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Smooth Jazz Christmas
 

Smooth Jazz Christmas

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Smooth Jazz Christmas
"A Smooth Jazz Christmas [BMG Special Products]" (09/01/2003) Jazz Instrument Various Artists, BMG Special ProductsSmooth Jazz Christmas features a variety of smooth jazz artists performing holiday songs. Featured artists include Spyro Gyra ("Feliz Navidad"), Etta James ("Please Come Home for Christmas"), Jeffrey Osborne ("This Christmas"), and Tom Scott ("Gift of Your Love"), along with six others. This is a rather adventurous holiday collection, featuring somewhat obscure songs like "This Christmas" and self-penned songs like Chieli Minucci's "Magic." Furthermore, the artists take liberties when performing the songs, exploring the possibilities of the jazz idiom. Smooth Jazz Christmas should please anyone who can appreciate the more sedate and refined side of jazz. ~ Jason Birchmeier

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On Time (Sony)
 

On Time (Sony)

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On Time (Sony)
"On Time" (04/17/2001) Jazz Instrument Brubeck, Dave, Sony Music Distribution (USA)

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Meets The Rhythm Section
 

Meets The Rhythm Section

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Meets The Rhythm Section
"Art Pepper Meets the Rhythm Section" (07/01/1991) Jazz Instrument Pepper, Art, Original Jazz ClassicsPersonnel: Art Pepper (alto saxophone); Red Garland (piano); Paul Chambers (acoustic bass); Philly Joe Jones (drums). Recorded at Contemporary's Studio, Los Angeles, California on January 19, 1957. Originally released on Contemporary (7532). Includes liner notes by Lester Koenig. Personnel: Art Pepper (alto saxophone); Art Pepper; Paul Chambers (bass instrument); Red Garland (piano); Philly Joe Jones (drums). Audio Remasterer: Phil DeLancie. Liner Note Author: Lester Koenig. Recording information: Contemporary Studio, Los Angeles, CA (01/19/1957); Contemporary's Studio, Los Angeles, CA (01/19/1957). Photographer: William Claxton. Unknown Contributor Roles: Red Garland; Paul Chambers; Philly Joe Jones. In the 1950s, Miles Davis assembled one of the premier rhythm sections in jazz. His pre-Bill Evans group, consisting of pianist Red Garland, bassist Paul Chambers, and drummer Philly Joe Jones (heard on such albums as ROUND ABOUT MIDNIGHT and MILESTONES) was hard to beat. The way they performed together was remarkable, at once musically conversational and nearly telepathic in their collective thinking. On this unusual '57 outing, "West Coast cool" alto saxophonist Art Pepper teams up with these great rhythm players. The result is a seamless match of styles and approaches that showcases the skills of all four master musicians. Highlights include the burning-fast Pepper original "Straight Life" and the endearing "Red Pepper Blues," a tune composed by Red Garland just five hours prior to the recording session.

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Incognito
 

Incognito

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Incognito
"Incognito" (05/23/1994) Jazz Instrument Spyro Gyra, Amherst RecordsPersonnel includes: Jay Beckenstein (saxophone, whistle, percussion); Toots Thielemans (harmonica); David Samuels (marimba, vibraphone); Jorge Dalto (piano); Richard Tee (piano, organ); Jeremy Wall (electric piano); Tom Schuman (electric piano, synthesizer); Rob Mounsey (synthesizer, vocoder); Steve Love, Hiram Bullock, John Tropea, Chet Catallo (guitar); Marcus Miller, Will Lee (bass); Steve Gadd (drums); Crusher Bennett (congas); Manolo Badrena, Gerardo Velez (percussion). Producers: Richard Calandra, Jay Beckenstein. Recorded at Secret Sound Studio, New York. Personnel: Steve Love (guitar, electric guitar); Chet Catallo, Hiram Bullock, John Tropea (guitar); Peter Dimitriades, Matthew Raimondi, Harry Lookofsky (violin); Guy Lumia (viola); Jonathan Abramowitz, Jesse Levy (cello); Frederick Buldrini, Marvin Morgenstern, Lewis Eley, Richard Young, Regis Iandiorio, Harold Kohon (strings); Larry Williams , Tom Scott (flute, saxophone); Toots Thielemans (harmonica, synthesizer); Jay Beckenstein (saxophone, percussion); Gary Grant, Jerry Hey (trumpet, flugelhorn); Bill Reichenbach Jr. (trombone); Richard Tee (piano, organ, keyboards); Jorge Dalton (piano); Tom Schuman (electric piano, keyboards, synthesizer); Jeremy Wall (electric piano, keyboards, percussion); Rob Mounsey (synthesizer); Dave Samuels (vibraphone, marimba, percussion, background vocals); Marcus Miller, Will Lee (bass guitar); Steve Gadd (drums, percussion); Eli Konikoff (drums); Manolo Badrena (congas, percussion); Gerardo Velez, Errol Bennett (percussion).

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Catching The Sun
 

Catching The Sun

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Catching The Sun
"Catching the Sun" (05/23/1994) Jazz Instrument Spyro Gyra, Amherst RecordsSpyro Gyra: Jay Beckenstein (saxophone, Fender Rhodes, synthesizers, percussion); Tom Schuman (piano, Fender Rhodes, synthesizers, effects, programming); Chet Catallo (guitar); Jim Kurzdorfer, Will Lee (bass); Eli Konikoff (drums); Gerardo Velez (bongos, percussion). Additional personnel includes: Bob Malach (tenor saxophone); Randy Brecker (trumpet, flugelhorn); Tom Malone, Barry Rogers (trombone); Harry Lookofsky, Charles Libove (violin); Charles McCracken (cello); David Samuels (vibraphone, marimba, steel drums); Steve Nathan (Clavinet, programming); Jeremy Wall (synthesizers, effects, percussion, programming); John Tropea, Hiram Bullock (acoustic & electric guitars); Rubens Bassini (congas, percussion); Richard Calandra (tambourine, percussion). Producers: Jay Beckenstein, Richard Calandra (tracks 1-9). Recorded at Secret Sound Studios, New York. One among many similar-sounding but highly popular albums by premier fusion ensemble Spyro Gyra. The group's songs usually contained catchy melodies, prominent backbeats, and some room for improvisational expression, although it was limited and required quick bursts rather than expansive statements. They were and still are near the top in the light jazz and fusion field. ~ Ron Wynn

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Access All Areas
 

Access All Areas

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Access All Areas
"Access All Areas" (05/23/1994) Jazz Instrument Spyro Gyra, Amherst RecordsPersonnel: Jay Beckenstein (saxophone), Dave Samuels (vibraphone, marimba), Tom Schuman (keyboards), Chet Catallo (guitar), Kim Stone (bass), Eli Konikoff (drums), Gerardo Velez (percussion). Producers: Jay Beckenstein, Richard Calandra (tracks 1-10). Recorded live in Florida from November 17-19, 1983. All songs written or co-written by members of Spyro Gyro except "Islands In The Sky" (Jeremy Wall). Personnel: Chet Catallo (guitar); Jay Beckenstein (saxophone, percussion); Jeremy Wall (keyboards, percussion); Tom Schuman (keyboards); Dave Samuels (vibraphone, marimba); Eli Konikoff (drums); Gerardo Velez (percussion). Recording information: Florida (11/17/1983/11/19/1983). An excellent live double album, it includes live versions of songs from early albums. ~ Paul Kohler

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The Best Of Spyro Gyra: The First Ten Years
 

The Best Of Spyro Gyra: The First Ten Ye...

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The Best Of Spyro Gyra: The First Ten Years
"The Best of Spyro Gyra: The First Ten Years" (11/04/1997) Jazz Instrument Spyro Gyra, Amherst RecordsProducers: Jay Beckstein, Richard Callandra. Personnel: John Tropea (guitar, acoustic guitar); Chet Catallo, Julio Fernandez (guitar); Hiram Bullock, Steve Love (acoustic guitar, electric guitar); Lamar Alsop, Jonathan Abramowitz, Jay Levy, Peter Dimitriades, Guy Lumia, Sanford Allen, Harold Kohon, Matthew Raimondi, Richard Sortomme (strings); Michael Brecker (flute, horns); Jay Beckenstein (saxophone, horns, electric piano); Randy Brecker (trumpet, horns); Gary Grant, Jerry Hey, Larry Williams , Tom "Bones" Malone, Tom Scott, Bob Malach (horns); Jorge Dalto (piano); Tom Schuman (electric piano, keyboards, synthesizer); Jeremy Wall (electric piano, synthesizer); Rob Mounsey (synthesizer); Dave Samuels (marimba, steel drum); Eli Konikoff, Ted Reinhardt, Richie Morales, Steve Gadd , Tom Walsh (drums); Rubens Bassini (congas, percussion); Emile Latimer, Crusher Bennett, Gerardo Velez, Manolo Badrena (percussion). Audio Mixers: Craig Bishop; Jack Malken; Larry Swist; Michael Barry . Recording information: House Of Music, W. Orange, NJ; Mark Studio, Clarence, NY; Oce; PCI Studios, Rochester, NY; Secret Sound Studio, New York, NY. Arranger: Jeremy Wall.

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Marching Down Bourbon Street
 

Marching Down Bourbon Street

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Marching Down Bourbon Street
"Marching Down Bourbon Street" (02/23/1997) Jazz Instrument Preservation Hall Jazz Band, Sony Music Distribution (USA)Ensemble: Preservation Hall Jazz Band. Arranger: Preservation Hall Jazz Band. This Preservation Hall collection includes the band's renditions of hymns like "When the Saints Go Marchin' In" and "Just a Closer Walk with Thee," as well as jazz standards "Mood Indigo," "Bill Bailey (Won't You Please Come Home)" and "St. Louis Blues." ~ Keith Farley

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Les Brown & His Orchestra: 1944-1949
 

Les Brown & His Orchestra: 1944-1949

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Les Brown & His Orchestra: 1944-1949
"Les Brown & His Orchestra: 1944-1949" (06/10/1997) Jazz General Brown, Les, Flashback Records

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Christmas With Travelin' Light
 

Christmas With Travelin' Light

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Christmas With Travelin' Light
"Christmas with Travelin' Light" (08/29/2006) Rock & Pop Travelin' Light, Telarc DistributionTravelin' Light: Sam Pilafian (tuba), Frank Vignola (guitar, banjo). Additional personnel: Ken Peplowski (clarinet), Don Keiling (rhythm guitar), Joe Ascione (drums), Andy Kubiszweski (percussion). Recorded in the Commandary Room, Masonic Audiotorium, Cleveland, Ohio, July 15, 1992. Travelin' Light: Frank Vignola (guitar, banjo); Sam Pilafian (tuba). This is a melodic and often entertaining set of Christmas-related songs as performed by Travelin' Light (Sam Pilafian on tuba and Frank Vignola doubling on guitar and banjo) with several guests: clarinetist Ken Peplowski, guitarist Don Keiling, drummer Joe Ascione and percussionist Andy Kubiezewski. The interpretations range from Dixieland to folk, with a nutty version of "The Twelve Days of Christmas" thrown in as a surprise. ~ Scott Yanow

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Dig It?
 

Dig It?

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Dig It?

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Kelly Blue (OJC)
 

Kelly Blue (OJC)

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Kelly Blue (OJC)
"Kelly Blue [Remaster]" (04/04/1989) Jazz Instrument Kelly, Wynton, Original Jazz ClassicsPersonnel: Wynton Kelly (piano); Bobby Jaspar (flute); Benny Golson (tenor saxophone); Nat Adderley (cornet); Paul Chambers (bass); Jimmy Cobb (drums). Recorded in New York, New York on February 19, 1959. Originally released on Riverside (1142). Personnel: Wynton Kelly (piano); Bobby Jaspar (flute); Benny Golson (tenor saxophone); Nat Adderley (cornet); Paul Chambers (bass); Jimmy Cobb (drums). Original producer: Orrin Keepnews. Reissue producer: Akira Taguchi. Recorded in New York on February 19, 1959. Originally released on Riverside (1142). Digitally remastered by JVC using XRCD (extended resolution compact disc). This is a hybrid Super Audio CD playable on both regular and Super Audio CD players. Personnel: Wynton Kelly (piano); Bobby Jaspar (flute); Benny Golson (tenor saxophone); Nat Adderley (cornet); Paul Chambers (bass); Jimmy Cobb (drums). Recorded in New York, New York on February 19, 1959. Originally released on Riverside (1142). Wynton Kelly Trio & Sextet: Bobby Jaspar (flute); Benny Golson (tenor saxophone); Nat Adderley (cornet); Wynton Kelly (piano); Paul Chambers (bass instrument); Jimmy Cobb (drums). Liner Note Author: Orrin Keepnews. Jazz is ultimately based on the blues, or "blue notes." Consequently, KELLY BLUE couldn't be a more fitting play on words to describe pianist Wynton Kelly, an extremely bluesy jazz musician. His originals "Old Clothes" and "Kelly Blue" are both straight-up blues tunes. These tracks are carefree and bouncy, and Kelly plays exciting, colorful solos on both. Like any good jazz pianist, Kelly uses accents to create the needed syncopation in the music. But his punchy, almost percussive approach gives his solos even more dimension, power, and forward momentum. "Green Dolphin Street" is another excellent track, where Kelly swings effortlessly, due in part to the fabulous rhythm section of Paul Chambers and Jimmy Cobb. Kelly's solo here has a superb ebb and flow. His snaky runs up and down the keyboard make this one of the album's true highlights. The horn players all keep pace with Kelly too. Tenor saxophonist Benny Golson is especially adroit, and plays some terrific solos on the title track and "Keep it Moving." Jazz is ultimately based on the blues, or "blue notes." Consequently, KELLY BLUE couldn't be a more fitting play on words to describe pianist Wynton Kelly, an extremely bluesy jazz musician. His originals "Old Clothes" and "Kelly Blue" are both straight-up blues tunes. These tracks are carefree and bouncy, and Kelly plays exciting, colorful solos on both. Like any good jazz pianist, Kelly uses accents to create the needed syncopation in the music. But his punchy, almost percussive approach gives his solos even more dimension, power, and forward momentum. "Green Dolphin Street" is another excellent track, where Kelly swings effortlessly, due in part to the fabulous rhythm section of Paul Chambers and Jimmy Cobb. Kelly's solo here has a superb ebb and flow. His snaky runs up and down the keyboard make this one of the album's true highlights. The horn players all keep pace with Kelly too. Tenor saxophonist Benny Golson is especially adroit, and plays some terrific solos on the title track and "Keep it Moving." Jazz is ultimately based on the blues, or "blue notes." Consequently, KELLY BLUE couldn't be a more fitting play on words to describe pianist Wynton Kelly, an extremely bluesy jazz musician. His originals "Old Clothes" and "Kelly Blue" are both straight-up blues tunes. These tracks are carefree and bouncy, and Kelly plays exciting, colorful solos on both. Like any good jazz pianist, Kelly uses accents to create the needed syncopation in the music. But his punchy, almost percussive approach gives his solos even more dimension, power, and forward momentum. "Green Dolphin Street" is another excellent track, where Kelly swings effortlessly, due in part to the fabulous rhythm section of Paul Chambers and Jimmy Cobb. Kelly's solo here has a superb ebb and flow. His snaky runs up and down the keyboard make this one of the album's true highlights. The horn players all keep p

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Morning Dance
 

Morning Dance

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Morning Dance
"Morning Dance" (05/23/1994) Jazz Instrument Spyro Gyra, Amherst RecordsPersonnel: Gordon Grody, Diva Gray, Lani Groves (vocals); John Tropea (guitar, electric guitar); Chet Catallo, Rick Strauss (guitar); Charles Libove, Matthew Raimondi, Harry Cykman, Harry Lookofsky (violin); Alfred Brown (viola); Charles McCracken (cello); Louis del Gatto (flute); Jay Beckenstein (saxophone, alto saxophone, percussion); Michael Brecker (tenor saxophone); Randy Brecker (trumpet); John Clark (French horn); Tom "Bones" Malone (trombone); Tom Schuman (piano, electric piano, keyboards); Jeremy Wall (electric piano, keyboards, percussion); Suzanne Ciani (synthesizer); Dave Samuels (marimba, steel drum); Steve Jordan , Eli Konikoff, Ted Reinhardt (drums); Gerardo Velez (congas, bongos, percussion); Rubens Bassini (congas, percussion); Larry Fast (programming). Recording information: 1979.

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Carnaval
 

Carnaval

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Carnaval
"Carnaval" (05/23/1994) Jazz Instrument Spyro Gyra, Amherst RecordsPersonnel: Jay Beckenstein (alto saxophone, piano), Michael Brecker (tenor saxophone, flute), Randy Brecker (trumpet), Tom Malone (trombone), David Darling (cello), David Samuels (marimba), Tom Schuman, Jeremy Wall (keyboards), Rob Mounsey (synthesizer), Hiram Bullock, Chet Catallo, John Tropea (guitar), Will Lee IV, Jim Kurzdorfer (bass), Eli Konikoff (drums, percussion), Steve Jordan (drums), Crusher Bennett (percussion, congos), Gerardo Velez, Steve Kroon, Richard Calandra (percussion). Strings: Matthew Raimondi, Harold Kohon, W. Sandford Allen, Peter DiMitriades, Richard Sortomme, Guy Lumia, Lamar Alsop, Jay Levy, Johnathon Abramowitz. Producers: Jay Beckenstein, Richard Calandra (tracks 1-8). Engineers: Michael Barry, Jack Malken, Neil Dorfsman. Recorded at Secret Sound Studio and Power Station, New York. All songs written by members of Spyro Gyra. Personnel: Hiram Bullock, John Tropea (guitar, electric guitar); Chet Catallo, Rick Strauss (guitar); Harold Kohon, Matthew Raimondi, Richard Sortomme (violin, strings); Peter Simitriades, Sanford Allen, Harry Lookofsky (violin); Lamar Alsop, Guy Lumia (viola, strings); Jonathan Abramowitz (cello, strings); David Darling, Jesse Levy (cello); Jay Levy, Allen W. Sanford, Peter Dimitriades (strings); Randy Brecker (flute, tenor saxophone, trumpet); Michael Brecker (flute, tenor saxophone); Jay Beckenstein (saxophone, alto saxophone, piano); Tom "Bones" Malone (trumpet, trombone); Jeremy Wall, Tom Schuman (keyboards); Rob Mounsey (synthesizer); Dave Samuels (vibraphone, marimba); David Samuels (marimba); Steve Jordan , Eli Konikoff (drums); Errol Bennett (congas, percussion); Crusher Bennett, Gerardo Velez, Steve Kroon (percussion). Recording information: Power Station, New York, NY; Secret Sound Studio, New York, NY. Photographers: Waring Abbott; Elliot Saltzman.

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The Very Best Of
 

The Very Best Of

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The Very Best Of
"The Very Best of Doc Severinsen [Amherst]" (11/04/1997) Jazz Instrument Severinsen, Doc, Amherst RecordsPersonnel: Doc Severinsen (trumpet). Liner Note Author: Leonard Silver. Arrangers: Dick Lieb; John Bambridge; Jeff Tyzik; Allen Vizzutti; Tommy Newsom; Bill Holman.

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$11
The Incredible Jazz Guitar Of Wes Montgomery
 

The Incredible Jazz Guitar Of Wes Montgo...

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The Incredible Jazz Guitar Of Wes Montgomery
"The Incredible Jazz Guitar of Wes Montgomery [Remaster]" (09/01/1991) Jazz Instrument Montgomery, Wes, Riverside Records (Jazz)Personnel: Wes Montgomery (guitar); Tommy Flanagan (piano); Percy Heath (bass); Albert Heath (drums). Recorded at Reeves Sound Studios, New York, New York on January 26 and 28, 1960. Originally released on Riverside (9320). Includes original release liner notes by Orrin Keepnews. Personnel: Wes Montgomery (guitar); Tommy Flanagan (piano); Percy Heath (upright bass); Albert Heath (drums). John "Wes" Montgomery taught himself to play at the age of nineteen and created a style as influential to jazz guitar as was Charlie Christian's to an earlier generation. Recorded in the early part of his solo career, THE INCREDIBLE JAZZ GUITAR OF WES MONTGOMERY defined standards for hard bop guitar which are as cogent today as they were in 1960. The album jumps out with the quartet hustling through Sonny Rollins' "Airegin," where Wes performs his often imitated licks with grace and agility. His extended phrases, thematic development, harmonic and melodic embellishment come together in a formidable technique with a heavy swing. An impressive use of octaves and chords coupled with the rejection of a guitar pick in favor of his own thumb allowed Wes' guitar to sing with warmth and with beauty. The lyrical rendition of "Polka Dots And Moonbeams" and his own "D-Natural Blues" are prime examples of the fullness of his lines. To this day, whenever a guitarist uses octaves he runs the risk of comparison to Wes, such was his mastery of this technique. Another aspect of his legacy is the compositions. Since their appearance on this album, "Four On Six" and "West Coast Blues" have become standard jazz repertoire. Yet to remain in awe merely of his approach is to miss the point of what he has to say. Montgomery's technique served only to express the emotions and inspirations born from the depths of his soul. From the strings of his guitar, through all the amplifiers, tapes and speakers, what shines through is Wes' heart and a style without which there wouldn't be players like Pat Martino, Kevin Eubanks and Mark Whitfield today.

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Music of the War Years, Vol. 2: Boogie Woogie Bugle Boy by Various Artists (Cassette - 12/01/1995)
 

Music of the War Years, Vol. 2: Boogie W...

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Music of the War Years, Vol. 2: Boogie Woogie Bugle Boy by Various Artists (Cassette - 12/01/1995)
"Music of the War Years, Vol. 2: Boogie Woogie Bugle Boy" (12/01/1995) Jazz Instrument Various Artists, EMI-Capitol Special MarketsMusic of the War Years, Vol. 2: Boogie Woogie Bugle Boy is an entertaining, 12-track budget-line sampler of pop hits from World War II. Of course, the Andrews Sisters' hit is here, but so is Jo Stafford's "Long Ago (And Far Away)," Johnny Mercer's "G.I. Jive," Harry James' "I've Heard That Song Before," Stan Kenton's "And Her Tears Flowed Like Wine" and the Pied Pipers' "The Trolly Song," as well as lesser-known gems like "Ella Mae Morse." It may not be more than a sampler, but it's a fun one. ~ Stephen Thomas Erlewine

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Music of the War Years, Vol. 3 by Various Artists (Cassette - 04/1992)
 

Music of the War Years, Vol. 3 by Variou...

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Music of the War Years, Vol. 3 by Various Artists (Cassette - 04/1992)
"Music of the War Years, Vol. 3" (04/1992) Jazz Instrument Various Artists, EMI-Capitol Special Markets

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Lounge Music Goes Latin by Various Artists (Cassette - 10/15/1996)
 

Lounge Music Goes Latin by Various Artis...

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Lounge Music Goes Latin by Various Artists (Cassette - 10/15/1996)
"Lounge Music Goes Latin" (10/15/1996) Jazz Instrument Various Artists, PolygramThis is part of Chronicles' Dr. Lounge Presents! series. Illustrator: Allan Ayers.

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$10
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