PG-13 (MPAA), Amazon Marketplace in Music & Musicals DVDs & Videos

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After its run as a West End hit in London, MAMMA MIA became a Broadway smash when it opened in New York back in 2001. With a story framed around the music of the Swedish pop band Abba, crowds loved its raucous, dance party vibe. Now it comes to the silver screen, with some truly delightful performances from the likes of Meryl Streep and Pierce Brosnan. It is the story of Sophie (Amanda Seyfried) a young woman living on a picturesque Greek island with her mother, Donna (Streep.) Together, Donna and Sophie run a ramshackle island inn, and they are in the midst of preparing for Sophie's wedding. As the wedding approaches, Sophie becomes troubled by the fact that she has never known her father. She was the result of one of her mother's summer flings, and her mother has never revealed her father's identity. When Sophie stumbles upon her mother's diary, she learns that there are three possible men who could be her dad. Without telling her mother, she invites all three to her wedding. When Harry (Colin Firth), Sam (Brosnan), and Bill (Stellan Skarsgard) all arrive at the same time, Donna is of course shocked and overwhelmed by seeing her old lovers again after such a long time. She turns to her two best friends, Tanya (Christine Baranaki) and Rosie (Julia Walters), for their support, and vows to just get through the wedding and weekend. Meanwhile, Sophie spends time with each man, determined to learn the truth. Major hijinks and confusion ensues, all amidst the utterly romance scenery, and the rather irresistible, swelling love ballads. Streep has a lovely singing voice, and to watch her throw herself into this whimsical role is truly a delight. She looks like she is having a ball, and it is hard not to shimmy along with her. Baranski reliably delivers an over-the-top showstopper, and Brosnan's tender singing voice makes his character all the more touching. The film strives to be a jubilant celebration of mother/daughter relationships and the love between good friends, and no matter how cheesy some may find Abba, it is hard to resist its many charms.

starting at

$8
 

starting at

$5
  • product
This 2002 version of Bizet's opera is updated for the hip-hop generation. The tale of Carmen, an irresistible woman who who tears men apart, is told in this passionate drama set to the sound of hot hip-hop and featuring an all-star cast including Mos Def, lil Bow Wow, Troy Winbush, Jermaine Dupri, and Beyonce Knowles as the title character. Mekhi Phifer (CLOCKERS) is a young police cadet who falls under the spell of the stunning beauty. This cable production was directed by Robert Townsend and is narrated by rap superstar Da Brat.

starting at

$5
 

starting at

$9
  • product
After its run as a West End hit in London, MAMMA MIA became a Broadway smash when it opened in New York back in 2001. With a story framed around the music of the Swedish pop band Abba, crowds loved its raucous, dance party vibe. Now it comes to the silver screen, with some truly delightful performances from the likes of Meryl Streep and Pierce Brosnan. It is the story of Sophie (Amanda Seyfried) a young woman living on a picturesque Greek island with her mother, Donna (Streep.) Together, Donna and Sophie run a ramshackle island inn, and they are in the midst of preparing for Sophie's wedding. As the wedding approaches, Sophie becomes troubled by the fact that she has never known her father. She was the result of one of her mother's summer flings, and her mother has never revealed her father's identity. When Sophie stumbles upon her mother's diary, she learns that there are three possible men who could be her dad. Without telling her mother, she invites all three to her wedding. When Harry (Colin Firth), Sam (Brosnan), and Bill (Stellan Skarsgard) all arrive at the same time, Donna is of course shocked and overwhelmed by seeing her old lovers again after such a long time. She turns to her two best friends, Tanya (Christine Baranaki) and Rosie (Julia Walters), for their support, and vows to just get through the wedding and weekend. Meanwhile, Sophie spends time with each man, determined to learn the truth. Major hijinks and confusion ensues, all amidst the utterly romance scenery, and the rather irresistible, swelling love ballads. Streep has a lovely singing voice, and to watch her throw herself into this whimsical role is truly a delight. She looks like she is having a ball, and it is hard not to shimmy along with her. Baranski reliably delivers an over-the-top showstopper, and Brosnan's tender singing voice makes his character all the more touching. The film strives to be a jubilant celebration of mother/daughter relationships and the love between good friends, and no matter how cheesy some may find Abba, it is hard to resist its many charms.

starting at

$9
 

starting at

$13
  • product
After its run as a West End hit in London, MAMMA MIA became a Broadway smash when it opened in New York back in 2001. With a story framed around the music of the Swedish pop band Abba, crowds loved its raucous, dance party vibe. Now it comes to the silver screen, with some truly delightful performances from the likes of Meryl Streep and Pierce Brosnan. It is the story of Sophie (Amanda Seyfried) a young woman living on a picturesque Greek island with her mother, Donna (Streep.) Together, Donna and Sophie run a ramshackle island inn, and they are in the midst of preparing for Sophie's wedding. As the wedding approaches, Sophie becomes troubled by the fact that she has never known her father. She was the result of one of her mother's summer flings, and her mother has never revealed her father's identity. When Sophie stumbles upon her mother's diary, she learns that there are three possible men who could be her dad. Without telling her mother, she invites all three to her wedding. When Harry (Colin Firth), Sam (Brosnan), and Bill (Stellan Skarsgard) all arrive at the same time, Donna is of course shocked and overwhelmed by seeing her old lovers again after such a long time. She turns to her two best friends, Tanya (Christine Baranaki) and Rosie (Julia Walters), for their support, and vows to just get through the wedding and weekend. Meanwhile, Sophie spends time with each man, determined to learn the truth. Major hijinks and confusion ensues, all amidst the utterly romance scenery, and the rather irresistible, swelling love ballads. Streep has a lovely singing voice, and to watch her throw herself into this whimsical role is truly a delight. She looks like she is having a ball, and it is hard not to shimmy along with her. Baranski reliably delivers an over-the-top showstopper, and Brosnan's tender singing voice makes his character all the more touching. The film strives to be a jubilant celebration of mother/daughter relationships and the love between good friends, and no matter how cheesy some may find Abba, it is hard to resist its many charms.

starting at

$13
 

starting at

$10
  • product
The Beatles' songs may have provided the soundtrack for the lives of those coming of age in the 1960s, but their extensive catalogue acts as the literal soundtrack in this romantic musical from visionary director Julie Taymor. Newcomer Jim Sturgess stars as Jude, a young man working on the docks in Liverpool. Eager to escape, he travels to Princeton where he meets Max (Joe Anderson). But it's his meeting with Max's younger sister Lucy (Evan Rachel Wood) that changes him. They quickly fall in love, but their relationship is tested by the chaos of the late 1960s and Max's unwilling tour in Vietnam. Throughout the film, characters burst into classics from the Beatles: frat boys sing "With a Little Help from My Friends," while Uncle Sam bursts from a recruitment poster with strains of "I Want You (She's So Heavy)." U2's Bono makes a cameo as a counterculture leader and croons "I Am the Walrus," and actor-comedian Eddie Izzard provides a trippy rendition of "Being for the Benefit of Mr. Kite." Sturgess has the voice, charm, and good looks to fill Shea Stadium with hordes of screaming young women. As Jude, he's earnest and certainly capable of carrying the film. Wood capably balances Lucy's naiveté and knowledge, easily moving between her love for Jude and her passion for her cause. Though the performances are strong, it's Taymor's gifted direction that makes ACROSS THE UNIVERSE so fascinating to watch. As in FRIDA and Broadway's THE LION KING, she proves herself an artist with creativity few can match. Director of photography Bruno Delbonnel also deserves praise for his contribution to the striking visuals. He has worked with Jean-Pierre Jeunet on AMELIE and A VERY LONG ENGAGEMENT, and he brings the same sense of romance and whimsy to this unique musical.

starting at

$10
 

starting at

$2
  • product
Those who thought that smoke machines and cobwebbed candelabras were the stuff of Halloween parties and dance clubs need to think again. In Joel Schumacher's film adaptation of Andrew Lloyd Webber's Broadway musical THE PHANTOM OF THE OPERA, these moody set devices--and countless others--make every scene an atmospheric vision of souped-up 19th-century Gothic bliss. Christine Daee (a luminescent Emmy Rossum) is a tortured young star who is haunted by the voice of the phantom (Gerard Butler--who also played the lead in DRACULA 2000), a musician who hides in the shadows to hide a facial disfigurement, yet sings to her obsessively. Dwelling in the dark, damp chambers beneath the Paris opera house, the phantom lords over the cast and management with artistic autocracy--he writes the shows, casts them, and threatens all who disobey his plans with dramatically violent outbursts. But when his young student Christine falls for the rich and dapper Raoul (Patrick Wilson), the phantom descends into madness. Webber's memorable songs are performed with aplomb by Rossum, whose background includes singing with the Metropolitan Opera, and Wilson and Butler provide ample accompaniment. One of the treats of the proceedings is Minnie Driver's deeply exaggerated portrayal of the jealous diva, giving this PHANTOM a very appropriate dose of comic relief.

starting at

$2
 

starting at

$14
  • product
After its run as a West End hit in London, MAMMA MIA became a Broadway smash when it opened in New York back in 2001. With a story framed around the music of the Swedish pop band Abba, crowds loved its raucous, dance party vibe. Now it comes to the silver screen, with some truly delightful performances from the likes of Meryl Streep and Pierce Brosnan. It is the story of Sophie (Amanda Seyfried) a young woman living on a picturesque Greek island with her mother, Donna (Streep.) Together, Donna and Sophie run a ramshackle island inn, and they are in the midst of preparing for Sophie's wedding. As the wedding approaches, Sophie becomes troubled by the fact that she has never known her father. She was the result of one of her mother's summer flings, and her mother has never revealed her father's identity. When Sophie stumbles upon her mother's diary, she learns that there are three possible men who could be her dad. Without telling her mother, she invites all three to her wedding. When Harry (Colin Firth), Sam (Brosnan), and Bill (Stellan Skarsgard) all arrive at the same time, Donna is of course shocked and overwhelmed by seeing her old lovers again after such a long time. She turns to her two best friends, Tanya (Christine Baranaki) and Rosie (Julia Walters), for their support, and vows to just get through the wedding and weekend. Meanwhile, Sophie spends time with each man, determined to learn the truth. Major hijinks and confusion ensues, all amidst the utterly romance scenery, and the rather irresistible, swelling love ballads. Streep has a lovely singing voice, and to watch her throw herself into this whimsical role is truly a delight. She looks like she is having a ball, and it is hard not to shimmy along with her. Baranski reliably delivers an over-the-top showstopper, and Brosnan's tender singing voice makes his character all the more touching. The film strives to be a jubilant celebration of mother/daughter relationships and the love between good friends, and no matter how cheesy some may find Abba, it is hard to resist its many charms.

starting at

$14
 

starting at

$7
  • product
The Beatles' songs may have provided the soundtrack for the lives of those coming of age in the 1960s, but their extensive catalogue acts as the literal soundtrack in this romantic musical from visionary director Julie Taymor. Newcomer Jim Sturgess stars as Jude, a young man working on the docks in Liverpool. Eager to escape, he travels to Princeton where he meets Max (Joe Anderson). But it's his meeting with Max's younger sister Lucy (Evan Rachel Wood) that changes him. They quickly fall in love, but their relationship is tested by the chaos of the late 1960s and Max's unwilling tour in Vietnam. Throughout the film, characters burst into classics from the Beatles: frat boys sing "With a Little Help from My Friends," while Uncle Sam bursts from a recruitment poster with strains of "I Want You (She's So Heavy)." U2's Bono makes a cameo as a counterculture leader and croons "I Am the Walrus," and actor-comedian Eddie Izzard provides a trippy rendition of "Being for the Benefit of Mr. Kite." Sturgess has the voice, charm, and good looks to fill Shea Stadium with hordes of screaming young women. As Jude, he's earnest and certainly capable of carrying the film. Wood capably balances Lucy's naiveté and knowledge, easily moving between her love for Jude and her passion for her cause. Though the performances are strong, it's Taymor's gifted direction that makes ACROSS THE UNIVERSE so fascinating to watch. As in FRIDA and Broadway's THE LION KING, she proves herself an artist with creativity few can match. Director of photography Bruno Delbonnel also deserves praise for his contribution to the striking visuals. He has worked with Jean-Pierre Jeunet on AMELIE and A VERY LONG ENGAGEMENT, and he brings the same sense of romance and whimsy to this unique musical.

starting at

$7
 

starting at

$11
  • product
James Marsh's dazzling, invigorating documentary MAN ON WIRE tells the story of a truly inspiring figure. In the early 1970s, a fiery young Frenchman named Philippe Petit wanted to shake up the world. When he saw the World Trade Center being built in New York City, he found his mission. Petit was a trained high wire walker, and his goal was to set up a wire between the two towers and give the world a show it could never have expected. As is often the case with these endeavors, the actual high-wire walking was the easiest part of the plan. For nearly seven years, Petit worked on the project, recruiting associates who supported him every step of the way. Finally, after eight months in New York, the day came when Petit and his cronies jumped into action. This wasn't easy. They had to find a way to sneak past security and make their way to the top of the towers with heavy equipment, at which point they had to battle the elements to install the wire. After many close scares, the time came for Petit to realize his dream--and the rest, as they say, is history. Marsh crafts MAN ON WIRE like a heist film, presenting rare and fascinating footage of the actual event alongside flawless reenactments and modern-day interviews with the participants. The result is an immersive, emotionally gratifying motion picture, made all the more stimulating by Michael Nyman's electrifying score.

starting at

$11
 

starting at

$3
  • product
Documentary filmmaker Isidore Rosmarin focuses on the Arab-Israeli conflict in this documentary which aims to uncover the truth beneath what is reported in the news. Along with several experts on the Middle East, Rosmarin interviews soldiers, terrorists, ministers, and innocent bystanders from both sides of the issue.

starting at

$3
 

starting at

$3
  • product
Prince returns as the kid, locked in a power struggle over the Glam Slam, a prime-location nightclub he co-owns with Day. Their ongoing battle for control inspires a potent tale of goodness vs. greed and the redemptive power of love and self-expression, as well as a succession of roof-raising musical numbers.

starting at

$3
 

starting at

$8
  • product
Musical fans need look no further than this extensive collection containing the popular musicals DE-LOVELY, HAIR, and A CHORUS LINE.

starting at

$8
 

starting at

$6
  • product
In this dark but goofy and thoroughly fun musical, shy Seymour and bubbly Audrey don't recognize the romance blooming between them, but they do recognize the money-making potential of Seymour's weird plant, discovered after a total eclipse of the sun. Soon money pours in and Seymour becomes a minor celebrity, but behind the glamour and fame lies a secret Seymour can't reveal: this strange and unusual plant's favorite food is blood. As the plant grows taller and taller, its demands for food grow as well, and Seymour starts to suspect that the plant might have an agenda for world domination.

starting at

$6
 

starting at

$4
  • product
Those who thought that smoke machines and cobwebbed candelabras were the stuff of Halloween parties and dance clubs need to think again. In Joel Schumacher's film adaptation of Andrew Lloyd Webber's Broadway musical THE PHANTOM OF THE OPERA, these moody set devices--and countless others--make every scene an atmospheric vision of souped-up 19th-century Gothic bliss. Christine Daee (a luminescent Emmy Rossum) is a tortured young star who is haunted by the voice of the phantom (Gerard Butler--who also played the lead in DRACULA 2000), a musician who hides in the shadows to hide a facial disfigurement, yet sings to her obsessively. Dwelling in the dark, damp chambers beneath the Paris opera house, the phantom lords over the cast and management with artistic autocracy--he writes the shows, casts them, and threatens all who disobey his plans with dramatically violent outbursts. But when his young student Christine falls for the rich and dapper Raoul (Patrick Wilson), the phantom descends into madness. Webber's memorable songs are performed with aplomb by Rossum, whose background includes singing with the Metropolitan Opera, and Wilson and Butler provide ample accompaniment. One of the treats of the proceedings is Minnie Driver's deeply exaggerated portrayal of the jealous diva, giving this PHANTOM a very appropriate dose of comic relief.

starting at

$4
 

starting at

$5
  • product
Cross LA BOHÈME with CABARET, throw in a little bit of RENT, and you might almost begin to describe Baz Luhrmann's visually opulent, fast-paced, funny, heartrending MOULIN ROUGE. The film, which premiered as the opener to the 2001 Cannes Film Festival, is a musical set in 1899 Paris at the notorious Montmartre cabaret club, the Moulin Rouge. Directed by Luhrmann (WILLIAM SHAKESPEARE'S ROMEO AND JULIET, STRICTLY BALLROOM), the movie stars Nicole Kidman as the high-kicking courtesan, Satine; Ewan McGregor as the sensitive poet, Christian; and John Leguizamo as the flamboyant artist and matchmaker, Toulouse-Lautrec. Luhrmann's use of eclectic lighting and saturated color, the fast zooms and quick cuts of his camera, and his magnificent costumes and sets perfectly capture the excess and freneticism for which the Moulin Rouge was famous. Beautifully led by McGregor and Kidman, the flawless supporting cast brings to life the culture of belle époque Paris with magical realism. Above all, the anachronistic, energetic contemporary soundtrack is what drives MOULIN ROUGE, with popular songs by L'il Kim, Christina Aguilera, David Bowie, and Beck--as well as Kidman and McGregor adding their own superb vocals.

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$5
 

starting at

$4
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Spinning a Bollywood tale from Jane Austen's classic novel, director Gurinder Chadha, writer Paul Madeya Berges, and producer Deepak Nayar (the BEND IT LIKE BECKHAM team) present this musical full of romance, intrigue, and cross-cultural celebration.

starting at

$4
 

starting at

$2
  • product
In the world of show business, few men are as talented and influential as the producer, musician, and composer Quincy Jones. Not only has he been a powerful force in the music industry, he has successfully tried his hand at cinema and television. This documentary celebrates the "lives" of Quincy Jones, using music, home movies, and clips of Jones at work and play. Also included are interviews with Jones's friends and collaborators. This eclectic group includes Michael Jackson, Miles Davis, rapper Flavor Flav, Barbra Streisand, Frank Sinatra, Steven Spielberg, and many more.

starting at

$2
 

starting at

$3
  • product
Reminiscent of SOME LIKE IT HOT, VICTOR VICTORIA and TOOTSIE, CONNIE AND CARLA is a musical comedy in drag written by and co-starring Nia Vardalos of MY BIG FAT GREEK WEDDING. Best friends since their school days, Connie (Vardalos) and Carla (Toni Collette) are airport lounge singers with dreams of someday making it big on the cabaret circuit. Past their prime and going nowhere in their hometown of Chicago, their break comes when they accidentally witness a mob murder, flee to L.A., and disguise themselves in drag. They dazzle the drag community with their singing talent and their suspiciously authentic feminine figures. Soon they become one of the hottest nightclub shows around with a larger-than-life secret upon which their fame depends. Their struggle to keep their secret becomes even more difficult when Connie meets Jeff (David Duchovny), the straight brother of one of her drag friends (Stephen Spinella), and begins to fall in love. A complicated affair ensues with Jeff believing he is falling for a man in drag and Connie struggling to keep her true identity hidden in a series of wacky mix-ups and close calls. Vardalos and Collette sing and dance in a variety of campy numbers, featuring classic show tunes from EVITA, CABARET, and GYPSY.

starting at

$3
 

starting at

$3
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Director Christopher Columbus (MRS. DOUBTFIRE, HARRY POTTER AND THE SORCERER'S STONE) adapts the hit Broadway musical of the same name to the big screen in RENT. A modern spin on the opera LA BOHEME, RENT tells the story of eight friends dealing with life and love in Manhattan's Alphabet City in 1989. Wannabe filmmaker Mark (Anthony Rapp) and singer/songwriter Roger (Adam Pascal) are facing eviction at the hands of their former roommate and current landlord, Benny (Taye Diggs). Benny has married rich, moved out of the neighborhood, and wants to build a state-of-the-art studio where the local tent city stands. Their downstairs neighbor, vivacious Mimi (Rosario Dawson), who strips at a local club to feed her heroin habit, takes a shine to Roger, a self-imposed recluse and former junkie whose last girlfriend died of AIDS. Their friend, Collins (Jesse L. Martin), returns to town and quickly falls for Angel (Wilson Jermaine Heredia), a glamorous, gracious, HIV positive transvestite. Finally, there is Maureen (Idina Menzel), a spitfire and performance artist who is planning a protest against Benny's plans and has dumped Mark for cerebral Joanne (Tracie Thoms), a lawyer. Over the course of a year, the friends face poverty, drug addiction, break-ups, reconciliations, eviction, and AIDS. Despite these challenges, they find support, hope, and acceptance in each other, all the while embracing the bohemian lifestyle that was so much a part of the Lower East Side. Newcomers Dawson and Thoms mix seamlessly with the original cast members, and Columbus introduces some interesting staging locations. With a concept, music, and lyrics by the late Jonathan Larson, RENT is an exuberant rock-&-roll musical with the underlying message that love can prevail despite all odds and that, ultimately, there really is no day but today.

starting at

$3
 

starting at

$4
  • product
Leonard Cohen manages to garner fans from the unlikeliest of places despite his distinctly un-rock-&-roll appearance and a set of songs that veer closer to poetry than to their uneasy bedfellows in the pantheon of popular music. But viewers looking for an in-depth analysis of the man behind some of the most deeply introspective music ever recorded should look elsewhere: LEONARD COHEN: I'M YOUR MAN contains precious little insight from Cohen himself. Instead, director Lian Lunson has pieced together a warm tribute to the Canadian singer, drawing on the words of his many celebrity fans while also sharing generous amounts of footage from a Cohen tribute concert staged in 2005. The concert was filmed in Australia, with the bulk of the celebrity testimonials coming from performers at the show. The eclectic array of artists taking part include Nick Cave, Pulp's Jarvis Cocker, Martha and Rufus Wainwright, and folk legend Linda Thompson, all of whom perform unique interpretations of Cohen-penned classics such as "I'm Your Man" (Cave) and "Chelsea Hotel #2" (Rufus Wainwright). Lunson intersperses the concert footage with interviews from the stars, the most vocal and effusive praise coming from the Edge and Bono from U2, who are seen backing Cohen on a rendition of "Tower of Song" as the movie closes. Cohen himself is also given some screen time in which he muses on a number of interesting topics, but Lunson's piece is mostly designed as a straight tribute to a man who has never sat easily in the contemporary music world, much to the delight of his fans.

starting at

$4
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