I care in Music

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"Take Good Care of My Baby/I Love How You Love Me" (03/14/2006) Pop Vocal Vinton, Bobby, Collectables Records2 LPs on 1 CD: TAKE GOOD CARE OF MY BABY (1968)/I LOVE HOW YOU LOVE ME (1968). Originally released on Epic. Personnel: Bobby Vinton (vocals). Liner Note Author: Al Fichera. Recording information: 08/10/1965-11/16/1965. Both of these Bobby Vinton albums, originally released on the Epic label, are pretty basic. They capture Vinton's romantic tenor voice, in great shape, coupled with the type of material that secured his reputation with easy listening fans throughout the years. Take Good Care of My Baby (the Bobby Vee hit) and I Love How You Love Me were released in 1968 and, for the most part, are interchangable. Both albums combined deliver 22 relaxing cuts, including "If I Didn't Care," "Those Were the Days," "For Once in My Life," and "Save the Last Dance for Me." In 2003 Collectables began reissuing Vinton's Epic titles as two-fers with original cover art and song sequence. ~ Al Campbell

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"Baby I Don't Care: Collection *" (09/02/2002) Rock & Pop Transvision Vamp, Spectrum Music (UK)This 17-track compilation presents songs by the late-1980s British pop act Transvision Vamp. Baby I Don't Care: Collection offers the highlights of Transvision Vamp's three albums, including the title track, "If Looks Could Kill," "(I Just Wanna) Be With You," "Velveteen," and the band's cover of Holly & the Italians' "Tell That Girl to Shut Up." The album gathers a few songs from their debut, Pop Art, but puts most of its focus on tracks from Velveteen, such as the shimmery "The Only One," the '60s pop of "Landslide of Love," and the tougher-sounding "Kiss Their Sons." "Every Little Thing" and the other Little Magnets Versus the Bubble of Babble tracks reveal that Transvision Vamp's experiments with dance and hip-hop beats didn't sound at all disastrous, even though that was the effect that they had on the band. Indeed, the collection pushes the band's sound further in that direction with the inclusion of remixes of "Revolution Baby," "Tell That Girl to Shut Up," and "Baby I Don't Care." Overall, Baby I Don't Care: Collection is a good retrospective of Transvision Vamp's entertaining, if slight, late-'80s/early-'90s alterna-pop. ~ Heather Phares

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For the better part of a decade, the progressive jazz trio known as The Bad Plus have been stirring up a musical stew that defies easy description. Drawing on sources as diverse as classical, jazz, rock, pop and beyond, they have created a singular...
 

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"I'll Take Care of You" (09/21/1999) Rock & Pop Lanegan, Mark, Sub Pop Records (USA)Personnel: Mark Lanegan (vocals); Mart Hoyt (acoustic & electric guitars); Mike Johnson (acoustic guitar); David Krueger (violin); Steve Berlin (flute, piano); Martin Feveyear (piano, percussion); Steve Berlin (organ); Barrett Martin (vibraphone, upright bass, drums); Ben Shepherd, Van Conner, Baker (bass); Mark Boquist, Mark Pickerel (drums). For his fourth solo album following the breakup of the much beloved Screaming Trees, Mark Lanegan delves into the always fraught waters of the all-covers album. Often a stylistic mish-mash of the artist's favorite songs done so much in their original styles that the singer's true personality is lost, the covers album is dangerous territory, but Lanegan navigates it beautifully. Crucially, I'LL TAKE CARE OF YOU finds Lanegan performing the work of other singers and songwriters in his own style rather than adapting himself to suit the songs. Therefore, tunes by 1960s folkies Fred Neil ("Badidah") and Tim Hardin ("Shiloh Town") sit comfortably next to efforts by 1980s blues-punks the Gun Club ("Carry Home") and the Leaving Trains ("Creeping Coastline of Lights"), as well as a handful of traditional folk and country songs.

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Product DetailsOriginal Title:I Don't Care That You Don't MindCondition: NEWFormat: CDArtist: Crash Test DummiesLanguage: EnglishGenre: Alternative Rock
 

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"Don't You Know I Care?" (12/02/1995) Pop Vocal Podewell, Polly, Audiophile RecordsPersonnel: Polly Podewell (vocals); Fred Cooper (tenor saxophone); Dick Shreve, Ross Tompkins (piano); Jake Hanna (drums). Recording information: Sage & Sound Recording Studios, Hollywood, CA (11/11/1994). Like Rosemary Clooney, Polly Podewell does not improvise all that much but she uplifts every song she sings. When backed with a superior rhythm section as on this date (which features pianist Ross Tompkins, bassist Dave Carpenter and drummer Jake Hanna), Podewell has an opportunity to show off her ability to swing at any tempo. Her phrasing is charming, her interpretations emotional and thoughtful, and her voice is quite appealing. This release has fine versions of a variety of standards, some of which (including "After You," "He Needs Me" and "You Go Your Way") are not all that familiar. Dick Shreve (who contributed two originals) plays piano on his "Bourbon Rain" and the Zoot Sims-inspired tenor Fred Cooper helps out on three numbers. Other highlights include "Nobody Else But Me," "Sweet And Low-Down," "Why Can't You Beahave" and a cooking version of "There'll Be Some Changes Made." A delightful outing. ~ Scott Yanow

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"I Don't Care [Single]" (10/18/2004) R&B Roots (The), Geffen Records (USA)The first single from the Roots' 2004 album THE TIPPING POINT, this CD also includes two live tracks.

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"I Don't Care, Pt. 2 [Single]" (10/11/2004) R&B Roots (The), Geffen Records (USA)This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.

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"You Know I Care" (04/1995) Jazz Instrument Hess, Fred, CapriPersonnel includes: Fred Hess (tenor saxophone); Mark Harris (alto saxophone); Ron Miles (trumpet); Art Lande (piano); Mark Simon (bass); Rudy Royston (drums). It's not often that you pick up a jazz album that contains cover versions of both Anthony Braxton and Cedar Walton tunes. Fred Hess has done that here -- and thrown in a bit of Duke Ellington, Roscoe Mitchell, Duke Pearson, and Ornette Coleman to boot. In the telling, such blatant genre-busting might sound gimmicky. On the contrary -- this CD is an extremely well-crafted and intelligently conceived affair, without even a whiff of postmodern artifice or pretense. Hess has an obvious affinity for a wide range of jazz-related idioms; he melds them into a cool, brainy, and utterly natural composite. On tenor, Hess has a mellow, Lester-ish tone and what seems to be an encyclopedic knowledge of the tenor giant's style. Still, his melodic sense also draws from the best of more modern idioms. His articulation is smooth and light; harmonically, he's not averse to going "out," though he never discards the changes of a tune for the sake of expedience. He's also a fine flutist in a free bag, as he makes clear on his own "Feynman Series #4." Hess clearly respects the material, and feels an obligation to honor the intent of the composer -- without slavishly adopting this or that stylistic convention. The other players are fine, as well; trumpeter Ron Miles is a lyrical presence, as is altoist Mark Harris. Bassist Mark Simon has a nice, pliable sound. Drummer Rudy Royston swings hard. Pianist Art Lande is a tasteful and inventive player who can play as percussively or as gently as the occasion demands. The band is very well-rehearsed, the performance is about as cohesive as it can be without losing its edge. A pretty terrific album that proves the history of jazz need not be carved into little unrelated chunks. ~ Chris Kelsey

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"I Care 4 U" (02/10/2003) R&B Aaliyah, BlackgroundInitial pressings included a bonus DVD. Personnel includes: Aaliyah, Tank. Producers include: R. Kelly, Timbaland, Teddy Bishop, Jazze Pha. Recorded in New York, New York, Los Angeles, California, and Chicago, Illinois. Personnel: Stevie Blacke (strings). Audio Mixers: Acar S. Key; Jimmy Douglass; Mr. Lee; Peter Mokran; R. Kelly; Timbaland. Recording information: Battery Studios, New York, NY; Chicago Recording Company, Chicago, IL; Chung King, New York, NY; Chung King, NY, NY; Magic Mix Studios, LA, CA; Manhattan Center Studios; Music Grinder Studios; Pyramid Studios, Ithaca, NY; Sony Studios, New York, NY; Sony Studios, NY, NY. Photographers: Albert Watson; David LaChapelle; Jonathan Mannion. This collection of tunes by the late R&B siren Aaliyah serves double duty as a greatest hits package and a rarities compendium. While the first half of the disc reaches back to Aaliyah's previous albums and snags some of their most memorable songs ("One in a Million," the title track, etc.) the second half consists of previously unreleased material that admirably extends the legacy of a talented young artist whose bright flame was snuffed out far too early. Hearing the old songs again, it's striking how successfully Aaliyah's sensual but feather-light voice interacts with Timbaland's always-inventive production. On the new tracks, the arrangements are a bit more straightforward and predictable (no Timbaland, you see), but Aaliyah's strong vocal presence still rides atop each one with equal amounts of delicacy and authority.

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"I Could Care Less" (09/25/2001) Rock & Pop Mechanical Ben's, Mechanical Ben's

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"I Don't Care (The Nems Records Years)" (11/16/2004) Hardcore/Punk The Boys, Recall (UK)In the minimal amount of time that most bands take between albums today, the Boys unleashed two crucial albums and a trio of still sparkling singles. Having inked a deal with the NEMS label early in 1977, the band announced their intentions that April with the anything-but-apathetic 45 "I Don't Care." The incandescent terror of "First Time" followed in July, with the band's eponymous debut album appearing a few months later. Gigs kept the Boys busy into the New Year, and it wasn't until late spring that the effervescent nostalgia of "Brickfield Nights" swept onto the scene. However, by the time their sophomore set, Alternative Chartbusters, was released in October, Nems was already in financial straits. The following year, the group jumped ship. I Don't Care (The Nems Records Years) is a superb round-up of much of the Boys early back catalog, presented chronologically from their first single to their final recordings for the label. Rounding up A and B-sides, album tracks, alternate versions, and rarities, this compilation captures the group at their earliest, giddiest heights, a non-stop panoply of punky power pop pulchritude. ~ Dave Thompson

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Aphex Twin: Richard D. James. Personnel: Aphex Twin (synthesizer). Also known by his real name, Richard D. James, Aphex Twin is one of...
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