Moby

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The original Moby Wrap is the de-facto wrap around style baby carrier. It's simple yet versatile design makes it suitable for any wearer. The benefits of babywearing are many, and with the slightly, but not too stretchy, 100% cotton fabric, there's no...

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manufacturer Suggested Age: Newborn And Up. includes: Instruction Booklet. material: Cotton. care And Cleaning: Machine Wash. minimum Weight Supported: 5.0 Lb. maximum Weight Capacity: 35.0 Lb.

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The design of the Moby Wrap Baby Carrier uses your entire back, as well as your shoulders, to carry the weight of your baby. Unlike other carriers, which have narrow straps or go across one shoulder, the Moby Wrap is a wide piece of fabric that is...

Description:

The original Moby Wrap is the de-facto wrap around style baby carrier. It's simple yet versatile design makes it suitable for any wearer. The benefits of babywearing are many, and with the slightly, but not too stretchy, 100% cotton fabric, there's no...

Description:

Description:

manufacturer Suggested Age: Newborn And Up. includes: Instruction Booklet. material: Cotton. care And Cleaning: Machine Wash. minimum Weight Supported: 5.0 Lb. maximum Weight Capacity: 35.0 Lb.

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Introduction by Larzer Ziff

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The text of MOBY-DICK used in this edition is based on the version prepared by Harrison Hayford, Hershel Parker, and G. Thomas Tanselle. Now this magnificent typographic and illustrated edition of the great American novel is available for the general reader and student, for the family library, and for all lovers of beautiful books.

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One of the most widely-read and respected books in all American literature, "Moby Dick" is the saga of Captain Ahab and his unrelenting pursuit of Moby Dick, the great white whale who maimed him during their last encounter. A novel blending high-seas romantic adventure, symbolic allegory, and the conflicting ideals of heroic determination and undying hatred, "Moby Dick" is also revered for its historical accounts of the whaling industry of the 1800s.

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"Everything Is Wrong" (03/14/1995) Electronic Moby, Elektra EntertainmentPersonnel: Moby (classical & electric guitars, keyboards, synthesizers, electric bass, drums, congas, programming); Mylm Rose, Kochie Banton, Nicole Zaray, Rozz Morehead, Saundra Williams, Mimi Goese (vocals). Includes liner notes by Moby. At some point, every musical movement produces a work so evocative, inclusive, and challenging that it stands out as a reference for what is best in an entire musical genre. EVERYTHING IS WRONG is the WHITE ALBUM of dance music. On this album, Moby's interests in techno, ambient, punk rock, and gospel mix together in a sonic stew of epic proportions that not only holds together, but seems perfectly natural. As such, the beautifully moody "Hymn" is followed by the diva-driven "Feeling So Real," which is followed by the techno-punk of "All That I Need is To Be Loved." These tracks flow seamlessly together without a sense that genres are even being mixed, much less jumbled. But EVERYTHING's brilliance lies not so much in Moby's eclectic taste in rhythm and melody, but in the nuances of the vocals, most of which are contributed by a variety of female singers. In particular, Moby's collaborations with singer Mimi Goese on "Into the Blue" and "When it's Cold Out I'd Like to Die" are among the most revealing and humanistic moments in Moby's career. A masterpiece.

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A nineteenth-century tale of life aboard a New England whaling ship whose captain is obsessed with the pursuit of a large white whale.

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"18" (02/01/2006) Electronic Moby, V2 Records (USA)Personnel includes: Moby (vocals, various instruments); Jennifer Price, Azure Ray, Dianne McCauley, Angie Stone, MC Lyte, Freedom Bremner, Sinead O'Connor, Shauna & Lorraine Phillips, The Shining Light Gospel Choir (vocals). Includes liner notes by Moby. "18" was nominated for the 2003 Grammy Awards for Best Pop Instrumental Performance. Continuing to deliver the kind of soulful electronica with an ethereal sheen that made PLAY such a breakthrough album for him, Moby keeps the good vibrations going on the equally engaging follow-up 18. Having previously drawn from such disparate sources as subtle dance beats and samples of African-American spirituals, it's not surprising that this devout Christian once again looked to the church for recruits. This time around the talents of The Shining Light Gospel Choir (the revival-like "I'm Not Worried At All" and the sweeping "In My Heart") and the recently ordained Sinead O'Connor (the lush "Harbour") get tapped. Moby avoids making 18 a strictly austere affair by throwing some beats onto the barbie in the shape of the thumping Angie Stone/M.C. Lyte collaboration "Jam For The Ladies" and the subtle cut-and-paste funk of "Sunday (The Day Before My Birthday)." Moby does a fine job manning the mike himself for the striking '80s-style electro-pop meditation "We Are All Made Of Stars" and the equally gorgeous soundscape "Signs Of Love." Ever the sonic chef, Moby has once again succeeded in whipping together a collection of songs that are the musical equivalent of comfort food.

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A three-dimensional graphic novel brings to life the story of mad whaling captain Ahab and his obsession with the indestructible white whale.

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"Rare: The Collected B-Sides 1989-1993" (08/20/1996) Electronic Moby, InstinctRARE: THE COLLECTED B-SIDES collects the B-sides of the records Moby recorded for the Instinct label. Personnel: Moby; Nicole Zaray (vocals). Collectors. You can usually spot them skulking their way through the darkened streets at night, wearing their official tour jackets and clutching to their bodies a stack-load of obscure Belgian-only 12" dance remixes of their favorite songs. No one knows where exactly these rarities are obtained, and the true collectors never reveal their sources. The vast majority of fans are usually left forced to watch and drool in their frustration. Luckily, Moby understands the anguish that his fans go through in trying to catalog his prolific body of work. RARE: THE COLLECTED B-SIDES is manna from heaven for those unable to find those Moby rarities. Moreover, Moby's throwaways could move even the Amish onto the dance floor. With fat grooves like "Voodoo Child (Poor in NYC Mix)" and the "Next is the E (Club Mix)," it's easy to see why these b-sides have finally been collected together on one CD.

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"Play: The B-Sides [Limited]" (02/01/2006) Electronic Moby, V2 Records (USA)Personnel: Moby (vocals, various instruments). Liner Note Author: Moby. Moby broke new ground in electronica with the 1999 release of PLAY, which found him delving into old field recordings of gospel singers, blues shouters, and work songs, while adding his own electronic wizardry. This mix of past and future spoke solidly to the present, and cast Moby as an individualist in a field too often filled with lemming-like trend-followers. This limited-edition version of PLAY is a two-CD affair that contains not only the original album tracks, but also a wealth of B-sides from PLAY's single releases. On the latter, Moby experiments even further with his unique mixture of organic and electronic sounds. To sweeten the pot still further, photographs and new essays by Moby are included in the elaborate package.

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"18: B Sides" (02/01/2006) Electronic Moby, V2 Records (USA)Contains a bonus DVD which features videos from "18:..", a live concert from Glastonbury in 2003, outtakes & bonus songs, and a megamix. Personnel includes: Moby (vocals, various instruments); Azure Ray, Jennifer Price, The Shining Light Gospel Choir, Angie Stone, MC Lyte (vocals). Displaying a knack for keeping his name in the public eye and his music in their ears, Moby once again follows the path blazed by his PLAY with b-sides reissue. This time around, 18 B SIDES ups the ante by also including a bonus DVD chock-a-block full of extras, including a complete live set from a 2003 Glastonbury show. As for the CD side of the coin, the Connecticut native continues to traffic in the kind of compelling dance music that kicks off enough of an ethereal edge to blend in and soothe rather than disrupt a cool mood. "Nearer" brings together swirling synths and a gospel vocal that'll make you feel like you're waiting to meet a higher power, the gorgeous "Stay" comes off like a Velvet Underground-era Lou Reed outtake, and the lush "String Electro" features an unobtrusive beat gilded by an anonymous female vocal. With the music serving as an appetizer for this collection, the bonus DVD serves as a meaty main course that not only includes the aforementioned concert, but outtakes and demos from his last two albums, videos, and much more.