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Latin Spirits by Poncho Sanchez (CD - 07/26/2004)
 

Latin Spirits by Poncho Sanchez (CD - 07...

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Latin Spirits by Poncho Sanchez (CD - 07/26/2004)
"Latin Spirits" (07/26/2004) Jazz Instrument Sanchez, Poncho, Concord JazzPersonnel: Poncho Sanchez (vocals, congas, percussion); Dale Spalding (vocasl, harmonica); Ledisi (vocals); Lon Price (soprano, alto & tenor saxophones); Sal Cracchiolo (trumpet, flugelhorn); Scott Martin (alto, tenor & baritone saxophones); Francisco Torres (trombone, background vocals); David Torres (piano, Hammond B-3 organ, background vocals); Chick Corea, Bruce Malament (piano); Tony Banda (bass, background vocals); Tom Gargano (bass); James Gadson (drums); Jose "Papo" Rodriguez (bongos, percussion, background vocals); Ramon Banda, Tiki Pasillas (timbales). Recorded at Capitol Studios, Los Angeles, California and Fantasy Studios, Berkeley, California between April 30 & May 8, 2001. Includes liner notes by Bill Milkowski. Personnel: Poncho Sanchez (vocals, congas, percussion); David Spalding (vocals, harmonica); Ledisi (vocals); Randy Waldman (strings); Scott Martin, Lon Price (alto saxophone, tenor saxophone, baritone saxophone); Francisco Torres (trombone, background vocals); Chick Corea, David Torres, Bruce Malament (piano); James Gadson (drums); Jos? Papo Rodr¡guez (bongos, percussion, background vocals); Ricardo Tiki Pasillas, Ramon Banda (timbales); Tony Banda (background vocals). Audio Mixers: John Burk; Poncho Sanchez; Bernie Kirsh. Liner Note Author: Bill Milkowski. Recording information: Capitol studios, Los Angeles, CA (04/30/2001-05/08/2001); Fantasy Studios, Berkeley, CA (04/30/2001-05/08/2001); G Studio Digital (04/30/2001-05/08/2001). Arrangers: David Torres; Francisco Torres; Poncho Sanchez; Scott Martin; Lon Price. Much marketing ado will no doubt be made over the wonderful dream-come-true nature of the legendary conguero's pairing with jazz piano great Chick Corea, in a setting which brings the latter back to his roots playing with Mongo Santamaria in the '60s. And the two Corea-touched tracks are definite highlights. He wrote the jumpy, heavy-chorded jam title track, which finds him doing call and response with feisty horns as Sanchez pitter patters fancifully in the background; the piano improvisations between these interactions are characteristically mind-boggling, as Corea switches off from bebop to hardcore Latin ivory sweeps. He also tackles the frisky Wayne Shorter piece "Juju," dipping and swooping over and under the horns as, once again, Sanchez works up a frenzy all around him. But Sanchez' vision extends way beyond just the Corea songs, as he creates an exciting travelogue through various styles that go beyond just Latin jazz. "Sambia" is sassy Havana salsa all the way, but the bluesy "Next Exit" -- featuring David Torres on piano -- is what might happen if Ramsey Lewis found himself at a Latin jazz party. The fun part of being a percussionist is surrounding yourself with brilliant soloists, and Sanchez picks a true winner in saxman Scott Martin, whose rich baritone drives "Next Exit." "Going Back to New Orleans" is all party blues with shouting voices and a Dr. John-like vocal by Dale Spalding. "Quieres Volver" is a dreamy romance set firmly in San Juan, with strings and Sanchez' own raspy vocals. Tucked deep into the disc are two other can't-miss spots on the itinerary: the festive Manhattan-styled jaunt "Tito in the City" (an obvious tribute to the mastery of Tito Puente) and the funky, struttin' "Early in the Morning," which recalls Louis Jordan's Calypso jive circa the mid-'40s (also featuring Spalding on lead vocals). Just when you think this disc can't get any better, Sanchez delights in making every next note and tour stop a surprise. ~ Jonathan Widran

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Nuyorica Roots!
 

Nuyorica Roots!

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Nuyorica Roots!
"Nu Yorica Roots!: The Rise of Latin Music in New York City in the 1960's" (03/22/2000) International Various Artists, Soul JazzOne of the best collections of Latin American music ever assembled, Nu Yorica Roots! compiles some of the funkiest Latin soul and, occasionally, traditional music recorded in the Big Apple during the 1960s and '70s. The disc definitely concentrates on groove tracks, with standout inclusions by Joe Cuba ("El Pito"), Ray Barretto ("Acid," "Together"), and Tito Puente ("Oye Como Va," "Tito on Timbales"). But Nu Yorica Roots! also salutes the more tribal, drum-centered facets of Latin music during the era, with Mongo Santamaria ("Druma Kuyi"), Eddie Palmieri ("My Spiritual Indian"), and Sabu Martinez ("The Oracle") paying homage to their Afro-Cuban roots with flair. Harvey Averne's swinging cover of "The Word" by the Beatles and Orchestra Harlow's dance novelty "Horsin' Up" are a bit silly (even if they're good representations of the Latin soul scene), but without exception, this compilation nails the late-'60s convergence of amazing Latin instrumentalists and more groove-centered black music around El Barrio in East Harlem. Though it's saying quite a bit, Nu Yorica Roots! is the finest compilation produced by the inestimably valuable reissue label Soul Jazz Records. ~ John Bush

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Out of the Blue by Maysa (Latin) (CD - 07/30/2002)
 

Out of the Blue by Maysa (Latin) (CD - 0...

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Out of the Blue by Maysa (Latin) (CD - 07/30/2002)
"Out of the Blue" (07/30/2002) Jazz Instrument Maysa (Latin), N-Coded MusicPersonnel includes: Maysa, Will Downing (vocals); Peter White (acoustic guitar); Wayne Bruce, Ronnie Jordon, Wah-Wah Watson, Yosuke Oskada (guitar); Yoichiro Yoken Mizue (saxophone, trumpet, trombone); Rex Ridout (keyboards); Takahiro Watanabe (organ); Ronnie Garrett, Alex Al, Sekou Bunch (bass); Michael White (drums); Paulino Da Costa (percussion); Kim Brewer, Darcy Aldridge, Mari Mizuno (background vocals). Recorded at Kar Studios, Sherman Oaks, California, Night Flight Studios, Fort Washington, Maryland and Peace In The Valley, Van Nuys, California. Personnel: Maysa (vocals, programming, background vocals); Phil Jackson, Will Downing (vocals, background vocals); Rohn Lawrence, Wah Wah Watson, Wayne Bruce (guitar); Peter White (acoustic guitar); Rex Rideout (Fender Rhodes piano, keyboards, programming); Takahiro Watanabe (organ, synthesizer); Michael White (drums); Paulinho Da Costa (percussion); Darcy Aldridge, Tamika Newsome, Kimberly Brewer, Lisa Frazier (background vocals). Audio Mixer: Simon Cotsworth. Recording information: Kar Studio's, Sherman Oaks, CA; Night Flight Studios, Fort Washington, MD; Peace In The Valley, Van Nuys, CA. Photographer: Larry Busacca.

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The Colors of Latin Jazz: Corcovado! by Various Artists (CD - 07/26/2004)
 

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The Colors of Latin Jazz: Corcovado! by Various Artists (CD - 07/26/2004)
"The Colors of Latin Jazz: Corcovado!" (07/26/2004) Jazz Instrument Various Artists, Concord JazzNot many artists have immersed themselves in quite the cultural combination that Concord Special Products has assembled for the Colors of Latin Jazz series. This six-CD series captures the sweet, hot, happy, and rhythmic joys of Latin jazz. Colors of Latin Jazz: Corcovado! is the perfect culmination for the initial offerings of this splendid and exciting series. The perfect nightcap is the sweet voice of Karrin Allyson originally heard on Daydream and here on "Corcovado." She's as soft as the tear of a raindrop. Her serene essence is heard again in Portuguese singing Caetano Veloso's "Coracao Vagabundo," a soft bossa nova originally issued on From Paris to Rio. Romero Lubambo, Nilson Matta, and Duduka Da Fonseca join Trio Da Paz on the five-minute reprise of "Vera Cruz" featured from Brasil From the Inside. By the time you hear "Summer in San Francisco" by Hendrik Muerkens or Manfredo Fest and Susannah McCorkle emanating their resonant beauty on a pair of Antonio Carlos Jobim classics, you will have enjoyed the fluid, relentless pull of great bossa novas that have evolved into modern day Latin jazz classics for the 21st century aficionados and keepers of the Latin jazz flame. Tania Maria's sweet edge on "Triste" and "Comegar de Novo" prove why you have to blame it on the bossa nova, since she leaves you with such a pleasant feeling that expands with each listen. The great Charlie Byrd strums a beautiful "How Insensitive" originally issued on his The Bossa Nova Years. The clarinet solo of Ken Peplowski is a glowing example of the beauty and adaptability of the instrument in a Latin jazz ensemble. Charlie Byrd also closes the set with a reprise of "Corcovado," playing with the quiet, cool restraint that he is known for. Colors of Latin Jazz: Corcovado! is not only beautiful for the sheer range of the bossa novas it includes, but it is the spring amidst the rocks and a tree with its first leaves bearing The Colors of Latin Jazz. A generous gift from some of the finest artists performing Latin jazz. ~ Paula Edelstein

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The Colors of Latin Jazz: Cha Cha Soul! by Various Artists (CD - 04/27/2004)
 

The Colors of Latin Jazz: Cha Cha Soul! ...

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The Colors of Latin Jazz: Cha Cha Soul! by Various Artists (CD - 04/27/2004)
"The Colors of Latin Jazz: Cha Cha Soul!" (04/27/2004) Jazz Instrument Various Artists, Concord Special ProductsConcord's The Colors of Latin Jazz series rounds up Latin jazz sounds originally released by their Concord Picante offshoot. The tunes on Cha Cha Soul! are a mix of Latin styles, but mainly focus on the cha cha and guajira rhythms, and are taken from records released between 1982 and 2003. Tracks by Mongo Santamaria, Ray Barretto, Eddie Palmieri, Cal Tjader (with the great Carmen McRae), and Tito Puente provide marquee drawing power, and the rest of the performers aren't exactly unknowns in the Latin jazz field. None of the aforementioned performers are at the peak of their powers, but they turn in credible and often exciting dance music. Standout performances include McRae's gritty take on Santana's "Evil Ways" and Tito Puente and his band going to town on a live take of their classic "Oye Como Va." So while the sound of the record certainly reflects the time the songs were recorded, very clean and with most of the grease wiped away, this collection will satisfy fans of Latin jazz looking for a smooth and easy selection of modern sounds. ~ Tim Sendra

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The Ultimate Latin Dance Party by Poncho Sanchez (CD - 07/26/2004)
 

The Ultimate Latin Dance Party by Poncho...

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The Ultimate Latin Dance Party by Poncho Sanchez (CD - 07/26/2004)
"The Ultimate Latin Dance Party" (07/26/2004) Jazz Instrument Sanchez, Poncho, Concord JazzPersonnel includes: Poncho Sanchez (vocals, congas); Art Valesco (vocals, trombone); Tony Banda (vocals, bass); Dick Mitchell (tenor saxophone); Scott Martin (saxophone); Sal Cracchiolo (trumpet); David Torres (piano); James Gadson (drums); Ramon Banda (timbales); Jose "Papo" Rodriguez (bongos, percussion); David Romero (bongos); Jose Rizo. Producers include: John Burk, Poncho Sanchez, David Torres, Carl E. Jefferson, Nick Phillips. Compilation producer: Nick Phillips. Recorded between 1983 & 2001. Includes liner notes by Eliot Tiegel. Personnel: Poncho Sanchez (congas); Eddie Harris (saxophone); Joey DeFrancesco (organ); Mongo Santamar¡a (congas). As of 2002, conga player Poncho Sanchez had been recording for Concord Records' Concord Picante imprint for 20 years, a good point at which to pause and take stock of his 20 albums for the label. The Ultimate Latin Dance Party does just that, selecting 23 key tracks from 18 of those albums on a two-disc set running over two hours. Sanchez pays tribute to his predecessors on such songs as Herbie Hancock's "Watermelon Man," Dizzy Gillespie's "A Night in Tunisia," and a "Tito Medley" dedicated to Tito Puente and including "Oye Como Va." Among the guest stars joining his band are Joey DeFrancesco, Eddie Harris, Mongo Santamaria, and Puente himself. While this best-of cannot replace Sanchez's extensive catalog for fans, it is a generous compilation for more general listeners, who should be able to get a good idea of the conga player's lively, exuberant style. ~ William Ruhlmann

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The Colors of Latin Jazz: Latin Vibe! by Various Artists (CD - 07/26/2004)
 

The Colors of Latin Jazz: Latin Vibe! by...

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The Colors of Latin Jazz: Latin Vibe! by Various Artists (CD - 07/26/2004)
"The Colors of Latin Jazz: Latin Vibe!" (07/26/2004) Jazz Instrument Various Artists, Concord JazzIllustrator: Michelle White. The first CD in the Colors of Latin Jazz series spotlights awe-inspiring performances by vibraphone virtuosos Dave Samuels, Joe Locke, Gary Burton, Cal Tjader, and Terry Gibbs that take you to a place only the most legendary Latin jazz artists dare to go on songs like "Mambo Diablo" and "Jordu," both featuring the show-stopping percussion of the legendary bandleader Tito Puente. Puente, the brilliant scholar, distinguished gentleman, musical diplomat, fun-loving bandleader, and percussionist who has been the most influential man in Latin jazz for nearly 60 years recorded over 119 albums and CDs. These songs are just two from "El Rey's" Grammy Award-winning career at Concord Picante and were originally released on Mambo Diablo and Sensacion. His mastery of Latin rhythms are captured on these excellent mambo compositions that have transmitted his Cuban-inflected sounds to every corner of the world. Tito Puento, the ambassador of Latin jazz, died on Ascension Day, June 1, 2000. He will be missed but his music will live forever. On Latin Vibe!, mallets are made for more than just hitting drums. Residing on this great CD, the listener will find 12 compositions including "Arthur's Dance" and "Descarga Canelon" by the Carribean Jazz Project that spotlight the mastery of Dave Samuels on vibes. "Stepping Stone" features the dynamic duo of Ray Vega sharing his excellent Latin jazz insight on trumpet with Joe Locke on a very select solo that burns right up and down the scales. Cal Tjader's "Aleluia" and "Speak Low" should remind newcomers to the world of Latin jazz of the brilliance of this great musician and should solidify their understanding of why he is still celebrated as one of today's most important vibists. Gary Burton excites the aural senses with "Tanguedia," just one of his great compositions inspired by his productive association with tango master Astor Piazolla. "Morning," the soulful Poncho Sanchez composition with Reuben Estrada on vibes, brings the world together with the right Latin vibe. As the first release from the Colors of Latin Jazz series, this CD smokes and fills the room with a "Latin vibe" that's rhythmically positive and fulfilling. ~ Paula Edelstein

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Latin Jazz Christmas by Various Artists (CD - 07/26/2004)
 

Latin Jazz Christmas by Various Artists ...

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Latin Jazz Christmas by Various Artists (CD - 07/26/2004)
"Latin Jazz Christmas" (07/26/2004) Jazz Instrument Various Artists, Concord PicantePersonnel: Pete Escovedo (vocals, timbales); Dan Warner, Ray Obiedo, Steve Khan (guitar); Dave Valentin (flute); Ed Calle (alto flute, soprano saxophone, tenor saxophone, baritone saxophone, electric piano, synthesizer, programming); Melecio Magdaluyo, Scott Martin (saxophone); Justo Almario (soprano saxophone); Jeff Kievit, Sal Cracchiolo, Arturo Sandoval, Jim Hacker (trumpet); Francisco Torres, Jeff Cressman, Wayne Wallace, Dana Teboe, John Kricker (trombone); David Torres, Jim Gasior (piano); Murray Low (keyboards); Dave Samuels (vibraphone); Nicky Orta (electric bass); Dafnis Prieto (drums, timbales); Lee Levin, Paul VanWageningen (drums); Poncho Sanchez (congas, percussion); Juan Escovedo (congas); Richard Bravo (percussion); Lynn Mabry (background vocals). Audio Mixer: Bernie Kirsh. Liner Note Author: Mark Holston. Recording information: Fantasy Studio D, Berkeley, CA (01/29/2001-06/04/2001); Madhatter Studio, Los Angeles, CA (01/29/2001-06/04/2001); One-Take Studios, Miami, FL (01/29/2001-06/04/2001); Sear Sound Studios, New York, NY (01/29/2001-06/04/2001); The Gallery Studios, Miami, FL (01/29/2001-06/04/2001). Arrangers: David Torres; Ed Calle; Jeff Cressman; Wayne Wallace; Dave Samuels.

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Jazz Music For: Latin Nights by Various Artists (CD - 05/15/2001)
 

Jazz Music For: Latin Nights by Various ...

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Jazz Music For: Latin Nights by Various Artists (CD - 05/15/2001)
"Jazz Music For: Latin Nights" (05/15/2001) Jazz Instrument Various Artists, Madacy DistributionIncludes liner notes by James A. Pilkington. Personnel: Bill Regis (trumpet). Part of a jazz series from Madacy Entertainment that collects songs which evoke certain moods or themes, Jazz Music For: Latin Nights collects works that span more than half a century. The majority of the tracks are from classic American jazz artists like Woody Herman, Stan Getz, Lionel Hampton, and Art Blakey, offering up their voyages into the Latin sound. Iconic Latin artists like Tito Puente and Perez Prado are also included, as is critically acclaimed young lion Danilo Perez. Highlights include Perez's "Claudio," Hampton's "Flamenco Soul," Puente's "What Is This Thing Called Love," and "A Night in Tunisia" by Art Blakey & the Jazz Messengers. ~ Stacia Proefrock

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Colors of Latin Jazz: Samba by Various Artists (CD - 06/25/2002)
 

Colors of Latin Jazz: Samba by Various A...

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Colors of Latin Jazz: Samba by Various Artists (CD - 06/25/2002)
"Colors of Latin Jazz: Samba" (06/25/2002) Jazz Instrument Various Artists, Concord JazzThis is part of Concord Records "The Colors Of Latin Jazz" series. Illustrator: Michelle White. The term Latin jazz usually refers to a blend of jazz and Afro-Cuban music. When people hear the term Latin jazz, the artists who immediately come to mind include Tito Puente, Dizzy Gillespie, Chano Pozo, Cal Tjader, Ray Barretto, Mongo Santamaria, and Poncho Sanchez. Meanwhile, the term Brazilian jazz has been used to describe artists ranging from Airto Moreira to Stan Getz to Claudio Roditi -- improvisers who have combined jazz with Brazilian rhythms. Latin jazz and Brazilian jazz are thought of as two separate categories, but because Brazilian music is a form of Latin music, Brazilian jazz is technically a form of Latin jazz. Thus, it makes perfect sense for Concord to put together a Brazilian jazz compilation and call it Colors of Latin Jazz: Samba. Assembled in 2002, this good-to-excellent CD looks back on Concord's contributions to Brazilian jazz in the '80s and '90s. Some of the selections are actually by Brazilian artists, including Tania Maria's "Dear Dee Vee," Marcos Silva's "Street Samba," and Flora Purim's "Samba Do Cantor." But some of the artists are not, which isn't surprising because Stan Getz and Bud Shank proved long ago that one doesn't have to be Brazilian to play Brazilian jazz effectively. Some of the American improvisers who demonstrate their mastery of the samba beat include pianist Joanne Brackeen on "Recado Bossa Nova," flutist Ali Ryerson on "Nao Est  Colando (I'm Not Buying It)," and guitarist Charlie Byrd on Luiz Bonf 's familiar "Samba de Orfeu" (which features Ken Peplowski on tenor sax). Colors of Latin Jazz: Samba is far from the last word on Concord's Brazilian jazz output -- for one thing, it doesn't include anything by Laurindo Almeida. But it's an enjoyable compilation that shows listeners how appealing a combination jazz improvisation and the Brazilian samba rhythm can be. ~ Alex Henderson

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The Latin Side of Vince Guaraldi by Vince Guaraldi (CD - 03/19/1996)
 

The Latin Side of Vince Guaraldi by Vinc...

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The Latin Side of Vince Guaraldi by Vince Guaraldi (CD - 03/19/1996)
"The Latin Side of Vince Guaraldi" (03/19/1996) Jazz Instrument Guaraldi, Vince, Original Jazz ClassicsPersonnel: Vince Guaraldi (piano); Eddie Duran (guitar); Fred Marshall (bass); Jerry Granelli (drums); Bill Fitch (congas); Benny Velarde (timbales). Recorded at Coast Recorders, San Francisco, California. Originally released on Fantasy (8360). Includes liner notes by Ralph J. Gleason. Digitally remastered by Phil De Lancie (1996, Fantasy Studios, Berkeley, California). Personnel: Vince Guaraldi (piano); Eddie Duran (guitar); Fred Marshall (bass guitar); Jerry Granelli (drums); Bill Fitch (congas); Benny Velarde (timbales). Audio Remasterer: Phil DeLancie. Liner Note Author: Ralph J. Gleason. Recording information: Coast Recorders, San Francisco, CA (1960). The Latin side for Vince Guaraldi means a brush with both the Brazilian and Caribbean strains of Latin jazz, garnished now and then by an outboard string quartet and graced by four of his own delightful tunes. On Brazilian numbers like "Corcovado" and Brazilian-treated tunes like "Mr. Lucky" and Guaraldi's lovely "Star Song," Vince has drummer Jerry Granelli deploy his distinctive brushes-and-rim-shots bossa nova beat. Jack Weeks supplies bittersweet string arrangements as he tries to grant Guaraldi's wish for a "Villa-Lobos sound," which he does, more or less. Other tunes, like Guaraldi's own happy-go-lucky "Treat Street," "Whirlpool," and Nat Adderley's "Work Song," are treated to gentle cha-cha rhythms. Guaraldi's piano is hauntingly melodic, impulsively swinging, and unmistakable for anyone else's, and the sound is much improved over the LP issue -- especially in the case of the strings, which sound less seedy on the CD. ~ Richard S. Ginell

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Colors of Latin Jazz: Shades of Jobim by Various Artists (CD - 01/22/2002)
 

Colors of Latin Jazz: Shades of Jobim by...

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Colors of Latin Jazz: Shades of Jobim by Various Artists (CD - 01/22/2002)
"Colors of Latin Jazz: Shades of Jobim" (01/22/2002) Jazz Instrument Various Artists, Concord Special ProductsConcord Jazz's astute compilation of Antonio Carlos Jobim tunes rendered by its roster's artists includes a new reading of "The Girl from Ipanema" by Charlie Byrd, a nice modern reading of "S¢ Dan?o Samba," Ali Ryerson's gorgeous take on "Zingaro," and Susannah McCorkle's burning tempo on "A Felicidade (Happiness)." Not for the hardcore purists, but then nothing is but the real thing. ~ Thom Jurek

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Latin Kick
 

Latin Kick

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Latin Kick
"Latin Kick" (04/18/1991) Jazz Instrument Ellington, Duke, Fantasy (distributor)Personnel: Cal Tjader (vibraphone); Brew Moore (tenor saxophone); Manuel Duran (piano); Carlos Duran (bass); Luis Miranda (congas); Bayardo Velarde (timbales). Recorded at Radio Recorders, Los Angeles, California in 1956. Originally released on Fantasy (8033). Digitally remastered by Phil De Lancie (1991, Fantasy Studios, Berkeley, California). Cal Tjader's era-defining mixture of Afro-Cuban rhythms and mainstream jazz solos undergoes a bit of a horizontal expansion in these 1956 sessions. The tracks are often longer than on previous albums, finally taking advantage of the logistics of the LP, and as a result, both the Latin and jazz elements benefit. Tenor saxophonist Brew Moore gets extended chances to blow in an easy-grooving Getz-like manner on several tracks, and on "I Love Paris," Luis Miranda (congas) and Bayardo Velarde (timbales) engage in some spirited percussion battles over the vamping of the brothers Duran (Manuel on piano and Carlos on bass). Everything cooks in a bright yet disciplined manner, and Tjader's elliptical, swinging vibes preside genially over the ensemble. ~ Richard S. Ginell

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The Colors of Latin Jazz: Sabroso! by Various Artists (CD - 07/26/2004)
 

The Colors of Latin Jazz: Sabroso! by Va...

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The Colors of Latin Jazz: Sabroso! by Various Artists (CD - 07/26/2004)
"The Colors of Latin Jazz: Sabroso!" (07/26/2004) Jazz Instrument Various Artists, Concord JazzDirector: Alexis Davis. Illustrator: Michelle White. There may never be a setting as beautiful or a locale as ideal as a breathtaking ocean view complete with the sounds of beautiful Latin jazz floating over the ocean breeze. The fifth CD in the Colors of Latin Jazz series sets the scene for a collection of contemporary, smooth jazz peppered with Latin rhythms and percussion. This CD is a musical hybrid that's at once cool and smooth, yet hot and spicy! Up first is Jeff Linsky's beauty "Up Late," originally issued on Up Late by Concord Picante. His dynamic colors beckon the listener to "Come With Me," the second track sung and scatted by the inimitable Tania Maria on a cool samba just right for a hot day or night. Another smooth scorcher, "San Sabastian" by Ed Calle with special guest Arturo Sandoval is some of Sandoval's most melodic sax work bordered on all sides by the beauty of Spanish guitar, brass, and strings. The romance dance continues for six minutes and invites you to the captivating setting originally issued on Sunset Harbor. Manfredo Fest pays tribute to the smooth sounds of Brazil on "Agua De Beber" as Mongo Santamaria plays the all-time smooth tune "Smooth Operator" with a calypso beat surrounded by a bountiful bag of horns, bongos, and exciting percussion leading the flow of smooth jazz through your life. The nonstop beauty of the woodwinds float home on the wistful prevailing melodies from flutist Dave Valentin who is joined by tenor saxophonist Ed Calle. Along with Valentin, Calle is one of the most widely recorded Latin musicians in the U.S. Together they project a smooth contemporary style on "Embers" that crowns this collection with their sunny, upbeat sunshower that brilliantly portrays The Colors of Latin Jazz. Expect smooth beauty, romance, and peace on this enjoyable and exceptional display of rhythms handed down from the music angels of the south. ~ Paula Edelstein

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The Colors Of Latin Jazz: Soul Cookin' [2/8]
 

The Colors Of Latin Jazz: Soul Cookin' [...

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The Colors Of Latin Jazz: Soul Cookin' [2/8]
"Colors of Latin Jazz: Soul Cookin'" (02/08/2005) Jazz Instrument Various Artists, Concord Special ProductsWhile most of the collections in the Colors of Latin Jazz series of releases are well assembled, this one is especially delightful. Never mind the corny food theme on Soul Cookin', just dig into the sounds because there is a double entendre in the title. This is funky, gritty, steaming soulful jazz of all Latin varieties. There are jams by Mongo Santamaria, Poncho Sanchez, Cal Tjader, Tito Puente, and Pucho & His Latin Soul Brothers, to name a handful. The cuts are well-sequenced and beautifully illustrate the rich and varied tradition of Latin soul-jazz. If one needs any proof at all, just sample "Sweet 'Tater Pie," by Santamaria at any of your local CD emporiums that provide such a service, or check it here. It may be the best cut here, but they are all up to that standard of excellence. Add to this a budget price and you cannot, cannot go wrong! ~ Thom Jurek

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Manhattan Latin [Digipak] [Remaster] by Dave Pike (CD - 06/08/2004)
 

Manhattan Latin [Digipak] [Remaster] by ...

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Manhattan Latin [Digipak] [Remaster] by Dave Pike (CD - 06/08/2004)
"Manhattan Latin [Digipak] [Remaster]" (06/08/2004) Jazz Instrument Pike, Dave, Verve (USA)Personnel: Dave Pike (vibraphone); Attila Zoller (guitar); Joseph Grimaldi (flute); Hubert Laws (piccolo, tenor saxophone); Dave Burns (trumpet); Ray Copeland (flugelhorn); Chick Corea, Don Friedman (piano); Israel "Cachao" Lopez, Jack Six (bass instrument); Willie Bobo (drums). Manhattan Latin captures Dave Pike in flux between the straight-ahead approach of his earlier sessions and the psychedelic pop-jazz of his efforts for MPS: a playful yet methodical immersion into pure, sunkissed groove, its artful assimilation of global rhythms and textures anticipates the direction of Pike's most memorable work. Recorded with an impressive lineup including flautist Hubert Laws, drummer Willie Bobo and then-unknown pianist Chick Corea, the album largely eschews familiar Latin standards in favor of Pike originals. What's impressive is that the end result seems completely organic, living up to the album's title in terms of both sophistication and flavor. Phenomenal cover, too. ~ Jason Ankeny

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The Colors of Latin Jazz: Latin Jam! by Various Artists (CD - 06/08/2004)
 

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The Colors of Latin Jazz: Latin Jam! by Various Artists (CD - 06/08/2004)
"The Colors of Latin Jazz: Latin Jam!" (06/08/2004) Jazz Instrument Various Artists, Concord JazzPersonnel: Dave Valentin (flute); Ray Vega , Arturo Sandoval (trumpet); Eddie Palmieri (piano); Dave Samuels (vibraphone, marimba); Cal Tjader (vibraphone); Mongo Santamar¡a, Poncho Sanchez, Ray Barretto (congas); Pete Escovedo, Tito Puente (timbales). Recording information: 1980-2003. Illustrator: Michelle White. The Concord label has been mining their Latin jazz catalog on a series of collections. Nearly all of the music was put out under their Concord Picante subsidiary. Since the beginning of the 1980s, many of the surviving all-time greats of Afro-Cuban jazz made at least a few recordings for Concord Picante. As of this writing, Concord's The Colors of Latin Jazz series has resulted in 11 different CDs, all featuring previously released material. While true collectors of the music will want the original full sets, Latin Jam! serves as a fine introduction to the idiom. The personnel listings are not given for this CD, which -- considering the jam-session feel to many of the selections -- is a rather unfortunate omission. However, the music is mostly beyond criticism, featuring many of the kings of Latin jazz, including Tito Puente, Mongo Santamaria, Ray Barretto, Eddie Palmieri, Cal Tjader, and Poncho Sanchez. So an A for the music and a C for the packaging. ~ Scott Yanow

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Deals on Latin music instrumental in Jazz Instrumental Music. Visit BizRate to find the best deals on Jazz Instrumental Music. See which Music stores have the Latin music instrumental that you want. Read reviews on Music merchants and buy with confidence. Find savings on Latin Spirits by Poncho Sanchez (CD - 07/26/2004) - Nuyorica Roots!.