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Rob Zombie takes audiences to hell in HOUSE OF 1000 CORPSES and THE DEVIL'S REJECTS. In addition to these shocking neo-classics, this set includes 30 DAYS IN HELL - THE MAKING OF THE DEVIL'S REJECTS. Please see individual titles for synopsis information.

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Rob Zombie Boxset

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Rob Zombie takes audiences to hell in HOUSE OF 1000 CORPSES and THE DEVIL'S REJECTS. In addition to these shocking neo-classics, this set includes 30 DAYS IN HELL - THE MAKING OF THE DEVIL'S REJECTS. Please see individual titles for synopsis information.
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Rob Zombie takes audiences to hell in HOUSE OF 1000 CORPSES and THE DEVIL'S REJECTS. In addition to these shocking neo-classics, this set includes 30 DAYS IN HELL - THE MAKING OF THE DEVIL'S REJECTS. Please see individual titles for synopsis information.

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The Devil's Rejects DVD [Used]

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The follow-up to his 2003 horror hit HOUSE OF 1000 CORPSES, Rob Zombie's THE DEVIL'S REJECTS continues the story of a bizarre group of very odd people who like to torture, maim, and kill virtually everyone they come in contact with. When Sheriff Wydell (William Forsythe) pays a visit to the body-ridden lair of Mother Firefly (Leslie Easterbrook, taking over the role played by Karen Black in the first film), her children Otis (Bill Moseley) and Baby (Sheri Moon Zombie) are forced to run, eventually holing up in a roadside motel with four hostages (including Clint Eastwood regular Geoffrey Lewis and THREE'S COMPANY star Priscilla Barnes). Seeking help from creepy clown Captain Spaulding (Sid Haig), they continue their murderous rampage while being tracked by Wydell, who is hellbent on avenging the death of his brother, which came at the hands of this very weird and dangerous family. As Wydell tortures Mother Firefly for answers, Otis and Baby torture their hostages for kicks. Zombie, a heavy metal musician who leads the group White Zombie, infuses his exciting, funny, and terrifying gorefest with a fabulous 1970s soundtrack, using such songs as Elvin Bishop's "Fooled Around and Fell in Love" and David Essex's "Rock On" at inappropriately riotous moments. Part BONNIE AND CLYDE, part THE TEXAS CHAINSAW MASSACRE, part THE WILD BUNCH, Zombie's bloody barrage is filled with unexpected plot twists and surprises unique to this genre.

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Halloween DVD [Used]

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The early 2000s have seen a string of big-budget remakes of classic horror films. In addition to THE TEXAS CHAINSAW MASSACRE and THE HILLS HAVE EYES, John Carpenter's benchmark slasher flick HALLOWEEN has been given a new-millennial overhaul. At the helm of the project sits rocker Rob Zombie, whose previous films, HOUSE OF 1,000 CORPSES and THE DEVIL'S REJECTS, brought a fan's touch and an auteur's vision to the director's chair. While Zombie's HALLOWEEN is faithful to Carpenter's vision, there are some obvious changes, the most pronounced of these being the substantial focus on Michael Myers's childhood. The film posits Michael (played by a creepily vacant Daeg Faerch) as a troubled child made all the worse by a horrible home life--wonderfully illustrated via William Forsythe's performance as Deborah Myers's boyfriend--and constant abuse at school. Zombie paints Michael's pain with palpable grit and sleaze, but he isn't out to put our culture on the couch--he simply wants to show Michael killing his family. With the exception of Michael's therapy sessions while incarcerated, the film, post-massacre, stays loyal to the original. Zombie's film is clearly the work of a filmmaker who knows and loves the genre. The director's signature is stamped all over HALLOWEEN (most notably in the use of grainy home movie footage and a smokin' classic rock soundtrack), although remnants of Carpenter's brilliant original still remain. When it comes to remakes, it's hard to ask for much more.

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The early 2000s have seen a string of big-budget remakes of classic horror films. In addition to THE TEXAS CHAINSAW MASSACRE and THE HILLS HAVE EYES, John Carpenter's benchmark slasher flick HALLOWEEN has been given a new-millennial overhaul. At the helm of the project sits rocker Rob Zombie, whose previous films, HOUSE OF 1,000 CORPSES and THE DEVIL'S REJECTS, brought a fan's touch and an auteur's vision to the director's chair. While Zombie's HALLOWEEN is faithful to Carpenter's vision, there are some obvious changes, the most pronounced of these being the substantial focus on Michael Myers's childhood. The film posits Michael (played by a creepily vacant Daeg Faerch) as a troubled child made all the worse by a horrible home life--wonderfully illustrated via William Forsythe's performance as Deborah Myers's boyfriend--and constant abuse at school. Zombie paints Michael's pain with palpable grit and sleaze, but he isn't out to put our culture on the couch--he simply wants to show Michael killing his family. With the exception of Michael's therapy sessions while incarcerated, the film, post-massacre, stays loyal to the original. Zombie's film is clearly the work of a filmmaker who knows and loves the genre. The director's signature is stamped all over HALLOWEEN (most notably in the use of grainy home movie footage and a smokin' classic rock soundtrack), although remnants of Carpenter's brilliant original still remain. When it comes to remakes, it's hard to ask for much more.

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Devil's Rejects [Blu-ray Disc]

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The follow-up to his 2003 horror hit HOUSE OF 1000 CORPSES, Rob Zombie's THE DEVIL'S REJECTS continues the story of a bizarre group of very odd people who like to torture, maim, and kill virtually everyone they come in contact with. When Sheriff Wydell (William Forsythe) pays a visit to the body-ridden lair of Mother Firefly (Leslie Easterbrook, taking over the role played by Karen Black in the first film), her children Otis (Bill Moseley) and Baby (Sheri Moon Zombie) are forced to run, eventually holing up in a roadside motel with four hostages (including Clint Eastwood regular Geoffrey Lewis and THREE'S COMPANY star Priscilla Barnes). Seeking help from creepy clown Captain Spaulding (Sid Haig), they continue their murderous rampage while being tracked by Wydell, who is hellbent on avenging the death of his brother, which came at the hands of this very weird and dangerous family. As Wydell tortures Mother Firefly for answers, Otis and Baby torture their hostages for kicks. Zombie, a heavy metal musician who leads the group White Zombie, infuses his exciting, funny, and terrifying gorefest with a fabulous 1970s soundtrack, using such songs as Elvin Bishop's "Fooled Around and Fell in Love" and David Essex's "Rock On" at inappropriately riotous moments. Part BONNIE AND CLYDE, part THE TEXAS CHAINSAW MASSACRE, part THE WILD BUNCH, Zombie's bloody barrage is filled with unexpected plot twists and surprises unique to this genre.
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Halloween - DVD - Full Screen

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The early 2000s have seen a string of big-budget remakes of classic horror films. In addition to THE TEXAS CHAINSAW MASSACRE and THE HILLS HAVE EYES, John Carpenter's benchmark slasher flick HALLOWEEN has been given a new-millennial overhaul. At the helm of the project sits rocker Rob Zombie, whose previous films, HOUSE OF 1,000 CORPSES and THE DEVIL'S REJECTS, brought a fan's touch and an auteur's vision to the director's chair. While Zombie's HALLOWEEN is faithful to Carpenter's vision, there are some obvious changes, the most pronounced of these being the substantial focus on Michael Myers's childhood. The film posits Michael (played by a creepily vacant Daeg Faerch) as a troubled child made all the worse by a horrible home life--wonderfully illustrated via William Forsythe's performance as Deborah Myers's boyfriend--and constant abuse at school. Zombie paints Michael's pain with palpable grit and sleaze, but he isn't out to put our culture on the couch--he simply wants to show Michael killing his family. With the exception of Michael's therapy sessions while incarcerated, the film, post-massacre, stays loyal to the original. Zombie's film is clearly the work of a filmmaker who knows and loves the genre. The director's signature is stamped all over HALLOWEEN (most notably in the use of grainy home movie footage and a smokin' classic rock soundtrack), although remnants of Carpenter's brilliant original still remain. When it comes to remakes, it's hard to ask for much more.

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Rob Zombie is the heavy metal hero who has released such albums as SINISTER URGE and HELLBILLY DELUXE as a solo act, and ASTRO-CREEP 2000 with his band, White Zombie. Here, he takes on the world of horror movies in this very bloody, very entertaining tale. The old car-trouble scenario comes in handy, as a group of unsuspecting travelers must spend the night in a place of demented evil--in this case, it's the Museum of Monsters and Madmen. Zombie makes the movie work for the same reason his music career has been so successful: He knows he's going way over the top, and he's not afraid to go as far as he can. So, eager viewers should put their tongues in their cheeks and go along for the raunchy ride. The always beguiling Karen Black, who starred in one of the all-time great horror classics, BURNT OFFERINGS, turns in another terrifically offbeat performance as Mother Firefly, the marvelous matriarch of a murderous family. Other fabulously gruesome characters include the crazy clown Captain Spaulding (Sid Haig) and the oddball "lady killer" Otis Driftwood (Bill Moseley); Marx Brothers fans should note that many of Zombie's characters are named after roles played by Groucho. One of the advertising lines for the movie calls it "positively the most horrifying film ever made!" Zombie does his best to try to live up to that demanding tag, upping the gore quotient with numerous inventive killings that involve lots of blood and innards.

See more...

  • priceRangeSubmit yes

 
  • product
The early 2000s have seen a string of big-budget remakes of classic horror films. In addition to THE TEXAS CHAINSAW MASSACRE and THE HILLS HAVE EYES, John Carpenter's benchmark slasher flick HALLOWEEN has been given a new-millennial overhaul. At the helm of the project sits rocker Rob Zombie, whose previous films, HOUSE OF 1,000 CORPSES and THE DEVIL'S REJECTS, brought a fan's touch and an auteur's vision to the director's chair. While Zombie's HALLOWEEN is faithful to Carpenter's vision, there are some obvious changes, the most pronounced of these being the substantial focus on Michael Myers's childhood. The film posits Michael (played by a creepily vacant Daeg Faerch) as a troubled child made all the worse by a horrible home life--wonderfully illustrated via William Forsythe's performance as Deborah Myers's boyfriend--and constant abuse at school. Zombie paints Michael's pain with palpable grit and sleaze, but he isn't out to put our culture on the couch--he simply wants to show Michael killing his family. With the exception of Michael's therapy sessions while incarcerated, the film, post-massacre, stays loyal to the original. Zombie's film is clearly the work of a filmmaker who knows and loves the genre. The director's signature is stamped all over HALLOWEEN (most notably in the use of grainy home movie footage and a smokin' classic rock soundtrack), although remnants of Carpenter's brilliant original still remain. When it comes to remakes, it's hard to ask for much more.

See more...

  • priceRangeSubmit yes

 
  • product
The early 2000s have seen a string of big-budget remakes of classic horror films. In addition to THE TEXAS CHAINSAW MASSACRE and THE HILLS HAVE EYES, John Carpenter's benchmark slasher flick HALLOWEEN has been given a new-millennial overhaul. At the helm of the project sits rocker Rob Zombie, whose previous films, HOUSE OF 1,000 CORPSES and THE DEVIL'S REJECTS, brought a fan's touch and an auteur's vision to the director's chair. While Zombie's HALLOWEEN is faithful to Carpenter's vision, there are some obvious changes, the most pronounced of these being the substantial focus on Michael Myers's childhood. The film posits Michael (played by a creepily vacant Daeg Faerch) as a troubled child made all the worse by a horrible home life--wonderfully illustrated via William Forsythe's performance as Deborah Myers's boyfriend--and constant abuse at school. Zombie paints Michael's pain with palpable grit and sleaze, but he isn't out to put our culture on the couch--he simply wants to show Michael killing his family. With the exception of Michael's therapy sessions while incarcerated, the film, post-massacre, stays loyal to the original. Zombie's film is clearly the work of a filmmaker who knows and loves the genre. The director's signature is stamped all over HALLOWEEN (most notably in the use of grainy home movie footage and a smokin' classic rock soundtrack), although remnants of Carpenter's brilliant original still remain. When it comes to remakes, it's hard to ask for much more.

See more...

  • priceRangeSubmit yes

 
  • product
The early 2000s have seen a string of big-budget remakes of classic horror films. In addition to THE TEXAS CHAINSAW MASSACRE and THE HILLS HAVE EYES, John Carpenter's benchmark slasher flick HALLOWEEN has been given a new-millennial overhaul. At the helm of the project sits rocker Rob Zombie, whose previous films, HOUSE OF 1,000 CORPSES and THE DEVIL'S REJECTS, brought a fan's touch and an auteur's vision to the director's chair. While Zombie's HALLOWEEN is faithful to Carpenter's vision, there are some obvious changes, the most pronounced of these being the substantial focus on Michael Myers's childhood. The film posits Michael (played by a creepily vacant Daeg Faerch) as a troubled child made all the worse by a horrible home life--wonderfully illustrated via William Forsythe's performance as Deborah Myers's boyfriend--and constant abuse at school. Zombie paints Michael's pain with palpable grit and sleaze, but he isn't out to put our culture on the couch--he simply wants to show Michael killing his family. With the exception of Michael's therapy sessions while incarcerated, the film, post-massacre, stays loyal to the original. Zombie's film is clearly the work of a filmmaker who knows and loves the genre. The director's signature is stamped all over HALLOWEEN (most notably in the use of grainy home movie footage and a smokin' classic rock soundtrack), although remnants of Carpenter's brilliant original still remain. When it comes to remakes, it's hard to ask for much more.

See more...

  • priceRangeSubmit yes

 
  • product
Rob Zombie takes audiences to hell in HOUSE OF 1000 CORPSES and THE DEVIL'S REJECTS. In addition to these shocking neo-classics, this set includes 30 DAYS IN HELL - THE MAKING OF THE DEVIL'S REJECTS. Please see individual titles for synopsis information.

See more...

  • priceRangeSubmit yes

 
  • product
Rob Zombie is the heavy metal hero who has released such albums as SINISTER URGE and HELLBILLY DELUXE as a solo act, and ASTRO-CREEP 2000 with his band, White Zombie. Here, he takes on the world of horror movies in this very bloody, very entertaining tale. The old car-trouble scenario comes in handy, as a group of unsuspecting travelers must spend the night in a place of demented evil--in this case, it's the Museum of Monsters and Madmen. Zombie makes the movie work for the same reason his music career has been so successful: He knows he's going way over the top, and he's not afraid to go as far as he can. So, eager viewers should put their tongues in their cheeks and go along for the raunchy ride. The always beguiling Karen Black, who starred in one of the all-time great horror classics, BURNT OFFERINGS, turns in another terrifically offbeat performance as Mother Firefly, the marvelous matriarch of a murderous family. Other fabulously gruesome characters include the crazy clown Captain Spaulding (Sid Haig) and the oddball "lady killer" Otis Driftwood (Bill Moseley); Marx Brothers fans should note that many of Zombie's characters are named after roles played by Groucho. One of the advertising lines for the movie calls it "positively the most horrifying film ever made!" Zombie does his best to try to live up to that demanding tag, upping the gore quotient with numerous inventive killings that involve lots of blood and innards.

See more...

  • priceRangeSubmit yes

 

The Devil's Rejects DVD [Used]

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The follow-up to his 2003 horror hit HOUSE OF 1000 CORPSES, Rob Zombie's THE DEVIL'S REJECTS continues the story of a bizarre group of very odd people who like to torture, maim, and kill virtually everyone they come in contact with. When Sheriff Wydell (William Forsythe) pays a visit to the body-ridden lair of Mother Firefly (Leslie Easterbrook, taking over the role played by Karen Black in the first film), her children Otis (Bill Moseley) and Baby (Sheri Moon Zombie) are forced to run, eventually holing up in a roadside motel with four hostages (including Clint Eastwood regular Geoffrey Lewis and THREE'S COMPANY star Priscilla Barnes). Seeking help from creepy clown Captain Spaulding (Sid Haig), they continue their murderous rampage while being tracked by Wydell, who is hellbent on avenging the death of his brother, which came at the hands of this very weird and dangerous family. As Wydell tortures Mother Firefly for answers, Otis and Baby torture their hostages for kicks. Zombie, a heavy metal musician who leads the group White Zombie, infuses his exciting, funny, and terrifying gorefest with a fabulous 1970s soundtrack, using such songs as Elvin Bishop's "Fooled Around and Fell in Love" and David Essex's "Rock On" at inappropriately riotous moments. Part BONNIE AND CLYDE, part THE TEXAS CHAINSAW MASSACRE, part THE WILD BUNCH, Zombie's bloody barrage is filled with unexpected plot twists and surprises unique to this genre.

See more...

  • priceRangeSubmit yes

 

House Of 1000 Corpses

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Rob Zombie is the heavy metal hero who has released such albums as SINISTER URGE and HELLBILLY DELUXE as a solo act, and ASTRO-CREEP 2000 with his band, White Zombie. Here, he takes on the world of horror movies in this very bloody, very entertaining tale. The old car-trouble scenario comes in handy, as a group of unsuspecting travelers must spend the night in a place of demented evil--in this case, it's the Museum of Monsters and Madmen. Zombie makes the movie work for the same reason his music career has been so successful: He knows he's going way over the top, and he's not afraid to go as far as he can. So, eager viewers should put their tongues in their cheeks and go along for the raunchy ride. The always beguiling Karen Black, who starred in one of the all-time great horror classics, BURNT OFFERINGS, turns in another terrifically offbeat performance as Mother Firefly, the marvelous matriarch of a murderous family. Other fabulously gruesome characters include the crazy clown Captain Spaulding (Sid Haig) and the oddball "lady killer" Otis Driftwood (Bill Moseley); Marx Brothers fans should note that many of Zombie's characters are named after roles played by Groucho. One of the advertising lines for the movie calls it "positively the most horrifying film ever made!" Zombie does his best to try to live up to that demanding tag, upping the gore quotient with numerous inventive killings that involve lots of blood and innards.

See more...

  • priceRangeSubmit yes

 
  • product
The early 2000s have seen a string of big-budget remakes of classic horror films. In addition to THE TEXAS CHAINSAW MASSACRE and THE HILLS HAVE EYES, John Carpenter's benchmark slasher flick HALLOWEEN has been given a new-millennial overhaul. At the helm of the project sits rocker Rob Zombie, whose previous films, HOUSE OF 1,000 CORPSES and THE DEVIL'S REJECTS, brought a fan's touch and an auteur's vision to the director's chair. While Zombie's HALLOWEEN is faithful to Carpenter's vision, there are some obvious changes, the most pronounced of these being the substantial focus on Michael Myers's childhood. The film posits Michael (played by a creepily vacant Daeg Faerch) as a troubled child made all the worse by a horrible home life--wonderfully illustrated via William Forsythe's performance as Deborah Myers's boyfriend--and constant abuse at school. Zombie paints Michael's pain with palpable grit and sleaze, but he isn't out to put our culture on the couch--he simply wants to show Michael killing his family. With the exception of Michael's therapy sessions while incarcerated, the film, post-massacre, stays loyal to the original. Zombie's film is clearly the work of a filmmaker who knows and loves the genre. The director's signature is stamped all over HALLOWEEN (most notably in the use of grainy home movie footage and a smokin' classic rock soundtrack), although remnants of Carpenter's brilliant original still remain. When it comes to remakes, it's hard to ask for much more.

See more...

  • priceRangeSubmit yes

 
  • product
The early 2000s have seen a string of big-budget remakes of classic horror films. In addition to THE TEXAS CHAINSAW MASSACRE and THE HILLS HAVE EYES, John Carpenter's benchmark slasher flick HALLOWEEN has been given a new-millennial overhaul. At the helm of the project sits rocker Rob Zombie, whose previous films, HOUSE OF 1,000 CORPSES and THE DEVIL'S REJECTS, brought a fan's touch and an auteur's vision to the director's chair. While Zombie's HALLOWEEN is faithful to Carpenter's vision, there are some obvious changes, the most pronounced of these being the substantial focus on Michael Myers's childhood. The film posits Michael (played by a creepily vacant Daeg Faerch) as a troubled child made all the worse by a horrible home life--wonderfully illustrated via William Forsythe's performance as Deborah Myers's boyfriend--and constant abuse at school. Zombie paints Michael's pain with palpable grit and sleaze, but he isn't out to put our culture on the couch--he simply wants to show Michael killing his family. With the exception of Michael's therapy sessions while incarcerated, the film, post-massacre, stays loyal to the original. Zombie's film is clearly the work of a filmmaker who knows and loves the genre. The director's signature is stamped all over HALLOWEEN (most notably in the use of grainy home movie footage and a smokin' classic rock soundtrack), although remnants of Carpenter's brilliant original still remain. When it comes to remakes, it's hard to ask for much more.

See more...

  • priceRangeSubmit yes

 

Halloween

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The early 2000s have seen a string of big-budget remakes of classic horror films. In addition to THE TEXAS CHAINSAW MASSACRE and THE HILLS HAVE EYES, John Carpenter's benchmark slasher flick HALLOWEEN has been given a new-millennial overhaul. At the helm of the project sits rocker Rob Zombie, whose previous films, HOUSE OF 1,000 CORPSES and THE DEVIL'S REJECTS, brought a fan's touch and an auteur's vision to the director's chair. While Zombie's HALLOWEEN is faithful to Carpenter's vision, there are some obvious changes, the most pronounced of these being the substantial focus on Michael Myers's childhood. The film posits Michael (played by a creepily vacant Daeg Faerch) as a troubled child made all the worse by a horrible home life--wonderfully illustrated via William Forsythe's performance as Deborah Myers's boyfriend--and constant abuse at school. Zombie paints Michael's pain with palpable grit and sleaze, but he isn't out to put our culture on the couch--he simply wants to show Michael killing his family. With the exception of Michael's therapy sessions while incarcerated, the film, post-massacre, stays loyal to the original. Zombie's film is clearly the work of a filmmaker who knows and loves the genre. The director's signature is stamped all over HALLOWEEN (most notably in the use of grainy home movie footage and a smokin' classic rock soundtrack), although remnants of Carpenter's brilliant original still remain. When it comes to remakes, it's hard to ask for much more.

See more...

  • priceRangeSubmit yes

 

House Of 1000 Corpses

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  • product
Rob Zombie is the heavy metal hero who has released such albums as SINISTER URGE and HELLBILLY DELUXE as a solo act, and ASTRO-CREEP 2000 with his band, White Zombie. Here, he takes on the world of horror movies in this very bloody, very entertaining tale. The old car-trouble scenario comes in handy, as a group of unsuspecting travelers must spend the night in a place of demented evil--in this case, it's the Museum of Monsters and Madmen. Zombie makes the movie work for the same reason his music career has been so successful: He knows he's going way over the top, and he's not afraid to go as far as he can. So, eager viewers should put their tongues in their cheeks and go along for the raunchy ride. The always beguiling Karen Black, who starred in one of the all-time great horror classics, BURNT OFFERINGS, turns in another terrifically offbeat performance as Mother Firefly, the marvelous matriarch of a murderous family. Other fabulously gruesome characters include the crazy clown Captain Spaulding (Sid Haig) and the oddball "lady killer" Otis Driftwood (Bill Moseley); Marx Brothers fans should note that many of Zombie's characters are named after roles played by Groucho. One of the advertising lines for the movie calls it "positively the most horrifying film ever made!" Zombie does his best to try to live up to that demanding tag, upping the gore quotient with numerous inventive killings that involve lots of blood and innards.

See more...

  • priceRangeSubmit yes

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