PG (MPAA), Borders.com in Music & Musicals DVDs & Videos

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Originally written and directed by filmmaker John Waters in 1988, and then put on Broadway, the camp musical HAIRSPRAY could easily have run its course with viewers. But thanks to playful direction, flashy costumes, over-the-top performances, and a positive message of peace, this newest spin proves to be yet another enjoyable incarnation. Set in 1960s Baltimore, the story follows a plump young girl named Tracy Turnblad (played by impressive newcomer Nikki Blonski) on an amazing journey as her dream of dancing on the popular Corny Collins Show becomes a reality. The local television program is a shiny spectacle spear-headed by Corny Collins (James Marsden), a gang of young dancers, and producer Velma Von Tussle (Michelle Pfeiffer), a seductress ice queen whose manipulative ways ensure her daughter Amber (Brittany Snow) gets more than her fair share of screen time as one of the show's stars. When Tracy shows up at an open call, Velma can barely contain her rage, and sets out to rid the show of Tracy and the talented black dancers who make up the show's popular "Negro Day." Thus begins a war of talent and a battle for justice, with those in favor of integration meeting many obstacles along the way. While less out-there than Waters's original, the film still contains some very quirky humor. John Travolta playing Tracy's overweight mother may seem an odd concept at first, but in this context it works. Scenes that would ordinarily be cheesy are made more interesting due to the odd dynamic between Christopher Walken and John Travolta playing man and wife. As the two dance and woo one another, the strange smile on Travolta's lipsticked lips and the grace of Walken's dancing will be sure to fascinate viewers. Viewers should also watch for cameos by Ricki Lake, and by John Waters as a Baltimore streaker. With all the wacky comedy, it's often easy to forget that the meat of HAIRSPRAY is a battle over racial integration. The film manages to create some touching moments in the midst of sparkling musical numbers.

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Michael Jackson takes a final bow in this theatrical concert film featuring rehearsal footage of the late megastar as he practiced for the 100 shows in London that never came to be. HIGH SCHOOL MUSICAL's Kenny Ortega handles direction duties as well as choreography chores for the HD-shot film.

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GOD GREW TIRED OF US tells the remarkable story of the Lost Boys of Sudan. In 1987, with explosive violence in the Sudan because of civil war, 25,000 young boys between the ages of three and thirteen fled from their homes, beginning a five-year trek that ultimately led the survivors--many of the boys died along the treacherous journey through the desert--to a United Nations refugee camp in Kakuma, Kenya. Nicknamed the Lost Boys after the characters in J. M. Barrie's PETER PAN, they formed a tight community in the camp, though they still had little food and shelter and a bleak future. In 2001, 38,000 of the boys, now grown into men, were selected to be relocated to the United States, where they were to be given a new lease on life. Writer-director Christopher Quinn and codirector Tommy Walker closely follow three of the men as they try to make a go of it in what for them is a whole new world--they never before had flown in an airplane, shopped in a supermarket, or turned on an electric light. Daniel Abol Pach and Panther Blor move into Pittsburgh, while John Bul Dau is sent to Syracuse, where he struggles to maintain his African identity amid this very different society. With new dreams and opportunities, the Lost Boys attempt to adapt to their unique situation, but they never forget the friends and family still trapped in Sudan, Kenya, Ethiopia, and other parts of Africa. Narrated by Nicole Kidman, and with Brad Pitt serving as one of the executive producers, GOD GREW TIRED OF US is a powerful, compelling, important documentary.

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Originally written and directed by filmmaker John Waters in 1988, and then put on Broadway, the camp musical HAIRSPRAY could easily have run its course with viewers. But thanks to playful direction, flashy costumes, over-the-top performances, and a positive message of peace, this newest spin proves to be yet another enjoyable incarnation. Set in 1960s Baltimore, the story follows a plump young girl named Tracy Turnblad (played by impressive newcomer Nikki Blonski) on an amazing journey as her dream of dancing on the popular Corny Collins Show becomes a reality. The local television program is a shiny spectacle spear-headed by Corny Collins (James Marsden), a gang of young dancers, and producer Velma Von Tussle (Michelle Pfeiffer), a seductress ice queen whose manipulative ways ensure her daughter Amber (Brittany Snow) gets more than her fair share of screen time as one of the show's stars. When Tracy shows up at an open call, Velma can barely contain her rage, and sets out to rid the show of Tracy and the talented black dancers who make up the show's popular "Negro Day." Thus begins a war of talent and a battle for justice, with those in favor of integration meeting many obstacles along the way. While less out-there than Waters's original, the film still contains some very quirky humor. John Travolta playing Tracy's overweight mother may seem an odd concept at first, but in this context it works. Scenes that would ordinarily be cheesy are made more interesting due to the odd dynamic between Christopher Walken and John Travolta playing man and wife. As the two dance and woo one another, the strange smile on Travolta's lipsticked lips and the grace of Walken's dancing will be sure to fascinate viewers. Viewers should also watch for cameos by Ricki Lake, and by John Waters as a Baltimore streaker. With all the wacky comedy, it's often easy to forget that the meat of HAIRSPRAY is a battle over racial integration. The film manages to create some touching moments in the midst of sparkling musical numbers.

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Since hitting the scene in the late 1970s, Elvis Costello (along with his band, The Attractions) has been both popular with knowledgeable music fans and enormously influential, and this collection brings together a treasure trove of material from the beloved, bespectacled, and extremely talented rock icon. The fascinating evolution of his brand of eclectic, geeky-yet-cool rock and bracingly intelligent lyrics is on full display here, as 27 of his music videos are arranged chronologically (from 1978 to 1994, when he made his last video for Warner). Costello's early videos are a bit rough around the edges, but the terrific songs always sustain them, and they provide a fascinating look at his less polished early persona. His later videos are often visually excellent in their own right; highlights are the lovely black-and-white "New Lace Sleeves," the odd and intense "I Wanna Be Loved," and "Veronica," which emphasizes the originally intended and often overlooked meaning behind one of Costello's most popular songs. Each video has optional commentary from the artist, who is alternately thoughtful and hilarious here (like many of us, Costello looks back at the clothing of the 1980s and winces). Always prolific and unusually generous with his material, Costello also includes 18 additional videos of rare live television performances. Taken all together, this collection is thorough enough to satisfy even the most ardent fans, and good enough to convert casual ones.

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Originally written and directed by filmmaker John Waters in 1988, and then put on Broadway, the camp musical HAIRSPRAY could easily have run its course with viewers. But thanks to playful direction, flashy costumes, over-the-top performances, and a positive message of peace, this newest spin proves to be yet another enjoyable incarnation. Set in 1960s Baltimore, the story follows a plump young girl named Tracy Turnblad (played by impressive newcomer Nikki Blonski) on an amazing journey as her dream of dancing on the popular Corny Collins Show becomes a reality. The local television program is a shiny spectacle spear-headed by Corny Collins (James Marsden), a gang of young dancers, and producer Velma Von Tussle (Michelle Pfeiffer), a seductress ice queen whose manipulative ways ensure her daughter Amber (Brittany Snow) gets more than her fair share of screen time as one of the show's stars. When Tracy shows up at an open call, Velma can barely contain her rage, and sets out to rid the show of Tracy and the talented black dancers who make up the show's popular "Negro Day." Thus begins a war of talent and a battle for justice, with those in favor of integration meeting many obstacles along the way. While less out-there than Waters's original, the film still contains some very quirky humor. John Travolta playing Tracy's overweight mother may seem an odd concept at first, but in this context it works. Scenes that would ordinarily be cheesy are made more interesting due to the odd dynamic between Christopher Walken and John Travolta playing man and wife. As the two dance and woo one another, the strange smile on Travolta's lipsticked lips and the grace of Walken's dancing will be sure to fascinate viewers. Viewers should also watch for cameos by Ricki Lake, and by John Waters as a Baltimore streaker. With all the wacky comedy, it's often easy to forget that the meat of HAIRSPRAY is a battle over racial integration. The film manages to create some touching moments in the midst of sparkling musical numbers.

starting at

$9
 

starting at

$12
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