Active cross over Musical Instrument Effects / Processors

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The Rane AC 23S Active Crossover can be configured as Stereo 2- or 3-way, or Mono 4- or 5-way. Connects with XLR active I/O. Employs 4th-order Linkwitz-Riley filter alignments to minimize phase difficulties. Adjustable time delay circuits appear on the...
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  $469.00

 

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The Rane AC 23S Active Crossover can be configured as Stereo 2- or 3-way, or Mono 4- or 5-way. Connects with XLR active I/O. Employs 4th-order Linkwitz-Riley filter alignments to minimize phase difficulties. Adjustable time delay circuits appear on the...
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$50 off $349 at Guitar Center

Expiration:  12/05/09

$50 off $349 at Guitar Center

Expiration:  12/05/09   |   Code:  HOLIDAY

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Let's take a look at the construction features of the dbx 223. At first glance, you'll notice the units are great looking. As you turn the controls something else becomes apparent; these units are extremely well built. The controls exude great precision, and the feel is a solid "click". Also, when you open the box, you won't find the external power supply that accompanies most processors in this price range. That's because dbx knows how difficult external power supplies can be to work with and even though it costs a little more we put the high quality power supply right in the unit. All the inputs and outputs are TRS differentially balanced 1/4" jacks that are bolted down to the chassis. This "nutting down" of the jacks insures that even if someone stomps on a cable plugged into the unit, it's not going to tear up the circuit board inside. All dbx crossovers all feature Linkwitz-Riley 24 dB per octave filters, the professional standard. But then again, what did you expect?Via a switch on the back panel, you first select whether you're operating your system in stereo 2-way or mono 3-way. Then you also set, on the back panel, whether or not you want to mono sum the LF (subwoofer) out. (Most systems that use a subwoofer are mono subbed to take advantage of amplifier power and because low frequencies are non-directional.) Back panel switches allow you to select the range of the crossover frequencies individually for both channels. The crossover frequency controls have ...
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Let's take a look at the construction features of the dbx 223. At first glance, you'll notice the units are great looking. As you turn the controls something else becomes apparent; these units are extremely well built. The controls exude great precision, and the feel is a solid "click". Also, when you open the box, you won't find the external power supply that accompanies most processors in this price range. That's because dbx knows how difficult external power supplies can be to work with and even though it costs a little more we put the high quality power supply right in the unit. All the inputs and outputs are TRS differentially balanced 1/4" jacks that are bolted down to the chassis. This "nutting down" of the jacks insures that even if someone stomps on a cable plugged into the unit, it's not going to tear up the circuit board inside. All dbx crossovers all feature Linkwitz-Riley 24 dB per octave filters, the professional standard. But then again, what did you expect?Via a switch on the back panel, you first select whether you're operating your system in stereo 2-way or mono 3-way. Then you also set, on the back panel, whether or not you want to mono sum the LF (subwoofer) out. (Most systems that use a subwoofer are mono subbed to take advantage of amplifier power and because low frequencies are non-directional.) Back panel switches allow you to select the range of the crossover frequencies individually for both channels. The crossover frequency controls have ...
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Let's take a look at the construction features of the dbx 223. At first glance, you'll notice the units are great looking. As you turn the controls something else becomes apparent; these units are extremely well built. The controls exude great precision, and the feel is a solid "click". Also, when you open the box, you won't find the external power supply that accompanies most processors in this price range. That's because dbx knows how difficult external power supplies can be to work with and even though it costs a little more we put the high quality power supply right in the unit. All the inputs and outputs are TRS differentially balanced 1/4" jacks that are bolted down to the chassis. This "nutting down" of the jacks insures that even if someone stomps on a cable plugged into the unit, it's not going to tear up the circuit board inside. All dbx crossovers all feature Linkwitz-Riley 24 dB per octave filters, the professional standard. But then again, what did you expect?Via a switch on the back panel, you first select whether you're operating your system in stereo 2-way or mono 3-way. Then you also set, on the back panel, whether or not you want to mono sum the LF (subwoofer) out. (Most systems that use a subwoofer are mono subbed to take advantage of amplifier power and because low frequencies are non-directional.) Back panel switches allow you to select the range of the crossover frequencies individually for both channels. The crossover frequency controls have ...
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Let's take a look at the construction features of the dbx 223. At first glance, you'll notice the units are great looking. As you turn the controls something else becomes apparent; these units are extremely well built. The controls exude great precision, and the feel is a solid "click". Also, when you open the box, you won't find the external power supply that accompanies most processors in this price range. That's because dbx knows how difficult external power supplies can be to work with and even though it costs a little more we put the high quality power supply right in the unit. All the inputs and outputs are TRS differentially balanced 1/4" jacks that are bolted down to the chassis. This "nutting down" of the jacks insures that even if someone stomps on a cable plugged into the unit, it's not going to tear up the circuit board inside. All dbx crossovers all feature Linkwitz-Riley 24 dB per octave filters, the professional standard. But then again, what did you expect?Via a switch on the back panel, you first select whether you're operating your system in stereo 2-way or mono 3-way. Then you also set, on the back panel, whether or not you want to mono sum the LF (subwoofer) out. (Most systems that use a subwoofer are mono subbed to take advantage of amplifier power and because low frequencies are non-directional.) Back panel switches allow you to select the range of the crossover frequencies individually for both channels. The crossover frequency controls have ...

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Let's take a look at the construction features of the dbx 223. At first glance, you'll notice the units are great looking. As you turn the controls something else becomes apparent; these units are extremely well built. The controls exude great precision, and the feel is a solid "click". Also, when you open the box, you won't find the external power supply that accompanies most processors in this price range. That's because dbx knows how difficult external power supplies can be to work with and even though it costs a little more we put the high quality power supply right in the unit. All the inputs and outputs are TRS differentially balanced 1/4" jacks that are bolted down to the chassis. This "nutting down" of the jacks insures that even if someone stomps on a cable plugged into the unit, it's not going to tear up the circuit board inside. All dbx crossovers all feature Linkwitz-Riley 24 dB per octave filters, the professional standard. But then again, what did you expect?Via a switch on the back panel, you first select whether you're operating your system in stereo 2-way or mono 3-way. Then you also set, on the back panel, whether or not you want to mono sum the LF (subwoofer) out. (Most systems that use a subwoofer are mono subbed to take advantage of amplifier power and because low frequencies are non-directional.) Back panel switches allow you to select the range of the crossover frequencies individually for both channels. The crossover frequency controls have ...
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Let's take a look at the construction features of the dbx 223. At first glance, you'll notice the units are great looking. As you turn the controls something else becomes apparent; these units are extremely well built. The controls exude great precision, and the feel is a solid "click". Also, when you open the box, you won't find the external power supply that accompanies most processors in this price range. That's because dbx knows how difficult external power supplies can be to work with and even though it costs a little more we put the high quality power supply right in the unit. All the inputs and outputs are TRS differentially balanced 1/4" jacks that are bolted down to the chassis. This "nutting down" of the jacks insures that even if someone stomps on a cable plugged into the unit, it's not going to tear up the circuit board inside. All dbx crossovers all feature Linkwitz-Riley 24 dB per octave filters, the professional standard. But then again, what did you expect?Via a switch on the back panel, you first select whether you're operating your system in stereo 2-way or mono 3-way. Then you also set, on the back panel, whether or not you want to mono sum the LF (subwoofer) out. (Most systems that use a subwoofer are mono subbed to take advantage of amplifier power and because low frequencies are non-directional.) Back panel switches allow you to select the range of the crossover frequencies individually for both channels. The crossover frequency controls have ...

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Let's take a look at the construction features of the dbx 223. At first glance, you'll notice the units are great looking. As you turn the controls something else becomes apparent; these units are extremely well built. The controls exude great precision, and the feel is a solid "click". Also, when you open the box, you won't find the external power supply that accompanies most processors in this price range. That's because dbx knows how difficult external power supplies can be to work with and even though it costs a little more we put the high quality power supply right in the unit. All the inputs and outputs are TRS differentially balanced 1/4" jacks that are bolted down to the chassis. This "nutting down" of the jacks insures that even if someone stomps on a cable plugged into the unit, it's not going to tear up the circuit board inside. All dbx crossovers all feature Linkwitz-Riley 24 dB per octave filters, the professional standard. But then again, what did you expect?Via a switch on the back panel, you first select whether you're operating your system in stereo 2-way or mono 3-way. Then you also set, on the back panel, whether or not you want to mono sum the LF (subwoofer) out. (Most systems that use a subwoofer are mono subbed to take advantage of amplifier power and because low frequencies are non-directional.) Back panel switches allow you to select the range of the crossover frequencies individually for both channels. The crossover frequency controls have ...
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The Behringer CX2310 Super-X Pro Crossover offers stereo 2-way or 3-way mono with subwoofer out and independent frequency control. Phase reverse switch for each output. ALPS pots, illuminated controls, and ultralow noise op amps. 24dB/octave, state-variable Linkwitz-Riley filters. Absolutely flat summed amplitude response. Individual output level controls and mutes. Switchable 25Hz subsonic filter on each input for LF driver protection. The Behringer CX2310 has gold-plated XLR ins and outs.
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The Behringer CX2310 Super-X Pro Crossover offers stereo 2-way or 3-way mono with subwoofer out and independent frequency control. Phase reverse switch for each output. ALPS pots, illuminated controls, and ultralow noise op amps. 24dB/octave, state-variable Linkwitz-Riley filters. Absolutely flat summed amplitude response. Individual output level controls and mutes. Switchable 25Hz subsonic filter on each input for LF driver protection. The Behringer CX2310 has gold-plated XLR ins and outs.
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The Behringer CX2310 Super-X Pro Crossover offers stereo 2-way or 3-way mono with subwoofer out and independent frequency control. Phase reverse switch for each output. ALPS pots, illuminated controls, and ultralow noise op amps. 24dB/octave, state-variable Linkwitz-Riley filters. Absolutely flat summed amplitude response. Individual output level controls and mutes. Switchable 25Hz subsonic filter on each input for LF driver protection. The Behringer CX2310 has gold-plated XLR ins and outs.
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  $79.99

 

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The Behringer CX2310 Super-X Pro Crossover offers stereo 2-way or 3-way mono with subwoofer out and independent frequency control. Phase reverse switch for each output. ALPS pots, illuminated controls, and ultralow noise op amps. 24dB/octave, state-variable Linkwitz-Riley filters. Absolutely flat summed amplitude response. Individual output level controls and mutes. Switchable 25Hz subsonic filter on each input for LF driver protection. The Behringer CX2310 has gold-plated XLR ins and outs.
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$50 off $349 at Guitar Center

Expiration:  12/05/09

$50 off $349 at Guitar Center

Expiration:  12/05/09   |   Code:  HOLIDAY

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The Behringer CX2310 Super-X Pro Crossover offers stereo 2-way or 3-way mono with subwoofer out and independent frequency control. Phase reverse switch for each output. ALPS pots, illuminated controls, and ultralow noise op amps. 24dB/octave, state-variable Linkwitz-Riley filters. Absolutely flat summed amplitude response. Individual output level controls and mutes. Switchable 25Hz subsonic filter on each input for LF driver protection. The Behringer CX2310 has gold-plated XLR ins and outs.
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The Behringer CX2310 Super-X Pro Crossover offers stereo 2-way or 3-way mono with subwoofer out and independent frequency control. Phase reverse switch for each output. ALPS pots, illuminated controls, and ultralow noise op amps. 24dB/octave, state-variable Linkwitz-Riley filters. Absolutely flat summed amplitude response. Individual output level controls and mutes. Switchable 25Hz subsonic filter on each input for LF driver protection. The Behringer CX2310 has gold-plated XLR ins and outs.

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The Behringer CX2310 Super-X Pro Crossover offers stereo 2-way or 3-way mono with subwoofer out and independent frequency control. Phase reverse switch for each output. ALPS pots, illuminated controls, and ultralow noise op amps. 24dB/octave, state-variable Linkwitz-Riley filters. Absolutely flat summed amplitude response. Individual output level controls and mutes. Switchable 25Hz subsonic filter on each input for LF driver protection. The Behringer CX2310 has gold-plated XLR ins and outs.
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The Rane AC 23B Active Crossover can be configured as Stereo 2- or 3-Way, or Mono 4- or 5-Way. The AC 23B uses XLR connectors with active balanced Inputs and Outputs. These crossovers employ 4th-order Linkwitz-Riley filter alignments to minimize phase...

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Rane AC 22S Active Crossover

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The Rane AC 22B Active Crossover is configurable as Stereo 2-Way or Mono 3-Way. They employ state-variable 4th-order Linkwitz-Riley filter alignments to minimize phase difficulties in the critical crossover region. The model AC 22B uses XLR connectors with active balanced inputs and outputs.Simply put, a Linkwitz-Riley alignment is two cascaded 2nd-order Butterworth filters exhibiting identical phase characteristics on their Low pass and High pass Outputs. This guarantees in-phase outputs at all frequencies, mandatory for proper acoustic summing of common signals from adjacent drivers in the crossover region. An added benefit of this topology is steep 24 dB per octave rolloff slopes. A slope of this magnitude guarantees drivers designed to produce a specific range of frequencies, and no more, will not be driven past their limits, thereby minimizing distortion and driver fatigue.To further guarantee the transparent operation of the AC 22, adjustable time Delay circuits appear on the Low (and Mid when used in 3-Way mode) Outputs of each Channel to compensate for any physical misalignment of the drivers. Time correction ensures the mechanical phase alignment of adjacent drivers will be acoustically correct, thus maintaining the integrity of the electrical phase alignment of the crossover's filters. The Low Delay circuit may be internally transplanted to the High Output when neccessary. CD horn equalization is also possible with an internal modification. A Mono Subwoof...

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Rane AC23B Active Crossover The Rane AC 23B Active Crossover can be configured as Stereo 2- or 3-Way, or Mono 4- or 5-Way. The AC 23B employs 4th-order Linkwitz-Riley filter alignments to minimize phase difficulties in the critical crossover region....

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Rane AC22B Active Crossover The Rane AC 22B Active Crossover is configurable as Stereo 2-Way or Mono 3-Way. It employs state-variable 4th-order Linkwitz-Riley filter alignments to minimize phase difficulties in the critical crossover region. Simply...

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Best prices on Active cross over in Musical Instrument Effects / Processors. Check out BizRate for great deals on Musical Instrument Effects / Processors from Rane, DBX and Behringer. Use BizRate's latest online shopping features to compare prices for Active cross over. Read product specifications, calculate tax and shipping charges, sort your results, and buy Musical Instruments & Accessories with confidence. Easily narrow your search and find the product that's perfect for you: DBX 223 Stero 2-Way, Mono 3-Way Active Crossover - Behringer Super-X Pro CX2310 Frequency Crossover.