Unrated horror movies in Horror / Suspense DVDs & Videos

Description:

Doug and Lynn have the perfect life: a successful business, a home and a baby on the way. Happiness soon turns to horror when they accidentally kill a cop in Mexico. They leave Mexico covering up any clues that would connect them with the death. Safe at a home, a stranger arrives from Mexico looking for a job, but wants much more from Doug and Lynn.

Description:

Wes Craven's nightmarish odyssey of revenge helped to usher in a new era of graphic horror filmmaking in the early 1970s. Inspired by Ingmar Bergman's THE VIRGIN SPRING (1960), THE LAST HOUSE ON THE LEFT is a parent's worst nightmare come to terrifying life. Beautiful 17-year-olds Mari (Sandra Cassel) and Phyllis (Lucy Grantham) head into the city for a rock concert, but once there, they're kidnapped by three repulsive, sadistic escaped convicts led by Krug Stillo (a menacing David Hess). After the gang drives the girls into the woods, where they rape and murder them, the disheveled crew ends up at the home of none other than Mari's parents, John (Gaylord St. James) and Estelle (Cynthia Carr). When John discovers who has unknowingly walked into his home, he exacts a revenge that makes the convicts' actions seem tame by comparison. Working on a shoestring budget and coaxing naturalistic performances out of his actors (with the exception of two bumbling law enforcement officers), Craven displays the talent that he would later develop on a grand scale with A NIGHTMARE ON ELM STREET and SCREAM. Certainly not for the fainthearted, THE LAST HOUSE ON THE LEFT remains one of the most visceral horror films ever made.

Description:

The fourth SAW film takes fans into uncharted waters. Now that John/Jigsaw (Tobin Bell) is dead, screenwriters Patrick Melton and Marcus Dunstan (writers of the Project Greenlight-produced FEAST) give us Jigsaw's "origin" story--finally showing us why he does what he does. Along they way, they still find time to work in the usual dose of elaborate Rube Goldberg-like torture devices and heaps of MPAA-defying gore in what plays like an extreme version of CSI. During his (extremely graphic) autopsy, Jigsaw's final tape (swallowed in SAW III) is found in his stomach. Promising that his work will continue despite his passing, his message sets off a series of grisly tasks for anxious SWAT team leader Rigg (Lyriq Bent), who is given 90 minutes to rescue detectives Matthews (Donnie Wahlberg) and Hoffman (Costas Mandylor), who are to be dispatched via blocks of ice and high voltage wires. Trailing Rigg are FBI agents Strahm (Scott Patterson of GILMORE GIRLS) and Perez (Athena Karkanis), who get some unexpected blood on their hands along the way. A series of flashbacks details a pivotal event between Jigsaw and his girlfriend, Jill (1980s beauty Betsy Russell, PRIVATE SCHOOL), which inspired him to devote the remainder of his life to the creation of his signature puzzles. Darren Lynn Bousman, director of the previous two sequels, returns once again to ensure that the series retains its trademark desaturated look. Though viewers starting with this installment may find the brief glimpses of characters from the previous films confusing, fans should be pleased with how the films link together. They are also sure to appreciate that, like FRIDAY THE 13th carrying on sans Jason in PART IV: A NEW BEGINNING, the death of Jigsaw won't keep the franchise from evolving into SAW V and beyond.

Description:

Wes Craven's nightmarish odyssey of revenge helped to usher in a new era of graphic horror filmmaking in the early 1970s. Inspired by Ingmar Bergman's THE VIRGIN SPRING (1960), THE LAST HOUSE ON THE LEFT is a parent's worst nightmare come to terrifying life. Beautiful 17-year-olds Mari (Sandra Cassel) and Phyllis (Lucy Grantham) head into the city for a rock concert, but once there, they're kidnapped by three repulsive, sadistic escaped convicts led by Krug Stillo (a menacing David Hess). After the gang drives the girls into the woods, where they rape and murder them, the disheveled crew ends up at the home of none other than Mari's parents, John (Gaylord St. James) and Estelle (Cynthia Carr). When John discovers who has unknowingly walked into his home, he exacts a revenge that makes the convicts' actions seem tame by comparison. Working on a shoestring budget and coaxing naturalistic performances out of his actors (with the exception of two bumbling law enforcement officers), Craven displays the talent that he would later develop on a grand scale with A NIGHTMARE ON ELM STREET and SCREAM. Certainly not for the fainthearted, THE LAST HOUSE ON THE LEFT remains one of the most visceral horror films ever made.

Description:

From the twisted mind of writer/director Chris Seaver comes this horror/comedy double feature of enormously bizarre proportions. MULVA: ZOMBIE ASS KICKER looks at how one chocolate-addicted young girl celebrates Halloween...by destroying zombies with a mysterious mentor named Mr. Bonejack! Then, in FILTHY MCNASTY, two nerdy girls become total sexpots when a horny demon puts his powers to work on the--but there is a price for them to pay! Horror fave Debbie Rochon and Troma founder Lloyd Kaufman make special appearances.

Description:

The follow-up to his 2003 horror hit HOUSE OF 1000 CORPSES, Rob Zombie's THE DEVIL'S REJECTS continues the story of a bizarre group of very odd people who like to torture, maim, and kill virtually everyone they come in contact with. When Sheriff Wydell (William Forsythe) pays a visit to the body-ridden lair of Mother Firefly (Leslie Easterbrook, taking over the role played by Karen Black in the first film), her children Otis (Bill Moseley) and Baby (Sheri Moon Zombie) are forced to run, eventually holing up in a roadside motel with four hostages (including Clint Eastwood regular Geoffrey Lewis and THREE'S COMPANY star Priscilla Barnes). Seeking help from creepy clown Captain Spaulding (Sid Haig), they continue their murderous rampage while being tracked by Wydell, who is hellbent on avenging the death of his brother, which came at the hands of this very weird and dangerous family. As Wydell tortures Mother Firefly for answers, Otis and Baby torture their hostages for kicks. Zombie, a heavy metal musician who leads the group White Zombie, infuses his exciting, funny, and terrifying gorefest with a fabulous 1970s soundtrack, using such songs as Elvin Bishop's "Fooled Around and Fell in Love" and David Essex's "Rock On" at inappropriately riotous moments. Part BONNIE AND CLYDE, part THE TEXAS CHAINSAW MASSACRE, part THE WILD BUNCH, Zombie's bloody barrage is filled with unexpected plot twists and surprises unique to this genre.

Description:

Though it's spawned a handful of sequels, it took more than 30 years for Tobe Hooper's ever-potent horror classic to get an "origin" story. Why is Leatherface so angry? Whose face does he wear as a mask? How did his family get their taste for human flesh? A 2003 remake revisited the original film, painted with post-millenial gloss by former music video director Marcus Nispel. For his second feature, director Jonathan Liebesman (DARKNESS FALLS) follows suit, though wisely eliminating the heavy rock soundtrack of the remake. The film opens with the 1949 birth of the child who would become Leatherface--to an obese slaughterhouse worker. She dies during childbirth and the deformed baby is later found in a dumpster by his adoptive mother. Twenty years later, Chrissy (Jordana Brewster), Dean (Taylor Handley), Bailey (Doira Bird), and Eric (Matthew Bomer) are driving cross country before Dean leaves for his second tour of duty in Vietnam. A run-in with some bikers leads to an intervention by crazed cannibal clan leader Hoyt (R.Lee Ermey), who has just killed the sheriff of the dwindling Texas town and taken on the mantle himself. The chainsawing begins soon after.

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A group of co-eds experience an evening of terror when their college formal becomes the breeding ground for monstrous creatures who turn their victims into zombies. With special effects by the award-winning make-up artist, David Miller, of "Thriller" fame.

Description:

The titular curse expands along with the franchise in the sequel to THE GRUDGE, which itself was a remake of the Japanese original for American audiences. The film has an ensemble cast and an extensive number of subplots that further reflect this tendency towards expansion. The story picks up right where the last one ended, with Karen (Sarah Michelle Gellar, BUFFY THE VAMPIRE SLAYER) in the hospital, the only survivor of an ill-fated encounter with a cursed house. She has not emerged unscathed, however, and it's up to her estranged sister, Aubrey (Amber Tamblyn, JOAN OF ARCADIA), to figure out the mystery behind the strange-goings-on related to the now half-demolished house. In doing so, she teams up with a journalist named Eason (Edison Chen), who has been following the case from the very beginning, and the pair embarks on a trip to the decidedly creepy Japanese countryside, hoping to visit the mother of one of the house's original inhabitants. Meanwhile, three teenage girls who attend a local international high school are haunted with nightmarish encounters, which begin after they venture inside the house to pull a mean prank on the new girl. When one of the girls returns home to Chicago, the curse spreads to her apartment building, where members of a family that have recently acquired an unexpected new stepmother (Jennifer Beals, FLASHDANCE, THE L WORD) violently turn on one another. Symptoms of the curse begin to turn up everywhere, while a horrified Aubrey learns that there is no way to stop it from spreading. Although the film suffers from a diffuse plotline and an unfortunate flashback sequence at the end, the high production values and well-executed special effects ensure a highly satisfying experience for discerning viewers out for a thrill.

Description:

Author Scott Smith adapts his own popular 2006 novel in this unsettling and surprising horror yarn. In its first half hour, THE RUINS seems to be cut from the same "body-count-of-young-Americans-abroad" cloth as HOSTEL and TURISTAS, but the film has a supernatural element not present in either of those works, keeping it clear of the overpopulated slasher and torture genres. A talented young cast also ensures that Smith's tale reaches the screen with plenty of genuine chills intact. While vacationing on the Yucatan Peninsula, 20-something Americans Jeff (Jonathan Tucker), Amy (Jena Malone), Eric (Shawn Ashmore), and Stacy (Laura Ramsey), befriend German traveler Mathias (Joe Anderson), who invites them to accompany him into the jungle to meet up with his archaeologist brother at an "off the map" Mayan temple. They agree, but once they arrive, angry locals shoot one of their party and refuse to allow them to leave. The Americans and Mathias retreat to the top of the temple, only to find the archaeological camp deserted. Mathias falls into the temple and is badly injured, but that is only the beginning of their troubles, as it soon becomes apparent that the vines covering the temple are alive in a way that goes beyond normal vegetation. It may be tempting to summarize THE RUINS by saying that it's about killer plants, but that would be undermining its strong points. The latter two thirds of the film play out like a very grim five-character stage play about survival, with large servings of death and desperation, without resorting to the fake scares that many horror films use as a crutch. The gore, while often quite nasty, is also necessary to the story, which takes on a heavy psychological component as the characters begin to fear for their lives.

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After nearly two decades of successful detours into mature thrillers (THE GIFT, A SIMPLE PLAN) and superhero blockbusters (the Spider-Man series), director Sam Raimi returns--full tilt--to his scrappy horror roots with DRAG ME TO HELL. Alison Lohman stars as Christine Brown, a soft-spoken Southern girl with a good heart, a PhD-toting boyfriend (Justin Long), and a job as a loan officer at a bank just outside of Los Angeles. When evicting a vile and negligent old woman named Mrs. Ganush (Lorna Raver) seems to be the only way to secure an important promotion, Christine pushes her moral flexibility about as far as it can go (not very far at all) only to dearly pay the price as the recipient of a rather nasty curse. The next three days of Christine?s life amount to an unimaginable endurance test in which she is subject to physical and psychological torture while a terrifying demon draws ever closer to take her to hell, where she would burn for eternity. Raimi manages to keep the feverish awfulness of DRAG ME's central concept palpable while layering on his distinctly disturbing and exhilaratingly kinetic macabre-meets-slapstick portraiture, and the result is an efficient celebration of the art of horror movies that?s campy, scary, and fun. Similar to HBO?s classic TALES FROM THE CRYPT series, HELL feels like a living, breathing EC comic. While it may come as a minor shock that Bruce Campbell, the beloved mouthpiece of the EVIL DEAD franchise, is nowhere to be found in this unabashed horror-comedy, Christine is an excellent twist on Raimi's genre-hero archetype. Fans will get a kick out of seeing her inexplicably leave her gob agape as putrid projectiles pour in, and hearing her, after a bit of pushing, spout a Campbell-ism or two ("I?m gonna get me some!").

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It's open season on teenagers as Three Finger and his cannibalistic clan of inbred mutants hunt a group of hikers though the backwoods. When a prison transport bus crashes nearby, the fleeing convicts become the next items on the menu.

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A woman buried alive in a house returns from the dead to terrorize a group of college students in this horror film. The SAW series' Tobin Bell stars, while veteran effects artist Robert Kurtzman (WISHMASTER) directs.

Description:

Based on the book AN AMERICAN HAUNTING by Brent Monahan, this horror movie uses a current-day setting (the year 2006) as a framing device for a ghost story dating back to 1817 Tennessee. Inspired by manuscripts documenting the only spirit-caused death in U.S. history, the film stars accomplished actors Sissy Spacek and Donald Sutherland as the mother and father of Betsy Bell (Rachel Hurd-Wood), an adolescent girl tormented by a mysterious spirit haunting the Bell family home. The spirit is thought to have been sent by Mrs. Batts, a witchlike neighbor who, after having a bitter dispute over property rights with Betsy's father, John Bell, put a curse on John and his daughter. Even though John Bell was the one at fault, it is his daughter who bears the heaviest burden of this spell, being thrown about her room nightly, slapped, and even sexually abused by the mystical force in question. Most of the film takes place in the home, where Betsy's parents, a local priest, and a local schoolteacher (with whom she has a flirtatious relationship) try their best to exorcise the demons away. While the film never fully explains what the spirit is or where it came from, it does propose one disturbing theory near the end that involves the hysterical nature of young female sexuality. But despite being used as a means to connect the present-day story with the 1817 events, this theme is only vaguely hinted at as the story unravels.

Description:

Doug and Lynn have the perfect life: a successful business, a home and a baby on the way. Happiness soon turns to horror when they accidentally kill a cop in Mexico. They leave Mexico covering up any clues that would connect them with the death. Safe at a home, a stranger arrives from Mexico looking for a job, but wants much more from Doug and Lynn.

Description:

The follow-up to his 2003 horror hit HOUSE OF 1000 CORPSES, Rob Zombie's THE DEVIL'S REJECTS continues the story of a bizarre group of very odd people who like to torture, maim, and kill virtually everyone they come in contact with. When Sheriff Wydell (William Forsythe) pays a visit to the body-ridden lair of Mother Firefly (Leslie Easterbrook, taking over the role played by Karen Black in the first film), her children Otis (Bill Moseley) and Baby (Sheri Moon Zombie) are forced to run, eventually holing up in a roadside motel with four hostages (including Clint Eastwood regular Geoffrey Lewis and THREE'S COMPANY star Priscilla Barnes). Seeking help from creepy clown Captain Spaulding (Sid Haig), they continue their murderous rampage while being tracked by Wydell, who is hellbent on avenging the death of his brother, which came at the hands of this very weird and dangerous family. As Wydell tortures Mother Firefly for answers, Otis and Baby torture their hostages for kicks. Zombie, a heavy metal musician who leads the group White Zombie, infuses his exciting, funny, and terrifying gorefest with a fabulous 1970s soundtrack, using such songs as Elvin Bishop's "Fooled Around and Fell in Love" and David Essex's "Rock On" at inappropriately riotous moments. Part BONNIE AND CLYDE, part THE TEXAS CHAINSAW MASSACRE, part THE WILD BUNCH, Zombie's bloody barrage is filled with unexpected plot twists and surprises unique to this genre.

Description:

Doug and Lynn have the perfect life: a successful business, a home and a baby on the way. Happiness soon turns to horror when they accidentally kill a cop in Mexico. They leave Mexico covering up any clues that would connect them with the death. Safe at a home, a stranger arrives from Mexico looking for a job, but wants much more from Doug and Lynn.

Description:

DVDs. Assault! Jack The Ripper

Description:

The fourth SAW film takes fans into uncharted waters. Now that John/Jigsaw (Tobin Bell) is dead, screenwriters Patrick Melton and Marcus Dunstan (writers of the Project Greenlight-produced FEAST) give us Jigsaw's "origin" story--finally showing us why he does what he does. Along they way, they still find time to work in the usual dose of elaborate Rube Goldberg-like torture devices and heaps of MPAA-defying gore in what plays like an extreme version of CSI. During his (extremely graphic) autopsy, Jigsaw's final tape (swallowed in SAW III) is found in his stomach. Promising that his work will continue despite his passing, his message sets off a series of grisly tasks for anxious SWAT team leader Rigg (Lyriq Bent), who is given 90 minutes to rescue detectives Matthews (Donnie Wahlberg) and Hoffman (Costas Mandylor), who are to be dispatched via blocks of ice and high voltage wires. Trailing Rigg are FBI agents Strahm (Scott Patterson of GILMORE GIRLS) and Perez (Athena Karkanis), who get some unexpected blood on their hands along the way. A series of flashbacks details a pivotal event between Jigsaw and his girlfriend, Jill (1980s beauty Betsy Russell, PRIVATE SCHOOL), which inspired him to devote the remainder of his life to the creation of his signature puzzles. Darren Lynn Bousman, director of the previous two sequels, returns once again to ensure that the series retains its trademark desaturated look. Though viewers starting with this installment may find the brief glimpses of characters from the previous films confusing, fans should be pleased with how the films link together. They are also sure to appreciate that, like FRIDAY THE 13th carrying on sans Jason in PART IV: A NEW BEGINNING, the death of Jigsaw won't keep the franchise from evolving into SAW V and beyond.

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Supposedly the last of Jason's gore-fests as he writhes in hellfire facing the long legacy of murder splattering his resume.

Description:

After a group of hapless National Guard troops fails a training exercise, their commanding officer (Flex Alexander, SNAKES ON A PLANE) orders them to deliver supplies to some scientists in Yuma Flats, New Mexico. The mutants from the first film (the unfortunate victims who live on nuclear testing ground) have returned to terrorize a group of Department of Defense researchers. The unlucky soldiers happen upon the remains of their camp (and its denizens), and the horrors begin. The inbred family of cannibals stalks the soldiers and picks them off, one by one, in gruesome fashion. Alejandre Aja (HIGH TENSION) directed the 2006 remake, but this sequel replaces Aja with Martin Weisz, whose first feature, ROHTENBERG, was banned in his native Germany. Written by genre master Wes Craven and his son Jonathan, THE HILLS HAVE EYES II is a sequel to the remake of Craven's original 1977 film. It's no coincidence that Craven changed this sequel's victims from a band of motorcyclists to a group of unlucky soldiers, giving the film political undertones. For a brief moment, this film addresses the idea that war may be the worst kind of horror, even when it's judged against mutant cannibals.

Description:

A wedding videographer uses a slasher video rental that he's recorded over with real murders to recruit victims, then speaks into the camera to the viewer before and after killing his latest quarry. Kevin Howarth delivers a chilling performance in this diabolically intricate and frightening meta-movie about watching horror movies.

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A confessed serial killer is visited by a doctor. Through her, he recounts his past experiences as they return to him in cloudy flashbacks.

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Zombie movies slip in and out of fashion, but it's always a special occasion when the man who helped turn the undead into a worldwide phenomenon decides to add an installment to his ongoing saga of flesh-eating films. George A. Romero's zombie movies have all appeared in different decades, beginning with NIGHT OF THE LIVING DEAD in 1968, DAWN OF THE DEAD in '78, and DAY OF THE DEAD in '85. Romero skipped the '90s, but a zombie renaissance in the early 21st century (28 DAYS LATER, SHAUN OF THE DEAD) finds him back in the directors chair. Often seen as allegories for their times, Romero's films have been connected to societal events such as the consumerism of the '70s (DAWN OF THE DEAD) and the spread of the AIDS virus in the '80s (DAY OF THE DEAD). With 2005's LAND OF THE DEAD, Romero positions the bulk of his story in a giant skyscraper which houses the last humans left on the planet; although his intentions are foggy this time, LAND appears to be Romero's commentary on the post-9/11 political landscape. The zombies only bother crews who venture outside the makeshift city for supplies, but the people are kept sedated by their leader, the irascible Kaufman (Dennis Hopper), who exaggerates their threat. What Kaufman doesn't realize is that the zombies are learning skills they half-remember from their old selves, leading to some impressively blood-soaked scenes of tumult. In an unusual move for Romero, Hopper is joined by name actors such as John Leguizamo and Asia Argento. The film greatly benefits as a result, successfully portraying an atrophied civilization that has regressed to a primitive state, allowing its undead tormentors to sense that a free lunch may be just around the corner.

Description:

This blood-soaked horror comedy is the story of Henry Oldfield (Nathan Meister), a New Zealander with an unfortunate phobia...of sheep. When Henry was a boy, his father was killed in a herding accident on the land, and Henry fled to the big city. Now, years later, he has returned to sell his half of the farm and--at the behest of his therapist--to face his fears. Meanwhile, Henry's sadistic older brother Angus (Peter Feeney) has taken over the family business, and become widely known for his controversial genetic experiments on the animals. When two animal activists release one of Angus's genetically-altered lambs, Henry's trip quickly turns into his worst nightmare, as the lamb's zombie-like bite turns sheep and people into vicious flesh-eaters. Henry joins forces with one of the animal activists (Danielle Mason), and together they try to escape the sheep and find an antidote for the virus. Director Jonathon King cleverly plays on the silliness of the normally docile, dimwitted lamb as terrifying monster, and his shots of the sheep swarming over the hills induce equal parts thrills and laughter. However, the storyline could perhaps have benefited from a bit less action, and a bit more plot, as the suspense and jokes begin to fizzle by the end. The excellent WETA WORKSHOP (known for its work on the LORD OF THE RINGS trilogy) delivers hilariously gory special effects. Faces are eaten off, humans throw their own limbs, and heads explode, culminating in a raucous bloodbath that will likely earn BLACK SHEEP cult status among the EVIL DEAD crowd.

Description:

It's open season on teenagers as Three Finger and his cannibalistic clan of inbred mutants hunt a group of hikers though the backwoods. When a prison transport bus crashes nearby, the fleeing convicts become the next items on the menu.

Description:

This pop culture-laden fright-fest takes the legend of Countess Elizabeth Bathory of Hungary and relocates it in the inherently creepy locale of New Orleans. The usual cast of motley and none-too-bright teenagers is assembled and attached to quirky names--smartass Phineas (Jimmi Simpson) and his Goth-girl sister, October (Sophia Bush), hunky protagonist Hutch (Jon Foster), and tech-head Swink (Frankie Muniz), to name a few--and they all have one thing in common: the love of gaming. When Hutch's best friend Loomis (Milo Ventimiglia) is a victim in a violent massacre, Hutch ends up with the game he was playing just before he died. Called "Stay Alive," the game is technically illegal and Hutch and his friends can't resist booting it up. The game resurrects the Countess, who centuries ago was walled up in her tower when her crimes were discovered (she is said to have brutally murdered 650 servant girls and bathed in their blood). Now, she is fulfilling her vow to return to reassume her reign of terror. This time, however, her victims are gamers who will die in the same way in life as they do in the game. The video game itself becomes a character in the film, showing off excellent 3-D, cinematic effects, and creating an effectively spooky atmosphere with a memorable, if derivative, aesthetic. The gore never escalates past PG-13 levels but the scare tactics are adept, while the Countess herself, with pasty skin and high-necked red dress, is a movie monster worthy of canonization.

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A trip to the Mexican border quickly goes wrong for a group of Texas college students in this horror film. With its roots in reality, BORDERLAND follows the trio as they evade a bloodthirsty cult intent on human sacrifice.

Description:

A wedding videographer uses a slasher video rental that he's recorded over with real murders to recruit victims, then speaks into the camera to the viewer before and after killing his latest quarry. Kevin Howarth delivers a chilling performance in this diabolically intricate and frightening meta-movie about watching horror movies.

Description:

A trip to the Mexican border quickly goes wrong for a group of Texas college students in this horror film. With its roots in reality, BORDERLAND follows the trio as they evade a bloodthirsty cult intent on human sacrifice.