Jennifer lopez jennifer lopez cd

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"This Is Me... Then" (11/26/2002) R&B Lopez, Jennifer, Epic (USA)Personnel includes: Jennifer Lopez (vocals); Jadakiss, Styles, LL cool J (rap vocals); Reggie Hamlet (acoustic guitar, bass); Renee Toledo (acoustic guitar); Kamil Rustaru (electric guitar); Verdine White (bass); Omar Hakim (drums); Troy Oliver, Dan Shea (programming); B-Money (vinyl scratches); Lakindra Pierce, Natasha Ramos, Billy Lawrence, Tavia Ivey (background vocals). Producers include: Rick Shelton, Troy Oliver, Cory Rooney, Focus, Reggie Hamlet. Recorded at Hit Factory, New York, New York. Personnel: Rene Toledo (guitar, acoustic guitar); Reggie Hamlet (acoustic guitar, bass guitar); Kamil Rustam (electric guitar); Omar Hakim (drums); Dan Shea, Davy Deluge (programming); Troy Oliver (keyboard programming, drum programming); B Money (scratches); Corey Rooney, Makeba Riddick, Natasha Ramos, Shelene Thomas, Tavia Ivey, Billy Lawrence (background vocals). Audio Mixers: Jean-Marie Horvat; Peter Wade Keusch; Bruce Swedien. Audio Remixer: Lawrence Fordyce. Recording information: Criteria, Miami, FL; Hit Factory, New York, NY; Record Plant, LA; Sony Music Studios, New York, NY; The Studio, Philadelphia, PA. Don't pay attention to the title, which is absolutely nonsensical and bewildering -- it suggests that This Is Me...Then is a compilation, which it isn't, and it also suggests that this has some sort of theme, which it doesn't -- and concentrate on the music, which is the strongest, sultriest, best music Jennifer Lopez (who has abandoned the moniker J-Lo) has recorded for any of her three albums. This, of course, doesn't mean that it's a radical musical departure, though there are differences here -- the glitzy dance-pop has been phased out, there's a stronger urban soul vibe, particularly on the lush surfaces and sexy grooves -- but it does mean that the album has a solid set of songs and a sharp production pitched directly at the mainstream of 2002, yet with nice allusions to classic soul and early-'80s pop-funk and soft rock. Since Lopez is a celebrity and a regular feature on gossip pages in the early days of the 21st century, and since she's unabashedly mainstream -- her only attempts at street-cred are on the laughable lyrics to "Jenny From the Block," where she insists that success hasn't spoiled her yet and she's the same ol' Jen she's always been (if so, why the paparazzi on the back cover?) -- it's easy for some listeners to dismiss her, but it's harder to make to make a pop album as easily enjoyable as this. Sure, there are some flaws -- as mentioned above, "Jenny From the Block" is silly and no matter how much you love Ben Affleck, "Dear Ben" is unbearably mawkish -- but all mainstream pop albums stumble through filler. What counts is the overall feel and the highlights. Here, the feel is sexy, stylish, and fun, and there are numerous highlights, all feeling effortless. And if you think that's easy to do, take a listen to a few other pop-R&B albums from late 2002 (Stripped and Charmbracelet come to mind) and hear how good this record is. ~ Stephen Thomas Erlewine In the titles of both her debut, ON THE 6 (as in the NYC subway to the Bronx), and her 2002 release, THIS IS ME...THEN, Jennifer Lopez makes the assertion that in spite of her mega-successful movie career and her high profile, paparazzi-fodder dating life (from Puff Daddy to Ben Affleck), she is still just "Jenny from the Block," as this album's first single proclaims; a simple girl from the Bronx. That your average non-movie-star from the Bronx could probably not obtain a record deal so readily is a moot point, since Lopez can indeed sing and is undeniably a presence both visually and sonically. Despite the unshakeable dance bounce of the aforementioned single, most of the record grooves with an almost '70s-sounding mellow vibe, including a faithful cover of Carly Simon's 1978 hit "You Belong to Me." Perhaps this smoothness is due to the one facet of J-Lo that belies her larger-than-life mystique; the love she wears on her sleeve. Even if you'd taken lodging in a cave during 2002, her courtship with fellow movie star Ben Affleck is apparent on thi

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"Rebirth" (03/01/2005) R&B Lopez, Jennifer, Epic (USA)Personnel: Jennifer Lopez (background vocals); Jennifer Lopez (vocals); Fat Joe (rap vocals); Mario Guini, Tim Stuart (guitar); Bob Robinson, Bob Robinson (electric guitar); Tim Kelley (keyboards, bass guitar, drum programming); Corey Rooney (keyboards); Marco Britti (drums); Hector Diaz (programming); Candice Nelson, E'anna Crawley, Candice Nelson "G.G." (background vocals); Rich Harrison, Rodney Jerkins (programming); Makeba Riddick, Delisha Thomas, Rudaina Haddad (background vocals); Fabolous. Audio Mixers: Peter Wade Keusch; Bruce Swedien. Recording information: 2nd Floor Recording, Orlando, FL; Cove City Sound Studios, Glen Cove, NY; Hit Factory Criteria, Miami, FL; Night Flight Studios, Fort Washington, MD; Pie Studios, Glen Cove, NY; Sony Music Studios, New York, NY; The Poolhouse West, Encino, CA; The Poolhouse, Long Island, NY; The Record Plant, LA. Photographers: Marcus Piggott; Mert Alas. The last time Jennifer Lopez made an album -- 2002's This Is Me... Then -- she was deeply love with actor/Academy Award-winning screenwriter Ben Affleck, a relationship immortalized in the video for "Jenny From the Block" and "Dear Ben," a ballad that rivals Billy Bob Thornton's "Angelina" as the greatest celebrity love song of the 2000s. Of course, the relationship was also immortalized in the notorious Martin Brest disaster Gigli, released eight months after This Is Me, and that film's abysmal box office was the beginning of the end for the couple, whose engagement was called off in early 2004. Lopez rebounded quickly with a marriage to Latin pop singer Marc Anthony and with the new romance came an opportunity to restart her career -- hence Rebirth, the title of her fourth album. While she doesn't avoid the subject of her highly publicized romantic life, she does bury two seemingly confessional ballads at the end of the record (not counting the album-concluding reprise of the opening single, "Get Right"). Voyeurs may find interest in "He'll Be Back" (a tune not written by Lopez, but a breakup song that certainly recalls the Bennifer saga) and "(Can't Believe) This Is Me" -- a collaboration with her new husband that suggests Lopez may not have learned the lesson of Gigli -- but they're easily the worst moments on an album that's otherwise a sleek, sexy blast. Apart from those turgid ballads, Rebirth is a straight-ahead dance album, alternating between sweet, breezy pop tunes like the irresistible "Still Around" and hard-driving club tracks like the surprisingly heavy, infectious "Cherry Pie." Lopez may not be a flashy singer, but she's appealing on record precisely because she and her collaborators -- chief among them executive producer Cory Rooney -- know those limitations and present them in tuneful packages with big, exciting beats. Since it doesn't deviate from the blueprint she's followed on her first three albums, it's hard to call this record a literal creative rebirth, but song for song, Rebirth has more energy and better hooks than her other albums. It may not be deep, but it sure is fun -- and after the tumult of 2003 and 2004, Lopez sure does deserve to have a little fun. ~ Stephen Thomas Erlewine On "Hold You Down," from Jennifer Lopez's highly anticipated 2005 record REBIRTH, the singer brings out rapper Fat Joe, a fellow Bronx icon, to fondly recall local roots and the importance of staying true to friends. Over the course of Lopez's previous records, this emphasis on authenticity, in spite of her larger-than-life persona and enormous wealth, has been a theme. Aside from this song, however, this familiar subject is largely left behind on REBIRTH, a straightforward, affable collection of easygoing R&B-flavored pop music. Perhaps the feeling that she has nothing more to prove (she's J. Lo, after all) has allowed Lopez to present herself more clearly, or maybe she's found contentment in her marriage to singer Marc Anthony, who produces the track "(Can't Believe) This Is Me." Whatever the cause, with REBIRTH, Lopez has created her most satisfying record. The first half of the disc is dominated by forceful funk/hip-

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"Smooth Sax Tribute to Jennifer Lopez" (11/16/2004) Rock & Pop Various Artists, Tribute SoundsTributee: Jennifer Lopez. Audio Mixer: Mark Arneson. Arranger: Mark Arneson.

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Jennifer Lopez stars in a sixteen episode television series from the producers of "Knots Landing" and "Homefront". Included are episodes 5 thru 8.

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Pop diva Jennifer Lopez presents her complete oeuvre of music videos to date--from her first video ever, "If You Had My Love," to her most recent, "Baby I Love You." In addition to the videos, J.Lo herself comments on each one, explaining to viewers which videos are her favorites and offering insider information about how she conceived each of the ideas. This overview of her work is a must-have for any Jennifer Lopez-lover's collection.

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Jennifer Lopez has gone through many personal transformations in her brief but varied career: from humble, Bronx-born Jenny-from-the-block and nameless IN LIVING COLOR fly-girl to tabloid-grabbing silver-screen actress and popular dance-music diva. Hoping for another metamorphosis after her highly publicized breakup with actor Ben Affleck and subsequent marriage to Latin pop heartthrob Marc Anthony, Lopez continues her chameleon-like self-invention on the aptly named 2005 album REBIRTH. Produced by such luminaries as Rodney Jerkins and Cory Rooney, and featuring guest performances by Fat Joe, Fabolous, and new husband Anthony, REBIRTH serves up a diverse mix of club-ready dance tracks ("Get Right," "Cherry Pie"), breezy R&B-flavored pop ("Still Around," "I Love"), and straightforward heartbreak ballads ("He'll Be Back," "Can't Believe This is Me"). This dual disc features the CD version of REBIRTH on one side and a DVD-Audio version with surround sound mix and bonus video material (including a making-of documentary and two music videos) on the other.

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Superstar CD+G (Compact Disc + Graphics) Karaoke Disks play on any cd player but will display printed lyrics on your TV screen if you have a karaoke machine. The words change color in time to the music!...
 
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Finally a company that provides you with just the one song that you're looking for. Featured here is a Karaoke Version of the song made popular by Jennifer Lopez, Do It Well with the lead vocals removed. Two versions are provided; one with no lead...
 
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Sing the hits of Jennifer Lopez! This CD+G features 8 note-perfect multiplex tracks of great Jennifer Lopez songs. Perfect for practice, performances, auditions, and more! Includes 2 versions of each song (guide vocals, and instrumental background...
 
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You voted, and we put your 15 favorite songs on our new Instructor's Choice CD for Step. Here it is... all the hit music that you love in one high energy album. This Power Mix includes songs by U2, Gwen Stefani, Jennifer Lopez, Usher and many more....
 

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"The Reel Me [EP] [Bonus DVD] [EP]" (11/18/2003) R&B Lopez, Jennifer, Epic (USA)DVD includes the videos "If You Had My Love," "Waiting for Tonight," "No Me Ames Mas," "Feelin' So Good," "Love Don't Cost a Thing," "Play," "I'm Real," "Ain't It Funny," "Alive," "I'm Gonna Be Alright," "Jenny from the Block," "All I Have," "I'm Glad," and "Baby I Love You." Personnel includes: Jennifer Lopez (vocals); R. Kelly (rap vocals); Rene Toledo (guitar); Verdine White (bass); Omar Hakim (drums); Troy Oliver (programming); B-Money (scratches); Shelene Thomas, Cory Ronney, Natasha Ramos (background vocals). The title of The Reel Me is another of J-Lo's intentionally baffling misleading titles, but unlike the bewildering This Is Me... Then -- a title perfectly suited for a compilation, but released as a new album -- this is a little easier to figure out. The Reel Me collects all of Lopez's music videos, from On the 6 to This Is Me, interspersed with interviews with the diva as she reminiscences about her life and career (these interviews are inaccurately called commentaries on the DVD menus and publicity stickers; there is no audio commentary on this DVD). If this were a straight-up DVD, this title wouldn't be quite so confusing, but since it was released in the era of multiple repackagings, this is available as a DVD with a bonus EP (packaged in a keepcase) and a EP with a bonus DVD (packaged in a digipak). In either format the EP is forgettable, filled with passable remixes of singles from the This Is Me that all fall short of being interesting, but the DVD is excellent, containing all of Lopez's videos and including a good 5.1 mix as well. While the interviews are all promo puff pieces, they can be amusing, and are fun to watch once. But the real reason to get this is for that collection of videos, which were among the best of the dance-pop renaissance of the early 2000s. They'll likely be repackaged again, but any repackage will likely use this as the standard to beat. ~ Stephen Thomas Erlewine As its title suggests, THE REEL ME is a companion video compilation to Jennifer Lopez's 2002 album, THIS IS ME...THEN. The DVD disc is accompanied by an audio-only CD EP that compiles several excellent remixes of the most popular songs from the original album. The EP includes the R. Kelly remix of the hit "Baby I Love You," which humorously casts Kelly's thuggish raps about "rollin" with "some fine females" against J-Lo's heart-on-the-sleeve declarations of passion (set to the theme from MIDNIGHT COWBOY). Also featured is the Seismic Crew Latin Disco Trip mix of "Jenny from the Block," turning what was already an insanely catchy song into an absolutely undeniable, booty-shaking dance-floor romp. Any listener who enjoyed THIS IS ME?THEN will certainly want to pick up THE REEL ME, as the tracks here present alternate versions that are often even more fun than the originals.

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"Maximum Jennifer Lopez" (04/11/2002) Spoken Word Lopez, Jennifer, Chrome Dreams (USA)This is a non-musical CD featuring interview snippets with actress and pop singer Jennifer Lopez.

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"On the 6" (06/18/1999) R&B Lopez, Jennifer, MSI Music DistributionPersonnel includes: Jennifer Lopez, Marc Anthony (vocals); Manny Lopez (acoustic guitar); Chieli Minucci, Michael Landau, Michael Thompson, Rene Toledo (guitar); Jack Stamates (violin); Kenny Anderson (alto & baritone saxophones); Randall Barlow, Douglas Michels (trumpet); Hernan Mulet (trombone); Al West, Paquito Echavarria (piano); Dan Shea, Juan Vincente Zambrano (keyboards, programming); Cory Rooney, Lawrence P. Dermer (keyboards, background vocals); Eric Kupper, Peter Zizzo (keyboards) Salvador Cuevas (bass); Douglas Guevera (timbales, bongo, congas); Archie Pena, Edwin Bonilla (percussion); Bill Makina, Poke & Tone (programming); Jennifer Karr, Shawnyette Harrell, Donna Allen, Betty Wright (background vocals). Producers include: Rodney Jerkins, Poke & Tone, Alvin West, Sean "Puffy" Combs, Emilio Estefan Jr.. Engineers include: Franklyn Grant, Robb Williams, Prince Charles. "Waiting For Tonight" was nominated for the 2000 Grammy Award for Best Dance Recording. "Let's Get Loud" was nominated for the 2001 Grammy Award for Best Dance Recording. "No Me Ames" was nominated for the 2000 Billboard Latin Music Award for Tropical/Salsa Track of the Year, Hot Latin Track of the Year & Hot Latin Track of the Year by a Vocal Duo. "No Me Ames" was nominated for the 2000 Latin Grammy Award for Best Pop Performance By A Duo Or Group With Vocal. This version features the exclusive tracks "Baila" and "Theme From Mahogany (Do You Know Where You're Goin' To)", which was originally performed by Diana Ross. CD contains 2 bonus tracks. Jennifer Lopez's debut album, On the 6, showcases the actress' sultry, versatile voice in a number of settings, including pop ballads, Latin pop, and R&B. Star producers like Sean "Puffy" Combs, Trackmasters, and Emilio Estefan, Jr. lend their talents to the album, making On the 6 a perfectly polished and varied album, which features a musical blend Lopez calls "Latin soul." Smooth ballads such as "Should've Never," "Too Late," "Could This Be Love," and "No Me Ames," a duet with Latin superstar Marc Anthony, dominate the album's first half; while these songs show off the gentler side of Lopez's vocal gifts, they tend to sound too similar. It's on the R&B and Latin-tinged tracks where Lopez really shines. Along with the insistent first single "If You Had My Love," cuts like "Feelin' So Good" and "Let's Get Loud" have a fiery, soulful sound more in keeping with Lopez's public persona. On the 6's second half capitalizes on this spicy, upbeat side, particularly on "Waiting for Tonight" and "Open off My Love," which draws inspiration from rap, R&B, and Latin styles with its sparse arrangement of horns, keyboards, and beats. The tropical remix of "No Me Ames" and "Una Noche Mas," the Spanish version of "Waiting for Tonight," emphasize Lopez's distinctive heritage, which elevates On the 6 from a star's vanity project to an individual but accessible work of pop songcraft by a widely talented performer. ~ Heather Phares The multi-talented dancer/singer/actress Jennifer Lopez fulfilled a lifelong dream with the release of ON THE 6, an album that gets its title from the subway she took from her Bronx home to Manhattan for dance training and auditions. The overnight hit "If You Had My Love" helped show the world Jennifer's emotive and vulnerable vocal style. With the collaborative help of Emilio Estefan Jr., the dance rhythms and salsa brass of "Let's Get Loud" are refreshing and infectious. In the bittersweet "Should've Never," her sultry spoken-Spanish vocals make the song incredibly sexy in its desperation. "Feelin' So Good" has a hip-hop feel, thanks to songwriting and production help from the omnipresent Sean "Puffy" Combs. Collecting a debt from her appearance in one of his music videos, Marc Anthony makes a surprise appearance on "No Me Ames." With a seamless skill at singing ballads, R & B, and dance music, Jennifer Lopez shows great promise for the musical chapter of her amazing career.

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"Maximum Jennifer Lopez" (07/13/2000) Spoken Word Lopez, Jennifer, Griffin

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"This Is Me... Then" (04/13/2004) R&B Lopez, Jennifer, Epic (USA)Personnel includes: Jennifer Lopez (vocals); Jadakiss, Styles, LL cool J (rap vocals); Reggie Hamlet (acoustic guitar, bass); Renee Toledo (acoustic guitar); Kamil Rustaru (electric guitar); Verdine White (bass); Omar Hakim (drums); Troy Oliver, Dan Shea (programming); B-Money (vinyl scratches); Lakindra Pierce, Natasha Ramos, Billy Lawrence, Tavia Ivey (background vocals). Producers include: Rick Shelton, Troy Oliver, Cory Rooney, Focus, Reggie Hamlet. Recorded at Hit Factory, New York, New York. Limited-edition British reissue with a bonus disc featuring six remixes. Don't pay attention to the title, which is absolutely nonsensical and bewildering -- it suggests that This Is Me...Then is a compilation, which it isn't, and it also suggests that this has some sort of theme, which it doesn't -- and concentrate on the music, which is the strongest, sultriest, best music Jennifer Lopez (who has abandoned the moniker J-Lo) has recorded for any of her three albums. This, of course, doesn't mean that it's a radical musical departure, though there are differences here -- the glitzy dance-pop has been phased out, there's a stronger urban soul vibe, particularly on the lush surfaces and sexy grooves -- but it does mean that the album has a solid set of songs and a sharp production pitched directly at the mainstream of 2002, yet with nice allusions to classic soul and early-'80s pop-funk and soft rock. Since Lopez is a celebrity and a regular feature on gossip pages in the early days of the 21st century, and since she's unabashedly mainstream -- her only attempts at street-cred are on the laughable lyrics to "Jenny From the Block," where she insists that success hasn't spoiled her yet and she's the same ol' Jen she's always been (if so, why the paparazzi on the back cover?) -- it's easy for some listeners to dismiss her, but it's harder to make to make a pop album as easily enjoyable as this. Sure, there are some flaws -- as mentioned above, "Jenny From the Block" is silly and no matter how much you love Ben Affleck, "Dear Ben" is unbearably mawkish -- but all mainstream pop albums stumble through filler. What counts is the overall feel and the highlights. Here, the feel is sexy, stylish, and fun, and there are numerous highlights, all feeling effortless. And if you think that's easy to do, take a listen to a few other pop-R&B albums from late 2002 (Stripped and Charmbracelet come to mind) and hear how good this record is. ~ Stephen Thomas Erlewine In the titles of both her debut, ON THE 6 (as in the NYC subway to the Bronx), and her 2002 release, THIS IS ME...THEN, Jennifer Lopez makes the assertion that in spite of her mega-successful movie career and her high profile, paparazzi-fodder dating life (from Puff Daddy to Ben Affleck), she is still just "Jenny from the Block," as this album's first single proclaims; a simple girl from the Bronx. That your average non-movie-star from the Bronx could probably not obtain a record deal so readily is a moot point, since Lopez can indeed sing and is undeniably a presence both visually and sonically. Despite the unshakeable dance bounce of the aforementioned single, most of the record grooves with an almost '70s-sounding mellow vibe, including a faithful cover of Carly Simon's 1978 hit "You Belong to Me." Perhaps this smoothness is due to the one facet of J-Lo that belies her larger-than-life mystique; the love she wears on her sleeve. Even if you'd taken lodging in a cave during 2002, her courtship with fellow movie star Ben Affleck is apparent on this record from the self-explanatory "Dear Ben" to the glow in love songs like "The One."

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"I'm Gonna Be Alright/Alive [Maxi Single]" (06/25/2002) R&B Lopez, Jennifer, Sony Music Distribution (USA)

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