Ella fitzgerald songbook in Jazz Vocal Music

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"Sings the Jerome Kern Song Book [Digipak]" (02/15/2005) Pop Vocal Fitzgerald, Ella, Verve (USA)Conducted by Nelson Riddle. Personnel: Ella Fitzgerald (vocals); Robert Bain (guitar); Nathan Ross (violin); Ray Kramer (cello); Plas Johnson (tenor saxophone); Shorty Sherock (trumpet); Dick Nash (trombone); Paul Smith (piano); Joe Comfort (bass instrument); Alvin Stoller (drums). Liner Note Authors: Benny Green ; James Gavin. Arranger: Nelson Riddle. THE JEROME KERN SONGBOOK is perhaps not as celebrated as some of Ella Fitzgerald's earlier entries in the Songbook series, like the Duke Ellington and Cole Porter volumes, but it's a magnificent, joyous celebration nonetheless. Recorded in 1963, with Nelson Riddle arranging and conducting the sessions, THE JEROME KERN SONGBOOK has Riddle's typically lush sound and languid tempos, which perfectly suit both Fitzgerald (whose warm, honeyed voice sounds like it was made for Riddle's arrangements) and the sophisticated material. After opening with the standard "Let's Begin," Fitzgerald and Riddle glide through a dozen of Kern's best tunes, including a remarkable reading of perhaps Kern's best-known song, "The Way You Look Tonight." A flirty "You Couldn't Be Cuter" and a sassy "Can't Help Lovin' Dat Man" add variety to the ballad-heavy selection, but it's the romantic gems like "All the Things You Are" that resonate the longest. Ella Fitzgerald is rightfully known for her superb, often-definitive interpretations of Cole Porter, Irving Berlin, Rodgers & Hart, and Gershwin tunes, which are well documented in her SONG BOOK series. The addition of SINGS THE JEROME KERN SONG BOOK to Fitzgerald's discography is welcome. Recorded in 1963, the album presents Fitzgerald's voice as golden as ever. Yet age was beginning to color her singing a bit, and that texture adds a beautiful dimension to songs like the dark "Why Was I Born?" and the yearning "Can't Help Lovin' Dat Man." Fitzgerald's SONG BOOK outings are usually graced by the orchestra and arrangements of Nelson Riddle. Riddle's charts for the JEROME KERN SONG BOOK are typically smart and swinging, with a lush, full sound that balances punch and lyricism. Fitzgerald's ebullient delivery and honey-rich timbre bring out the humor of "A Fine Romance," the wistfulness of "I'm Old Fashioned," and the tender romance of "The Way You Look Tonight," putting her distinctive stamp on each. This set is sure to please fans of Kern and big-band standards. For aficionados of Fitzgerald's other SONG BOOK albums, this is a must.

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"The Ella Fitzgerald Songbook" (04/11/2005) Jazz Vocal Fitzgerald, Ella, Castle Music Ltd. (UK)Personnel includes: Ella Fitzgerald (vocals); Wilie Smith (alto saxophone); Ben Webster (tenor saxophone); Buddy DeFranco (clarinet); Stuff Smith (violin); Paul Smith (piano); Barney Kessel (guitar); Joe Mondragon (bass); Alvin Stoller (drums); Duke Ellington & His Orchestra, Nelson Riddle Orchestra, Paul Weston Orchestra, Buddy Bregman Orchestra, Billy May Orchestra. Recorded between 1956 and 1964. Includes liner notes by Geoffrey Mark Fidelman. THE BEST OF THE SONG BOOKS contains 16 Fitzgerald performances culled from the 8-volume, 16-CD Verve Song Book series, which spotlights Fitzgerald's interpretations of tunes by Richard Rodgers & Lorenz Hart, Harold Arlen, Irving Berlin, Duke Ellington, George Gershwin, Jerome Kern, Johnny Mercer and Cole Porter. Considering the enormity of the task, the good compilers at Verve have done a fine job picking the "best" of Ella Fitzgerald's massive seven-composer Songbook series. In fact, there are more than few other collections drawn from the Songbooks, two of which, BALLADS and LOVE SONGS, previously combined with the more general THE BEST OF THE SONGBOOKS to make up a limited edition 3-CD box set. All three titles are now only available as individual discs. That said, a representative sampler like this is an excellent place to begin exploring Fitzgerald's great recordings for Verve. The opener "Something's Gotta Give" (Mercer), "Between The Devil And The Deep Blue Sea" (Arlen) and "Cottontail" (Ellington) capture Ella at her most virtuosic, scat-singing to the point of abandon but still utterly relaxed and musicianly. On the slow side, fans of the Gershwins' "Love Is Here To Stay" should delight in the singer's near-definitive version as well as the other selections from her monumental Gershwin set, "'S Wonderful" and "They Can't Take That Away From Me."
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