Have in Music

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For over 40 years Martha Argerich's recordings on Deutsche Grammophon have remained in the catalog and many are still best sellers. This 8-CD collection presents re-issues of eight solo LP recitals made between 1960 and 1983. The recordings have been...

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These performances by the London Symphony Orchestra are truly a gift of the season and a must have for the audiophile on your Christmas shopping list. Presented here for the first time on a low priced CD from Silverline Classics/immergent.

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This new, period instrument version of Purcell's wonderful, brief Dido and Aeneas shows up in a very crowded field. There are close to two dozen other versions available, many of them also historically informed. Here we have a dignified, beautifully...

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The Names of Benjamin Britten and Peter Pears Are Forever Linked by their Personal and Creative Partnership. Composer and Interpreter have Rarely Enjoyed So Long-standing Or Fruitful Relationship. They Met and Became Friends in 1937 While Going Through...

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Manuel Barrueco is one of the best guitarists I've ever heard. Listen to his own arrangement of Albeniz's Suite Española and you'll have trouble believing it's only two hands on one guitar. But Barrueco doesn't use his technique to show off. He's a...

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All tracks have been digitally mastered using 24-bit technology.

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Top of the British Classical Charts for 10 Weeks! Billboard Top Ten Classical Recording - December 2002! This album gathers together most of the carols I have composed over the years, plus a sprinkling of my arrangements of traditional carols, grouped...

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"Have Yourself a Jazzy Little Christmas [Verve]" (07/26/1989) Jazz Instrument Various Artists, Verve (USA)This 15-track CD has something for everyone: the smooth vocal styling of Billy Eckstine on "Christmas Eve," and the purring Dinah Washington on the seductive "Ole Santa," and Ella Fitzgerald showing her soft and sentimental side on the single, "The Secret of Christmas." Billie Holiday, with help from Benny Carter and Sweets Edison, warms up the punch bowl with "I've Got My Love to Keep Me Warm," while Sister Rosetta Tharpe raises the rafters on her powerful rendition of "O Little Town of Bethlehem." Jimmy Smith and his funky Hammond B3 invigorate "Jingle Bells," adding tympani and horns, he totally reinvents "God Rest Ye Merry Gentlemen." ~ Dennis MacDonald

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"Have a Holly Jolly Christmas" (09/11/1993) Folk Ives, Burl, Universal Special ProductsHave a Holly Jolly Christmas is a compilation of holiday songs performed by Burl Ives. The award-winning actor performed the definitive version of the title track, thus forever cementing his place in the genre. The other songs here (many of which have also gotten quite a lot of radio play) are all standards for the most part, and are all sung in Ives' sweet, fractured croon. Fans of the title track will probably enjoy the rest of the album, and any other curious listeners may also want to give this a try. ~ Bradley Torreano

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"Wanna Have Fun" (09/18/1998) Rock & Pop Lauper, Cyndi, Sony Music Distribution (USA)Sony Music Special Products' Wanna Have Fun starts off strong, as "Girls Just Want to Have Fun" gives way to "When You Were Mine." It feels like it will be one of those rare budget-priced compilations that actually succeeds in delivering the best hits on one affordable disc. Unfortunately, it loses momentum fast, as it begins to concentrate on latter-day, post-True Colors material, most of which rarely rises above the level of bland. Things pick up when it returns to She's So Unusual for "Money Changes Everything" halfway through the disc, but so many great singles are missing -- "Time After Time," "All Through the Night," "The Goonies 'R' Good Enough," "True Colors," "Change of Heart," "I Drove All Night" -- that the compilation can't be viewed as anything other than a missed opportunity. ~ Stephen Thomas Erlewine

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"Couldn't Have Said It Better [UK]" (09/23/2003) Rock & Pop , Meat Loaf, Sanctuary (USA)This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files. Enhancements include the two videos "Couldn't Have Said It Better," and "Did I Say That." Personnel includes: Meat Loaf (vocals); Pearl Aday, Patti Russo (vocals); Tanja Reichert, Tony Flores, Giselda Vatcky (spoken vocals); Peter Mokran (guitar, synthesizer, programming); Michael Thompson (guitar); Stephen Erdody (cello); Tom Brislin (piano, Hammond B-3 organ); Mark Alexander, Aaron Zigman (piano); Kasim Sulton (bass, background vocals); John Miceli, Kenny Aronoff (drums); Luis Conte (percussion); James Michael, Rose Stone, Lynn Davis, Alexandra Brown, Eric Troyer, Todd Rundgren (background vocals). Recorded at Conway Studios, Hollywood, California; Avatar Studios, New York, New York; Solar Audio, Halifax, Nova Scotia. This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files. Even as he edges gingerly into his late 50s, Meat Loaf seems doggedly determined not to go gently into that good night of tastefully tamed-down middle-aged rockers. He's always been about the larger-than-life musical gesture, and COULDN'T HAVE SAID IT BETTER finds the former Marvin Aday investing his arena-size power ballads with even more drama than in his BAT OUT OF HELL salad days. The Loaf's famed BAT songwriting cohort Jim Steinman may not be on board, but the singer delivers an album's worth of pathos-drenched, Springsteen-meets-Queen rock opera that seems to hark back to that 1977 smash more than even its '90s sequel. There's a brief nod to nu-metal on "Do It!," one of the few Meat Loaf songs to clock in under three minutes, but things close out on an appropriately epic note with a stately, pomp-and-circumstance version of Bob Dylan's "Forever Young." That said, in an agreeably left-field touch, there's a hidden track at the end wherein our hero takes a roadhouse-rock approach to country star Alan Jackson's hit "Mercury Blues."

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"The Places You Have Come to Fear the Most" (03/20/2001) Rock & Pop Dashboard Confessional, Vagrant Records (USA)Dashboard Confessional: Chris Carrabba (vocals, guitar). Additional personnel: Dan Bonebrake (bass, background vocals); Mike Marsh (drums, background vocals); Jolie Lindholm (background vocals). Personnel: Mike Marsh (drums, background vocals); Jolie Lindholm, Dan Bonebrake (background vocals). Photographer: Ryan Joseph Shaughnessy. It will always be a difficult gambit writing intelligent, heartrending indie-rock guitar ballads wrought with agony without resorting to pretension, syrupy self-pity, or both. Dashboard Confessional manages to avoid such pitfalls with insightful, poignantly etched stories of the end of love and the edge of love, elegantly playing with words while keeping hackneyed lines and cornball moments at bay. DC's second album, THE PLACES YOU HAVE COME TO FEAR THE MOST, continues the Vagrant label's ascent into the forefront of earnest, emotional indie rock. Dashboard Confessional is actually the vehicle for the musings of one man, Chris Carrabba. The frontman for at least two Florida rock bands, he derived the name from a line in one of his songs. Carrabba wears his heart on his sleeve on pleading, stirring break-up songs like "The Good Fight" ("claimed you as my only hope and watched the floor as you retreated"), "Saints and Sinners" ("this apartment is starving for an argument") and the radio-ready "Screaming Infidelities" ("I'm missing your bed, I never sleep"). THE PLACES... suits Carrabba's tortured soul well, and sets a seat for Dashboard Confessional at the ever-finicky emo table.

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"Have Yourself a Merry Little Christmas" (09/21/2004) Rock & Pop Clooney, Rosemary, Varese (Japan)Liner Note Author: Joseph F. Laredo. Photographer: Michael Ochs. Although Rosemary Clooney recorded this Christmas material in the late '70s, it has all the bounce and cheer of her prime '50s recordings -- she doesn't have a big band backing her, and the electric bass is slightly out of place underneath Clooney's vocals, but she sounds virtually unchanged from 20 years past. Virtually the entire program consists of holiday standards (balanced between sacred and secular), except for a pair near the end -- the joyous "Suzy Snowflake" and a sentimental song, "Count Your Blessings." ~ John Bush Although Rosemary Clooney recorded this Christmas material in the late '70s, it has all the bounce and cheer of her prime '50s recordings -- she doesn't have a big band backing her, and the electric bass is slightly out of place underneath Clooney's vocals, but she sounds virtually unchanged from 20 years past. Virtually the entire program consists of holiday standards (balanced between sacred and secular), except for a pair near the end -- the joyous "Suzy Snowflake" and a sentimental song, "Count Your Blessings." ~ John Bush

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"And All That Could Have Been [PA]" (01/22/2002) Rock & Pop Nine Inch Nails, Nothing Records (USA)Nine Inch Nails: Trent Reznor, Danny Lohner, Jerome Dillon, Charlie Clouser, Robin Finck. Engineers: Jon Lemon, Leo Herrera, Paul Forgues. Recorded between April & June 2000. Personnel: Keith Hillebrandt, Charles Clouser (programming). Photographers: David Carson; Rob Sheridan. Unknown Contributor Roles: Danny Lohner; Robin Finck. Dispensing with typical live album cliches (exhausting interludes of roaring crowds, lengthy between-song banter), AND ALL THAT COULD HAVE BEEN is packed tightly, with a set that is distinctly NIN at their best. The 16 tracks mark Trent Reznor and company's first-ever live album release, opening with the stomping "Terrible Lie." A powerful combination of electronic and acoustic percussion adds dimension and raw energy that isn't usually explored in the one-man-band approach to recording NIN albums, especially on "Sin." Reznor's vocal delivery is equal parts darkly poetic and at times like spitting razors, conveying all the pain, anger and displacement that NIN fans identify with on such a personal level. "March Of The Pigs" leads into a clever segue of "Piggy," enhanced with a funky shuffle courtesy of drummer Jerome Dillon. Dynamic musical and technological extremes coupled with Reznor's mantra-like choruses make AND ALL THAT COULD HAVE BEEN a must have for NIN disciples, and an excellent introduction for the curious fan who might otherwise see NIN as only a studio entity.

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"We Have the Facts and We're Voting Yes" (03/21/2000) Rock & Pop Death Cab for Cutie, BarsukDeath Cab For Cutie: Benjamin Gibbard (vocals, organ, keyboards, drums, percussion); Christopher Walla (guitar, electric piano, glockenspiel, percussion, samples, background vocals); Nicholas Harmer (bass); Nathan Good (drums). Personnel: Christopher Walla (electric piano, glockenspiel, percussion, sampler, background vocals); Nathan Good (drums). Audio Mixer: Christopher Walla. Recording information: Hall of Justice. DC4C's second full length is everything you want from indie-rock: great songs, great lyrics, and ragged-but-right performances. Texturally there's nothing here you've not heard before: various combinations of guitar, drums, and bass. Cabmaster Ben Gibbard's early cassette releases reveal a slightly smug wiseass who thinks he's just okay. But for the recording of this disc, Gibbard's voice is full of confidence. His songwriting/lyrics show a new depth and grow more infectious with repeated listenings. "Company Calls Epilogue," in particular, cuts right to the heart with its winding melodic line and lyrics that are full of regret.

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"Be My Love/Have You Looked into Your Heart" (03/14/2006) Pop Vocal Vale, Jerry, Collectables Records2 LPs on 1 CD: BE MY LOVE (1964)/HAVE YOU LOOKED INTO YOUR HEART (1965). Originally released on Columbia. Singer Jerry Vale never regained the same success on the pop charts that he experienced with his recordings from the late '50s, but the quality of his music and his romantic high-tenor voice remained timeless. These two releases, originally on Columbia, contain two complete albums of the standard love songs for which Vale is so well-known. Be My Love is from 1965, while Have You Looked Into Your Heart was released the following year. Both sessions could have been interchangeable, providing 24 elegant tracks of note, especially to collectors who now have the opportunity to buy these albums as they were originally released, cover art and song sequence intact. ~ Al Campbell

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"Have You Seen the Other Side of the Sky" (06/13/2006) Rock & Pop Acid Mothers Temple, Ace FuPersonnel: Atsushi Tsuyama (vocals, acoustic guitar, flute, recorder); Makoto Kawabata (vocals, hurdy-gurdy, electric sitar, tamboura, glockenspiel, percussion, electronics); N.A.O. (vocals); Ono Ryoko (flute, alto saxophone); Higashi Hiroshi (synthesizer); Uki Eiji (drums). Recording information: Acid Mothers Temple (05/2005-02/2006). Photographers: Grga Mirjanic; Tsuyama Akiko; Takayama Manabu; Makoto Kawabata. Makoto Kawabata returns, this time with Melting Paraiso U.F.O., one of several Acid Mothers Temple incarnations from the AMT soul collective. On HAVE YOU SEEN THE OTHER SIDE OF THE SKY, the grand master of Japanese psych-rock creates a series of varied, free-form progressive jams in atmospheres of truly galactic proportions. Whether it is vocals or guitars or flute in the foreground, they are clear, calm, and catchy amid the reverberating background effects that seem to spin off toward infinity.

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"You Don't Have to Say You Love Me/I Don't Know How to Love Her" (03/14/2006) Pop Vocal Vale, Jerry, Collectables Records2 LPs on 1 CD: YOU DON'T HAVE TO SAY YOU LOVE ME (1968)/I DON'T KNOW HOW TO LOVE HER (1971). Both of the Jerry Vale Columbia albums on the You Don't Have to Say You Love Me/I Don't Know How to Love Her two-fer capture his romantic high tenor voice, in great shape, coupled with the type of material that secured his reputation with easy listening fans throughout the years. You Don't Have to Say You Love Me and I Don't Know How to Love Her were originally released in 1968 and, for the most part, are interchangable. Both albums combined deliver 22 relaxing cuts, including "There's a Kind of Hush (All Over the World)," "Help Me Make It Through the Night," "For the Good Times," and "Rainy Days & Mondays." ~ Al Campbell

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