Pg mpaa in Music & Musicals DVDs & Videos

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This film adaptation of GREASE is the zippy smash hit translation from the Broadway musical tribute to the fabulous 1950s. As a new school year begins, wholesome Australian exchange student Sandy (pop star Olivia Newton-John) and duck-tailed, leather-jacketed Danny (John Travolta) parlay their summertime romance into an on-and-off attraction that may or may not cross clique lines. Sandy seriously cramps Danny's style, so he dumps her. In response, Sandy begins dating a wholesome athlete, but, as a hedge, she also joins the gum-chewin', tough-talkin' clique known as the Pink Ladies. One of the most beloved musicals of all time, the popular soundtrack includes "You're the One that I Want," "Hopelessly Devoted to You," "Sandy," "Summer Nights," and the title tune.

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Those who aren't familiar with the work of seminal 1980s band The Talking Heads may find themselves becoming instant fans after viewing this incredibly entertaining concert film. It starts with David Byrne stepping out alone on empty stage with an acoustic guitar to sing "Psycho Killer." The rest of the musicians follow one by one and the stage gradually fills to bursting with powerful, tightly orchestrated brilliance. Director Jonathan Demme (SILENCE OF THE LAMBS, PHILADEPLPHIA) expertly captures the music's energy, fusing cinema with performance to create something more than the sum of its parts. Through it all, Byrne comes off as a charismatic artist of supernatural energy and robotic precision, and he's backed by an equally inspired group of musicians, including bassist Tina Weymouth. Artistically ambitious, filled with joyous but controlled energy, this is considered by many critics to be the best concert film of all time. Songs performed include "Take Me to the River," "Once in a Lifetime," "Girlfriend is Better," "Burnin' Down the House" and a hilarious cover of "Genius of Love, " by the Tom-Tom Club (a side project for bassist Tina Weymouth and drummer Christ Frantz). It was filmed at the Pantages Theater in Los Angeles.

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When Elvis stopped making movies in Hollywood and returned to making music following his triumphant 1968 comeback, he gathered together a group of hot Nashville cats to back him up. THAT'S THE WAY IT IS follows Elvis as he prepares to return to the stage and follows him up to his opening nights. This is a compelling, fascinating, and highly amusing musical documentary where Elvis' overall talent and musicality come through while watching him rehearse, jam and arrange his list of songs. Simultaneously celebrating and poking good-natured fun at the Las Vegas era of Elvis's career, director Denis Sanders often just sits back and lets the performances speak for themselves. The film includes the King preparing offstage for his 1970 tour and culminates in his opening night performance in Las Vegas. The film includes more than 30 of the King's fabulous songs.

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In director Taylor Hackford's earnest, attentive documentary, Chuck Berry the man is revealed through his own words and those of his friends and colleagues. With a mix of interviews, behind-the-scenes clips, and live concert footage, Hackford captures Berry's charismatic performances, his humor, and his uncompromising standards for himself. The film revolves around Berry's 60th birthday concert given in his hometown of St. Louis, Missouri, with guest appearances in the concert and the film by Etta James, Eric Clapton, Keith Richards, Robert Cray, Julian Lennon, and Linda Ronstadt. Other interviews include legendary musicians Bo Diddley, Little Richard, the Everly Brothers, Jerry Lee Lewis, as well as Bruce Springsteen, Roy Orbison, and John Lennon. A pioneer of the idea of singer as songwriter also, as well as a leader in the infancy of rock 'n' roll, Berry is shown as never before in this revealing, touching documentary.

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A special collector's gift set featuring the nostalgic musicals GREASE and GREASE 2. See individual titles for details.

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Animated masterpiece which is set to the music of six classical works which include Ravel's "Bolero," and Stravinsky's "Firebird." Comic live action is interspersed between animated segments.

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A red-haired mop-top orphan (Aileen Quinn), yearning to break out of her dreary life in an orphanage run by an iron-fisted, boozy matron (Carol Burnett), charms billionaire Oliver "Daddy" Warbucks (Albert Finney) into adopting her--but what she really wants is to find her real parents. Academy Award Nominations: 2, including Best Art Direction-Set Decoration, Best Original Score.

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The best of Led Zeppelin's legendary 1973 appearances at Madison Square Garden. Interspersed throughout the concert footage are behind-the-scenes moments with the band. THE SONG REMAINS THE SAME is Led Zeppelin at Madison Square Garden in NYC concert footage colorfully enhanced by sequences which are supposed to reflect each band member's individual fantasies and hallucinations. Includes blistering live renditions of "Black Dog," "Dazed and Confused," "Stairway to Heaven," "Whole Lotta Love," "The Song Remains the Same," and "Rain Song" among others.

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The quintessential moment in glam-rock history, ZIGGY STARDUST AND THE SPIDERS FROM MARS is David Bowie at his best. This film of the 1973 concert (released 10 years later) documents the hallucinogenic collage of kitsch, Warhol/Pop irony, and flamboyant excess that was the Bowie phenomenon: his trademark synthetic androgyny is a musical symbiosis of feminine passion and masculine dominance that define his funky, gender-bending art and, ultimately, the glam-rock genre as a whole. Early on, the film cuts to elaborate backstage costume changes between sets, highlighting a playlist that includes such classics as "Changes," "Space Oddity," "Time," and "Suffragette City." In this comprehensive document of a seminal peformer in music history, director D.A. Pennebaker captures the enigmatic singer's smoldering brilliance like a Hubble photograph of a supernova; it is essential viewing for Bowie fans and music historians alike.

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The best of Led Zeppelin's legendary 1973 appearances at Madison Square Garden. Interspersed throughout the concert footage are behind-the-scenes moments with the band. THE SONG REMAINS THE SAME is Led Zeppelin at Madison Square Garden in NYC concert footage colorfully enhanced by sequences which are supposed to reflect each band member's individual fantasies and hallucinations. Includes blistering live renditions of "Black Dog," "Dazed and Confused," "Stairway to Heaven," "Whole Lotta Love," "The Song Remains the Same," and "Rain Song" among others.

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An entertaining and informative film biography of the legendary performer. This film utilizes interviews with many of the people who knew Elvis most intimately, including family members, friends, employees, and his long time manager, Colonel Tom Parker.

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Originally written and directed by filmmaker John Waters in 1988, and then put on Broadway, the camp musical HAIRSPRAY could easily have run its course with viewers. But thanks to playful direction, flashy costumes, over-the-top performances, and a positive message of peace, this newest spin proves to be yet another enjoyable incarnation. Set in 1960s Baltimore, the story follows a plump young girl named Tracy Turnblad (played by impressive newcomer Nikki Blonski) on an amazing journey as her dream of dancing on the popular Corny Collins Show becomes a reality. The local television program is a shiny spectacle spear-headed by Corny Collins (James Marsden), a gang of young dancers, and producer Velma Von Tussle (Michelle Pfeiffer), a seductress ice queen whose manipulative ways ensure her daughter Amber (Brittany Snow) gets more than her fair share of screen time as one of the show's stars. When Tracy shows up at an open call, Velma can barely contain her rage, and sets out to rid the show of Tracy and the talented black dancers who make up the show's popular "Negro Day." Thus begins a war of talent and a battle for justice, with those in favor of integration meeting many obstacles along the way. While less out-there than Waters's original, the film still contains some very quirky humor. John Travolta playing Tracy's overweight mother may seem an odd concept at first, but in this context it works. Scenes that would ordinarily be cheesy are made more interesting due to the odd dynamic between Christopher Walken and John Travolta playing man and wife. As the two dance and woo one another, the strange smile on Travolta's lipsticked lips and the grace of Walken's dancing will be sure to fascinate viewers. Viewers should also watch for cameos by Ricki Lake, and by John Waters as a Baltimore streaker. With all the wacky comedy, it's often easy to forget that the meat of HAIRSPRAY is a battle over racial integration. The film manages to create some touching moments in the midst of sparkling musical numbers.

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Clint Eastwood and Lee Marvin break out of their traditional screen personas in this offbeat western musical comedy with a memorable Lerner and Loewe score. Pardner (Eastwood) and Ben Rumson (Marvin) are two buddies who share everything, including their wife Elizabeth (Jean Seberg), whom they bought at an auction. Together, between bouts of drinking and gambling, the two men are able to transform such activities as hijacking a stage and kidnapping prostitutes into steps toward transforming their mining camp into a boomtown. Directed by Josh Logan (PICNIC, SOUTH PACIFIC). Academy Award Nominations: Best Score of a Musical Picture.

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Elvis Presley stars in this vehicle tailored to his singing talents in a return to musical comedy after several turns in dramatic roles. Chad Gates returns home to Honolulu after a stint in the service. He shows little interest in working for his overbearing parents' pineapple plantation, much to their dismay. Instead, Chad finds a job as a tour guide and thereby gives himself a chance to dance with, and sing to, a variety of Hawaii's most beautiful women. Includes musical numbers such as "Blue Hawaii," "Rock-A-Hula Baby," "Hawaiian Wedding Song" and "Island of Love," as well as the immortal "Can't Help Falling in Love."

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As early as autumn 2006, surreal and hilarious video clips of Stephen Walker's documentary (which originally aired on the BBC) were making the rounds on YouTube and in email inboxes all over the U.S.--tantalizing, out-of-context glimpses of the Young@Heart vocal choir, composed of elderly men and women, having a go at chestnuts by Sonic Youth, the Clash, and the Ramones. It seemed that the feature film, re-released for the screen in 2008, would perhaps be an uncomfortably comic look at a bunch of geezers set up to look ridiculous for the smug delectation of hipster audiences everywhere. The reality is not so far off-base, at least on first glance, but Walker's film, tracking the progress of the chorus as they prepare for a big gig, provides enough good-natured humor, personal narrative, and intimate details to inspire respect and admiration--and some major heart-string-plucking--in filmgoers. Viewers witness the blossoming of long-buried or completely latent musical talents in the elderly folks; learning the new, unfamiliar material, under the direction of irascible 50-something conductor Bob Cilman, keeps their neurons firing and their emotions kindled, while communing with and trusting each other staves off the isolating effects of old age, even as they cope with heartbreaking losses within their ranks. It is undeniably funny to watch them struggle with the more challenging punk, classic rock, and soul songs as their leader kvetches wearily, but Walker skillfully ensures that, by the end of the film, we are laughing with the intrepid Young@Hearters, and not at them.

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The final shot of the hit film CABARET is a Nazi meeting reflected in a mirror, providing the chilling historical subtext for this groundbreaking musical movie, set in prewar Berlin. Not since GONE WITH THE WIND (1939) had Hollywood produced a more successful film. CABARET was a convention-shattering story that dealt with themes like bisexuality that were still under the radar in the US. Additionally, CABARET made the enormously talented Liza Minnelli an American icon. Minnelli plays Sally Bowles, an aspiring singer and dancer. The main plot revolves around her relationship with two different men and her life as a singer at the Kit Kat Klub. The film utilizes the traditional conventions of American musical theater while adding in the fiendishly painted Master of Ceremonies (Joel Grey) who comments on the proceedings through song and dance. Director Bob Fosse showcases the range of his vision as a director of stage and screen, serving as both choreographer and musical director. Based on the Kander-Ebb musical from John van Druten's play I AM A CAMERA (which, in turn, was derived from Christopher Isherwood's novel GOODBYE TO BERLIN), CABARET was nominated for 10 Academy Awards and won eight, making it one of the most acclaimed films in movie history.

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Documentarian Ted Braun's first theatrical work examines the genocide in Darfur through the eyes of six distinct individuals who are doing what they can to combat the situation. Recent UCLA graduate Adam Sterling is the director of the Sudan Divestment Task Force, which seeks to get states to divest funds in Sudan. Dr. Luis Moreno-Ocampo is an Argentine native serving as the prosecutor of the International Criminal Court at The Hague, where he is investigating Sudanese leaders as war criminals. Ecuadorian Pablo Recalde is the head of the World Food Program in West Darfur, where he risks his life trying to get food to the sick and starving people in the region. Hejewa Adam has taken up arms in her homeland, joining a rebel group defending the Fur people and battling the Janjaweed and government forces. Ahmed Mohammed Abakar was forced to flee his village and is now the leader at a refugee camp in Hamadea, where some 50,000 displaced people live. And Oscar nominee Don Cheadle, after starring in HOTEL RWANDA, has written a book, NOT ON OUR WATCH, with John Prendergast, that helps people understand genocide--and gives them information on what they can do to stop it. Each of these people is making a difference in Darfur in a different way, through the legal system, legislation, the media, and even violence if necessary, in order to save and protect a people under siege. DARFUR NOW is not a partisan film; it demonstrates how men and women in all walks of life and with various religious and political beliefs can come together to effect change. The film was begun with a grant from Steven Spielberg's Righteous Persons Foundation.

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In what just might be the finest rock & roll concert film ever, THE LAST WALTZ celebrates the final performance by the Band (Robbie Robertson, Rick Danko, Richard Manuel, Levon Helm, and Garth Hudson). The show took place on Thanksgiving Day in 1976, at San Francisco's Winterland Arena--where the group had played their very first show more than 16 years before. In order to make their farewell even more unforgettable, they recruited numerous guests to join them onstage, including Bob Dylan, Neil Young, Joni Mitchell, Van Morrison, Eric Clapton, Muddy Waters, Ronnie Hawkins, Paul Butterfield, Emmylou Harris, Neil Diamond, the Staple Singers, Dr. John, Ringo Starr, Ron Wood, and Lawrence Ferlinghetti. Martin Scorsese, a former roommate of Robbie Robertson's, employs some of the world's greatest cinematographers--including Michael Chapman, Vilmos Zsigmond, and Laszlo Kovacs--to film the set in a way that captures the show's sweat and energy with a powerful intimacy. Interspersed into the songs are a series of interviews with the Band's members, who recall their early days playing for empty bars and their emergence as major players in the rock & roll game. THE LAST WALTZ is a thrilling concert film, mandatory viewing even for those unfamiliar with the Band or rock music in general.

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A STAR IS BORN was conceived as a comeback vehicle for Judy Garland, who gives a fascinating and heartrending performance in perhaps the finest work of her career. This film was director George Cukor's first musical and first color picture; the tale of a doomed Hollywood couple, it was a remake of the 1937 William Wellman movie with Janet Gaynor and Fredric March. Garland plays young singer Esther, who saves Norman Maine (James Mason), a famous star, from making a fool of himself onstage. Maine is an alcoholic whose career is on the wane but who manages, nonetheless, to acknowledge Esther's talent and help her jump-start a career in Hollywood. But as her star rises and his declines, Maine's misery grows. Harold Arlen and Ira Gershwin provided Garland with songs that would become standards in her concert repertoire, including "The Man That Got Away," which earned an Oscar nomination for Best Song. A STAR IS BORN is also based on the earlier Cukor picture WHAT PRICE HOLLYWOOD?

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This stellar Broadway play from Arthur Laurent, Jule Styne, and Stephen Sondheim ranks as one of the great pieces of American musical theater. The play and the subsequent film feature the enormously popular "Everything Is Coming Up Roses" and also includes "Small World," "All I Need Is the Girl," "You Gotta Have a Gimmick," "Let Me Entertain You," "Broadway, Broadway," and a half dozen others. The story follows the life of Rose Louise Hovick, the infamous queen of burlesque. Mama Rose, played by Rosalind Russell, propelled by the fame she never achieved, is determined to make her two daughters vaudeville stars whether they like it or not. Her bets rest with the older daughter, June, until June strikes off on her own, putting all the pressure on Louise (Natalie Wood), who isn't particularly interested in her mother's aspirations. At the same time, the world of vaudeville is decaying slowly around them, with many of the stages turning to burlesque acts. In a spontaneous move, Louise creates her own strip show onstage, and even though Louise doesn't display any skin, the act catches on fire. Actresses Russell and Wood pull off the difficult dramatic roles, but the real charm of the film rests in the excellent soundtrack.

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