James bond dvds

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$120
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Designed for the true fanatic, this enormous box set contains volumes one through four of the ULTIMATE COLLECTION releases as well as the film CASINO ROYALE. See individual titles for descriptions.

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$120
 

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This collection includes GOLDFINGER, THE MAN WITH THE GOLDEN GUN, DIAMONDS ARE FOREVER, THE LIVING DAYLIGHTS, and THE WORLD IS NOT ENOUGH. See individual titles for details.

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$27
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This collection includes DIE ANOTHER DAY, LICENSE TO KILL, THE SPY WHO LOVED ME, THUNDERBALL, and A VIEW TO KILL. See individual titles for details.

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$27
 

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This collection of 007 features includes DR. NO, YOU ONLY LIVE TWICE, MOONRAKER, OCTOPUSSY, and TOMORROW NEVER DIES. See individual titles for details.

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This collection includes FROM RUSSIA WITH LOVE, FOR YOUR EYES ONLY, ON HER MAJESTY'S SECRET SERVICE, LIVE AND LET DIE, and GOLDENEYE. See individual titles for details.

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This 6-pack of classic 007 films includes DIAMONDS ARE FOREVER (1971), FROM RUSSIA WITH LOVE (1963), THE LIVING DAYLIGHTS (1987), OCTOPUSSY (1983), A VIEW TO A KILL (1985), and YOU ONLY LIVE TWICE (1967). See individual titles for further details.

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In 1953, Ian Fleming wrote CASINO ROYALE, the first novel featuring fictional super-spy James Bond. Fleming based Bond's exploits on knowledge he obtained while working with British naval intelligence during WWII. Nine years later, the first Bond film adaptation, DR. NO (based on the sixth Bond novel), appeared. Introducing Sean Connery as the ultra-suave secret agent, the film became an instant international success, setting a new standard for cinematic action, production design, and high-tech gadgetry. After forty years, five actors have portrayed Bond--Connery, Roger Moore, Pierce Brosnan, Timothy Dalton, and George Lazenby--and the series has adapted with the times, with the action getting faster and the dialogue both racier and wittier. MGM's JAMES BOND COLLECTION Vol. 1 includes seven titles, featuring four of the five different Bonds (Lazenby who appeared only in 1969's ON HER MAJESTY'S SECRET SERVICE, is not represented). The Connery years are covered by DR. NO (1962) and GOLDFINGER (1964). Moore, who appeared in the series during the '70s and '80s, is represented by THE MAN WITH THE GOLDEN GUN (1974) and THE SPY WHO LOVED ME (1977). Dalton, who portrayed Bond twice, appears here in LICENCE TO KILL (1989), and Brosnan's Bond appears in GOLDENEYE (1995) and TOMORROW NEVER DIES (1997). The discs come encased in a handsome cardboard slip sleeve, with each individual title loaded with audio commentaries, featurettes, and other assorted extras.

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$24
 

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Get a smattering of some of the most beloved Bond incarnations in all their high-definition glory. First up, Roger Moore brings home his fifth outing as bond in FOR YOUR EYES ONLY (1981). Then, take a trip back to the second and fourth entries in the series, Sean Connery's FROM RUSSIA WITH LOVE (1963) and THUNDERBALL (1965).

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$32
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Get a smattering of some classic Bond incarnations in all their high-definition glory. First up, Sean Connery delivers the goods in what is arguably the favored Bond?s most beloved outing, GOLDFINGER (1964). Then, skip ahead to the late 1970s for Roger Moore?s trip to outer space in MOONRAKER (1979). Finally, it?s warp-speed to 20 years later for Pierce Brosnan?s third Bond outing, THE WORLD IS NOT ENOUGH (1999). See individual titles for further plot synopses.

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LIVE AND LET DIE is famed Bond portrayer Roger Moore?s first turn as 007. In it, the super spy infiltrates a gang of narcotics smugglers in voodoo-infested Jamaica. His daring exploits lead him on a number of incredible chases. As the sexy Solitaire, a young Jane Seymour makes for one of the more memorable Bond girls, and the always captivating Yaphett Kotto delivers an excellent performance as one of the more grounded (and, as such, arguably more chilling) villains of the series. The film?s theme song, Paul McCartney?s ?Live and Let Die,? is one of the highlights of the entire Bond music canon and a classic in its own right.

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Billy Wilder's loving biographical portrait of Charles Lindbergh focuses on the flying legend's courageous crossing of the Atlantic in a single-engine plane. Flashbacks show Lindbergh (James Stewart) learning his craft in the air force, barnstorming, and carrying mail in dangerously rickety early airplanes.

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This set features John Wayne in action from an arid Japanese island to verdant Ireland. The first volume of the JOHN WAYNE COLLECTION features FLYING TIGERS, THE QUIET MAN, SANDS OF IWO JIMA, and WAKE OF THE RED WITCH. Please see individual titles for synopsis information.

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Contains the special edition releases of FOR YOUR EYES ONLY, GOLDENEYE, GOLDFINGER, LICENCE TO KILL, LIVE AND LET DIE, THUNDERBALL, and TOMORROW NEVER DIES. See individual titles for contributors and notes.

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Get a smattering of some of the most beloved Bond incarnations in all their high-definition glory. First up, the super spy is played by Sean Connery in his inaugural outing, DR. NO (1962). Also included here is LIVE AND LET DIE (1973), the first 007 adventure in which Roger Moore takes over as an adequate shoe-filler, as well as Pierce Brosnan's final appearance in DIE ANOTHER DAY (2002).

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A good but slightly ineffectual man tries to off himself after an error that really wasn't his fault. In Christmas Carol fashion, his crusty-but-lovable guardian angel shows up to give him a tour of the world without his presence, and it isn't a pretty place. Moral courage, small-town American life, civic cooperation, and family love are glorified; corporate greed and self-involvement are vilified; at the climax, a blanket of snow like spun sugar makes everything pure and clean like redemption itself.

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Agent 007 is as daring as ever in OCTOPUSSY: the 13th installment in the James Bond series. When fellow secret serviceman Agent 009 is murdered over a treasured Faberge egg, the British intelligence sends James Bond (Roger Moore) to investigate. Bond follows the egg to India after it is put up for auction and bought by the wealthy prince Kamal Khan (Louis Jourdan). There he meets the enigmatic and beautiful circus leader, Octopussy (Maud Adams) and discovers that Khan and the maniacal Russian General Orlov (Steven Berkoff) plan to cripple Western Europe with a nuclear explosion and incite a world war. As indicated by its risqué title, OCTOPUSSY is one of the most licentious of the Bond films. Complete with the standard Bond components (sleazy one liners and deafening explosions) it overflows with sexual innuendoes. Maud Adams is the most alluring Bond of starlets to date. Her titillating performance as OCTOPUSSY inspired sexual fantasies in an entire generation of moviegoers. Having worked on a number of Bond films as an editor and director, John Glen insures a Bond film which is pleasing to both the cinematic aesthete and the Bond fanatic. Bordering on the realm of high art, OCTOPUSSY is a cinematic masterpiece.

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A good but slightly ineffectual man tries to off himself after an error that really wasn't his fault. In Christmas Carol fashion, his crusty-but-lovable guardian angel shows up to give him a tour of the world without his presence, and it isn't a pretty place. Moral courage, small-town American life, civic cooperation, and family love are glorified; corporate greed and self-involvement are vilified; at the climax, a blanket of snow like spun sugar makes everything pure and clean like redemption itself.

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Robert Altman's adaptation of Michael Tolkin's novel gives the notorious director a chance to address perhaps his greatest nemesis: the Hollywood studio system. Disguised as a thriller, the film assembles virtually every famous actor in Hollywood to create an exhilarating blend of real life and fiction. Tim Robbins plays Griffin Mill, a studio executive who begins to fear for his job when upstart Larry Levy's (Peter Gallagher) name becomes a hot topic on the lot. After receiving threatening postcards from an unidentified writer, Griffin tracks down David Kahane (Vincent D'Onofrio), who he thinks is the guilty party. The two argue, with disastrous results. Later, as Griffin struggles to keep his job while trying to distance himself from the law, he finds himself falling in love with Kahane's mysterious girlfriend (Greta Scacchi). THE PLAYER is a vicious satire that exposes the Hollywood industry as fraudulent, weak, and shallow. Altman's film also sends up both the noir genre and filmmaking technique, the latter notably in an extended opening shot which is a sprawling one-take that covers the studio's entire lot and features a series of hysterical pitches by actual screenwriters, including Buck Henry offering forth on his concept for THE GRADUATE 2. Bitter and electric, THE PLAYER ends on an ironic upbeat note that perfectly concludes a stellar picture.

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Based on Ian Fleming's 1961 novel, THUNDERBALL is 007 at his best. The fourth film in the Bond series finds the super spy (Sean Connery) battling a powerful organization named S.P.E.C.T.R.E. and its nefarious Number Two, Emilio Largo (Adolfo Celi), who has threatened to destroy Miami with an atomic weapon unless a huge ransom is paid. Of course, James Bond has something else in mind: a full-on infiltration of Largo's boat, the Disco Volante. With double the Bond girls (with Claudine Auger as the luscious Domino and Luciana Paluzzi as the villainous Fiona Volpe), this favored Bond outing features captivating underwater action sequences that hold up to this day. THUNDERBALL was nominated for a Best Special Effects Academy Award in 1965 and is not be confused with the "unofficial" 1983 James Bond film NEVER SAY NEVER AGAIN, which also stars Connery and is based on the same novel.

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Secret agent James Bond battles the all-enveloping tentacles of an international crime syndicate called SPECTRE. The organization's mad plan for world supremacy unfolds with the icy efficiency of a chessmaster's complex strategy, and if they succeed, the antagonism of the cold war will be pushed from deep-freeze to the supernova of atomic oblivion. But our man Bond dispatches sultry spies, madmen, and double agents with the same coolness he displays while downing martinis and making love to beautiful blondes. In this, the second of the series, Bond travels to Turkey to meet a mysterious Russian woman who claims to have fallen in love with his photograph. She offers him a secret translating device if he will join her, although he does not know that she has been put up to the task by Rosa Klebb, formerly of the KGB, who has gone to work for SPECTRE. It's Bond's assignment to get the girl and the machine back to England--and to do it, of course, in style.

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