Fred Astaire, Borders.com in Music & Musicals DVDs & Videos

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Two retiring show people start up a New England country inn with the unique and, one would think, self-defeating idea of being open only on national holidays; however, in this delightful fluff-fest, they achieve instantaneous success. Conflicts arise when they fall for the same woman, and sparks fly -as do their feet - in a variety of inventive, holiday themed song-and-dance productions. Perhaps the best film ever inspired by a song. Irving Berlin's "White Christmas" was introduced in this film.

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Celebrated duo Fred Astair and Ginger Rogers have 11 of their movies gathered for this collection. The titles included are ASTAIRE AND ROGERS - PARTNERS IN RHYTHM, THE BARKLEYS OF BROADWAY, CAREFREE, FLYING DOWN TO RIO, FOLLOW THE FLEET, THE GAY DIVORCE, ROBERTA, SHALL WE DANCE, THE STORY OF VERNON & IRENE CASTLE, SWING TIME, and TOP HAT. Please see individual titles for synopsis information.

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Five Fred Astaire and Ginger Rogers films combine on this collection. THE BARKLEYS OF BROADWAY: Fred Astaire and Ginger Rogers, whose last joint project had been made 10 years before, come together one final time for this film. The magical pair play performers Josh and Dinah Barkley, whose act -- and marriage -- break up when Dinah decides to become a "serious actress". Among the unforgettable numbers are: "They Can't Take that Away from Me" (which Astaire and Rogers first performed in 1937's "Shall We Dance"), "Shoes With Wings On", "Swing Trot" and "You'd Be So Hard to Replace." FOLLOW THE FLEET: When he is rejected by his lady love, a song-and-dance man enlists in the navy. The estranged couple later meet again and join forces to solve the romantic difficulties of another star-crossed pair. An Astaire-Rogers musical featuring some of Irving Berlin's best songs including: "Let's Face the Music and Dance," "Let Yourself Go," "We Saw the Sea." Typical but delightful. SHALL WE DANCE: Astaire and Rogers engage in romantic antics aboard a luxury ocean liner while dancing their way through such Gershwin tunes as "Let's Call the Whole Thing Off," "They All Laughed," "They Can't Take that Away From Me" and many others. Academy Award Nominations: Best Song ("They Can't Take That Away From Me"). SWING TIME: he fifth sublime teaming of Fred Astaire and Ginger Rogers, SWING TIME is regarded by many as their finest film. The tenuous plot, which mainly serves to connect the brilliant dance numbers, concerns John "Lucky" Garnett (Astaire), a gambler and professional dancer. When Garnett arrives late to his wedding, his prospective father-in-law implements a punishment, insisting that Garnett raise $25,000 before he can marry Margaret Watson (Betty Furness). Still in tails, he hops a freight for New York, where he gets involved in a scrape with dance instructor Penny Carrol (Rogers). After following her to the dance studio, Lucky poses as a neophyte in need of training. Penny's boss Gordon (Eric Blore), happens to witness Lucky's incompetence, in the "Pick Yourself Up" number and is about to fire the young woman for nonperformance when Lucky launches into a dazzling display of terpsichorean skill. Impressed, the studio owner offers to get them an audition at the famed Silver Sandal nightclub. Arguably the peak of the Astaire-Rogers partnership, the dancers' nearly perfect blending of song, dance, wit, and decor only improves with time. Especially memorable are the subtly erotic tempo shifts of "Never Gonna Dance" and the coruscating technical command of "Bojangles of Harlem," a tribute to the great African-American tap dancer. TOP HAT: One of the best musicals by the Astaire-Rogers team. Features top tunes by Irving Berlin including "Cheek to Cheek," "Top Hat" and others. Academy Award Nominations: 4, including Best Picture.

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Two retiring show people start up a New England country inn with the unique and, one would think, self-defeating idea of being open only on national holidays; however, in this delightful fluff-fest, they achieve instantaneous success. Conflicts arise when they fall for the same woman, and sparks fly -as do their feet - in a variety of inventive, holiday themed song-and-dance productions. Perhaps the best film ever inspired by a song. Irving Berlin's "White Christmas" was introduced in this film.

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$17
 

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$12
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Fifty song and dance films from the Golden Age of Hollywood are collected in CLASSIC MUSICALS. The musical stars of the era--Judy Garland, Lena Horne, Fred Astaire, Maurice Chevalier, Cyd Charisse and more--are all represented. Arguably the most popular genre in America during its heyday, CLASSIC MUSICALS is a welcome retrospective of the form.

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This MGM spectacular features many of the greatest stars of the theater and screen. A lavish salute to Broadway's most opulent producer.

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It's hard to believe THE GODFATHER filmmaker Francis Ford Coppola was also responsible for this charming, whimsical musical. Fred Astaire stars in his last full-length musical role as Finian McLonergan. In Ireland, Finian manages to steal a pot of gold from unlucky leprechaun Og (Tommy Steele). Finian and daughter Sharon (Petula Clark) journey to Rainbow Valley in America and join the townspeople there in defending themselves against the racist Senator Billboard Rawkins (Keenan Wynn). The buried gold becomes the lucky crock that helps Og, Finian, and the townspeople fulfill their dreams.

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The fifth sublime teaming of Fred Astaire and Ginger Rogers, SWING TIME is regarded by many as their finest film. The tenuous plot, which mainly serves to connect the brilliant dance numbers, concerns John "Lucky" Garnett (Astaire), a gambler and professional dancer. When Garnett arrives late to his wedding, his prospective father-in-law implements a punishment, insisting that Garnett raise $25,000 before he can marry Margaret Watson (Betty Furness). Still in tails, he hops a freight for New York, where he gets involved in a scrape with dance instructor Penny Carrol (Rogers). After following her to the dance studio, Lucky poses as a neophyte in need of training. Penny's boss Gordon (Eric Blore), happens to witness Lucky's incompetence, in the "Pick Yourself Up" number and is about to fire the young woman for nonperformance when Lucky launches into a dazzling display of terpsichorean skill. Impressed, the studio owner offers to get them an audition at the famed Silver Sandal nightclub. Arguably the peak of the Astaire-Rogers partnership, the dancers' nearly perfect blending of song, dance, wit, and decor only improves with time. Especially memorable are the subtly erotic tempo shifts of "Never Gonna Dance" and the coruscating technical command of "Bojangles of Harlem," a tribute to the great African-American tap dancer.

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A lively adaptation of the stage musical, which featured Astaire and his sister, Adele and the first film in which Astaire and Rogers actually received star billing. While vacationing at an English seaside resort, a soon-to-be-divorced woman mistakes a lovestruck song-and-dance man for her paid co-respondent. As usual, the plot's not important when you see these two and hear classics like Cole Porter's Night and Day. Academy Award Nominations: 5, including Best Picture.

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This musical drama is the biography of the songwriting team of Kalmar and Ruby and their climb to success. Songs include: "I Wanna Be Loved By You" and "Who's Sorry Now?" Academy Award Nominations: Best Scoring of a Musical Picture.

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One of the best musicals by the Astaire-Rogers team. Features top tunes by Irving Berlin including "Cheek to Cheek," "Top Hat" and others. Academy Award Nominations: 4, including Best Picture.

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The above-mentioned artists host an exciting collection of dance footage taken from films from the 1930's to today. Virtually every form of dance ever captured on film is included.

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Astaire and Rogers engage in romantic antics aboard a luxury ocean liner while dancing their way through such Gershwin tunes as "Let's Call the Whole Thing Off," "They All Laughed," "They Can't Take that Away From Me" and many others. Academy Award Nominations: Best Song ("They Can't Take That Away From Me").

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The class of the Broadway Melody series with the burnished talents of Astaire and Murphy, and the timeless tunes of Cole Porter. The plot, never the point of these exercises, pits two dancers in a friendly rivalry for the attentions of Powell. This was the only screen appearance together of Astaire and Powell and it makes you wish for more.

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Composer and lyricist Cole Porter is the focus of this 5-volume collection of classic Hollywood musicals. The films, all featuring classic Porter songs, are LES GIRLS (1957), BROADWAY MELODY OF 1940 (1940), SILK STOCKINGS (1957), HIGH SOCIETY (1955), and KISS ME KATE (1953). For synopsis information, please see individual titles.

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Five dance-filled classics featuring Fred Astaire and Ginger Rogers are collected here. The titles included are CAREFREE, FLYING DOWN TO RIO, THE GAY DIVORCEE, ROBERTA, and THE STORY OF VERNON & IRENE CASTLE. Please see individual titles for synopsis information.

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Containing five glorious musicals, this collection offers a fantastic array of titles. Among them are: THE BAND WAGON: Fading movie musical star Tony Hunter, down and out in Hollywood, decides to try his luck on the Broadway stage. Unfortunately, the simple hoofer discovers that a pretentious director has control of the project, and that instead of good humor, happy songs and a tapping chorus line, there'll be lengthy speeches, heavy drama and lots of deep soul-searching. Even worse, Tony's expected to dance with a classical ballerina! Thanks to the massive egos of everyone involved, the play, to no one's surprise, lays an egg. But now Tony takes charge, and he's out to prove the show must go on -- his way! Some of the dazzling Astaire dance numbers include "Triplets," "Girl Hunt," "Dancing in the Dark" and "That's Entertainment." BELLS ARE RINGING: Holliday's last screen appearance and perhaps her best, reprising her stage role in the Comden and Green musical. Holliday plays a switchboard operator at a Manhattan telephone answering service, Susanswerphone, who gets mixed up in her kooky clients' lives, acting as both muse and therapist, eventually falling in love with a client's voice. Early appearance by Stapleton, and a cameo by Holliday's husband, saxophonist Gerry Mulligan. The picture's many musical hits include "Just in Time" and "The Party's Over." Academy Award Nominations: Best Scoring of a Musical Picture. BRIGADOON: Romance blooms for an American who stumbles upon a magical Scottish village visible for one day every hundred years. Bagpipes and brogues abound in the Technicolor Highlands, and the Lerner and Loewe score makes this one of the most underrated of the grand 1950s musicals. EASTER PARADE: An Irving Berlin spectacular in which Astaire plays the part of a dance man whose partner abandons the act. Fortunately, his new partner turns out to be Garland. This is the only picture in which the two superstars worked together. Academy Awards: Best Scoring of a Musical Picture. FINIAN'S RAINBOW: It's hard to believe THE GODFATHER filmmaker Francis Ford Coppola was also responsible for this charming, whimsical musical. Fred Astaire stars in his last full-length musical role as Finian McLonergan. In Ireland, Finian manages to steal a pot of gold from unlucky leprechaun Og (Tommy Steele). Finian and daughter Sharon (Petula Clark) journey to Rainbow Valley in America and join the townspeople there in defending themselves against the racist Senator Billboard Rawkins (Keenan Wynn). The buried gold becomes the lucky crock that helps Og, Finian, and the townspeople fulfill their dreams.

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A jewel box full of precious scenes from almost 100 MGM musicals.

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Musical remake of the 1939 classic film NINOTCHKA. An alluring, but aloof, female Communist (Cyd Charisse) visits Paris on an assignment to evaluate three Russian officials. But when she meets a charming U.S. filmmaker (Fred Astaire) there, her perspective on the world changes -- and the chilly bureaucrat soon finds herself melting in his arms. And it's not long before she's enjoying such decadent western pleasures as jazz, makeup, and silk stockings. The classic Cole Porter songs include "Too Bad", "Paris Loves Lovers", "Silk Stockings", and "Fated to be Mated".

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Ginger plays a mysterious countess and Fred a band leader in this exuberant musical set in Paris. Adapted from the Broadway hit by Jerome Kern and Otto Harbach with songs "Smoke Gets in Your Eyes" and "Lovely to Look At." Lucille Ball has a cameo role in the fashion show sequence. Academy Award Nominations: Best Song ("Lovely to Look At").

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