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With the romantic comedy RUMOR HAS IT, director Rob Reiner (WHEN HARRY MET SALLY) attempts the tricky task of creating a film based on an already celebrated classic, 1967's THE GRADUATE. Starring Dustin Hoffman and based on a novel by Charlie Webb, the original film revolved around the love triangle between a recent college-graduate, his girlfriend, and her famously seductive mother. Here, Reiner casts a chain-smoking Shirley MacLaine as the supposed real-life inspiration for Mrs. Robinson, and Jennifer Aniston as her granddaughter. Set for the most part within the gossipy community of Pasadena, California, the film follows Sarah Huttinger (Aniston) and her fiancé (Mark Ruffalo) as they travel home for her perky sister's (Mena Suvari) wedding. Having nothing in common with her family, Sarah is intrigued upon learning that she may actually be the secret love child of her deceased mother and Beau Borroughs (Kevin Costner), the man whose affairs with both Sarah's mother and grandmother supposedly inspired Charlie Webb, a classmate and friend of Beau, to write THE GRADUATE. From here, Sarah seeks out Beau, interested in him as a father-like figure and possibly more. Aniston brings a Rachel-like (FRIENDS) comic vibe to her character, frequently expressing her neuroses by talking to herself out loud in a sitcom-ish style. Costner is plenty capable in his role, but even with Beau's riches and charm, viewers may find it hard to understand why a young woman would embark on a romance with the same man who bedded her mother and grandmother. Reiner's script veers away from the classic romantic comedy formula by keeping Ruffalo's character at the sidelines. Rather, RUMOR HAS IT focuses on one woman's journey towards adulthood, self-realization, and acceptance of her origins via a path that while strange and potentially incestuous, seems to be family tradition.

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Director Ronny Yu (FREDDY VS. JASON) tells the story of Chinese hero Huo Yianjia in JET LI'S FEARLESS. Born in the late 1800s to a martial-arts master in the Tianjin region of China, Huo Yianjia (Jet Li) is not allowed to train at his father's school because he has asthma. Later, as an adult, the self-taught Yianjia becomes a master in his own right with his own school and disciples. His only goal: to become the Champion of Tianjin--and he is willing to fight any and every challenger. Along the way, Yianjia's pride takes over and he becomes obsessed with both praise and revenge, missing the true purpose and message of the martial arts. When his quest for revenge results in tragedy, Yianjia embarks on a new journey, leaving Tianjin. Returning to his home years later, Yianjia is a new man, understanding the connection between body, mind, and soul. Instead of fighting for personal gain, he sees the importance of maintaining the national identity and pride of the Chinese people. Focusing on the importance of good sportsmanship and unity, Yianjia starts the Jingwu Sports Federation, bringing all the schools of martial arts together. Most important, he makes history in Shanghai in 1910 by defending the honor of the Chinese people in a contest against representatives from the four major foreign powers in China. Based on a true story, the film features detailed period settings and costumes, as well as superior stunts. Jet Li evokes a wide range of emotions as Yianjia, instilling the character with life and capturing the essence of this important chapter in Chinese history. Dong Yong stars as Yianjia's loyal friend, Nong Jinsun, and Sun Li plays Moon, a young woman who befriends Yianjia when he leaves Tianjin. This film is in Chinese with English subtitles.

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Zombie movies slip in and out of fashion, but it's always a special occasion when the man who helped turn the undead into a worldwide phenomenon decides to add an installment to his ongoing saga of flesh-eating films. George A. Romero's zombie movies have all appeared in different decades, beginning with NIGHT OF THE LIVING DEAD in 1968, DAWN OF THE DEAD in '78, and DAY OF THE DEAD in '85. Romero skipped the '90s, but a zombie renaissance in the early 21st century (28 DAYS LATER, SHAUN OF THE DEAD) finds him back in the directors chair. Often seen as allegories for their times, Romero's films have been connected to societal events such as the consumerism of the '70s (DAWN OF THE DEAD) and the spread of the AIDS virus in the '80s (DAY OF THE DEAD). With 2005's LAND OF THE DEAD, Romero positions the bulk of his story in a giant skyscraper which houses the last humans left on the planet; although his intentions are foggy this time, LAND appears to be Romero's commentary on the post-9/11 political landscape. The zombies only bother crews who venture outside the makeshift city for supplies, but the people are kept sedated by their leader, the irascible Kaufman (Dennis Hopper), who exaggerates their threat. What Kaufman doesn't realize is that the zombies are learning skills they half-remember from their old selves, leading to some impressively blood-soaked scenes of tumult. In an unusual move for Romero, Hopper is joined by name actors such as John Leguizamo and Asia Argento. The film greatly benefits as a result, successfully portraying an atrophied civilization that has regressed to a primitive state, allowing its undead tormentors to sense that a free lunch may be just around the corner.

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Stephen Gaghan, who won an Oscar for best screenplay for TRAFFIC, makes his directorial debut with SYRIANA, an espionage thriller set in the Middle East. George Clooney stars as Bob Barnes, a longtime CIA agent preparing to slow down his life and spend more time with his teenage son (Max Minghella). But his last secret mission, getting rid of Prince Nasir (Alexander Siddig), turns out to be more complicated than he imagined, placing him in the middle of a dangerous conspiracy involving government corruption, oil, and international terrorism. Matt Damon, who starred with Clooney in OCEAN'S ELEVEN and OCEAN'S TWELVE (and made a cameo in Clooney's CONFESSIONS OF A DANGEROUS MIND, which was also about spies and conspiracies), plays Bryan Woodman, an energy executive whose ethics become vulnerable after the horrific loss of one of his sons. Meanwhile, in Washington, D.C., lawyers Bennett Holiday (Jeffrey Wright) and Dean Whiting (Christopher Plummer) also must choose between the government's special interests and what's best for the world (as well as their own special interests). Gaghan gives SYRIANA a documentary-like feel, using handheld cameras and shooting on location, adding to the believability of the complex plot. To heighten the realism, Clooney learned to speak Arabic and even put on 30 pounds for the role. A fast-paced, heart-pounding, relentless film, SYRIANA was inspired by the true story of former CIA agent Robert Baer, told in his book SEE NO EVIL: THE TRUE STORY OF A GROUND SOLDIER IN THE CIA'S WAR ON TERRORISM.

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Director Martin Scorsese returns to his trademark style with the violent, bruised, and bloody feature THE DEPARTED. Scorsese filched the basic storyline from Wai Keung Lau and Siu Fai Mak's masterful 2002 Hong Kong action film, INFERNAL AFFAIRS, which saw a policeman going undercover as a mob member and a mob member infiltrating the police force. Scorsese transfers the action to Boston, positioning Leonardo Di Caprio as undercover cop William Costigan and Matt Damon as undercover mobster Colin Sullivan. While Costigan and Sullivan get into plenty of nail-biting situations that almost reveal their true identities, Scorsese gradually unravels his strong supporting cast, including Jack Nicholson as Sullivan's mob boss, Frank Costello; Ray Winstone as Costello's meat-headed muscle; Mark Wahlberg as a hot-headed police sergeant; and Vera Farmiga as a love interest for both Damon and DiCaprio's characters. THE DEPARTED finds Scorsese generously dipping his toes back into waters that will be warmly familiar to his biggest fans. Rolling Stones songs pepper the soundtrack, recalling the remarkable "Jumpin' Jack Flash" sequence in MEAN STREETS; bullets and blood punctuate every key scene, bringing TAXI DRIVER's explosive finale to mind; and the mobster-themed storyline is a thrilling return to GOODFELLAS territory. Nicholson and Winstone provide acting master-classes every time they appear, neatly complementing the blossoming talents of DiCaprio, Damon, and Wahlberg, while further veteran support comes in small roles for Martin Sheen and Alec Baldwin. Scorsese is often criticized for affording precious little screen time to female characters, and THE DEPARTED won't quell those dissenting voices, although Farmiga's character proves to be more than a match for DiCaprio and Damon's posturings. But Scorsese followers who balked at his diversions into documentary filmmaking (NO DIRECTION HOME) and period epics (THE AVIATOR) will be delighted to find raw male machismo puncturing the screen once again in this frenetic entry into his celebrated oeuvre.

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Based on the short story by Pulitzer Prize-winning author E. Annie Proulx, BROKEBACK MOUNTAIN is the tragic and moving story of two cowboys who unexpectedly fall in love while working together one summer in 1963. When the film begins, rodeo cowboy Jack Twist (Jake Gyllenhaal) and ranch-hand Ennis Del Mar (Heath Ledger) are strangers meeting for the first time. As the more outgoing one, it is Jack who must initiate a friendship with Ennis, a man so tight-lipped and self-consciously macho he refuses all facial expression. From this strained beginning, Jack and Ennis gradually begin to bond on cold, lonely nights over a fire in the mountains of Signal, Wyoming. One particularly chilly evening, Jack invites Ennis into his tent, where a sudden awkward embrace sends their relationship in a new direction. Though each man stubbornly defends his heterosexuality, the spark between them cannot help but grow, with that initial summer on Brokeback Mountain becoming their reference point for happiness during the rest of their lives. Spanning 20 years, the film moves at an impressively slow pace that really captures the detailed and unhurried style of Proulx's story. Seeing each other a few times a year at best, Ennis and Jack spend the rest of their time halfheartedly living up to society's expectations by marrying and having kids. When the lovers do meet, there is a sense of love so palpable and frustrating it often manifests itself in physical violence. Gyllenhaal shines as the film's hopeful light, and Ledger gives a powerful performance as the emotionally blocked Ennis. Academy Award-winning director Ang Lee captures the natural beauty of Wyoming and Texas with camerawork that, while beautiful, never feels imposing. Gustavo Santaolalla's simple yet haunting score helps to complete a beautiful portrait of wasted chances and regret.

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Screenwriter Shane Black of LETHAL WEAPON fame makes his directorial debut with this film noir gem. Robert Downey, Jr., stars as Harry Lockhart, a petty thief in New York City who quite literally stumbles into acting and soon finds himself in Los Angeles to test for a film role as a private detective. To help Harry prepare, his new agent arranges for him to shadow a gay private investigator, Perry van Shrike--also known as "Gay Perry" (Val Kilmer). But when Perry takes Harry along on a simple job for a mystery client, the two witness the disposal of a dead body, and the game suddenly becomes serious. Adding to the intrigue is Harmony Faith Lane (Michelle Monaghan), a beautiful and smart-as-a-whip wannabe starlet with whom Harry is so smitten that he pretends to be a real detective. Soon Harry, Perry, and Harmony are tangled in a life-threatening web of dead bodies, deception, and treachery. Downey is a delight, exhibiting perfect comic timing while infusing Harry with just enough heart to show that, despite appearances, he really is a good guy. Kilmer is the ideal buddy for Downey, playing the no-nonsense private investigator Perry with the right mixture of machismo and stereotypical Tinseltown superficiality. As Harry's dream girl, Harmony, Monaghan embodies the good girl whose dreams are looking more and more unobtainable--and who has clearly been around the block a few times. Top-notch performances combined with Black's wickedly amusing banter and a plot laden with twists and turns make this action-thriller a treat.

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CHILDREN OF MEN is not a popcorn movie. With its almost relentlessly bleak perspective on the future, Alfonso Cuarón's film doesn't make for pleasant viewing. But it's an exhilarating experience because the picture is an amazing dystopian drama that lacks all the typical trappings of the genre. Set uncomfortably close to the present, it paints a frighteningly realistic picture of the future. In 2027, every woman on earth is infertile. With the loss of the ability to have children, the world has also lost hope. Clive Owen (CLOSER) plays Theo, an Englishman attempting to make a life in a hellish world. His estranged wife (Julianne Moore) convinces him to help transport a young woman to safety. When Theo learns that the woman is pregnant, their journey takes on a significance--and a danger--he never imagined. This is Cuarón's best film to date, a strong statement considering his wonderful HARRY POTTER AND THE PRISONER OF AZKABAN and Y TU MAMA TAMBIÉN. Filmed using a handheld camera, the action draws the audience close, making the horror that much more real. In addition to its remarkable car-chase scenes, the film features impressive acting. With his expressive face and voice, Owen gives a nuanced performance that ranks with the best of his career. As a reclusive hippie, Michael Caine shares a charming counterculture view of the crumbling world. Chiwetel Ejiofor (DIRTY PRETTY THINGS) brings gravitas to the role of a terrorist. Just when the film threatens to overwhelm with its sense of dread, small moments of comedy show through in Owen's wry sense of humor and Caine's perfect delivery. When the credits roll, CHILDREN OF MEN leaves the audience feeling shell-shocked, not only because of its brutal prophecy, but also because of its brilliance.

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A young boy learns the importance of teamwork and gains self-confidence in this animated feature written and directed by John A. Davis (JIMMY NEUTRON: BOY GENIUS), and based on the book by John Nickle. Misfit Lucas (Zach Taylor Eisen) doesn't have any friends and suffers daily at the hands of the neighborhood bully. Lucas's mother (Cheri Oterie) might call her 10-year-old "Peanut," but to the ants inhabiting the colony in his front yard, Lucas is "the Destroyer." Lonely and frustrated by his small stature, Lucas repeatedly takes his aggressions out on the colony, leaving the ants running for their lives. Tired of the unprovoked attacks, Zok (Nicolas Cage), an ant wizard, devises a potion that will shrink the Destroyer down to their size so that he can stand trial for his actions. Soon, Lucas is ant-sized and sentenced to live among the ants where he has to learn their ways in order to earn his freedom. Zok's ever cheerful girlfriend, Hova (Julia Roberts), becomes Lucas's mentor, teaching him the ways of the ant world and helping him gain a whole new perspective. He begins to understand the meaning of teamwork and how working with others can help an individual accomplish great things. He also learns that danger lurks everywhere for an ant: killer wasps, hungry frogs, even sunlight reflected off a mirror can mean certain death. Even worse, before being shrunk, Lucas was tricked into signing a contract with a slimy exterminator, Stan Beals (Paul Giamatti), who will soon be returning to destroy the colony unless Lucas can find a way to stop him. An amusing, smart script and likeable characters are hallmarks of this pleasant romp through a secret underground world. Meryl Streep voices the ant Queen, while Lily Tomlin is Mommo, Lucas's grandmother, and Ricardo Montalban is the Head of the Ant Council.

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Set in the strange and beautiful world first explored in the 2005 documentary MARCH OF THE PENGUINS, George Miller's HAPPY FEET tells the story of Mumble (Elijah Wood), a tone-deaf Emperor Penguin who is unable to sing his "heart song," the ritual required to win a mate (in this case, his beloved Gloria, voiced by Brittany Murphy). The fact that Mumble is a terrific tap dancer is completely lost on his tribe, and he spends a rather lonely adolescence as an outsider. His hero's journey involves both discovering his own innate coolness, and, more importantly, solving the mystery of the dwindling supply of edible fish in the ocean. As the latter plot takes over, the film shifts from a touching story of self-belief, to a more urgent ecological plea, but all the themes converge when Mumble's special talent saves the day. The film is a triumph of striking CGI animation, with every frame celebrating the vast and breathtaking purity of Antarctica's tundras, snowscapes, icebergs, and waters, as well as its wildlife. The musical numbers--drawing on pop hits of the last 30 years--were choreographed by Savion Glover, and revel in the joyful if slightly limited physicality of the bottom-heavy penguins. While some scary scenes of predation may be too much for very young children, this is an inspiring tale that is suitable for the whole family.

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Directed by Richard Donner (SUPERMAN, LETHAL WEAPON), 16 BLOCKS is a tale of corrupt police officers, a Grand Jury witness, and one cop who is trying to do the right thing. Jack Mosley (Bruce Willis) is weary. A lame leg and a love affair with alcohol make him a virtual joke at the NYPD. Tired and ready to head home, Mosley is assigned one last job before he can punch out: pick up petty thief Eddie Bunker (Mos Def) in lock-up and transport him to the courthouse where he is set to testify before the Grand Jury. Only 16 New York City blocks separate the two, but it might as well be a million miles. Soon, the officer and his charge find themselves under fire, becoming the target of someone who wants to keep Bunker from testifying. Escaping the initial attack, Mosley calls for backup only to discover that corrupt police officers, including his ex-partner Frank Nugent (David Morse), want Bunker out of the picture. Mosley surprises everyone--maybe even himself--by doing the right thing and saving Bunker from certain death. With only 118 minutes to get the witness to the courthouse before the case will be thrown out, Mosley pulls out every trick in the book. He maneuvers Bunker through the crowded, confined streets of Manhattan's Chinatown towards their destination, trying to avoid the police officers who are hunting them down as they race against time. Willis fully inhabits Mosley, a washed-up cop who is haunted by his past decisions, and Mos Def is right on target as Bunker, a chatty career criminal being hunted just as he is ready to turn his life around and make something of himself.

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Neil LaBute's THE WICKER MAN stars Nicholas Cage as Edward Malus, a policeman thrust into some dangerous detective work by a series of strange events that begin with a horrific car crash. This incident leaves the cop haunted, with images of the accident replaying in his heavily medicated mind. Edward's hiatus from work is interrupted when he receives a mysterious letter from his ex-fiancé, pleading with him to help find her missing daughter, Rowan. Against his better judgment, Edward travels to the remote, privately owned island of Summerisle, home to a close-knit, secretive community with a clear dislike for outsiders. Considering Edward an intruder, the Sisters of Summerisle offer little information regarding the missing girl. Edward is at a loss, finding even his ex-love Willow to be little help. With vacant eyes and a strange, listless way about her, Willow should be the first of many red flags to send Edward running. But in firm horror-movie tradition, the seasoned cop throws caution to the winds, staying in the place longer than seems smart. This 2006 remake veers away from the 1973 film in several key ways. For one, it replaces the original's eerily upbeat folk soundtrack with a tasteful Angelo Badalamenti score. With a mild PG-13 rating, the 2006 version is relatively tame compared to the original. While the 1973 film freely mixed pornographic elements with horror themes and musical numbers, the new film confines itself to horror, abandoning that strange mixture of genres that made Anthony Shaffer's film a cult classic. While LaBute's film adds a back-story and romantic interest, it requires equal suspension of disbelief. Despite their differences, both films end in the same disturbing way, leaving an indelible image that may haunt viewers long after the credits roll.

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Unassuming store clerk Ash (Bruce Campbell) is time-warped into England's Dark Ages, where he must find the Necronomicon, a compendium of the black arts, before he can return home. Fortunately, he has time to romance a beautiful princess and battle an army of skeletons. This is the inspired sequel to EVIL DEAD and EVIL DEAD 2.

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Nature's most beautiful landscapes are paired with music by the world's greatest composers in this soothing program. Beethoven, Bach, Vivaldi, and Ravel are but a few of those whose musical genius deepens this vivid display of natural beauty.

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When Superman, Batman, and Wonder Woman join forces--not to mention Green Lantern, Martian Manhunter, and The Flash--they form the Justice League. Based on the hit graphic novel by Darwyn Cooke, this animated feature plumbs the origins of the DC Comics powerhouse. The adventure starts when the human race is threatened by a powerful creature, and only the combined forces of these superheroes can stop it. But can they overcome their differences? Instilling a Cold War atmosphere into this action-packed story adds a modern touch to THE NEW FRONTIER. Providing voices for the super group is an all-star cast that includes David Boreanaz, Lucy Lawless, Kyle MacLachlan, Kyra Sedgwick, Brooke Shields, Neil Patrick Harris, and Jeremy Sisto.

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