Bass drum boundary Musical Instrument Microphones

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This microphone is a wide-range back electret condenser with a cardioid polar pattern. It is very useful in a variety of surface-mounted applications such as high quality sound reinforcement, professional recording, and many other demanding sound pickup situations. The microphone is designed to be powered by an external 9-52 V DC phantom power supply and is enclosed in a heavy-duty die cast case on rubber padding to minimize mechanical coupling of surface vibrations to the microphone.
 
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This boundary layer condenser microphone features a half-cardioid design that is ideal for use with bass drums or other low-frequency instrument applications. The 20Hz - 20kHz frequency response provides faithful sound reproduction.
 
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The Shure Beta 91 is specifically designed for kick drums and other bass instruments. It combines superior "attack" and "punch" for studio quality sound, even at the extremely high sound pressure levels encountered inside a kick drum. Its boundary effect design produces a strong, solid low-end response that has been specifically tailored for heavy bass applications. The microphone's cardioid pattern provides outstanding gain before feedback and excellent rejection of unwanted sound, making the Beta 91 ideal for live concert applications. No external mounting hardware needed, just throw it in your kick drum and play! Produced with Shure's legendary quality, ruggedness, and reliability! Specifications: Signal-to-Noise Ratio - 59 dB re 94 dB SPL Output Impedance - 150 ohms (actual) Polarity - Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3 Cable - 4.6 m (15 ft) heavy-duty, two-conductor shielded, TA4F to TA3F connectors Case - Matte-black, painted, die-cast, zinc-alloy case with matte-black steel grille Dimensions - 3.75 in. x 5.08 in. x 0.75 in. Net Weight - 13.5 oz less cable
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  $219.97

 

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The Shure Beta 91 is specifically designed for kick drums and other bass instruments. It combines superior "attack" and "punch" for studio quality sound, even at the extremely high sound pressure levels encountered inside a kick drum. Its boundary effect design produces a strong, solid low-end response that has been specifically tailored for heavy bass applications. The microphone's cardioid pattern provides outstanding gain before feedback and excellent rejection of unwanted sound, making the Beta 91 ideal for live concert applications. No external mounting hardware needed, just throw it in your kick drum and play! Produced with Shure's legendary quality, ruggedness, and reliability! Specifications: Signal-to-Noise Ratio - 59 dB re 94 dB SPL Output Impedance - 150 ohms (actual) Polarity - Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3 Cable - 4.6 m (15 ft) heavy-duty, two-conductor shielded, TA4F to TA3F connectors Case - Matte-black, painted, die-cast, zinc-alloy case with matte-black steel grille Dimensions - 3.75 in. x 5.08 in. x 0.75 in. Net Weight - 13.5 oz less cable

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  $239.97

 

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Boundary Microphone with Built-in XLR Plug and Slip-free Rubber Pad

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The Shure Beta 91 is specifically designed for kick drums and other bass instruments. It combines superior "attack" and "punch" for studio quality sound, even at the extremely high sound pressure levels encountered inside a kick drum. Its boundary effect design produces a strong, solid low-end response that has been specifically tailored for heavy bass applications. The microphone's cardioid pattern provides outstanding gain before feedback and excellent rejection of unwanted sound, making the Beta 91 ideal for live concert applications. No external mounting hardware needed, just throw it in your kick drum and play! Produced with Shure's legendary quality, ruggedness, and reliability! Specifications: Signal-to-Noise Ratio - 59 dB re 94 dB SPL Output Impedance - 150 ohms (actual) Polarity - Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3 Cable - 4.6 m (15 ft) heavy-duty, two-conductor shielded, TA4F to TA3F connectors Case - Matte-black, painted, die-cast, zinc-alloy case with matte-black steel grille Dimensions - 3.75 in. x 5.08 in. x 0.75 in. Net Weight - 13.5 oz less cable
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[Special Order - allow extra time] Sennheiser E901 Pre-Polarized Condenser Microphone E901 Pre-Polarized Condenser Microphone Optimized for Kick Drum
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The Shure Beta 91 is specifically designed for kick drums and other bass instruments. It combines superior "attack" and "punch" for studio quality sound, even at the extremely high sound pressure levels encountered inside a kick drum. Its boundary effect design produces a strong, solid low-end response that has been specifically tailored for heavy bass applications. The microphone's cardioid pattern provides outstanding gain before feedback and excellent rejection of unwanted sound, making the Beta 91 ideal for live concert applications. No external mounting hardware needed, just throw it in your kick drum and play! Produced with Shure's legendary quality, ruggedness, and reliability! Specifications: Signal-to-Noise Ratio - 59 dB re 94 dB SPL Output Impedance - 150 ohms (actual) Polarity - Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3 Cable - 4.6 m (15 ft) heavy-duty, two-conductor shielded, TA4F to TA3F connectors Case - Matte-black, painted, die-cast, zinc-alloy case with matte-black steel grille Dimensions - 3.75 in. x 5.08 in. x 0.75 in. Net Weight - 13.5 oz less cable
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The Sennheiser e901 is a fantastic mic for bass drum and works exceptionally well for Leslie speakers. It has a half cardioid, half boundary design. Highly robust and durable. Has skid-resistant underside surface.
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The Sennheiser e901 is a fantastic mic for bass drum and works exceptionally well for Leslie speakers. It has a half cardioid, half boundary design. Highly robust and durable. Has skid-resistant underside surface.
at
 
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The Shure Beta 91 is specifically designed for kick drums and other bass instruments. It combines superior "attack" and "punch" for studio quality sound, even at the extremely high sound pressure levels encountered inside a kick drum. Its boundary effect design produces a strong, solid low-end response that has been specifically tailored for heavy bass applications. The microphone's cardioid pattern provides outstanding gain before feedback and excellent rejection of unwanted sound, making the Beta 91 ideal for live concert applications. No external mounting hardware needed, just throw it in your kick drum and play! Produced with Shure's legendary quality, ruggedness, and reliability! Specifications: Signal-to-Noise Ratio - 59 dB re 94 dB SPL Output Impedance - 150 ohms (actual) Polarity - Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3 Cable - 4.6 m (15 ft) heavy-duty, two-conductor shielded, TA4F to TA3F connectors Case - Matte-black, painted, die-cast, zinc-alloy case with matte-black steel grille Dimensions - 3.75 in. x 5.08 in. x 0.75 in. Net Weight - 13.5 oz less cable
at
 
  • product
The Shure Beta 91 is specifically designed for kick drums and other bass instruments. It combines superior "attack" and "punch" for studio quality sound, even at the extremely high sound pressure levels encountered inside a kick drum. Its boundary effect design produces a strong, solid low-end response that has been specifically tailored for heavy bass applications. The microphone's cardioid pattern provides outstanding gain before feedback and excellent rejection of unwanted sound, making the Beta 91 ideal for live concert applications. No external mounting hardware needed, just throw it in your kick drum and play! Produced with Shure's legendary quality, ruggedness, and reliability! Specifications: Signal-to-Noise Ratio - 59 dB re 94 dB SPL Output Impedance - 150 ohms (actual) Polarity - Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3 Cable - 4.6 m (15 ft) heavy-duty, two-conductor shielded, TA4F to TA3F connectors Case - Matte-black, painted, die-cast, zinc-alloy case with matte-black steel grille Dimensions - 3.75 in. x 5.08 in. x 0.75 in. Net Weight - 13.5 oz less cable
at
 
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The Sennheiser e901 is a fantastic mic for bass drum and works exceptionally well for Leslie speakers. It has a half cardioid, half boundary design. Highly robust and durable. Has skid-resistant underside surface.
at
 
  • product
The Sennheiser e901 is a fantastic mic for bass drum and works exceptionally well for Leslie speakers. It has a half cardioid, half boundary design. Highly robust and durable. Has skid-resistant underside surface.
at
 
  • product
The Shure Beta 91 is specifically designed for kick drums and other bass instruments. It combines superior "attack" and "punch" for studio quality sound, even at the extremely high sound pressure levels encountered inside a kick drum. Its boundary effect design produces a strong, solid low-end response that has been specifically tailored for heavy bass applications. The microphone's cardioid pattern provides outstanding gain before feedback and excellent rejection of unwanted sound, making the Beta 91 ideal for live concert applications. No external mounting hardware needed, just throw it in your kick drum and play! Produced with Shure's legendary quality, ruggedness, and reliability! Specifications: Signal-to-Noise Ratio - 59 dB re 94 dB SPL Output Impedance - 150 ohms (actual) Polarity - Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3 Cable - 4.6 m (15 ft) heavy-duty, two-conductor shielded, TA4F to TA3F connectors Case - Matte-black, painted, die-cast, zinc-alloy case with matte-black steel grille Dimensions - 3.75 in. x 5.08 in. x 0.75 in. Net Weight - 13.5 oz less cable
at
 
  • product
The Shure Beta 91 is specifically designed for kick drums and other bass instruments. It combines superior "attack" and "punch" for studio quality sound, even at the extremely high sound pressure levels encountered inside a kick drum. Its boundary effect design produces a strong, solid low-end response that has been specifically tailored for heavy bass applications. The microphone's cardioid pattern provides outstanding gain before feedback and excellent rejection of unwanted sound, making the Beta 91 ideal for live concert applications. No external mounting hardware needed, just throw it in your kick drum and play! Produced with Shure's legendary quality, ruggedness, and reliability! Specifications: Signal-to-Noise Ratio - 59 dB re 94 dB SPL Output Impedance - 150 ohms (actual) Polarity - Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3 Cable - 4.6 m (15 ft) heavy-duty, two-conductor shielded, TA4F to TA3F connectors Case - Matte-black, painted, die-cast, zinc-alloy case with matte-black steel grille Dimensions - 3.75 in. x 5.08 in. x 0.75 in. Net Weight - 13.5 oz less cable
at
 
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Professional pre-polarized half cardioid boundary layer condenser for bass drum, piano and low frequency instrument applications (1 lb 2.4 oz).
 
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Professional pre-polarized half cardioid boundary layer condenser for bass drum, piano and low frequency instrument applications (1 lb 2.4 oz).
 
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Sennheiser e912 Sennheiser e912 Description: Sennheiser will show a new condenser boundary microphone, the e 912. A companion to the e 901 boundary mic for bass drums, the e 912 is designed for picking up speech, vocals and acoustic instruments, and,...
 
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Sennheiser e901 Sennheiser e901 Description: The half cardioid boundary layer e901 is the optimal microphone for bass drum and grand piano. It is highly robust and step-resistant. It features an integrated preamp and skid-resistant design. Sennheiser...
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