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After its run as a West End hit in London, MAMMA MIA became a Broadway smash when it opened in New York back in 2001. With a story framed around the music of the Swedish pop band Abba, crowds loved its raucous, dance party vibe. Now it comes to the silver screen, with some truly delightful performances from the likes of Meryl Streep and Pierce Brosnan. It is the story of Sophie (Amanda Seyfried) a young woman living on a picturesque Greek island with her mother, Donna (Streep.) Together, Donna and Sophie run a ramshackle island inn, and they are in the midst of preparing for Sophie's wedding. As the wedding approaches, Sophie becomes troubled by the fact that she has never known her father. She was the result of one of her mother's summer flings, and her mother has never revealed her father's identity. When Sophie stumbles upon her mother's diary, she learns that there are three possible men who could be her dad. Without telling her mother, she invites all three to her wedding. When Harry (Colin Firth), Sam (Brosnan), and Bill (Stellan Skarsgard) all arrive at the same time, Donna is of course shocked and overwhelmed by seeing her old lovers again after such a long time. She turns to her two best friends, Tanya (Christine Baranaki) and Rosie (Julia Walters), for their support, and vows to just get through the wedding and weekend. Meanwhile, Sophie spends time with each man, determined to learn the truth. Major hijinks and confusion ensues, all amidst the utterly romance scenery, and the rather irresistible, swelling love ballads. Streep has a lovely singing voice, and to watch her throw herself into this whimsical role is truly a delight. She looks like she is having a ball, and it is hard not to shimmy along with her. Baranski reliably delivers an over-the-top showstopper, and Brosnan's tender singing voice makes his character all the more touching. The film strives to be a jubilant celebration of mother/daughter relationships and the love between good friends, and no matter how cheesy some may find Abba, it is hard to resist its many charms.

starting at

$13
 

starting at

$6
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After its run as a West End hit in London, MAMMA MIA became a Broadway smash when it opened in New York back in 2001. With a story framed around the music of the Swedish pop band Abba, crowds loved its raucous, dance party vibe. Now it comes to the silver screen, with some truly delightful performances from the likes of Meryl Streep and Pierce Brosnan. It is the story of Sophie (Amanda Seyfried) a young woman living on a picturesque Greek island with her mother, Donna (Streep.) Together, Donna and Sophie run a ramshackle island inn, and they are in the midst of preparing for Sophie's wedding. As the wedding approaches, Sophie becomes troubled by the fact that she has never known her father. She was the result of one of her mother's summer flings, and her mother has never revealed her father's identity. When Sophie stumbles upon her mother's diary, she learns that there are three possible men who could be her dad. Without telling her mother, she invites all three to her wedding. When Harry (Colin Firth), Sam (Brosnan), and Bill (Stellan Skarsgard) all arrive at the same time, Donna is of course shocked and overwhelmed by seeing her old lovers again after such a long time. She turns to her two best friends, Tanya (Christine Baranaki) and Rosie (Julia Walters), for their support, and vows to just get through the wedding and weekend. Meanwhile, Sophie spends time with each man, determined to learn the truth. Major hijinks and confusion ensues, all amidst the utterly romance scenery, and the rather irresistible, swelling love ballads. Streep has a lovely singing voice, and to watch her throw herself into this whimsical role is truly a delight. She looks like she is having a ball, and it is hard not to shimmy along with her. Baranski reliably delivers an over-the-top showstopper, and Brosnan's tender singing voice makes his character all the more touching. The film strives to be a jubilant celebration of mother/daughter relationships and the love between good friends, and no matter how cheesy some may find Abba, it is hard to resist its many charms.

starting at

$6
 

starting at

$13
  • product
After its run as a West End hit in London, MAMMA MIA became a Broadway smash when it opened in New York back in 2001. With a story framed around the music of the Swedish pop band Abba, crowds loved its raucous, dance party vibe. Now it comes to the silver screen, with some truly delightful performances from the likes of Meryl Streep and Pierce Brosnan. It is the story of Sophie (Amanda Seyfried) a young woman living on a picturesque Greek island with her mother, Donna (Streep.) Together, Donna and Sophie run a ramshackle island inn, and they are in the midst of preparing for Sophie's wedding. As the wedding approaches, Sophie becomes troubled by the fact that she has never known her father. She was the result of one of her mother's summer flings, and her mother has never revealed her father's identity. When Sophie stumbles upon her mother's diary, she learns that there are three possible men who could be her dad. Without telling her mother, she invites all three to her wedding. When Harry (Colin Firth), Sam (Brosnan), and Bill (Stellan Skarsgard) all arrive at the same time, Donna is of course shocked and overwhelmed by seeing her old lovers again after such a long time. She turns to her two best friends, Tanya (Christine Baranaki) and Rosie (Julia Walters), for their support, and vows to just get through the wedding and weekend. Meanwhile, Sophie spends time with each man, determined to learn the truth. Major hijinks and confusion ensues, all amidst the utterly romance scenery, and the rather irresistible, swelling love ballads. Streep has a lovely singing voice, and to watch her throw herself into this whimsical role is truly a delight. She looks like she is having a ball, and it is hard not to shimmy along with her. Baranski reliably delivers an over-the-top showstopper, and Brosnan's tender singing voice makes his character all the more touching. The film strives to be a jubilant celebration of mother/daughter relationships and the love between good friends, and no matter how cheesy some may find Abba, it is hard to resist its many charms.

starting at

$13
 

starting at

$8
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Director Christopher Columbus (MRS. DOUBTFIRE, HARRY POTTER AND THE SORCERER'S STONE) adapts the hit Broadway musical of the same name to the big screen in RENT. A modern spin on the opera LA BOHEME, RENT tells the story of eight friends dealing with life and love in Manhattan's Alphabet City in 1989. Wannabe filmmaker Mark (Anthony Rapp) and singer/songwriter Roger (Adam Pascal) are facing eviction at the hands of their former roommate and current landlord, Benny (Taye Diggs). Benny has married rich, moved out of the neighborhood, and wants to build a state-of-the-art studio where the local tent city stands. Their downstairs neighbor, vivacious Mimi (Rosario Dawson), who strips at a local club to feed her heroin habit, takes a shine to Roger, a self-imposed recluse and former junkie whose last girlfriend died of AIDS. Their friend, Collins (Jesse L. Martin), returns to town and quickly falls for Angel (Wilson Jermaine Heredia), a glamorous, gracious, HIV positive transvestite. Finally, there is Maureen (Idina Menzel), a spitfire and performance artist who is planning a protest against Benny's plans and has dumped Mark for cerebral Joanne (Tracie Thoms), a lawyer. Over the course of a year, the friends face poverty, drug addiction, break-ups, reconciliations, eviction, and AIDS. Despite these challenges, they find support, hope, and acceptance in each other, all the while embracing the bohemian lifestyle that was so much a part of the Lower East Side. Newcomers Dawson and Thoms mix seamlessly with the original cast members, and Columbus introduces some interesting staging locations. With a concept, music, and lyrics by the late Jonathan Larson, RENT is an exuberant rock-&-roll musical with the underlying message that love can prevail despite all odds and that, ultimately, there really is no day but today.

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$8
 

starting at

$4
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With his best friend, a young musician travels to the beautiful French Riviera in search of quick riches. Instead, he falls in love with an extremely attractive and equally spoiled heiress. The top-of-the-charts soundtrack features Prince and the Revolution performing such hits as "Kiss," "Mountains," "Under the Cherry Moon," and many more.

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$4
 

starting at

$7
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The Beatles' songs may have provided the soundtrack for the lives of those coming of age in the 1960s, but their extensive catalogue acts as the literal soundtrack in this romantic musical from visionary director Julie Taymor. Newcomer Jim Sturgess stars as Jude, a young man working on the docks in Liverpool. Eager to escape, he travels to Princeton where he meets Max (Joe Anderson). But it's his meeting with Max's younger sister Lucy (Evan Rachel Wood) that changes him. They quickly fall in love, but their relationship is tested by the chaos of the late 1960s and Max's unwilling tour in Vietnam. Throughout the film, characters burst into classics from the Beatles: frat boys sing "With a Little Help from My Friends," while Uncle Sam bursts from a recruitment poster with strains of "I Want You (She's So Heavy)." U2's Bono makes a cameo as a counterculture leader and croons "I Am the Walrus," and actor-comedian Eddie Izzard provides a trippy rendition of "Being for the Benefit of Mr. Kite." Sturgess has the voice, charm, and good looks to fill Shea Stadium with hordes of screaming young women. As Jude, he's earnest and certainly capable of carrying the film. Wood capably balances Lucy's naiveté and knowledge, easily moving between her love for Jude and her passion for her cause. Though the performances are strong, it's Taymor's gifted direction that makes ACROSS THE UNIVERSE so fascinating to watch. As in FRIDA and Broadway's THE LION KING, she proves herself an artist with creativity few can match. Director of photography Bruno Delbonnel also deserves praise for his contribution to the striking visuals. He has worked with Jean-Pierre Jeunet on AMELIE and A VERY LONG ENGAGEMENT, and he brings the same sense of romance and whimsy to this unique musical.

starting at

$7
 

starting at

$9
  • product
After its run as a West End hit in London, MAMMA MIA became a Broadway smash when it opened in New York back in 2001. With a story framed around the music of the Swedish pop band Abba, crowds loved its raucous, dance party vibe. Now it comes to the silver screen, with some truly delightful performances from the likes of Meryl Streep and Pierce Brosnan. It is the story of Sophie (Amanda Seyfried) a young woman living on a picturesque Greek island with her mother, Donna (Streep.) Together, Donna and Sophie run a ramshackle island inn, and they are in the midst of preparing for Sophie's wedding. As the wedding approaches, Sophie becomes troubled by the fact that she has never known her father. She was the result of one of her mother's summer flings, and her mother has never revealed her father's identity. When Sophie stumbles upon her mother's diary, she learns that there are three possible men who could be her dad. Without telling her mother, she invites all three to her wedding. When Harry (Colin Firth), Sam (Brosnan), and Bill (Stellan Skarsgard) all arrive at the same time, Donna is of course shocked and overwhelmed by seeing her old lovers again after such a long time. She turns to her two best friends, Tanya (Christine Baranaki) and Rosie (Julia Walters), for their support, and vows to just get through the wedding and weekend. Meanwhile, Sophie spends time with each man, determined to learn the truth. Major hijinks and confusion ensues, all amidst the utterly romance scenery, and the rather irresistible, swelling love ballads. Streep has a lovely singing voice, and to watch her throw herself into this whimsical role is truly a delight. She looks like she is having a ball, and it is hard not to shimmy along with her. Baranski reliably delivers an over-the-top showstopper, and Brosnan's tender singing voice makes his character all the more touching. The film strives to be a jubilant celebration of mother/daughter relationships and the love between good friends, and no matter how cheesy some may find Abba, it is hard to resist its many charms.

starting at

$9
 

starting at

$2
  • product
Those who thought that smoke machines and cobwebbed candelabras were the stuff of Halloween parties and dance clubs need to think again. In Joel Schumacher's film adaptation of Andrew Lloyd Webber's Broadway musical THE PHANTOM OF THE OPERA, these moody set devices--and countless others--make every scene an atmospheric vision of souped-up 19th-century Gothic bliss. Christine Daee (a luminescent Emmy Rossum) is a tortured young star who is haunted by the voice of the phantom (Gerard Butler--who also played the lead in DRACULA 2000), a musician who hides in the shadows to hide a facial disfigurement, yet sings to her obsessively. Dwelling in the dark, damp chambers beneath the Paris opera house, the phantom lords over the cast and management with artistic autocracy--he writes the shows, casts them, and threatens all who disobey his plans with dramatically violent outbursts. But when his young student Christine falls for the rich and dapper Raoul (Patrick Wilson), the phantom descends into madness. Webber's memorable songs are performed with aplomb by Rossum, whose background includes singing with the Metropolitan Opera, and Wilson and Butler provide ample accompaniment. One of the treats of the proceedings is Minnie Driver's deeply exaggerated portrayal of the jealous diva, giving this PHANTOM a very appropriate dose of comic relief.

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$2
 

starting at

$6
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In this dark but goofy and thoroughly fun musical, shy Seymour and bubbly Audrey don't recognize the romance blooming between them, but they do recognize the money-making potential of Seymour's weird plant, discovered after a total eclipse of the sun. Soon money pours in and Seymour becomes a minor celebrity, but behind the glamour and fame lies a secret Seymour can't reveal: this strange and unusual plant's favorite food is blood. As the plant grows taller and taller, its demands for food grow as well, and Seymour starts to suspect that the plant might have an agenda for world domination.

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$6
 

starting at

$2
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The music of the Rolling Stones has lit up the soundtrack to so many Martin Scorsese films ("Gimme Shelter" has appeared in no less than three of his features--GOODFELLAS, CASINO, and THE DEPARTED) that it's little surprise to find the director teaming up with the legendary rockers for this concert recording. SHINE A LIGHT begins with a few glimpses of the preparation that went into the recording of the show, which was staged over two nights at New York City's Beacon Theatre in 2006. Scorsese also includes some candid footage of the Stones doing a pre-show meet-and-greet with guests Bill and Hillary Clinton, which highlights some of the different personality traits in the band. Keith Richards and Ron Wood are the clowns, always goofing around; Mick Jagger is the consummate professional, always polite to a fault; Charlie Watts caries a real air of dignity, as befits someone who enjoys a dual career as a noted jazz musician. The bulk of the movie is dedicated to the multi-camera shoot at the Beacon, which captures the Stones playing some of their biggest hits and a few lesser-known numbers. Special guests such as Jack White, Buddy Guy, and Christina Aguilera are ushered on at various points in the show, and the concert footage is broken up by some amusing vintage footage of the band. By using so many cameras, Scorsese captures a side of the Stones that is rarely seen, such as Watts turning to camera and puffing out his cheeks and Richards offering encouraging words to Jack White as he exits the stage. SHINE A LIGHT provides a welcome glimpse into the Stones' world at this advanced stage in their career, and continues Scorsese's obsession (see also: NO DIRECTION HOME and THE LAST WALTZ) with documenting some of the most influential characters in rock & roll.

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$2
 

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$4
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With GLITTER, pop diva Mariah Carey shows that she has more to offer the world than just a beautiful singing voice. Carey plays Billie Frank, a shy, young mixed-race girl who is sent away by her alcoholic mother at a very early age. At an orphanage, she befriends Louise (Da Brat) and Roxanne (Tia Texada), with the help of her cuddly cat. Flash forward to 1983. Billie and her friends are spotted by a record producer, Timothy Walker (Terrence Howard), who wants them to sing backup for his latest pop-music discovery. But when super DJ Dice (Max Beesley) hears Billie's incredible voice, he makes a shady deal with Timothy to get her out of that dead-end situation. Soon, Billie and Dice are making hits inside the studio, and falling in love outside of it. Eventually, the pressure of her newfound celebrity puts too heavy a strain on Billie, forcing her to decide what it is she really wants from Dice, and what she wants for herself. Directed by Vondie Curtis-Hall, GLITTER is a breezy return to the dance clubs and fashions of 1980s-era Manhattan, with a nostalgic electric musical score (compliments of Terence Blanchard and legendary producers Jimmy Jam and Terry Lewis).

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$4
 

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$6
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James Marsh's dazzling, invigorating documentary MAN ON WIRE tells the story of a truly inspiring figure. In the early 1970s, a fiery young Frenchman named Philippe Petit wanted to shake up the world. When he saw the World Trade Center being built in New York City, he found his mission. Petit was a trained high wire walker, and his goal was to set up a wire between the two towers and give the world a show it could never have expected. As is often the case with these endeavors, the actual high-wire walking was the easiest part of the plan. For nearly seven years, Petit worked on the project, recruiting associates who supported him every step of the way. Finally, after eight months in New York, the day came when Petit and his cronies jumped into action. This wasn't easy. They had to find a way to sneak past security and make their way to the top of the towers with heavy equipment, at which point they had to battle the elements to install the wire. After many close scares, the time came for Petit to realize his dream--and the rest, as they say, is history. Marsh crafts MAN ON WIRE like a heist film, presenting rare and fascinating footage of the actual event alongside flawless reenactments and modern-day interviews with the participants. The result is an immersive, emotionally gratifying motion picture, made all the more stimulating by Michael Nyman's electrifying score.

starting at

$6
 

starting at

$3
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Director Christopher Columbus (MRS. DOUBTFIRE, HARRY POTTER AND THE SORCERER'S STONE) adapts the hit Broadway musical of the same name to the big screen in RENT. A modern spin on the opera LA BOHEME, RENT tells the story of eight friends dealing with life and love in Manhattan's Alphabet City in 1989. Wannabe filmmaker Mark (Anthony Rapp) and singer/songwriter Roger (Adam Pascal) are facing eviction at the hands of their former roommate and current landlord, Benny (Taye Diggs). Benny has married rich, moved out of the neighborhood, and wants to build a state-of-the-art studio where the local tent city stands. Their downstairs neighbor, vivacious Mimi (Rosario Dawson), who strips at a local club to feed her heroin habit, takes a shine to Roger, a self-imposed recluse and former junkie whose last girlfriend died of AIDS. Their friend, Collins (Jesse L. Martin), returns to town and quickly falls for Angel (Wilson Jermaine Heredia), a glamorous, gracious, HIV positive transvestite. Finally, there is Maureen (Idina Menzel), a spitfire and performance artist who is planning a protest against Benny's plans and has dumped Mark for cerebral Joanne (Tracie Thoms), a lawyer. Over the course of a year, the friends face poverty, drug addiction, break-ups, reconciliations, eviction, and AIDS. Despite these challenges, they find support, hope, and acceptance in each other, all the while embracing the bohemian lifestyle that was so much a part of the Lower East Side. Newcomers Dawson and Thoms mix seamlessly with the original cast members, and Columbus introduces some interesting staging locations. With a concept, music, and lyrics by the late Jonathan Larson, RENT is an exuberant rock-&-roll musical with the underlying message that love can prevail despite all odds and that, ultimately, there really is no day but today.

starting at

$3
 

starting at

$3
  • product
Spinning a Bollywood tale from Jane Austen's classic novel, director Gurinder Chadha, writer Paul Madeya Berges, and producer Deepak Nayar (the BEND IT LIKE BECKHAM team) present this musical full of romance, intrigue, and cross-cultural celebration.

starting at

$3
 

starting at

$3
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Oscar winning director Sydney Pollack takes a sharp sideways turn with SKETCHES OF FRANK GEHRY, a documentary about the noted architect. Usually known for making grandiose productions such as THE FIRM and OUT OF AFRICA, Pollock adds a genuine curio to his filmmaking resume with this movie. Although the two men have been friends for years, Pollock thankfully bypasses the opportunity to pay a fawning tribute to Gehry, instead presenting a well-balanced portrait that offers both positive and negative commentators the chance to etch their thoughts into celluloid. But it quickly becomes clear that the biggest naysayer of all is Gehry himself, who is painted as a highly self-critical man, clearly ill-at-ease with fame and his own achievements. Pollock offers some screen time to Gehry's magnificent creations, but not as much as a less experienced director might have done, instead choosing to focus on the man himself. People such as Gehry's therapist, Milton Wexler, and garrulous artist/director Julian Schnabel (BASQUIAT) offer their thoughts, but the real magic occurs when Pollock and Gehry are on screen together. The series of interviews between the two men have the kind of relaxed atmosphere that could only exist after years of friendship, and Gehry comes across as an astonishingly normal and likeable fellow who keeps his ego firmly in check. Shooting mostly with hand-held digital-video cameras also brings a nice intimacy to the proceedings, creating a warm testimony to a great artist who has somehow managed to keep his integrity intact despite the ruthless nature of the industry in which he works.

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$3
 

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$4
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A slice of musical history was created on February 7th, 2003, when a dazzling array of blues artists gathered at New York City's Radio City Music Hall. With luminaries such as B.B. King, Solomon Burke, Ruth Brown, Mavis Staples, Buddy Guy, and Dr. John among the lineup, this was always destined to be a night to remember. But the organizers were savvy enough to up the ante even further by integrating a comprehensive--albeit by their own admission, incomplete--history of the genre into the evening's festivities. Director Antoine Fuqua (KING ARTHUR) was there with a full crew to record the event, capturing moments of magic both on stage and behind the scenes for LIGHTNING IN A BOTTLE. Fuqua also splices in some of the archival footage that the organizers showed on the night, including many of the Radio City artists performing and speaking at a much younger age. The influence of the blues over popular music is vast, and so performers such as Aerosmith, Chuck D from Public Enemy, and David Johansen are brought on stage to vie with their counterparts from a more traditional strain of the genre. Poignant moments come thick and fast, with many of the musicians reminiscing about the old times, and realizing that this would probably be the last occasion on which they were all gathered in the same room. An inspiring historical document, Fuqua's film captures a dying breed of artists, but also points to their lasting legacy and influence which will indefinitely loom large over the music scene.

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$4
 

starting at

$5
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Leonard Cohen manages to garner fans from the unlikeliest of places despite his distinctly un-rock-&-roll appearance and a set of songs that veer closer to poetry than to their uneasy bedfellows in the pantheon of popular music. But viewers looking for an in-depth analysis of the man behind some of the most deeply introspective music ever recorded should look elsewhere: LEONARD COHEN: I'M YOUR MAN contains precious little insight from Cohen himself. Instead, director Lian Lunson has pieced together a warm tribute to the Canadian singer, drawing on the words of his many celebrity fans while also sharing generous amounts of footage from a Cohen tribute concert staged in 2005. The concert was filmed in Australia, with the bulk of the celebrity testimonials coming from performers at the show. The eclectic array of artists taking part include Nick Cave, Pulp's Jarvis Cocker, Martha and Rufus Wainwright, and folk legend Linda Thompson, all of whom perform unique interpretations of Cohen-penned classics such as "I'm Your Man" (Cave) and "Chelsea Hotel #2" (Rufus Wainwright). Lunson intersperses the concert footage with interviews from the stars, the most vocal and effusive praise coming from the Edge and Bono from U2, who are seen backing Cohen on a rendition of "Tower of Song" as the movie closes. Cohen himself is also given some screen time in which he muses on a number of interesting topics, but Lunson's piece is mostly designed as a straight tribute to a man who has never sat easily in the contemporary music world, much to the delight of his fans.

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$5
 

starting at

$13
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This Hollywood adaptation of the classic Broadway musical sparkles with glamour and reverberates with the energy of good, old-fashioned song and dance. As the film leaps into its first riveting act, Velma Kelly (Catherine Zeta-Jones), one half of the famous number she performs with her sister, arrives at the night club late, disheveled, and with blood on her hands. Nonetheless, she goes onstage unhindered and wows the crowd with her shimmying rendition of "All That Jazz." Roxie Hart (Renee Zellweger) a young blond who dreams of someday being famous like Velma, watches from the audience with eyes full of envy. Later, as the cops pick up Velma for the murder of her sister, sending her fame to all-time heights as she becomes a tabloid sensation, Roxie also commits a crime of passion--shooting a lover who falsely promised to secure her cabaret debut. The girls wind up together in jail, where Mama Morton (Queen Latifah), a compassionate guard, is their only hope of redemption; and Billy Flynn (Richard Gere) is the lawyer who can get them out. There, through wonderfully familiar songs like "Razzle Dazzle," "Cell-Block Tango," and "Cellophane Man" Roxie and Velma tell their story of competing for bad-girl celebrity. Director Rob Marshall presents a loveable CHICAGO that shares all the grit and grime of the Bob Fosse Broadway original with phenomenal performances by this grouping of Hollywood stars. The dizzying camerawork and dazzling sets make an easy transition from stage to film.

starting at

$13
 

starting at

$2
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Documentary filmmaker Isidore Rosmarin focuses on the Arab-Israeli conflict in this documentary which aims to uncover the truth beneath what is reported in the news. Along with several experts on the Middle East, Rosmarin interviews soldiers, terrorists, ministers, and innocent bystanders from both sides of the issue.

starting at

$2
 

starting at

$13
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The Beatles' songs may have provided the soundtrack for the lives of those coming of age in the 1960s, but their extensive catalogue acts as the literal soundtrack in this romantic musical from visionary director Julie Taymor. Newcomer Jim Sturgess stars as Jude, a young man working on the docks in Liverpool. Eager to escape, he travels to Princeton where he meets Max (Joe Anderson). But it's his meeting with Max's younger sister Lucy (Evan Rachel Wood) that changes him. They quickly fall in love, but their relationship is tested by the chaos of the late 1960s and Max's unwilling tour in Vietnam. Throughout the film, characters burst into classics from the Beatles: frat boys sing "With a Little Help from My Friends," while Uncle Sam bursts from a recruitment poster with strains of "I Want You (She's So Heavy)." U2's Bono makes a cameo as a counterculture leader and croons "I Am the Walrus," and actor-comedian Eddie Izzard provides a trippy rendition of "Being for the Benefit of Mr. Kite." Sturgess has the voice, charm, and good looks to fill Shea Stadium with hordes of screaming young women. As Jude, he's earnest and certainly capable of carrying the film. Wood capably balances Lucy's naiveté and knowledge, easily moving between her love for Jude and her passion for her cause. Though the performances are strong, it's Taymor's gifted direction that makes ACROSS THE UNIVERSE so fascinating to watch. As in FRIDA and Broadway's THE LION KING, she proves herself an artist with creativity few can match. Director of photography Bruno Delbonnel also deserves praise for his contribution to the striking visuals. He has worked with Jean-Pierre Jeunet on AMELIE and A VERY LONG ENGAGEMENT, and he brings the same sense of romance and whimsy to this unique musical.

starting at

$13
Deals on PG-13 (MPAA) in Music & Musicals DVDs & Videos. Visit BizRate to find the best deals on Music & Musicals DVDs & Videos. See which DVDs & Videos stores have the PG-13 (MPAA) that you want. Read reviews on DVDs & Videos merchants and buy with confidence. Find savings on High School Musical 3: Senior Year [DVD] - High School Musical 3: Senior Year (2-Disc Set; Extended Edition with DisneyFile) [DVD].