22/2004) Hardcore/Punk Potshot, Asian Man RecordsPotshot: Ryogi (vocals); Chucky, Mitchy (trombone); Katsuya (bass guitar); Masayuki (drums); Satoshi. Personnel: Ryoji (vocals); Satoshi (guitar); Mitchy (trumpet); Chucky (trombone). Recording information: After Beat (2001). Photographer: Shigeo Kikuchi. Label reps invite you, when listening to Potshot's fifth Asian Man album, to "imagine Screeching Weasel and the Specials doing a tango." Granted, it's a mental image that will help keep your mind off the band's hilariously atrocious English (sample couplet: "Many sad and tuff happened/It was very happy times"), but a more apt stylistic comparison might be the Mighty Mighty Bosstones with Eek-A-Mouse guesting on lead vocals. Great horn arrangements, solid punk-ska guitars, indelible melodic hooks, and a cute (if ultimately irritating) hiccupy vocal style combine to make Dance to the Potshot Record a great summertime party album. Awful as the lyrics are, they never intrude on your musical enjoyment because singer Ryoji is so completely incomprehensible; what matters on songs like "In Time Now" and "Victory or Lost" are the buzzsaw guitars and the cathartic horn lines, and the band's infectious, jubilant energy. Recommended. (Dance to the Potshot Record was originally released in Japan in 2002; the 2004 U.S. release adds two bonus tracks.) ~ Rick Anderson

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Maggots: The Record [PA]
 

Maggots: The Record [PA]

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Maggots: The Record [PA]
"Maggots: The Record [PA]" (10/06/2000) Rock & Pop Williams, Wendy O., Plasmatics MediaWendy O. Williams: Wendy O. Williams (vocals); Michael Ray (guitar, background vocals); Wes Beech (guitar); Ray Callahan (drums). Additional personnel: Scott Harlan, James Gerth, Jeanine Morick, Stellar Axeman (spoken vocals). Heavy metal concept albums are nothing new; however, this macabre opus ranks among the most bizarre ever recorded. More of an audio play than a music album, a Rod Serling-like narrator takes listeners through a disturbingly graphic story depicting genetically mutated maggots breeding exponentially until mankind is exterminated. Not for the squeamish; explicit dialogue and detailed descriptions of characters and their horrible deaths by the disgusting creatures are told with fantastic horror. Providing interlude are six apocalyptic Plasmatics songs embellishing the plot and displaying Wendy O. Williams' distinctive machine-gun caterwauling. "You're a Zombie," "The Day of the Humans Gone," "Brain Dead," and "Finale" are surprisingly decent '80s punk metal anthems with all the trimmings: chanted vocals, pounding militia-marching drums, and crunching guitar work. Once tossed off as gory camp, realized environmental changes and threats of biological terrorism made this prophetic release particularly unnerving. ~ Craig Curtice

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Record Collectors Are Pretentious Assholes [EP]
 

Record Collectors Are Pretentious Asshol...

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Record Collectors Are Pretentious Assholes [EP]
"Record Collectors [EP]" (10/11/1991) Rock & Pop Poison Idea, Taang! RecordsRecorded at Falcon Studios, Portland, Oregon from August 14-18, 1984. All music written by Poison Idea. All lyrics written by Jerry A.

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Voice This Sound: An Inverse Records Compilation
 

Voice This Sound: An Inverse Records Com...

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Voice This Sound: An Inverse Records Compilation
"Voice This Sound: An Inverse Records Compilation" (07/02/2002) Rock & Pop Various Artists, Inverse Records

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Record Of Shadows Infinite
 

Record Of Shadows Infinite

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Record Of Shadows Infinite
"Record of Shadows Infinite" (04/04/2005) Rock & Pop Various Artists, Crucial Blast

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In-Flight Program
 

In-Flight Program

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In-Flight Program
"In-Flight Program: Revelation Records Collection '97" (12/02/1996) Hardcore/Punk Various Artists, Revelation Records

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80 Records And We're Not Broke Yet [3/22]
 

80 Records And We're Not Broke Yet [3/22...

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80 Records And We're Not Broke Yet [3/22]
"80 Records and We're Not Broke (Yet)" (01/31/2006) Rock & Pop Various Artists, Level Plane RecordsArtists include City of Caterpillar, North Of America, Transistor Transistor, Coliseum.

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A Criminal Record [11/16]
 

A Criminal Record [11/16]

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A Criminal Record [11/16]
"A Criminal Record [Digipak] *" (11/16/2004) Rock & Pop Malkovich, ReflectionsAudio Mixer: Menno Bakker. Recording information: Bunt Studios, Utrecht, The Netherlands (2004). Dutch emo kids Malkovich return with A Criminal Record, an album that aside from a few artsy trappings is basically identical to the work of a lot of other third-string emo bands out there. (Foremost among those trappings is the fact that instead of titles, the songs are given nonsequential three-digit numbers starting with zero; this tradition started with their first self-titled release, and it can be assumed that the numbers correspond to the order in which they were written, not the order in which they're released.) Herky-jerky rockers like "017" and more effective, moodier tracks like "029" are musically appealing, but most of the songs are undermined by singer Hugo's (in the grand emo tradition, last names are shunned as somehow uncool) irritatingly mannered vocals. Even though he's working in a style of music where the preferred vocal style is overtly melodramatic, Hugo's voice becomes risible over the course of the full album; the closest comparison in sheer irritation is (shudder) Fred Durst, although to his credit, Hugo's miserable whine is at least less miserable than Durst's. Regardless, A Criminal Record is strictly for die-hard screamo fans. ~ Stewart Mason

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Rip Off Records Singles Compilation: Second...
 

Rip Off Records Singles Compilation: Sec...

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Rip Off Records Singles Compilation: Second...
"Rip off Records Singles Compilation: Second Strike" (05/14/2002) Rock & Pop Various Artists, Rip OffPerformers include: The Rip Offs, Motards, The Registrators, Loli & The Chones, Stipjes, The Problematics. Liner Note Author: Greg Lowery. Recording information: San Francisco, CA.

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I Don't Care (The Nems Records Years) by The Boys (CD - 11/16/2004)
 

I Don't Care (The Nems Records Years) by...

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I Don't Care (The Nems Records Years) by The Boys (CD - 11/16/2004)
"I Don't Care (The Nems Records Years)" (11/16/2004) Hardcore/Punk The Boys, Recall (UK)In the minimal amount of time that most bands take between albums today, the Boys unleashed two crucial albums and a trio of still sparkling singles. Having inked a deal with the NEMS label early in 1977, the band announced their intentions that April with the anything-but-apathetic 45 "I Don't Care." The incandescent terror of "First Time" followed in July, with the band's eponymous debut album appearing a few months later. Gigs kept the Boys busy into the New Year, and it wasn't until late spring that the effervescent nostalgia of "Brickfield Nights" swept onto the scene. However, by the time their sophomore set, Alternative Chartbusters, was released in October, Nems was already in financial straits. The following year, the group jumped ship. I Don't Care (The Nems Records Years) is a superb round-up of much of the Boys early back catalog, presented chronologically from their first single to their final recordings for the label. Rounding up A and B-sides, album tracks, alternate versions, and rarities, this compilation captures the group at their earliest, giddiest heights, a non-stop panoply of punky power pop pulchritude. ~ Dave Thompson

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Buried Alive: Best from Smoke 7 Records 1981-1983 by Various Artists (CD - 11/21/1995)
 

Buried Alive: Best from Smoke 7 Records ...

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Buried Alive: Best from Smoke 7 Records 1981-1983 by Various Artists (CD - 11/21/1995)
"Buried Alive: Best from Smoke 7 Records 1981-1983" (11/21/1995) Hardcore/Punk Various Artists, BompPerformers include: Bad Religion, M.I.A., Redd Kross, Youth Gone Mad.

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Buried Alive: The Best from Smoke 7 Records, Vol. 2 by Various Artists (CD - 10/08/1996)
 

Buried Alive: The Best from Smoke 7 Reco...

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Buried Alive: The Best from Smoke 7 Records, Vol. 2 by Various Artists (CD - 10/08/1996)
"Buried Alive: The Best from Smoke 7 Records, Vol. 2" (10/08/1996) Hardcore/Punk Various Artists, Bomp

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Third Wave Of Hits: Singles Compilation
 

Third Wave Of Hits: Singles Compilation

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Third Wave Of Hits: Singles Compilation
"Rip Off Records Third Wave of Hits" (05/10/2004) Rock & Pop Various Artists, Rip OffPerformers include: The Infections, The Swindlers, The Spastics, The Chinese Millionaries, The Spites, The Registrators. Liner Note Author: Greg Lowery.

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The Last Record
 

The Last Record

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The Last Record
"Last Record" (04/04/2005) Rock & Pop Endpoint, DoghouseOn this farewell EP, Endpoint brings together the urgent emotion of Catharsis with Aftertaste's burgeoning musicianship; the result is their definitive musical statement. "Mather's Point" is the best example of this union. The song contains a metal-via-hardcore tension that wouldn't sound out of place on Catharsis but its arrangement is more sophisticated than anything on that album. After being propelled by the dark and moody crunch, the listener is dropped off into anticipation, waiting and wanting more as the song ends. The lyrics on The Last Record are thoughtful and literary as always, particularly on "Brown County" where folk balladry and hardcore actually combine successfully. Here, Endpoint wears their hearts on their sleeves with their final recorded words: "We've got to love the others as sisters and brothers, we've got to learn to use it, we've got to never lose it." ~ Matthew Kantor

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Deals on Punk record in Hardcore & Punk Music. Visit BizRate to find the best deals on Hardcore & Punk Music. See which Music stores have the Punk record that you want. Read reviews on Music merchants and buy with confidence. Find savings on The Live Record: Witless Banter & 25 Mildly Antagonistic Songs About Love * by Dance Hall Crashers ( - The Record by Fear (CD - 10/17/2000).