Dvd fred astaire in Music & Musicals DVDs & Videos

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Two retiring show people start up a New England country inn with the unique and, one would think, self-defeating idea of being open only on national holidays; however, in this delightful fluff-fest, they achieve instantaneous success. Conflicts arise when they fall for the same woman, and sparks fly -as do their feet - in a variety of inventive, holiday themed song-and-dance productions. Perhaps the best film ever inspired by a song. Irving Berlin's "White Christmas" was introduced in this film.

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Fifty song and dance films from the Golden Age of Hollywood are collected in CLASSIC MUSICALS. The musical stars of the era--Judy Garland, Lena Horne, Fred Astaire, Maurice Chevalier, Cyd Charisse and more--are all represented. Arguably the most popular genre in America during its heyday, CLASSIC MUSICALS is a welcome retrospective of the form.

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Director H.C. Potter keeps the pacing snappy and Fred Astaire keeps the toes a-tapping in SECOND CHORUS, a musical comedy about two trumpet-playing buddies competing for gigs and for the heart of their lovely manager, Ellen Miller (Paulette Goddard). Then, dancing and romance collide in ROYAL WEDDING as a brother-sister dance team (Fred Astaire and Jane Powell) open their musical show in London shortly before the English royal wedding and find love of their own. See individual titles for complete synopsis information.

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Five Fred Astaire and Ginger Rogers films combine on this collection. THE BARKLEYS OF BROADWAY: Fred Astaire and Ginger Rogers, whose last joint project had been made 10 years before, come together one final time for this film. The magical pair play performers Josh and Dinah Barkley, whose act -- and marriage -- break up when Dinah decides to become a "serious actress". Among the unforgettable numbers are: "They Can't Take that Away from Me" (which Astaire and Rogers first performed in 1937's "Shall We Dance"), "Shoes With Wings On", "Swing Trot" and "You'd Be So Hard to Replace." FOLLOW THE FLEET: When he is rejected by his lady love, a song-and-dance man enlists in the navy. The estranged couple later meet again and join forces to solve the romantic difficulties of another star-crossed pair. An Astaire-Rogers musical featuring some of Irving Berlin's best songs including: "Let's Face the Music and Dance," "Let Yourself Go," "We Saw the Sea." Typical but delightful. SHALL WE DANCE: Astaire and Rogers engage in romantic antics aboard a luxury ocean liner while dancing their way through such Gershwin tunes as "Let's Call the Whole Thing Off," "They All Laughed," "They Can't Take that Away From Me" and many others. Academy Award Nominations: Best Song ("They Can't Take That Away From Me"). SWING TIME: he fifth sublime teaming of Fred Astaire and Ginger Rogers, SWING TIME is regarded by many as their finest film. The tenuous plot, which mainly serves to connect the brilliant dance numbers, concerns John "Lucky" Garnett (Astaire), a gambler and professional dancer. When Garnett arrives late to his wedding, his prospective father-in-law implements a punishment, insisting that Garnett raise $25,000 before he can marry Margaret Watson (Betty Furness). Still in tails, he hops a freight for New York, where he gets involved in a scrape with dance instructor Penny Carrol (Rogers). After following her to the dance studio, Lucky poses as a neophyte in need of training. Penny's boss Gordon (Eric Blore), happens to witness Lucky's incompetence, in the "Pick Yourself Up" number and is about to fire the young woman for nonperformance when Lucky launches into a dazzling display of terpsichorean skill. Impressed, the studio owner offers to get them an audition at the famed Silver Sandal nightclub. Arguably the peak of the Astaire-Rogers partnership, the dancers' nearly perfect blending of song, dance, wit, and decor only improves with time. Especially memorable are the subtly erotic tempo shifts of "Never Gonna Dance" and the coruscating technical command of "Bojangles of Harlem," a tribute to the great African-American tap dancer. TOP HAT: One of the best musicals by the Astaire-Rogers team. Features top tunes by Irving Berlin including "Cheek to Cheek," "Top Hat" and others. Academy Award Nominations: 4, including Best Picture.

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Celebrated duo Fred Astair and Ginger Rogers have 11 of their movies gathered for this collection. The titles included are ASTAIRE AND ROGERS - PARTNERS IN RHYTHM, THE BARKLEYS OF BROADWAY, CAREFREE, FLYING DOWN TO RIO, FOLLOW THE FLEET, THE GAY DIVORCE, ROBERTA, SHALL WE DANCE, THE STORY OF VERNON & IRENE CASTLE, SWING TIME, and TOP HAT. Please see individual titles for synopsis information.

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Cole Porter Collection

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Composer and lyricist Cole Porter is the focus of this 5-volume collection of classic Hollywood musicals. The films, all featuring classic Porter songs, are LES GIRLS (1957), BROADWAY MELODY OF 1940 (1940), SILK STOCKINGS (1957), HIGH SOCIETY (1955), and KISS ME KATE (1953). For synopsis information, please see individual titles.

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Two retiring show people start up a New England country inn with the unique and, one would think, self-defeating idea of being open only on national holidays; however, in this delightful fluff-fest, they achieve instantaneous success. Conflicts arise when they fall for the same woman, and sparks fly -as do their feet - in a variety of inventive, holiday themed song-and-dance productions. Perhaps the best film ever inspired by a song. Irving Berlin's "White Christmas" was introduced in this film.

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Ziegfeld Follies

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This MGM spectacular features many of the greatest stars of the theater and screen. A lavish salute to Broadway's most opulent producer.

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That's Entertainment! [DVD]

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A jewel box full of precious scenes from almost 100 MGM musicals.

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Three Little Words

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This musical drama is the biography of the songwriting team of Kalmar and Ruby and their climb to success. Songs include: "I Wanna Be Loved By You" and "Who's Sorry Now?" Academy Award Nominations: Best Scoring of a Musical Picture.

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The Gay Divorcee [DVD]

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A lively adaptation of the stage musical, which featured Astaire and his sister, Adele and the first film in which Astaire and Rogers actually received star billing. While vacationing at an English seaside resort, a soon-to-be-divorced woman mistakes a lovestruck song-and-dance man for her paid co-respondent. As usual, the plot's not important when you see these two and hear classics like Cole Porter's Night and Day. Academy Award Nominations: 5, including Best Picture.

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Top Hat

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One of the best musicals by the Astaire-Rogers team. Features top tunes by Irving Berlin including "Cheek to Cheek," "Top Hat" and others. Academy Award Nominations: 4, including Best Picture.

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Swing Time

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The fifth sublime teaming of Fred Astaire and Ginger Rogers, SWING TIME is regarded by many as their finest film. The tenuous plot, which mainly serves to connect the brilliant dance numbers, concerns John "Lucky" Garnett (Astaire), a gambler and professional dancer. When Garnett arrives late to his wedding, his prospective father-in-law implements a punishment, insisting that Garnett raise $25,000 before he can marry Margaret Watson (Betty Furness). Still in tails, he hops a freight for New York, where he gets involved in a scrape with dance instructor Penny Carrol (Rogers). After following her to the dance studio, Lucky poses as a neophyte in need of training. Penny's boss Gordon (Eric Blore), happens to witness Lucky's incompetence, in the "Pick Yourself Up" number and is about to fire the young woman for nonperformance when Lucky launches into a dazzling display of terpsichorean skill. Impressed, the studio owner offers to get them an audition at the famed Silver Sandal nightclub. Arguably the peak of the Astaire-Rogers partnership, the dancers' nearly perfect blending of song, dance, wit, and decor only improves with time. Especially memorable are the subtly erotic tempo shifts of "Never Gonna Dance" and the coruscating technical command of "Bojangles of Harlem," a tribute to the great African-American tap dancer.

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Shall We Dance

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Astaire and Rogers engage in romantic antics aboard a luxury ocean liner while dancing their way through such Gershwin tunes as "Let's Call the Whole Thing Off," "They All Laughed," "They Can't Take that Away From Me" and many others. Academy Award Nominations: Best Song ("They Can't Take That Away From Me").

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Silk Stockings

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Musical remake of the 1939 classic film NINOTCHKA. An alluring, but aloof, female Communist (Cyd Charisse) visits Paris on an assignment to evaluate three Russian officials. But when she meets a charming U.S. filmmaker (Fred Astaire) there, her perspective on the world changes -- and the chilly bureaucrat soon finds herself melting in his arms. And it's not long before she's enjoying such decadent western pleasures as jazz, makeup, and silk stockings. The classic Cole Porter songs include "Too Bad", "Paris Loves Lovers", "Silk Stockings", and "Fated to be Mated".

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Broadway Melody of 1940 [DVD]

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The class of the Broadway Melody series with the burnished talents of Astaire and Murphy, and the timeless tunes of Cole Porter. The plot, never the point of these exercises, pits two dancers in a friendly rivalry for the attentions of Powell. This was the only screen appearance together of Astaire and Powell and it makes you wish for more.

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Fading movie musical star Tony Hunter, down and out in Hollywood, decides to try his luck on the Broadway stage. Unfortunately, the simple hoofer discovers that a pretentious director has control of the project, and that instead of good humor, happy songs and a tapping chorus line, there'll be lengthy speeches, heavy drama and lots of deep soul-searching. Even worse, Tony's expected to dance with a classical ballerina! Thanks to the massive egos of everyone involved, the play, to no one's surprise, lays an egg. But now Tony takes charge, and he's out to prove the show must go on -- his way! Some of the dazzling Astaire dance numbers include "Triplets," "Girl Hunt," "Dancing in the Dark" and "That's Entertainment."

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Splashes of vivid color light the way through Stanley Donen's very modern musical. "Think pink!" commands Miss Prescott, head of Quality Woman fashion magazine, and American women obey--all except Jo (Audrey Hepburn), an intellectual young woman who tries to prevent Miss Prescott from staging a photo shoot in Jo's bookshop. Photographer Dick Avery (Fred Astaire) sees something interesting in Jo's "funny face," and soon he's lured her to Paris to model during the day and discuss philosophy in smoky cafés at night. Modeling Givenchy clothes, Hepburn steals the color in every scene, and her funny face enchants all, including Dick and, unexpectedly, the dark and handsome philosophy master whose theories Jo adores. The musical numbers are primarily duets--Jo and Dick glide together in each other's arms, Jo and Miss Prescott find unexpected solidarity in womanhood, and Dick and Miss Prescott cavort in the philosopher's salon--but the most engaging scene is when the three come to Paris, plead exhaustion to one another, then secretly race around the city, singing and dancing and reveling in being tourists.

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You'll Never Get Rich

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Martin Cortland, a philandering Broadway producer, has the habit of hitting on chorus girls and giving them expensive trinkets. Whenever he finds himself in trouble with Mrs. Cortland, Martin just coerces dancer-director Robert Curtis (Fred Astaire) into taking the blame for his overtures. This time, Mrs. Cortland catches Martin hitting on Sheila Winthrop (Rita Hayworth)-- an affable and alluringly beautiful woman. Robert agrees to bail Cortland out one more time, but he finds himself in trouble with Shelia's protective older brother. Robert joins the Army to avoid confronting Shelia's sibling, only to discover he's an officer in the army. Luckily, Martin is going to produce a show for the troops and hire Robert to direct the effort -- keeping him safe from bodily harm. Robert may be in the army now, but at least he can woo lovely Shelia for himself. Academy Award Nominations: Best Song ("Since I Kissed My Baby Goodbye"), Best Scoring of a Musical Picture.

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