Wes craven in Horror / Suspense DVDs & Videos

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Contains all seven NIGHTMARE ON ELM STREET films, digitally remastered and featuring original theatrical trailers and interviews. The DVD collection includes a bonus eighth disc titles THE NIGHTMARE SERIES ENCYCLOPEDIA. See individual titles for further details.
 
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A master of blending horror and (very dark) humor, Wes Craven has long been celebrated as one of the genre?s most influential auteurs. This collection offers three of his occasionally overlooked masterpieces: THE SERPENT AND THE RAINBOW, SHOCKER, and THE PEOPLE UNDER THE STAIRS. See individual titles for additional details.
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A master of blending horror and (very dark) humor, Wes Craven has long been celebrated as one of the genre?s most influential auteurs. This collection offers three of his occasionally overlooked masterpieces: THE SERPENT AND THE RAINBOW, SHOCKER, and THE PEOPLE UNDER THE STAIRS. See individual titles for additional details.
 
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A master of blending horror and (very dark) humor, Wes Craven has long been celebrated as one of the genre?s most influential auteurs. This collection offers three of his occasionally overlooked masterpieces: THE SERPENT AND THE RAINBOW, SHOCKER, and THE PEOPLE UNDER THE STAIRS. See individual titles for additional details.
 
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Contains all seven NIGHTMARE ON ELM STREET films, digitally remastered and featuring original theatrical trailers and interviews. The DVD collection includes a bonus eighth disc titles THE NIGHTMARE SERIES ENCYCLOPEDIA. See individual titles for further details.
at
 
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The hip, darkly comical sequel to self-aware "SCREAM." Sidney Prescott, now in college, once again finds herself the target of a bloodthirsty, cloak-clad, mask-wearing, knife-wielding, psychotic killer whose penchant for pop movie trivia runs deep. This time, however, the body count is higher and the deaths more outrageous--traits of a true sequel, as noted by one unfortunate victim. Not as pithy as the first film, but still a satisfying, definite true-to-form teen slasher.
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Contains all seven NIGHTMARE ON ELM STREET films, digitally remastered and featuring original theatrical trailers and interviews. The DVD collection includes a bonus eighth disc titles THE NIGHTMARE SERIES ENCYCLOPEDIA. See individual titles for further details.
 
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The real-life story of a Harvard anthropologist who takes an assignment from a rich pharmaceutical firm to investigate a "miracle" drug found in a well-established religion in Haiti, "voodoo." He soon finds the local fascist police force has taken as much interest in his findings as has the drug firm. From the book by Wade Davis.
 
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Master of the macabre Wes Craven directs this pair of nightmare-inducing films. THE PEOPLE UNDER THE STAIRS: Fool, a 13-year-old boy, lives in the ghetto with his sister and sick mother. When his family doesn't have enough money to pay the rent, Fool is persuaded by Leroy (Ving Rhames) to break into his landlord's house to steal a valuable coin collection. Once Fool and Leroy are inside the huge and heavily fortified house, they realize they've gotten more than they bargained for, as the landlords turn out to be an insane brother-and-sister couple (Everett McGill and Wendy Robie) who murder visitors and keep their kidnapped "sons" locked up in the basement as deformed monsters. Only Alice, an imprisoned girl, can save Fool from the horrors within, and a frantic chase begins between the walls of the bizarre house as Fool tries to save himself, Alice, and his community from the evil landlords. A unique and inventive horror film, THE PEOPLE UNDER THE STAIRS combines the structure of a classic fairy tale with modern social criticism and imaginative production design. Director Wes Craven based his film on real-life news reports of parents who kept their children locked up at home. SHOCKER: After a series of unusual dreams, young football star Jonathan Parker (Peter Berg) captures serial killer Horace Pinker (Mitch Pileggi), a diabolical television repairman responsible for the deaths of several families. Pinker is sentenced to die in the electric chair, but the execution goes awry and more people are mysteriously killed. Jonathan realizes that Pinker has used black magic to transfer himself into electricity, able to travel through power lines into homes through television sets. Despite the skepticism of his police detective father (Michael Murphy), only Jonathan can track Pinker down and destroy him once and for all. Director Wes Craven combines his serial-killer thriller with a dash of social criticism, satirizing the modern obsession with the media in ways similar to his later hit SCREAM. Horace Pinker is a tough slasher in the Freddy Krueger mode, making wisecracks between murders, making SHOCKER a tense but funny horror movie, with appearances by John Tesh and Dr. Timothy Leary (as a televangelist), as well as a cameo by Craven himself. The film climaxes in a wild chase between Jonathan and Pinker through the dangerous television landscapes, a realm where anything can happen.
 
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In an attempt to relieve the world of hunger, a group of scientists develop a chemical which causes things to grow at a prodigious rate. When the substance is spilled on one of the researchers, he becomes a foliage covered monster and abruptly moves into the local swamp. Based on the DC comic book.
 
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Eddie Murphy is Maximillian, the last of a race of vampires from the Caribbean who travels to New York in search of Rita (Angela Bassett), an NYPD officer whom he considers to be the perfect woman to carry on his dying bloodline. Once he hits Gotham, Maximillian has a series of fish-out-of-water adventures, which include posing as a street preacher, finding a slum apartment that he magically turns elegant, and dropping plenty of one liners. When Maximillian finds Rita, he must compete for her affections with her partner Justice (Allen Payne), which he does with the help of his faithful and decomposing sidekick Julius (Kadeem Hardison). Wes Craven (SCREAM, NIGHTMARE ON ELM STREET) directed this offbeat mix of comedy, horror, and romance, which could be seen as a genre flipside to Murphy's COMING TO AMERICA.
 
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With CURSED, screenwriter Kevin Williamson and director Wes Craven (SCREAM) take another playful trip to the dark side. This time around, their sights are set on one of the horror genre's most popular subjects: werewolves. Set in an ultra-hip modern Los Angeles, the film tells the tale of siblings Ellie (Christina Ricci) and Jimmy (Jesse Eisenberg), who have yet to fully come to terms with the loss of their parents. Ellie works at "The Late Late Show With Craig Kilborn" and dates ladies' man Jake (Joshua Jackson), while Jimmy is a less-than-popular high school student with a crush on the prettiest girl in school (Kristina Anapau). But one night, after Ellie and Jimmy get into a car accident on Mulholland Drive, they are bitten by what appears to be a bona fide werewolf. Soon, both brother and sister are exhibiting behavior that can only mean one thing--that they, too, have been cursed. A troubled production history notwithstanding, Craven's film remains a fast-paced, clever addition to the genre. Featuring a star-studded supporting cast (including Mya, Judy Greer, and Shannon Elizabeth), as well as an energetic modern rock soundtrack, CURSED takes viewers on a thrill-ride through the dark side of Los Angeles.
 
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Wes Craven's nightmarish odyssey of revenge helped to usher in a new era of graphic horror filmmaking in the early 1970s. Inspired by Ingmar Bergman's THE VIRGIN SPRING (1960), THE LAST HOUSE ON THE LEFT is a parent's worst nightmare come to terrifying life. Beautiful 17-year-olds Mari (Sandra Cassel) and Phyllis (Lucy Grantham) head into the city for a rock concert, but once there, they're kidnapped by three repulsive, sadistic escaped convicts led by Krug Stillo (a menacing David Hess). After the gang drives the girls into the woods, where they rape and murder them, the disheveled crew ends up at the home of none other than Mari's parents, John (Gaylord St. James) and Estelle (Cynthia Carr). When John discovers who has unknowingly walked into his home, he exacts a revenge that makes the convicts' actions seem tame by comparison. Working on a shoestring budget and coaxing naturalistic performances out of his actors (with the exception of two bumbling law enforcement officers), Craven displays the talent that he would later develop on a grand scale with A NIGHTMARE ON ELM STREET and SCREAM. Certainly not for the fainthearted, THE LAST HOUSE ON THE LEFT remains one of the most visceral horror films ever made.
 
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A hellish, razor-fingered monster enters the dreams of the teenage residents of a bucolic town and systematically slaughters them in their sleep--until one courageous young woman does battle with the predatory fiend. An excellent, surprisingly surrealistic genre entry from the master, Wes Craven.
 
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Stay out of the water! No, not because it's plagued with reptilian humanoids, a famished oversized crocodile, or walking vegetatation--one can only experience that kind of stuff through this bayou-centric collection of the kitschy ALLIGATOR PEOPLE, the comic LAKE PLACID, and the lurid SWAMP THING. It's just that the water's very, very cold, that's all. Please see individual titles for complete synopsis information.
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A graduate psychology student organizes a weekend retreat at his childhood mountain home for a group to face its deepest fears. There they find a mannequin he used to have as a playmate, and when they do, their worst fears start to come true.
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Watch Neve Campbell?s Sydney Prescott squirm, squeal, and, umm, scream in this comic horror trilogy that single-handedly revived the horror genre in the 1990s. This collection includes SCREAM, SCREAM 2, and SCREAM 3. Please see individual titles for synopsis information.
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Wes Craven's nightmarish odyssey of revenge helped to usher in a new era of graphic horror filmmaking in the early 1970s. Inspired by Ingmar Bergman's THE VIRGIN SPRING (1960), THE LAST HOUSE ON THE LEFT is a parent's worst nightmare come to terrifying life. Beautiful 17-year-olds Mari (Sandra Cassel) and Phyllis (Lucy Grantham) head into the city for a rock concert, but once there, they're kidnapped by three repulsive, sadistic escaped convicts led by Krug Stillo (a menacing David Hess). After the gang drives the girls into the woods, where they rape and murder them, the disheveled crew ends up at the home of none other than Mari's parents, John (Gaylord St. James) and Estelle (Cynthia Carr). When John discovers who has unknowingly walked into his home, he exacts a revenge that makes the convicts' actions seem tame by comparison. Working on a shoestring budget and coaxing naturalistic performances out of his actors (with the exception of two bumbling law enforcement officers), Craven displays the talent that he would later develop on a grand scale with A NIGHTMARE ON ELM STREET and SCREAM. Certainly not for the fainthearted, THE LAST HOUSE ON THE LEFT remains one of the most visceral horror films ever made.
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Crazed mutants with an insatiable thirst for human blood attack a group of youngsters walking along a lonely desert road in the dead of night. Everyone is killed except a man and a blind girl who are left to face the terror alone. This sequel to the beloved cannibal film is directed by famed horror auteur Wes Craven (NIGHTMARE ON ELM STREET), with a score by Henry Manfredini (FRIDAY THE 13TH).
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A hellish, razor-fingered monster enters the dreams of the teenage residents of a bucolic town and systematically slaughters them in their sleep--until one courageous young woman does battle with the predatory fiend. An excellent, surprisingly surrealistic genre entry from the master, Wes Craven.
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