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"Killadelphia [PA]" (12/13/2005) Heavy Metal Lamb of God, Epic (USA)Audio Mixer: Machine. Recording information: The Trocadero, Philadelphia, PA (10/2004). Editor: Dan Korneff.

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"As the Palaces Burn" (05/06/2003) Heavy Metal Lamb of God, ProstheticLamb Of God: Randy Blythe (vocals); Willie Adler, Mark Morton (guitar); John Campbell (bass); Chris Adler (drums). Additional personnel: Chris Poland, Devin Townsend. Recorded at Montana Incorporated, Richmond, Virginia. Personnel: Randy Blythe (vocals); Mark Morton, Willie Adler (guitar); Christine Adler (drums). Audio Mixers: Lamb of God; Shaun Thingvold. Recording information: Montana, Inc., Richmond, VA. Photographer: Daragh McDonagh. Unknown Contributor Role: Chris Poland. Arranger: Lamb of God. Lamb of God 's New American Gospel debut featured a caustic yet lucid version of post-Pantera death metal, surprisingly effective songwriting, massive amounts of confidence for a brand new band, and, to be honest, a really annoying drum sound (rather like tightly skinned tin cans). Even though the latter point is certainly subject to opinion, at least the other two positive attributes can be partly explained by the group having already cut an earlier album while still going by the rather unsavory name of Burn the Priest. Which about catches everyone up to discuss the band's second effort as Lamb of God, 2003's equally impressive As the Palaces Burn. First off, gone is that out-of-whack percussive curiosity (thanks, boys!), but the band's knack for conjuring tasty riffs out of death metal's tired and weathered carcass remains intact, and it's pleasantly refreshing to discover something memorable and compelling about virtually every song. Among these, the excellent tandem of "Ruin" and the title track offer a powerful opening salvo, and additional highlights such as "11th Hour," "Boot Scraper," and the absolutely monstrous "Vigil" continually insert dark, distinctive melody lines within the heaviest of riffs. Further progress can be heard in vocalist Randy Blythe's performance, as he continues to shed his latent Anselmo-isms to strike a far more individual presence behind the mike. And still, for all of these positives, one can't help but feel in the end that there's still a wealth of untapped talent just beneath the surface here. If Lamb of God can maintain their momentum and actually figure it out, they may well find themselves at the top of America's heavy metal stack one day. ~ Eduardo Rivadavia

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"Ashes of the Wake [Edited]" (08/31/2004) Heavy Metal Lamb of God, Epic (USA)Lamb of God: Randy Blythe (vocals); Morton Mark, Willie Adler (guitar); John Campbell (bass instrument); Chris Adler (drums). Following up a successful appearance at Ozzfest 2004, prog-metal outfit Lamb of God released ASHES OF THE WAKE, its major-label debut. Wielding a sound that's crushingly heavy while still maintaining a righteous groove, LOG serves up in-your-face metal that's sure to please fans of Pantera and Slayer. Frontman Randy Blythe howls with a voice reminiscent of Venom's Kronos, as he rants about finding salvation in vice ("The Faded Line") and organized crime's code of honor ("Omerta"). Fueled by the double-kick-drum ferocity of skin-basher Chris Adler, guitarists Mark Morton and Willie Adler lay down a two-pronged attack that falls somewhere between the pummeling assault of classic American thrash and the more melodic and orchestral complexity of European metal. Anyone doubting Adler and Morton's chops need listen no further than the gnarly instrumental title cut, which finds Lamb of God's axe-wielders forming a musical relay team with guest guitarists Alex Skolnick (Testament) and Chris Poland (Megadeth) amid interview sound-bites of soldiers serving in Iraq. ASHES OF THE WAKE finds Lamb of God at the forefront of a new wave of American metal.

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"Ashes of the Wake [PA]" (08/31/2004) Heavy Metal Lamb of God, Epic (USA)Lamb of God: Randy Blythe (vocals); Morton Mark, Willie Adler (guitar); John Campbell (bass instrument); Chris Adler (drums). Following up a successful appearance at Ozzfest 2004, prog-metal outfit Lamb of God released ASHES OF THE WAKE, its major-label debut. Wielding a sound that's crushingly heavy while still maintaining a righteous groove, LOG serves up in-your-face metal that's sure to please fans of Pantera and Slayer. Frontman Randy Blythe howls with a voice reminiscent of Venom's Kronos, as he rants about finding salvation in vice ("The Faded Line") and organized crime's code of honor ("Omerta"). Fueled by the double-kick-drum ferocity of skin-basher Chris Adler, guitarists Mark Morton and Willie Adler lay down a two-pronged attack that falls somewhere between the pummeling assault of classic American thrash and the more melodic and orchestral complexity of European metal. Anyone doubting Adler and Morton's chops need listen no further than the gnarly instrumental title cut, which finds Lamb of God's axe-wielders forming a musical relay team with guest guitarists Alex Skolnick (Testament) and Chris Poland (Megadeth) amid interview sound-bites of soldiers serving in Iraq. ASHES OF THE WAKE finds Lamb of God at the forefront of a new wave of American metal.

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"New American Gospel" (09/26/2000) Heavy Metal Lamb of God, Metal BladeLamb Of God: Will Adler, Duane (guitar); D. Randall Blythe (vocals); Chris Adler (drums); John Campbell (bass). Producers: Steve Austin, Chris Adler, Lamb Of God. Recorded at Austin Enterprises, Clinton, Massachusettes on April 15 & 22, 2000. Recording information: Suatin Enterprises, Clinton MA (04/15/2000-04/22/2000). Photographer: Abe Spear . The essential signatures of post-Pantera metal are in abundance on Lamb of God's inaugural album (though they had issued a disc under the name Burn the Priest). A veritable cornucopia of double picking and double-kick drumming, New American Gospel provides a mighty oak upon which gritty American metal's faith is maintained, effectively bridging the '90s' insistence upon drill-sergeant technicality and the old school's determined focus on riff construction. Both kick and snare beats are as insistent as pneumatic drilling, and beyond that, they are diamond-precise, riveted flawlessly into place by Steve Austin's Today Is the Day drum-heavy production. Lamb of God plays a brand of heavy -- emphasis on heavy -- metal not unlike Meshuggah having jettisoned some of their mathematical insistence. What elevates this Richmond, VA, quintet's assault above the majority of modern metal is the attention given to constructing definite melody and complete songs; this is a creative act who generally is subordinated by most metallers to the pursuit of heaviness. Lamb of God does both tastefully in the proper balance. [New American Gospel was reissued in 2006 with five bonus tracks.] ~ Patrick Kennedy

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"As the Palaces Burn" (06/08/2004) Heavy Metal Lamb of God, ProstheticLamb Of God: Randy Blythe (vocals); Willie Adler, Mark Morton (guitar); John Campbell (bass); Chris Adler (drums). Additional personnel: Chris Poland, Devin Townsend. Recorded at Montana Incorporated, Richmond, Virginia. This release includes a bonus DVD. Lamb of God: Willie Adler (vocals, guitar); Randy Blythe (vocals); Morton Mark (guitar); John Campbell (bass instrument); Chris Adler (drums). Lamb of God 's New American Gospel debut featured a caustic yet lucid version of post-Pantera death metal, surprisingly effective songwriting, massive amounts of confidence for a brand new band, and, to be honest, a really annoying drum sound (rather like tightly skinned tin cans). Even though the latter point is certainly subject to opinion, at least the other two positive attributes can be partly explained by the group having already cut an earlier album while still going by the rather unsavory name of Burn the Priest. Which about catches everyone up to discuss the band's second effort as Lamb of God, 2003's equally impressive As the Palaces Burn. First off, gone is that out-of-whack percussive curiosity (thanks, boys!), but the band's knack for conjuring tasty riffs out of death metal's tired and weathered carcass remains intact, and it's pleasantly refreshing to discover something memorable and compelling about virtually every song. Among these, the excellent tandem of "Ruin" and the title track offer a powerful opening salvo, and additional highlights such as "11th Hour," "Boot Scraper," and the absolutely monstrous "Vigil" continually insert dark, distinctive melody lines within the heaviest of riffs. Further progress can be heard in vocalist Randy Blythe's performance, as he continues to shed his latent Anselmo-isms to strike a far more individual presence behind the mike. And still, for all of these positives, one can't help but feel in the end that there's still a wealth of untapped talent just beneath the surface here. If Lamb of God can maintain their momentum and actually figure it out, they may well find themselves at the top of America's heavy metal stack one day. ~ Eduardo Rivadavia

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"New American Gospel" (04/04/2006) Heavy Metal Lamb of God, ProstheticLamb Of God: Will Adler, Duane (guitar); D. Randall Blythe (vocals); Chris Adler (drums); John Campbell (bass). Producers: Steve Austin, Chris Adler, Lamb Of God. Recorded at Austin Enterprises, Clinton, Massachusettes on April 15 & 22, 2000. Lamb of God: D.J. Randall (vocals); Duane, Willie Adler (guitar); John Campbell (bass instrument); Chris Adler (drums). The essential signatures of post-Pantera metal are in abundance on Lamb of God's inaugural album (though they had issued a disc under the name Burn the Priest). A veritable cornucopia of double picking and double-kick drumming, New American Gospel provides a mighty oak upon which gritty American metal's faith is maintained, effectively bridging the '90s' insistence upon drill-sergeant technicality and the old school's determined focus on riff construction. Both kick and snare beats are as insistent as pneumatic drilling, and beyond that, they are diamond-precise, riveted flawlessly into place by Steve Austin's Today Is the Day drum-heavy production. Lamb of God plays a brand of heavy -- emphasis on heavy -- metal not unlike Meshuggah having jettisoned some of their mathematical insistence. What elevates this Richmond, VA, quintet's assault above the majority of modern metal is the attention given to constructing definite melody and complete songs; this is a creative act who generally is subordinated by most metallers to the pursuit of heaviness. Lamb of God does both tastefully in the proper balance. [New American Gospel was reissued in 2006 with five bonus tracks.] ~ Patrick Kennedy

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"Ashes of the Wake [PA]" (08/31/2004) Heavy Metal Lamb of God, Epic (USA)Following up a successful appearance at Ozzfest 2004, prog-metal outfit Lamb of God released ASHES OF THE WAKE, its major-label debut. Wielding a sound that's crushingly heavy while still maintaining a righteous groove, LOG serves up in-your-face metal that's sure to please fans of Pantera and Slayer. Frontman Randy Blythe howls with a voice reminiscent of Venom's Kronos, as he rants about finding salvation in vice ("The Faded Line") and organized crime's code of honor ("Omerta"). Fueled by the double-kick-drum ferocity of skin-basher Chris Adler, guitarists Mark Morton and Willie Adler lay down a two-pronged attack that falls somewhere between the pummeling assault of classic American thrash and the more melodic and orchestral complexity of European metal. Anyone doubting Adler and Morton's chops need listen no further than the gnarly instrumental title cut, which finds Lamb of God's axe-wielders forming a musical relay team with guest guitarists Alex Skolnick (Testament) and Chris Poland (Megadeth) amid interview sound-bites of soldiers serving in Iraq. ASHES OF THE WAKE finds Lamb of God at the forefront of a new wave of American metal.

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"Ashes of the Wake" (09/28/2004) Heavy Metal Lamb of God, Epic (USA)This Japanese edition includes one bonus track. Following up a successful appearance at Ozzfest 2004, prog-metal outfit Lamb of God released ASHES OF THE WAKE, its major-label debut. Wielding a sound that's crushingly heavy while still maintaining a righteous groove, LOG serves up in-your-face metal that's sure to please fans of Pantera and Slayer. Frontman Randy Blythe howls with a voice reminiscent of Venom's Kronos, as he rants about finding salvation in vice ("The Faded Line") and organized crime's code of honor ("Omerta"). Fueled by the double-kick-drum ferocity of skin-basher Chris Adler, guitarists Mark Morton and Willie Adler lay down a two-pronged attack that falls somewhere between the pummeling assault of classic American thrash and the more melodic and orchestral complexity of European metal. Anyone doubting Adler and Morton's chops need listen no further than the gnarly instrumental title cut, which finds Lamb of God's axe-wielders forming a musical relay team with guest guitarists Alex Skolnick (Testament) and Chris Poland (Megadeth) amid interview sound-bites of soldiers serving in Iraq. ASHES OF THE WAKE finds Lamb of God at the forefront of a new wave of American metal.
 
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"Ashes of the Wake [Edited]" (08/31/2004) Heavy Metal Lamb of God, Epic (USA)Lamb of God: Randy Blythe (vocals); Morton Mark, Willie Adler (guitar); John Campbell (bass instrument); Chris Adler (drums). Following up a successful appearance at Ozzfest 2004, prog-metal outfit Lamb of God released ASHES OF THE WAKE, its major-label debut. Wielding a sound that's crushingly heavy while still maintaining a righteous groove, LOG serves up in-your-face metal that's sure to please fans of Pantera and Slayer. Frontman Randy Blythe howls with a voice reminiscent of Venom's Kronos, as he rants about finding salvation in vice ("The Faded Line") and organized crime's code of honor ("Omerta"). Fueled by the double-kick-drum ferocity of skin-basher Chris Adler, guitarists Mark Morton and Willie Adler lay down a two-pronged attack that falls somewhere between the pummeling assault of classic American thrash and the more melodic and orchestral complexity of European metal. Anyone doubting Adler and Morton's chops need listen no further than the gnarly instrumental title cut, which finds Lamb of God's axe-wielders forming a musical relay team with guest guitarists Alex Skolnick (Testament) and Chris Poland (Megadeth) amid interview sound-bites of soldiers serving in Iraq. ASHES OF THE WAKE finds Lamb of God at the forefront of a new wave of American metal.
 
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"Ashes of the Wake [PA]" (08/31/2004) Heavy Metal Lamb of God, Epic (USA)Lamb of God: Randy Blythe (vocals); Morton Mark, Willie Adler (guitar); John Campbell (bass instrument); Chris Adler (drums). Following up a successful appearance at Ozzfest 2004, prog-metal outfit Lamb of God released ASHES OF THE WAKE, its major-label debut. Wielding a sound that's crushingly heavy while still maintaining a righteous groove, LOG serves up in-your-face metal that's sure to please fans of Pantera and Slayer. Frontman Randy Blythe howls with a voice reminiscent of Venom's Kronos, as he rants about finding salvation in vice ("The Faded Line") and organized crime's code of honor ("Omerta"). Fueled by the double-kick-drum ferocity of skin-basher Chris Adler, guitarists Mark Morton and Willie Adler lay down a two-pronged attack that falls somewhere between the pummeling assault of classic American thrash and the more melodic and orchestral complexity of European metal. Anyone doubting Adler and Morton's chops need listen no further than the gnarly instrumental title cut, which finds Lamb of God's axe-wielders forming a musical relay team with guest guitarists Alex Skolnick (Testament) and Chris Poland (Megadeth) amid interview sound-bites of soldiers serving in Iraq. ASHES OF THE WAKE finds Lamb of God at the forefront of a new wave of American metal.
 
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"Ashes of the Wake [Edited]" (08/31/2004) Heavy Metal Lamb of God, Epic (USA)Lamb of God: Randy Blythe (vocals); Morton Mark, Willie Adler (guitar); John Campbell (bass instrument); Chris Adler (drums). Following up a successful appearance at Ozzfest 2004, prog-metal outfit Lamb of God released ASHES OF THE WAKE, its major-label debut. Wielding a sound that's crushingly heavy while still maintaining a righteous groove, LOG serves up in-your-face metal that's sure to please fans of Pantera and Slayer. Frontman Randy Blythe howls with a voice reminiscent of Venom's Kronos, as he rants about finding salvation in vice ("The Faded Line") and organized crime's code of honor ("Omerta"). Fueled by the double-kick-drum ferocity of skin-basher Chris Adler, guitarists Mark Morton and Willie Adler lay down a two-pronged attack that falls somewhere between the pummeling assault of classic American thrash and the more melodic and orchestral complexity of European metal. Anyone doubting Adler and Morton's chops need listen no further than the gnarly instrumental title cut, which finds Lamb of God's axe-wielders forming a musical relay team with guest guitarists Alex Skolnick (Testament) and Chris Poland (Megadeth) amid interview sound-bites of soldiers serving in Iraq. ASHES OF THE WAKE finds Lamb of God at the forefront of a new wave of American metal.
 
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"Ashes of the Wake [PA]" (08/31/2004) Heavy Metal Lamb of God, Epic (USA)Lamb of God: Randy Blythe (vocals); Morton Mark, Willie Adler (guitar); John Campbell (bass instrument); Chris Adler (drums). Following up a successful appearance at Ozzfest 2004, prog-metal outfit Lamb of God released ASHES OF THE WAKE, its major-label debut. Wielding a sound that's crushingly heavy while still maintaining a righteous groove, LOG serves up in-your-face metal that's sure to please fans of Pantera and Slayer. Frontman Randy Blythe howls with a voice reminiscent of Venom's Kronos, as he rants about finding salvation in vice ("The Faded Line") and organized crime's code of honor ("Omerta"). Fueled by the double-kick-drum ferocity of skin-basher Chris Adler, guitarists Mark Morton and Willie Adler lay down a two-pronged attack that falls somewhere between the pummeling assault of classic American thrash and the more melodic and orchestral complexity of European metal. Anyone doubting Adler and Morton's chops need listen no further than the gnarly instrumental title cut, which finds Lamb of God's axe-wielders forming a musical relay team with guest guitarists Alex Skolnick (Testament) and Chris Poland (Megadeth) amid interview sound-bites of soldiers serving in Iraq. ASHES OF THE WAKE finds Lamb of God at the forefront of a new wave of American metal.
 
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"Ashes of the Wake [Edited]" (08/31/2004) Heavy Metal Lamb of God, Epic (USA)Lamb of God: Randy Blythe (vocals); Morton Mark, Willie Adler (guitar); John Campbell (bass instrument); Chris Adler (drums). Following up a successful appearance at Ozzfest 2004, prog-metal outfit Lamb of God released ASHES OF THE WAKE, its major-label debut. Wielding a sound that's crushingly heavy while still maintaining a righteous groove, LOG serves up in-your-face metal that's sure to please fans of Pantera and Slayer. Frontman Randy Blythe howls with a voice reminiscent of Venom's Kronos, as he rants about finding salvation in vice ("The Faded Line") and organized crime's code of honor ("Omerta"). Fueled by the double-kick-drum ferocity of skin-basher Chris Adler, guitarists Mark Morton and Willie Adler lay down a two-pronged attack that falls somewhere between the pummeling assault of classic American thrash and the more melodic and orchestral complexity of European metal. Anyone doubting Adler and Morton's chops need listen no further than the gnarly instrumental title cut, which finds Lamb of God's axe-wielders forming a musical relay team with guest guitarists Alex Skolnick (Testament) and Chris Poland (Megadeth) amid interview sound-bites of soldiers serving in Iraq. ASHES OF THE WAKE finds Lamb of God at the forefront of a new wave of American metal.
 
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"Ashes of the Wake [PA]" (08/31/2004) Heavy Metal Lamb of God, Epic (USA)Lamb of God: Randy Blythe (vocals); Morton Mark, Willie Adler (guitar); John Campbell (bass instrument); Chris Adler (drums). Following up a successful appearance at Ozzfest 2004, prog-metal outfit Lamb of God released ASHES OF THE WAKE, its major-label debut. Wielding a sound that's crushingly heavy while still maintaining a righteous groove, LOG serves up in-your-face metal that's sure to please fans of Pantera and Slayer. Frontman Randy Blythe howls with a voice reminiscent of Venom's Kronos, as he rants about finding salvation in vice ("The Faded Line") and organized crime's code of honor ("Omerta"). Fueled by the double-kick-drum ferocity of skin-basher Chris Adler, guitarists Mark Morton and Willie Adler lay down a two-pronged attack that falls somewhere between the pummeling assault of classic American thrash and the more melodic and orchestral complexity of European metal. Anyone doubting Adler and Morton's chops need listen no further than the gnarly instrumental title cut, which finds Lamb of God's axe-wielders forming a musical relay team with guest guitarists Alex Skolnick (Testament) and Chris Poland (Megadeth) amid interview sound-bites of soldiers serving in Iraq. ASHES OF THE WAKE finds Lamb of God at the forefront of a new wave of American metal.
 
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"Ashes of the Wake [Edited]" (08/31/2004) Heavy Metal Lamb of God, Epic (USA)Lamb of God: Randy Blythe (vocals); Morton Mark, Willie Adler (guitar); John Campbell (bass instrument); Chris Adler (drums). Following up a successful appearance at Ozzfest 2004, prog-metal outfit Lamb of God released ASHES OF THE WAKE, its major-label debut. Wielding a sound that's crushingly heavy while still maintaining a righteous groove, LOG serves up in-your-face metal that's sure to please fans of Pantera and Slayer. Frontman Randy Blythe howls with a voice reminiscent of Venom's Kronos, as he rants about finding salvation in vice ("The Faded Line") and organized crime's code of honor ("Omerta"). Fueled by the double-kick-drum ferocity of skin-basher Chris Adler, guitarists Mark Morton and Willie Adler lay down a two-pronged attack that falls somewhere between the pummeling assault of classic American thrash and the more melodic and orchestral complexity of European metal. Anyone doubting Adler and Morton's chops need listen no further than the gnarly instrumental title cut, which finds Lamb of God's axe-wielders forming a musical relay team with guest guitarists Alex Skolnick (Testament) and Chris Poland (Megadeth) amid interview sound-bites of soldiers serving in Iraq. ASHES OF THE WAKE finds Lamb of God at the forefront of a new wave of American metal.
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