Shure stereo microphone Musical Instrument Microphones

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The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Designed for both studio and live use, the KSM137 mic can withstand extremely high sound pressure levels. Its low self-noise and extended frequency response make the...
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Many smaller installations require a mixer with very specific features and capabilities. One that is easy to use. You need to integrate your microphones and stereo equipment without paying for features you?ll never use. And of course, you?ll need dependability. Enter Shure?s SCM262. Part of Shure?s growing "SCM" mixer family, the SCM262 provides features tailor-made for your smaller application -- such as defeatable "ducking", "jukebox mute", and "12V Phantom". All in a compact, user-friendly package.

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Many smaller installations require a mixer with very specific features and capabilities. One that is easy to use. You need to integrate your microphones and stereo equipment without paying for features you?ll never use. And of course, you?ll need dependability. Enter Shure?s SCM262. Part of Shure?s growing "SCM" mixer family, the SCM262 provides features tailor-made for your smaller application -- such as defeatable "ducking", "jukebox mute", and "12V Phantom". All in a compact, user-friendly package.
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Shure A88SM Shock Mount/VP88 A88SM Isolation (Shock) Mount for VP88 Stereo Microphone STUDIO-Shock Mounts
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GENERAL DESCRIPTIONThe Shure Model VP88 is a single-point, stereo condens-ermicrophone for use in professional studio recording, fieldproduction, electronic news gathering (ENG), and studiobroadcasting applications. It combines two condenser car-tridgesin a single housing to create a stereo audio image ofthe sound source. It is unique in its ability to capture therealism of a live event and yet withstand rigorous field pro-ductionenvironments.The VP88 uses a mid-side (M-S) configuration. One mi-crophonecartridge (Mid) faces forward to capture on-axissound using a cardioid pickup pattern. The other micro-phonecartridge (Side) is bi-directional, capturing soundfrom either side. The VP88 contains an internal M-S matrixwith three settings for different degrees of stereo imageseperation. The internal matrix can be bypassed if an exter-nalmatrix is used or if stereo imaging is done in post-pro-duction.Switches on the top of the microphone control out-putmode, stereo imaging, low-frequency rolloff settings,and battery on/off.The VP88 can operate on phantom power or an internal6V battery. The VP88 is supplied with a multi-connector âY-splitterâcable, foam windscreen, swivel stand adapter,6-volt battery, and zippered carrying/storage bag. Optionalaccessories include an isolation mount, a 7.6 m (25 ft) mi-crophoneextension cable, a phantom power supply, and a4.3 m (14 ft) microphone stand.

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  $599.97

 

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The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Designed for both studio and live use, the KSM137 mic can withstand extremely high sound pressure levels. Its low self-noise and extended frequency response make the Shure KSM137 ideal for recording acoustic guitar, drum overheads, and hi-hats. Other features include Shure's Class A transformerless preamp circuitry for transparency; extremely fast transient response with minimal distortion; a highly sensitive 2.5-micron gold-layered mylar diaphragm; and a switchable, 3-position low-frequency filter to limit unwanted background noise and proximity effect. The Shure KSM137 microphone can capture sounds between 20Hz and 20kHz. Set includes 2 mics, 2 break-resistant mic clips, carrying case, and 2 Popper Stopper windscreens.

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The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Designed for both studio and live use, the KSM137 mic can withstand extremely high sound pressure levels. Its low self-noise and extended frequency response make the Shure KSM137 ideal for recording acoustic guitar, drum overheads, and hi-hats. Other features include Shure's Class A transformerless preamp circuitry for transparency; extremely fast transient response with minimal distortion; a highly sensitive 2.5-micron gold-layered mylar diaphragm; and a switchable, 3-position low-frequency filter to limit unwanted background noise and proximity effect. The Shure KSM137 microphone can capture sounds between 20Hz and 20kHz. Set includes 2 mics, 2 break-resistant mic clips, carrying case, and 2 Popper Stopper windscreens.
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  $598.00

 

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The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Designed for both studio and live use, the KSM137 mic can withstand extremely high sound pressure levels. Its low self-noise and extended frequency response make the Shure KSM137 ideal for recording acoustic guitar, drum overheads, and hi-hats. Other features include Shure's Class A transformerless preamp circuitry for transparency; extremely fast transient response with minimal distortion; a highly sensitive 2.5-micron gold-layered mylar diaphragm; and a switchable, 3-position low-frequency filter to limit unwanted background noise and proximity effect. The Shure KSM137 microphone can capture sounds between 20Hz and 20kHz. Set includes 2 mics, 2 break-resistant mic clips, carrying case, and 2 Popper Stopper windscreens.
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  $598.00

 

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The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Designed for both studio and live use, the KSM137 mic can withstand extremely high sound pressure levels. Its low self-noise and extended frequency response make the Shure KSM137 ideal for recording acoustic guitar, drum overheads, and hi-hats. Other features include Shure's Class A transformerless preamp circuitry for transparency; extremely fast transient response with minimal distortion; a highly sensitive 2.5-micron gold-layered mylar diaphragm; and a switchable, 3-position low-frequency filter to limit unwanted background noise and proximity effect. The Shure KSM137 microphone can capture sounds between 20Hz and 20kHz. Set includes 2 mics, 2 break-resistant mic clips, carrying case, and 2 Popper Stopper windscreens.
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The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Designed for both studio and live use, the KSM137 mic can withstand extremely high sound pressure levels. Its low self-noise and extended frequency response make the Shure KSM137 ideal for recording acoustic guitar, drum overheads, and hi-hats. Other features include Shure's Class A transformerless preamp circuitry for transparency; extremely fast transient response with minimal distortion; a highly sensitive 2.5-micron gold-layered mylar diaphragm; and a switchable, 3-position low-frequency filter to limit unwanted background noise and proximity effect. The Shure KSM137 microphone can capture sounds between 20Hz and 20kHz. Set includes 2 mics, 2 break-resistant mic clips, carrying case, and 2 Popper Stopper windscreens.
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  $798.00

 

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The KSM141 is a dual-pattern mic offering cardioid and omnidirectional polar patterns with the turn of a rotating mechanical switch. Other features include Shure's Class A transformerless preamp circuitry for transparency; extremely fast transient response with minimal distortion; a highly sensitive 2.5-micron gold-layered mylar diaphragm; and a switchable, 3-position low-frequency filter to limit unwanted background noise and proximity effect. The microphone can capture sounds between 20Hz and 20kHz. Switchable pad (15 or 25dB) permits miking of extremely high SPL sources such as guitar cabs and snare drums. Set includes 2 break-resistant mic clips, carrying case, and 2 Popper Stopper windscreens.
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  $798.00

 

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The KSM141 is a dual-pattern mic offering cardioid and omnidirectional polar patterns with the turn of a rotating mechanical switch. Other features include Shure's Class A transformerless preamp circuitry for transparency; extremely fast transient response with minimal distortion; a highly sensitive 2.5-micron gold-layered mylar diaphragm; and a switchable, 3-position low-frequency filter to limit unwanted background noise and proximity effect. The microphone can capture sounds between 20Hz and 20kHz. Switchable pad (15 or 25dB) permits miking of extremely high SPL sources such as guitar cabs and snare drums. Set includes 2 break-resistant mic clips, carrying case, and 2 Popper Stopper windscreens.
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GENERAL DESCRIPTIONThe Shure Model VP88 is a single-point, stereo condens-ermicrophone for use in professional studio recording, fieldproduction, electronic news gathering (ENG), and studiobroadcasting applications. It combines two condenser car-tridgesin a single housing to create a stereo audio image ofthe sound source. It is unique in its ability to capture therealism of a live event and yet withstand rigorous field pro-ductionenvironments.The VP88 uses a mid-side (M-S) configuration. One mi-crophonecartridge (Mid) faces forward to capture on-axissound using a cardioid pickup pattern. The other micro-phonecartridge (Side) is bi-directional, capturing soundfrom either side. The VP88 contains an internal M-S matrixwith three settings for different degrees of stereo imageseperation. The internal matrix can be bypassed if an exter-nalmatrix is used or if stereo imaging is done in post-pro-duction.Switches on the top of the microphone control out-putmode, stereo imaging, low-frequency rolloff settings,and battery on/off.The VP88 can operate on phantom power or an internal6V battery. The VP88 is supplied with a multi-connector âY-splitterâcable, foam windscreen, swivel stand adapter,6-volt battery, and zippered carrying/storage bag. Optionalaccessories include an isolation mount, a 7.6 m (25 ft) mi-crophoneextension cable, a phantom power supply, and a4.3 m (14 ft) microphone stand.
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  • product
The KSM141 is a dual-pattern mic offering cardioid and omnidirectional polar patterns with the turn of a rotating mechanical switch. Other features include Shure's Class A transformerless preamp circuitry for transparency; extremely fast transient response with minimal distortion; a highly sensitive 2.5-micron gold-layered mylar diaphragm; and a switchable, 3-position low-frequency filter to limit unwanted background noise and proximity effect. The microphone can capture sounds between 20Hz and 20kHz. Switchable pad (15 or 25dB) permits miking of extremely high SPL sources such as guitar cabs and snare drums. Set includes 2 break-resistant mic clips, carrying case, and 2 Popper Stopper windscreens.
at
 
  • product
The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Designed for both studio and live use, the KSM137 mic can withstand extremely high sound pressure levels. Its low self-noise and extended frequency response make the Shure KSM137 ideal for recording acoustic guitar, drum overheads, and hi-hats. Other features include Shure's Class A transformerless preamp circuitry for transparency; extremely fast transient response with minimal distortion; a highly sensitive 2.5-micron gold-layered mylar diaphragm; and a switchable, 3-position low-frequency filter to limit unwanted background noise and proximity effect. The Shure KSM137 microphone can capture sounds between 20Hz and 20kHz. Set includes 2 mics, 2 break-resistant mic clips, carrying case, and 2 Popper Stopper windscreens.
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The SM2 is a comfortable, self-adjusting headset with dual-enclosed ear receivers and an attached broadcast-quality boom-mounted microphone. Designed for news and sports broadcasting, special events remote announcing, interviewing, and intercom systems the SM2 allows convenient hands-free operation. The SM2 microphone is a close-talking unidirectional dynamic with a response from 50 to 15,000 Hz. Because of its noise reducing character, it discriminates in favor of close sounds and against distant sounds. As a result, it can be used even under extremely noisy conditions without loss or masking of the voice signal. The microphone boom pivots through 155 degrees so that the microphone can be correctly positioned at the corner of the mouth either from the left or right side. A locking thumbscrew prevents the microphone from slipping or twisting out of place.
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The KSM141 is a dual-pattern mic offering cardioid and omnidirectional polar patterns with the turn of a rotating mechanical switch. Other features include Shure's Class A transformerless preamp circuitry for transparency; extremely fast transient response with minimal distortion; a highly sensitive 2.5-micron gold-layered mylar diaphragm; and a switchable, 3-position low-frequency filter to limit unwanted background noise and proximity effect. The microphone can capture sounds between 20Hz and 20kHz. Switchable pad (15 or 25dB) permits miking of extremely high SPL sources such as guitar cabs and snare drums. Set includes 2 break-resistant mic clips, carrying case, and 2 Popper Stopper windscreens.
at
 
  • product
GENERAL DESCRIPTIONThe Shure Model VP88 is a single-point, stereo condens-ermicrophone for use in professional studio recording, fieldproduction, electronic news gathering (ENG), and studiobroadcasting applications. It combines two condenser car-tridgesin a single housing to create a stereo audio image ofthe sound source. It is unique in its ability to capture therealism of a live event and yet withstand rigorous field pro-ductionenvironments.The VP88 uses a mid-side (M-S) configuration. One mi-crophonecartridge (Mid) faces forward to capture on-axissound using a cardioid pickup pattern. The other micro-phonecartridge (Side) is bi-directional, capturing soundfrom either side. The VP88 contains an internal M-S matrixwith three settings for different degrees of stereo imageseperation. The internal matrix can be bypassed if an exter-nalmatrix is used or if stereo imaging is done in post-pro-duction.Switches on the top of the microphone control out-putmode, stereo imaging, low-frequency rolloff settings,and battery on/off.The VP88 can operate on phantom power or an internal6V battery. The VP88 is supplied with a multi-connector âY-splitterâcable, foam windscreen, swivel stand adapter,6-volt battery, and zippered carrying/storage bag. Optionalaccessories include an isolation mount, a 7.6 m (25 ft) mi-crophoneextension cable, a phantom power supply, and a4.3 m (14 ft) microphone stand.
at
 
  • product
The KSM141 is a dual-pattern mic offering cardioid and omnidirectional polar patterns with the turn of a rotating mechanical switch. Other features include Shure's Class A transformerless preamp circuitry for transparency; extremely fast transient response with minimal distortion; a highly sensitive 2.5-micron gold-layered mylar diaphragm; and a switchable, 3-position low-frequency filter to limit unwanted background noise and proximity effect. The microphone can capture sounds between 20Hz and 20kHz. Switchable pad (15 or 25dB) permits miking of extremely high SPL sources such as guitar cabs and snare drums. Set includes 2 break-resistant mic clips, carrying case, and 2 Popper Stopper windscreens.
at
 
  • product
The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Designed for both studio and live use, the KSM137 mic can withstand extremely high sound pressure levels. Its low self-noise and extended frequency response make the Shure KSM137 ideal for recording acoustic guitar, drum overheads, and hi-hats. Other features include Shure's Class A transformerless preamp circuitry for transparency; extremely fast transient response with minimal distortion; a highly sensitive 2.5-micron gold-layered mylar diaphragm; and a switchable, 3-position low-frequency filter to limit unwanted background noise and proximity effect. The Shure KSM137 microphone can capture sounds between 20Hz and 20kHz. Set includes 2 mics, 2 break-resistant mic clips, carrying case, and 2 Popper Stopper windscreens.
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