Italian music in International Music

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"Resta In Ascolto (Italian Edition)" (10/26/2004) International Pausini, Laura, WEA LatinaPersonnel: Laura Pausini (vocals); Massimo Varini (acoustic guitar, electric guitar); Cesare Chiodo (acoustic guitar, piano, keyboards, bass instrument, programming); Paolo Gianolio, Riccardo Galardini, Daniel Vuletic, Michele Vanni (acoustic guitar); Gabriele Fersini, Emiliano Fantuzzi, Vincenzo Rende (electric guitar); Stefano "Coco" Cantini (saxophone); Marco Tamburini (flugelhorn); Roberto Rossi (trombone); Dado Parisini (piano, keyboards, keyboard programming, bass programming, drum programming); Celso Valli (piano, keyboards); Ian Thomas, Alfredo Golino, Pier Foschi (drums); Carlos Alberto Perez (percussion); Max Costa (programming, keyboard programming, bass programming, drum programming, computer). No stranger to success, Europop sensation Laura Pausini sold over 25 million albums in her first decade or so of recording, quite a feat for someone who was just turning 30 years old and had never broken into the lucrative English-language market. Yet she essentially struck out when she did try to cross over to that English-language market in 2002 with From the Inside. Put mildly, the album bombed stateside. Its qualities (and the qualities of stateside consumers) aside, it was the first full-fledged failure Pausini had experienced in a career of multi-million-selling albums and sold-out world tours. Here was someone who had sung for Pope John Paul II at Christmas and for Barbra Streisand at a birthday party, yet she couldn't sing for ordinary Americans, who just weren't interested in her melodramatic schmaltz. And so Pausini took a sizable break, perhaps the first of her whirlwind, world-conquering career. When she did finally emerge from her self-imposed silence, she returned with Escucha, her first Spanish-language album in four long years (not counting her best-of collection in 2001). (The album was also released in an Italian-language version, Resta in Ascolto.) Expectations were high, obviously, for she'd been gone for what felt like an eon in music years, and they were also high because of the dissatisfaction her Romance-language audience felt with her after the English-only From the Inside and its resulting mixed reception internationally. All of the tension seems to have seeped into the music of Escucha, because this is probably the most intense Pausini album to date. Sure, Europop is by nature dramatic in tone, brassy in approach, melodramatic in mood, and bombastic in practice. But man, Pausini really takes that approach to its fullest extent here, for a great many of these songs feel like "power" ballads, with their soft-hard dynamics, soaring choruses, and emotive outpourings. The album's stellar standout single, "V¡veme," is the prototype. As its chorus approaches, it builds in tension, only to explode in a burst of strings and voice worthy of a solar eclipse. "Escucha Atento," also a single, is another good example, with its outright rocking chorus (perfectly embodied by its video, which has Pausini emoting the chorus from a mountaintop -- with a setting sun behind her, no less!). And so the album goes, with the earlier-sequenced songs packing most of the punch. That's not really a figure of speech, either -- this album really does pack a punch, especially in terms of Europop. Escucha is a forceful return for Pausini, and it bodes well for her continued success. From the Inside notwithstanding, she's made a great career out of precious and passionate indulgence, topped off with her fragile beauty and Italian-Spanish accordance. Few, if any, have done it better, and for that reason, it's great to hear her regain her footing and deliver a purposeful album that just oozes everything poetic about Europop. Nope, nothing schmaltzy here -- nada. ~ Jason Birchmeier One linguistic myth is that anyone who speaks Spanish is automatically fluent in Italian; the languages are quite similar, but similar is by no means the same as identical. However, it is true that anyone who is fluent in Italian has a definite advantage if he or she wants to learn Spanish (and vice versa), which is why Italian pop star Laura Pausini

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"Italian Love Songs [Orfeon] [Box]" (09/24/2002) International Various Artists, Madacy Distribution

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"Laura" (04/25/1995) International Pausini, Laura, WEA International (Sweden)Personnel includes: Laura Pausini (vocals); Gianni Salvatori, Riccardo Salvatori (acoustic & electric guitars); Simone Papi (saxophone); Riccardo Galardini (piano); Cesare Chiodo (bass). Personnel: Gianni Salvatori, Riccardo Galardini (acoustic guitar, electric guitar); Simone Papi (piano, programming); Massimo Pacciani (drums, percussion). Recording information: Santana Recording Studios. Photographer: Stefano Bozzani. Unknown Contributor Role: Alfredo Cerruti. Arranger: Gianni Salvatori. This 1995 Italian-language album showcases the singer's vocals and super-sweet arrangements on songs like "Gente" and "Strani Amori." Laura Pausini, who's as popular in Spanish-speaking countries as she is in her native one, was just starting out when Laura was released, but she quickly made her name known. Six of these tracks, "Gente," "Lui Non Sta Con Te," "Strani Amori," "Ragazzi Che," "Il Coraggio Che Non C'Š," and "Lettera," also appear on the Spanish-language Laura Pausini album, albeit with translated titles. By the time Pausini showed up on the American market, she had developed her chops and her sound ever more, but Laura is still a pretty good taste of what she had to offer early on in her career. ~ Marisa Brown

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"Italian Renaissance: 18 Saifam NRG Classics" (01/13/2003) International Various Artists, Klone

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"Italia: A Festival of Music" (n/a) International Various Artists, Madacy Distribution

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"Legend of the Italian Tarantella" (09/10/2002) International Arakne Mediterranea, Arc Music (UK)

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"Putumayo Presents: Italian Caf?" (06/21/2005) International Various Artists, PutumayoPerformers include: Gianmaria Testa, Vinicio, Renato Carosone, Giorgio Conte, Daniele Silvestri, Fred Buscaglione. Quartetto Cetra, Nicola Arigliano, Quadro Nuevo and Maria Pierantoni Giua. Liner Note Author: Jacob Edgar. Illustrator: Nicola Heindl. Translators: Julien Massardier; Diletta Giuntoli; Jorge Maldonado. This is a charming, if ultimately fairly inconsequential, collection of recordings from 1950s and 1960s Italy, along with a handful of songs by a few modern artists whose stylistic roots go back to the postwar era as well. The overall sound may come across as a bit kitschy to American ears -- there are lots of accordions and crooning, emotive vocals -- but if you spend some time with these recordings most of them will grow on you. Highlights include the quirky Vinicio Capossela's "Che CossŠ l'Amor," Quadro Nuevo's jazzy instrumental "Tu Vuo' Fa' l'Americano," and Quartetto Cetra's slightly cute but really very engaging "Un Bacio a Mezzanotte." On the slightly less compelling side are Gianmaria Testa's contributions, the willfully goofy "Dentro al Cinema" and the self-consciously intense (and ultimately self-parodying) "La Traiettorie delle Mongolfiere," but the high points outweigh the low ones on this ultimately charming collection. Recommended. ~ Rick Anderson

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"Best of Zucchero Sugar Fornaciari: Special Edition" (02/20/1998) International Zucchero, Universal DistributionThis 1997 compilation features all of Adelmo Fornaciari's--aka Zucchero--greatest hits, including "Senza Una Donna'' and Diamante' as well as three unreleased songs. A special highlight is Zucchero's "crossover" version of Verdi's "Va Pensiero." In the late 1980s and throughout the '90s, Zucchero (a.k.a. Adelmo Fornaciari) was one of the biggest musical stars in Italy, thanks to his fine songwriting and powerful, emotive singing. THE BEST OF ZUCCHERO provides a fine overview of the singer-songwriter's career, and includes his biggest hits as well as unreleased tracks. Though he is sometimes compared to countryman Andrea Bocelli, Zucchero has more of a rock-&-roll edge to his singing and composing, bringing a happy and sometimes propulsive energy to his take on adult contemporary pop. Zucchero also broadens his appeal by singing in both Italian and English, and both are equally affecting, thanks to his rough-hewn, though quite lyrical voice (which bears a resemblance, at times, to Peter Gabriel's). Whether on atmospheric mid-tempo tracks ("Eppure Non T'amo"), surging ballads ("Senza Una Donna"), or uptempo rockers ("Diavolo In Me"), Zucchero has something for everyone, and BEST OF is the best place to sample his talents. In the late 1980s and throughout the '90s, Zucchero (a.k.a. Adelmo Fornaciari) was one of the biggest musical stars in Italy, thanks to his fine songwriting and powerful, emotive singing. BEST OF ZUCCHERO provides a fine overview of the singer-songwriter's career, and includes his biggest hits as well as unreleased tracks. Though he is sometimes compared to countryman Andrea Bocelli, Zucchero has more of a rock-&-roll edge to his singing and composing, bringing a happy and sometimes propulsive energy to his take on adult contemporary pop. Zucchero also broadens his appeal by singing in both Italian and English, and both are equally affecting, thanks to his rough-hewn, though quite lyrical voice (which bears a resemblance, at times, to Peter Gabriel's). Whether on atmospheric mid-tempo tracks ("Eppure Non T'amo"), surging ballads ("Senza Una Donna"), or uptempo rockers ("Diavolo In Me"), Zucchero has something for everyone, and BEST OF is the best place to sample his talents.

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"Tutte Storie (Italian)" (08/10/1993) International Ramazzotti, Eros, Arista Records (USA)Personnel includes: Eros Ramazzotti (vocals), Phil Palmer, Steve Farris (guitars), Brandon Fields (saxophone), Jai Winding, Celso Valli (piano, Hammond organ), Neil Stubenhaus, Tony Levin (bass), Steve Ferrone (drums), Luis Conte (percussion), Luca Bignardi (programming, bass). Recorded at Fonoprint Recording Studios, Bologna, Italy.

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"Instruments of Italian Folk Music" (09/02/2003) International Various Artists, Buda Records

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"Italian Treasury: Folk Music & Song of Italy" (05/18/1999) International Various Artists, Rounder SelectCompilation producers: Anna Lomax Chairetakis, Jeffrey A. Greenberg. Recorded in 1953. This is part of Rounder's Alan Lomax Collection series. Alan Lomax, the man who apparently never slept in the 1950s in his quest to document various forms of international folk music throughout the world, made Italy his stop in the spring of 1953. For the next year he journeyed throughout the country with Diego Carpitella, recording in Sicily, Calabria, Sardinia, and several other regions. Italy is a large country with diverse folk musics, and it's impossible to generalize, even in a sweeping manner, about the nature of the sounds documented on this disc -- which was, of course, one of the points of Lomax's expeditions. There are stark vocals with only Jew's harp as accompaniment, sea shanties, male choruses, accordion music, spooky dances with frame drum and mobile hammers as percussion, guitar ballads, brass bands, and more. For some it will be too eclectic and arcane for casual listening, but it's certainly interesting and doles out the unexpected. Among the most affecting performances are the five-minute guitar ballad "Stornelli" by Calamita & Gucci, which doesn't sound far removed from Mexican guitar folk or Portuguese fado in its sad elegance; "Tammurriata," with its thumping frame drum and odd female chanted-sung vocals; and a couple of male choral pieces in which the bass voices buzz in a way reminiscent of Tuvan throat singers. ~ Richie Unterberger

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"Italian Favorites [St. Clair]" (04/13/2007) International Various Artists, St. Clair

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"9 [Spanish]" (06/17/2003) International Ramazzotti, Eros, Sony BMG LatinPersonnel: Eros Ramazzotti (vocals, acoustic & electric guitars, percussion, programming); Claudio Guidetti (acoustic, electric & 12-string guitars, bouzouki, piano, Fender Rhodes piano, keyboards, programming); Mike Landau (electric guitar); Celso Valli (piano, electric piano, Hammond B-3 organ, keyboards, synthesizer); Michele Canova (keyboards, drums, programming); Max Costa (keyboards, programming); Paolo Costa (bass); Vinnie Colaiuta (drums, percussion); Alfredo Golino (drums). Producers: Eros Ramazzotti, Claudio Guidetti, Celso Valli. Recorded at Meda Studios, Milan, Italy; Fonoprint, Impatto, Bologna, Italy; Extasy South, Los Angeles, California; Abbey Road Studios, London, England.

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"Viva Italia! Festive Italian Classics" (07/02/1996) International Various Artists, RCA Records (USA)Compilation producer: Paul Williams. Includes liner notes by Mike Omansky. All tracks have been digitally remastered. 20 pop songs recorded in Italian, or at least in English with heavily Italian-oriented themes, for RCA in the 1950s and 1960s. This is Italian (or Italo-American) pop at its most middle-of-the-road and sentimental, which could serve as either a recommendation or a warning. Includes selections by Lou Monte, Perry Como, Sergio Franchi, Domenico Modugno (the massive hit "Volare"), and even a number by Sophia Loren, among others. ~ Richie Unterberger

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"Voyager Series: Italian Mandolins" (10/11/2005) International Various Artists, Columbia River Entertainment Group

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