Autumn leaves instrumental in Jazz Instrumental Music

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"Autumn Leaves" (09/23/2003) Jazz Vocal Great Jazz Trio, 441 RecordsThe Great Jazz Trio: Hank Jones (piano); Richard Davis (bass); Elvin Jones (drums). Recorded at Avatar Studio, New York, New York on May 12 & 13, 2002. Includes liner notes by Kiyoshi Koyama. The Great Jazz Trio was a working cooperative working with various lineups led by Hank Jones in during the 1970s and 1980s, but the revival of this defunct group finds Jones joined by two newcomers to the group, seasoned veterans Richard Davis on bass and the leader's brother, Elvin Jones, on drums. Oddly enough, the two brothers have recorded together very infrequently during their long careers, so this opportunity must have been special to them. The opening track signals a different direction for the group, with Elvin's explosive solo stealing the show in "Autumn Leaves." The pianist's imaginative arrangement of "Yesterdays" begins as a stunning solo before Davis' sparse bass and Elvin's brushes join him. The buoyant treatment of Kenny Dorham's "Blue Bossa" finds Hank in a humorous mood, inserting several brief quotes from well-known works such as "Hot House" and "Blue Skies." The trio is clearly cooking by the time it recorded the percolating take of Oliver Nelson's "Six and Four." Hopefully, this delightful date by the Great Jazz Trio will result in a follow-up recording session. ~ Ken Dryden

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"Autumn Leaves" (07/26/2004) Jazz Instrument Farlow, Tal, Concord Jazz2 LPs on 2 CDs: TAL FARLOW '78 (1978)/THE LEGENDARY TAL FARLOW (1985). Personnel: Tal Farlow (guitar); Sam Most (tenor saxophone, flute); Frank Strazzeri (piano); Bob Maize, Gary Mazzaroppi (bass); Tom Sayek, Al "Tootie" Heath (drums). Producers: Carl E. Jefferson, Frank Dorritie. Recorded at Bell Sound, New York, New York and Sage And Sound Studios, Hollywood, California between 1978 and 1985. Includes liner notes by Gordon Raddue, Ira Gitler. Personnel: Tal Farlow (guitar); Sam Most (flute, tenor saxophone); Frank Strazzeri (piano); Tom Sayek, Albert "Tootie" Heath (drums). Audio Remixer: Phil Edwards . Liner Note Authors: Ira Gitler; Gordon Raddue. Recording information: Bell Sound Studios, New York, NY (09/1984); Sage & Sound Studio, Hollywood, CA (09/1984). During the 1950s, Tal Farlow recorded a wonderful series of albums that established him as one of the premiere bop/cool guitarists. He recorded less frequently in the '60s, '70s, and '80s, preferring to stay out of the limelight. Autumn Leaves consists of two discs Farlow recorded for Concord: Tal Farlow '78 and The Legendary Tal Farlow (1985). When a great player like Farlow revives his career 20 years later, it seems customary, though a bit impolite, to ask: can he play as well as he once could? The easy answer is yes, he plays with the same finesse and speed (though it's hard to tell: his fingers move extremely fast), but this should be qualified by noting that his overall approach has mellowed during the interval. On the first disc Farlow is joined by bassist Gary Mazzaroppi and drummer Tom Sayek for a straight-ahead trio set. Ballads ("Here's That Rainy Day" and "Autumn Leaves") and barnburners ("Mahoney's 11 Ohms" and "With the Wind and the Rain in Your Hair") get equal billing, which means the album goes down like a perfectly balanced glass of red wine. The trio grows to a quintet on The Legendary Tal Farlow, with special notice going to flutist/tenor saxophonist Sam Most. Most's flute work injects an airy presence into "You Stepped Out of a Dream" and "I Got It Bad and That Ain't Good," while also working as a nice counter voice to Farlow's guitar. The two satisfying sets on Autumn Leaves offer over 80 minutes of modern jazz played with elegance and style. ~ Ronnie D. Lankford, Jr.

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"Autumn Leaves: Live at Sweet Basil" (10/31/1994) Jazz Instrument Adderley, Nat, EvidenceNat Adderley Sextet: Nat Adderley (cornet); Sonny Fortune, Vincent Herring (alto saxophone); Rob Bargad (piano); Walter Booker (bass); Jimmy Cobb (drums). Producers: Horst Leipolt, Shigeyuki Kawashima. Recorded live at Sweet Basil, New York, New York on May 12 & 13, 1990. Includes liner notes by Tony Green. Personnel: Nat Adderley (cornet, synthesizer); Vincent Herring, Sonny Fortune (alto saxophone); Rob Bargad (piano); Jimmy Cobb (drums). Audio Mixer: Hatsuro Takanami. Liner Note Author: Tony Green. Recording information: Sweet Basil, NY (05/12/1990/05/13/1990). Cornetist Nat Adderley is in excellent form on his live sextet set but he is somewhat overshadowed by his two altoists: Vincent Herring and especially the explosive Sonny Fortune. With pianist Rob Bargad, bassist Walter Booker and drummer Jimmy Cobb offering stimulating support, Adderley and his men perform a pair of lengthy standards (a 15-minute "Yesterdays" and an over 20-minute "Autumn Leaves") plus Jimmy Heath's "Big P." and Fortune's "For Duke and Cannon." The long solos are consistently inventive and colorful, making this an easily recommended Nat Adderley CD. ~ Scott Yanow

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"Immortal Concerts: Autumn Leaves" (08/06/2002) Jazz Instrument Evans, Bill (Piano), Giants Of Jazz Recordings (Italy)Personnel: Bill Evans (piano); Eddie Gomez (bass); Marty Morrell (drums). Composer: Bill Evans . Personnel: Bill Evans (piano); Marty Morell (drums). Recording information: Paris, La Maison De La Radio (11/28/1969/02/06/1972); RAI Building, Amsterdam, The Netherlands (11/28/1969/02/06/1972). The Bill Evans Trio is heard in concerts, excerpted from two radio broadcasts in Europe, taped nearly two-and-a-half years apart, though both feature the pianist with bassist Eddie G¢mez and drummer Marty Morell. The first six selections come from November 1969, with G¢mez as the main soloist in an intense "Autumn Leaves." Evans sparkles in his moody ballad "Turn Out the Stars" and Denny Zeitlin's lush requiem "Quiet Now." The interpretation of "Nardis" heard in 1969 is far more concise and to the point than Evans' later recordings, while the song incorrectly labeled "Very Airy" indicates this CD's bootleg origin, as the song is titled "Very Early." The last three tracks are taken from Live in Paris 1972, Vol. 1, another unauthorized release issued by France's Concert years earlier. The interplay is outstanding in the brooding rendition of the pianist's "Re: Person I Knew" (another title misidentified on this release), while it is hard to imagine the trio cooking much harder than they do in an explosive take of Scott LaFaro's "Gloria's Step." While it is better to look for the complete releases than settling for this compilation, the excellent sound of these broadcast excerpts and strong performances make this essential listening for fans of Bill Evans. ~ Ken Dryden

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"Autumn Leaves" (02/24/1998) Jazz Instrument Byas, Don, Jazz House (UK)

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"Immortal Concerts: Autumn Leaves" (03/07/2000) Jazz Instrument Getz, Stan, Giants Of Jazz Recordings (Italy)Personnel: Stan Getz (tenor saxophone); Gayle Moran (vocals); Chuck Loeb (guitar); Paul Horn (flute, horns); Sugar Blue (harmonica); Joe Farrell (tenor saxophone); Patrick Artero (trumpet); Andy LaVerne (piano); Mike Garson (keyboards); Victor Jones (drums). Recording information: Cannes, France (01/23/1980); France (01/23/1980); Palm Beach Casino, Cannes, Fran Mar Heights (01/23/1980). With so many Stan Getz releases to choose from, something like this European release might easily be overlooked. But no matter which version is purchased of this 1980 concert at the Midem Music Convention in Cannes, France, the listener will be surprised. Getz is in top form, and his relatively unheralded rhythm section consisting of pianistAndy LaVerne, guitarist Chuck Loeb, bassist Brian Bromberg and drummer Victor Jones provides strong support for the tenor saxophonist. Loeb contributes a pair of more contemporary sounding originals, though LaVerne's ballad "Chappaqua" does a better job of inspiring the leader. Guests Patrick Artero (trumpet) and flautist Paul Horn are added for a romp through "Billie's Bounce," which is marred slightly by the addition of Mike Garson's unnecessary electronic keyboards. Vocalist Gayle Moran is featured in a dramatic setting of "Time After Time" set up by LaVerne's intense introduction. This CD falls short of being in the top echelon of Stan Getz's vast discography as a leader, though it is worth acquiring. ~ Ken Dryden

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"Autumn Leaves" (10/31/2005) Jazz Vocal Getz, Stan, Pulse Records (UK)Stan Getz Sextet: Stan Getz (tenor saxophone); Joe Farrell (saxophone); Andy LaVerne (piano); Chuck Loeb (guitar); Brian Bromberg (bass); Victor Jones (drums). Recorded live in Cannes, France in 1980.

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"Autumn Leaves" (09/27/1943) Jazz General Manhattan Jazz Quintet, King

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"Autumn Leaves: Jazz Mainstream Masters" (06/10/2001) Jazz General Various Artists, P-Vine Records (Japan)
 
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"Autumn Leaves" (11/25/2002) Jazz Vocal Great Jazz Trio, Village (Japan)The Great Jazz Trio: Hank Jones (piano); Richard Davis (bass); Elvin Jones (drums). Recorded at Avatar Studio, New York, New York on May 12 & 13, 2002. Includes liner notes by Kiyoshi Koyama. This is a Super Audio CD playable only on Super Audio CD players. The Great Jazz Trio was a working cooperative working with various lineups led by Hank Jones in during the 1970s and 1980s, but the revival of this defunct group finds Jones joined by two newcomers to the group, seasoned veterans Richard Davis on bass and the leader's brother, Elvin Jones, on drums. Oddly enough, the two brothers have recorded together very infrequently during their long careers, so this opportunity must have been special to them. The opening track signals a different direction for the group, with Elvin's explosive solo stealing the show in "Autumn Leaves." The pianist's imaginative arrangement of "Yesterdays" begins as a stunning solo before Davis' sparse bass and Elvin's brushes join him. The buoyant treatment of Kenny Dorham's "Blue Bossa" finds Hank in a humorous mood, inserting several brief quotes from well-known works such as "Hot House" and "Blue Skies." The trio is clearly cooking by the time it recorded the percolating take of Oliver Nelson's "Six and Four." Hopefully, this delightful date by the Great Jazz Trio will result in a follow-up recording session. ~ Ken Dryden
 
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"Autumn Leaves" (11/25/2002) Jazz Vocal Great Jazz Trio, Columbia (USA)The Great Jazz Trio: Hank Jones (piano); Richard Davis (bass); Elvin Jones (drums). Recorded at Avatar Studio, New York, New York on May 12 & 13, 2002. Includes liner notes by Kiyoshi Koyama. The Great Jazz Trio was a working cooperative working with various lineups led by Hank Jones in during the 1970s and 1980s, but the revival of this defunct group finds Jones joined by two newcomers to the group, seasoned veterans Richard Davis on bass and the leader's brother, Elvin Jones, on drums. Oddly enough, the two brothers have recorded together very infrequently during their long careers, so this opportunity must have been special to them. The opening track signals a different direction for the group, with Elvin's explosive solo stealing the show in "Autumn Leaves." The pianist's imaginative arrangement of "Yesterdays" begins as a stunning solo before Davis' sparse bass and Elvin's brushes join him. The buoyant treatment of Kenny Dorham's "Blue Bossa" finds Hank in a humorous mood, inserting several brief quotes from well-known works such as "Hot House" and "Blue Skies." The trio is clearly cooking by the time it recorded the percolating take of Oliver Nelson's "Six and Four." Hopefully, this delightful date by the Great Jazz Trio will result in a follow-up recording session. ~ Ken Dryden
 
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"Autumn Leaves" (10/13/1990) Jazz Vocal Getz, Stan, MidniStan Getz Sextet: Stan Getz (tenor saxophone); Joe Farrell (saxophone); Andy LaVerne (piano); Chuck Loeb (guitar); Brian Bromberg (bass); Victor Jones (drums). Recorded live in Cannes, France in 1980.
 
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"Plays Standards, Vol. 1: Autumn Leaves [Japan CD]" (12/20/2000) Jazz Instrument Jordan, Duke, Pony Canyon Records (Japan)
 
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"Autumn Leaves *" (05/16/2001) Jazz General Big Apples/Freddie Hubbard, Pony Canyon Records (Japan)AUTUMN LEAVES features 10 tracks by legendary jazz artists Siobhan and Freddie Hubbard, including "Piccadilly Square," "New Joy," and "Round Midnight."
 
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"Autumn Leaves" (12/30/2003) Jazz Instrument DeFranco, Buddy, Verve (USA)This Japanese 24-bit remastered reissue of jazz clarinet player Buddy DeFranco's 1956 album AUTUMN LEAVES comes in an LP-style slipcase.
 
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"Autumn Leaves [Remaster]" (12/22/2003) Jazz Instrument DeFranco, Buddy, Verve (USA)This album by jazz clarinetist Buddy DeFranco has been remastered and packaged in an LP-style sleeve. CD comes in Jpn LP Sleeve. Personnel: Buddy DeFranco (clarinet); Sonny Clark (piano); Robert White (drums).
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