Stanley donen in Music & Musicals DVDs & Videos

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Damn Yankees

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An exciting mix of rough-and-tumble baseball with lively song-and-dance numbers makes this musical a home run. When middle-aged Joe, number one Washington Senators fan, gets a deal from the devil and is transformed into a hotshot rookie baseball player, the Senators have their first real chance to beat the Yankees and capture the pennant. But the devil's secret agenda is to pull the rug out from under the fans' feet just before the Senators win, hopefully sparking massive depression. Joe's yearning for his wife throws a wrench into the devil's devious works, encouraging the devil to call in Lola, the best vamp in his staff. Joe and Lola warily dance around each other, he fascinated by her physical charms, she mesmerized by his honest goodness. With so much pressure on him, can Joe hold it together long enough to beat those damn Yankees, win the pennant for the Senators...and keep his soul?

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Seven Brides for Seven Brothers

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In the Oregon Territory, mountain man Adam Pontipee (Howard Keel, acting and singing with gusto) comes to town to sell his crops and woo a woman to be his wife, succeeding with spirited Milly (Jane Powell), who is tired of feeding and waiting on so many men at the local inn. Her dreams of keeping house for just one man are shattered when she discovers that Adam shares his pigsty cabin with six brawling brothers. Milly's good cooking and stubborn nature whip the young men into shape and inspire them to seek women of their own. But after a disastrous barn raising during which the brothers snare the attention of the town girls only to be taunted into fighting with the town men, Adam suggests his brothers forget gentle methods of love and follow the actions of the Roman with the Sabine ("Sobbin'") women. The kidnapping of their six sweethearts spurs Milly to throw the men out of the house, but enforced proximity caused by winter and the brothers' good intentions just might help love bloom again.

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Seven Brides for Seven Brothers

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In the Oregon Territory, mountain man Adam Pontipee (Howard Keel, acting and singing with gusto) comes to town to sell his crops and woo a woman to be his wife, succeeding with spirited Milly (Jane Powell), who is tired of feeding and waiting on so many men at the local inn. Her dreams of keeping house for just one man are shattered when she discovers that Adam shares his pigsty cabin with six brawling brothers. Milly's good cooking and stubborn nature whip the young men into shape and inspire them to seek women of their own. But after a disastrous barn raising during which the brothers snare the attention of the town girls only to be taunted into fighting with the town men, Adam suggests his brothers forget gentle methods of love and follow the actions of the Roman with the Sabine ("Sobbin'") women. The kidnapping of their six sweethearts spurs Milly to throw the men out of the house, but enforced proximity caused by winter and the brothers' good intentions just might help love bloom again.

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Splashes of vivid color light the way through Stanley Donen's very modern musical. "Think pink!" commands Miss Prescott, head of Quality Woman fashion magazine, and American women obey--all except Jo (Audrey Hepburn), an intellectual young woman who tries to prevent Miss Prescott from staging a photo shoot in Jo's bookshop. Photographer Dick Avery (Fred Astaire) sees something interesting in Jo's "funny face," and soon he's lured her to Paris to model during the day and discuss philosophy in smoky cafés at night. Modeling Givenchy clothes, Hepburn steals the color in every scene, and her funny face enchants all, including Dick and, unexpectedly, the dark and handsome philosophy master whose theories Jo adores. The musical numbers are primarily duets--Jo and Dick glide together in each other's arms, Jo and Miss Prescott find unexpected solidarity in womanhood, and Dick and Miss Prescott cavort in the philosopher's salon--but the most engaging scene is when the three come to Paris, plead exhaustion to one another, then secretly race around the city, singing and dancing and reveling in being tourists.

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Five classic musicals are collected here, including: IT'S ALWAYS FAIR WEATHER, SUMMER STOCK, THREE LITTLE WORDS, TILL THE CLOUDS ROLL BY, and ZIEGFELD FOLLIES. See individual titles for synopsis information.

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"Just about the best Hollywood musical of all time," wrote Pauline Kael about SINGIN' IN THE RAIN. After years of honing his skills on the vaudeville stage, hoofer Don Lockwood (Gene Kelly) has finally reached the top and become a swashbuckling star of the silent silver screen. Then the self-satisfied celebrity has his confidence shattered when ingenue Kathy Selden (Debbie Reynolds) dismisses film actors as "shadows" without substance. After getting over the insult, he falls hard for her--much to the consternation of his costar, the sexy, selfish Lina Lamont (Jean Hagen), who wants Don all to herself. But Don has career troubles too. The wild popularity of THE JAZZ SINGER has studios scrambling to change from silent films to talkies, and Lina's shrill voice and Don's stiff acting left the preview audience roaring with laughter. There's only one way to save the movie and their careers: turn THE DUELLING CAVALIER into a musical, with Kathy secretly dubbing in Lina's lines and songs. But can they hide the truth from Lina?

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Pajama Game

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Pajamas, love, singing, and labor union vs. management conflicts create the colorful basis of THE PAJAMA GAME, based on the Broadway musical. Chock-full of musical numbers and romantic subplots, the real story is the seven-and-a-half-cents-per-hour raise the pajama factory workers are demanding to keep their salaries comparable with other garment workers' pay. Sid (John Raitt), the new superintendent of the factory, pushes both himself and the workers hard in order to prove himself to the owner, but a visit by the union grievances committee in the form of lovely but tough Babe (Doris Day) brings out his softer, romantic side. Despite their love, Babe warns Sid that the union-management turmoil will cause problems for them too, and Sid has to juggle his job, his heart, and his conscience to find a solution that will solve everything.

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It's Always Fair Weather

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Three war buddies meet for a ten year reunion and find they have nothing in common. Great dancing by Kelly and Charisse, with a score by Andre Previn. Includes songs "The Binge" and "Thanks A Lot But No Thanks." Academy Award Nominations: Best Scoring of a Musical Picture.

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The Little Prince [DVD]

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Based on the children's fantasy by Antoine de Saint-Exupèry and embraced by the soaring music of Lerner and Loewe, the musical story of a pilot's crash in the Sahara Desert and his encounter with a strange little boy receives the glowing attention to detail, color, and charm that a film adaptation of such a beloved book deserves. As the downed pilot listens to the little boy's story of his travels to distant planets and the strange people and animals he encounters, the airman realizes that the boy's wisdom and perception are going to change how he himself sees the world. Well known for his richly voiced narration, supporting-role TV and movie appearances, and powerful leads in Broadway plays, Richard Kiley stars as the pilot whose world is overturned physically by the crash of his plane and philosophically by his encounter with the prince from another planet. The Little Prince himself (Steven Warner) made only this one feature film. And although Lerner, Loewe, and Donen all created thriving film-musical careers, THE LITTLE PRINCE and ROYAL WEDDING were the only musicals on which Lerner and Donen ever collaborated.

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Pajama Game

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Pajamas, love, singing, and labor union vs. management conflicts create the colorful basis of THE PAJAMA GAME, based on the Broadway musical. Chock-full of musical numbers and romantic subplots, the real story is the seven-and-a-half-cents-per-hour raise the pajama factory workers are demanding to keep their salaries comparable with other garment workers' pay. Sid (John Raitt), the new superintendent of the factory, pushes both himself and the workers hard in order to prove himself to the owner, but a visit by the union grievances committee in the form of lovely but tough Babe (Doris Day) brings out his softer, romantic side. Despite their love, Babe warns Sid that the union-management turmoil will cause problems for them too, and Sid has to juggle his job, his heart, and his conscience to find a solution that will solve everything.

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Splashes of vivid color light the way through Stanley Donen's very modern musical. "Think pink!" commands Miss Prescott, head of Quality Woman fashion magazine, and American women obey--all except Jo (Audrey Hepburn), an intellectual young woman who tries to prevent Miss Prescott from staging a photo shoot in Jo's bookshop. Photographer Dick Avery (Fred Astaire) sees something interesting in Jo's "funny face," and soon he's lured her to Paris to model during the day and discuss philosophy in smoky cafés at night. Modeling Givenchy clothes, Hepburn steals the color in every scene, and her funny face enchants all, including Dick and, unexpectedly, the dark and handsome philosophy master whose theories Jo adores. The musical numbers are primarily duets--Jo and Dick glide together in each other's arms, Jo and Miss Prescott find unexpected solidarity in womanhood, and Dick and Miss Prescott cavort in the philosopher's salon--but the most engaging scene is when the three come to Paris, plead exhaustion to one another, then secretly race around the city, singing and dancing and reveling in being tourists.

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ROYAL WEDDING: Dancing and romance collide in ROYAL WEDDING as a brother-sister dance team (Fred Astaire and Jane Powell) open their musical show in London shortly before the English royal wedding and find love of their own. Showcasing some of Astaire's most memorable dance scenes in film history--Astaire's hat-rack partner and his dancing on the ceiling (impressive even to those jaded by special effects)--this tale of finding true love when it's least expected, and least wanted, has delighted audiences since the movie's release in 1951. Flirty Ellen and dance-focused Tom have escaped the clutches of many marriage-minded partners, keeping their joint entertainment careers their first priority. When they leave New York to sail for London to open a new musical show, Ellen leaves behind many besotted men but no regrets. But when a ladies' man (and lord) falls hard for Ellen, and a British girl in the dance chorus needs Tom's help to locate her fiancé, both brother and sister realize that this time love must come first. THE BELLE OF NEW YORK: Turn-of-the-century New York City. Astaire is Charlie Hill, a playboy who falls head-over-heels in love with Angela Bonfils (Vera-Ellen), a mission worker, and attempts to woo her with his charm, dancing ability, and singing voice. Songs include: "I Wanna Be a Dancin' Man", "Let a Little Love Come In", "Baby Doll", "Oops", "Seeing's Believing", "Naughty but Nice", and "Bachelor's Dinner Song."

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On the Town [DVD]

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Co-directors Gene Kelly and Stanley Donen (SINGIN' IN THE RAIN) also choreographed this musical classic following three sailors docked in New York City for 24 hours. New to town and ready to see the sights--and the girls--Kelly, Frank Sinatra, and Jules Munshin search for adventure in the Big Apple. Wooing the ladies with their singing and dancing and being charmed in return, the trio finds various degrees of romantic success. But as all good things must come to an end, the navy men return to their ship, leaving behind them a city briefly brighter and taking with them a heartful of memories. Dancing by the marvelous and masculine Kelly and singing by heartthrob Sinatra (looking very young!) add punch and pizzazz to the musical numbers, including the famous "New York, New York" scene. ON THE TOWN was one of the first movies filmed on location in New York--a wild extravagance in those days--and the extra effort taken shows in every shot of the film.

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Royal Wedding

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Dancing and romance collide in ROYAL WEDDING as a brother-sister dance team (Fred Astaire and Jane Powell) open their musical show in London shortly before the English royal wedding and find love of their own. Showcasing some of Astaire's most memorable dance scenes in film history--Astaire's hat-rack partner and his dancing on the ceiling (impressive even to those jaded by special effects)--this tale of finding true love when it's least expected, and least wanted, has delighted audiences since the movie's release in 1951. Flirty Ellen and dance-focused Tom have escaped the clutches of many marriage-minded partners, keeping their joint entertainment careers their first priority. When they leave New York to sail for London to open a new musical show, Ellen leaves behind many besotted men but no regrets. But when a ladies' man (and lord) falls hard for Ellen, and a British girl in the dance chorus needs Tom's help to locate her fiancé, both brother and sister realize that this time love must come first.

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Royal Wedding [DVD]

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Dancing and romance collide in ROYAL WEDDING as a brother-sister dance team (Fred Astaire and Jane Powell) open their musical show in London shortly before the English royal wedding and find love of their own. Showcasing some of Astaire's most memorable dance scenes in film history--Astaire's hat-rack partner and his dancing on the ceiling (impressive even to those jaded by special effects)--this tale of finding true love when it's least expected, and least wanted, has delighted audiences since the movie's release in 1951. Flirty Ellen and dance-focused Tom have escaped the clutches of many marriage-minded partners, keeping their joint entertainment careers their first priority. When they leave New York to sail for London to open a new musical show, Ellen leaves behind many besotted men but no regrets. But when a ladies' man (and lord) falls hard for Ellen, and a British girl in the dance chorus needs Tom's help to locate her fiancé, both brother and sister realize that this time love must come first.

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Great Musical Classics [DVD]

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Three great musicals form the glory days of Hollywood. Legends of the genre such as Fred Astaire and Judy Garland star in triple feature of extravagant dancing and singing. ROYAL WEDDING (1951), TILL THE CLOUDS ROLL BY (1946), and FIESTA (1941) are the films included. ROYAL WEDDING: Dancing and romance collide in ROYAL WEDDING as a brother-sister dance team (Fred Astaire and Jane Powell) open their musical show in London shortly before the English royal wedding and find love of their own. Showcasing some of Astaire's most memorable dance scenes in film history--Astaire's hat-rack partner and his dancing on the ceiling (impressive even to those jaded by special effects)--this tale of finding true love when it's least expected, and least wanted, has delighted audiences since the movie's release in 1951. Flirty Ellen and dance-focused Tom have escaped the clutches of many marriage-minded partners, keeping their joint entertainment careers their first priority. When they leave New York to sail for London to open a new musical show, Ellen leaves behind many besotted men but no regrets. But when a ladies' man (and lord) falls hard for Ellen, and a British girl in the dance chorus needs Tom's help to locate her fiancé, both brother and sister realize that this time love must come first. TILL THE CLOUDS ROLL BY: This large-scale Technicolor musical is one of those over-the-top, maximalistic productions that the Golden Age of the Studio System was famous for! Based on the life and times of composer Jerome Kern, TILL THE CLOUDS ROLL BY features an all-star cast which includes the great crooner Frank Sinatra, the legendary musical starlet Judy Garland, and the notoriously beautiful Lena Horne. And of course, it features many of the hit tunes of the era. FIESTA: A fiesta is held for a girl who returns from Mexico City to her father's hacienda. A musical comedy featuring Mexican folk tunes and many Latin favorites sung in Spanish and English.

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In the Oregon Territory, mountain man Adam Pontipee (Howard Keel, acting and singing with gusto) comes to town to sell his crops and woo a woman to be his wife, succeeding with spirited Milly (Jane Powell), who is tired of feeding and waiting on so many men at the local inn. Her dreams of keeping house for just one man are shattered when she discovers that Adam shares his pigsty cabin with six brawling brothers. Milly's good cooking and stubborn nature whip the young men into shape and inspire them to seek women of their own. But after a disastrous barn raising during which the brothers snare the attention of the town girls only to be taunted into fighting with the town men, Adam suggests his brothers forget gentle methods of love and follow the actions of the Roman with the Sabine ("Sobbin'") women. The kidnapping of their six sweethearts spurs Milly to throw the men out of the house, but enforced proximity caused by winter and the brothers' good intentions just might help love bloom again.

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$10

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Royal Wedding [DVD]

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Dancing and romance collide in ROYAL WEDDING as a brother-sister dance team (Fred Astaire and Jane Powell) open their musical show in London shortly before the English royal wedding and find love of their own. Showcasing some of Astaire's most memorable dance scenes in film history--Astaire's hat-rack partner and his dancing on the ceiling (impressive even to those jaded by special effects)--this tale of finding true love when it's least expected, and least wanted, has delighted audiences since the movie's release in 1951. Flirty Ellen and dance-focused Tom have escaped the clutches of many marriage-minded partners, keeping their joint entertainment careers their first priority. When they leave New York to sail for London to open a new musical show, Ellen leaves behind many besotted men but no regrets. But when a ladies' man (and lord) falls hard for Ellen, and a British girl in the dance chorus needs Tom's help to locate her fiancé, both brother and sister realize that this time love must come first.

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$5
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Splashes of vivid color light the way through Stanley Donen's very modern musical. "Think pink!" commands Miss Prescott, head of Quality Woman fashion magazine, and American women obey--all except Jo (Audrey Hepburn), an intellectual young woman who tries to prevent Miss Prescott from staging a photo shoot in Jo's bookshop. Photographer Dick Avery (Fred Astaire) sees something interesting in Jo's "funny face," and soon he's lured her to Paris to model during the day and discuss philosophy in smoky cafés at night. Modeling Givenchy clothes, Hepburn steals the color in every scene, and her funny face enchants all, including Dick and, unexpectedly, the dark and handsome philosophy master whose theories Jo adores. The musical numbers are primarily duets--Jo and Dick glide together in each other's arms, Jo and Miss Prescott find unexpected solidarity in womanhood, and Dick and Miss Prescott cavort in the philosopher's salon--but the most engaging scene is when the three come to Paris, plead exhaustion to one another, then secretly race around the city, singing and dancing and reveling in being tourists.

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Royal Wedding [DVD]

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$3
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Dancing and romance collide in ROYAL WEDDING as a brother-sister dance team (Fred Astaire and Jane Powell) open their musical show in London shortly before the English royal wedding and find love of their own. Showcasing some of Astaire's most memorable dance scenes in film history--Astaire's hat-rack partner and his dancing on the ceiling (impressive even to those jaded by special effects)--this tale of finding true love when it's least expected, and least wanted, has delighted audiences since the movie's release in 1951. Flirty Ellen and dance-focused Tom have escaped the clutches of many marriage-minded partners, keeping their joint entertainment careers their first priority. When they leave New York to sail for London to open a new musical show, Ellen leaves behind many besotted men but no regrets. But when a ladies' man (and lord) falls hard for Ellen, and a British girl in the dance chorus needs Tom's help to locate her fiancé, both brother and sister realize that this time love must come first.

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