Greatest oldies in Oldies Music

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Old School Oldies 2 [10/11]

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"Old School: Oldies 2" (10/11/2005) Oldies Various Artists, Thump Records

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"Live/1975-85 [Box]" (10/14/1997) Oldies Springsteen, Bruce, Legacy RecordingsBruce Springsteen & The E Street Band: Bruce Springsteen (vocals, acoustic & electric guitars, harmonica); Steve Van Zandt (acoustic & electric guitars, background vocals); Nils Lofgren (acoustic & electric guitars, background vocals); Clarence Clemons (saxophone, percussion, background vocals); Roy Bittan (piano, synthesizer, background vocals); Danny Federici (organ, accordion, glockenspiel, keyboards, background vocals); Patty Scialfa (sunthesizer, background vocals); Max Weinberg (drums). Flo & Eddie: Mark Volman, Howard Kaylan. Miami Horns: Stan Harrison (tenor saxophone); Eddie Manion (baritone saxophone); Mark Pender (trumpet); Richie La Bamba (trombone). Producers: Bruce Springsteen, Jon Landau, Chuck Plotkin. Recorded live between 1975 and 1985. Personnel: Bruce Springsteen (vocals, guitar, acoustic guitar, electric guitar, harmonica); Nils Lofgren, Steven Van Zandt (guitar, acoustic guitar, electric guitar, background vocals); Steve VanZandt (acoustic guitar, electric guitar, background vocals); Danny Federici (accordion, piano, organ, synthesizer, glockenspiel, background vocals); Clarence Clemons (saxophone, percussion, background vocals); Stan Harrison (tenor saxophone); Mark Pender (trumpet); Richie La Bamba (trombone); Roy Bittan (piano, synthesizer, background vocals); Patti Scialfa (synthesizer, background vocals); Max Weinberg (drums); Garry Tallent, Flo (background vocals). Audio Mixer: Bob Clearmountain. Liner Note Author: Bruce Springsteen. Recording information: Arizona State University, Tempe, AZ (10/18/1975-09/30/1985); Giants Stadium (10/18/1975-09/30/1985); Hit Factory Studios, NY (10/18/1975-09/30/1985); Los Angeles Coliseum, Los Angeles, CA (10/18/1975-09/30/1985); Meadowlands Arena (10/18/1975-09/30/1985); Nassau Coliseum (10/18/1975-09/30/1985); Roxy (10/18/1975-09/30/1985); Winterland, San Francisco, CA (10/18/1975-09/30/1985). Author: Bruce Springsteen. Photographers: Jim Marchese; Frank Stefanko; David Gahr; Jimmy Wachtel; Peter Cunningham; Eric Meola; Neal Preston; Annie Leibovitz; Aaron Rapoport; Joel Bernstein. There's one song from a 1975 show, which makes the title of this box set true in the literal sense, and eight from a 1978 appearance at the Roxy in Los Angeles, but in essence this is Bruce Springsteen in the '80s--physically huge, politically charged and desperate to connect. You get the sense this is no accident. LIVE/1975-85 easily could have been a celebration of Springsteen's rise to rock & roll fame, instead, it's a concerted effort to make something of it. Almost all of LIVE/1975-85 was recorded in arenas and stadiums and almost all of it is intent on spreading a message. The cover song that resonates most isn't the party encore "Raise Your Hand"(from 1978) but the anti-war chant "War" (from 1985). The most astonishing sequence of songs is all acoustic and almost all angry: Woody Guthrie's protest song "This Land Is Your Land" and Springsteen's own "Nebraska," "Johnny 99" and "Reason To Believe." With its reverberant keyboards and a haunting intro that quotes the soul classic "Nowhere to Run," even the love song "Cover Me" sounds like some sort of protest. There's lots of celebrating and rocking here, too, but mostly there's lots to think about.

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"Classic Country Christmas [Time Life]" (09/23/2003) Oldies Various Artists, Time/Life MusicIncludes liner notes by Charles McCardell. This is part of Time Life's "Classic Country" series. Liner Note Author: Charles McCardell. Director: Suzanne Manlove. Arrangers: D.F. Potter; Big Joe Maher. This collection easily lives up to its name by featuring a stellar lineup of musicians performing time-honored holiday songs. Tammy Wynette sets the mood with a gorgeous rendition of "White Christmas," followed by Elvis Presley's signature take on "Blue Christmas." Dolly Parton sings achingly of a "Hard Candy Christmas," while Willie Nelson contributes his own classic tune, "Pretty Paper." Willie's dear friend Johnny Cash lends his unmistakable baritone voice to an excellent 1959 version of "The Little Drummer Boy," in which the Man in Black leaves the "a-rum-pa-pa-pum" refrain to his back-up singers. Elsewhere, Emmylou Harris saunters through "Christmas Time's A-Comin'," and Buck Owens offers up his humorous "Santa Looked a Lot Like Daddy." Although many of these recordings were made before 1980, country of the late '80s and early '90s is represented by artists such as Randy Travis, Dwight Yoakam, and the Judds.

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"The Ultimate Collection" (06/11/2002) Oldies Who (The), UTVInitial pressings of THE ULTIMATE COLLECTION included a limited edition bonus disc featuring four previously unreleased tracks. The Who: Roger Daltrey (vocals, harmonica); Pete Townsend (guitar, keyboards, background vocals); John Entwistle (bass, background vocals); Keith Moon, Kenney Jones (drums). Producers include: Shel Talmy, The Who, Kit Lambert, Glyn Johns, Jon Astley. Compilation producers: Andy McKaie, Bill Levenson. Recorded between November 1964 and June 1982. Includes liner notes by Matt Kent and Andy Neill. When it comes to a ground-breaking, iconic band like the Who, dubbing an anthology THE ULTIMATE COLLECTION is no small claim. The kicker here is that it happens to be the truth. Without venturing into the realm of the box set, there's never been such a definitive batch of Who tunes all under one roof before. Virtually all the bases are covered here, from such attitude-laden mid-'60s mod anthems as "My Generation" and "Anyway, Anyhow, Anywhere" to the conceptual expansiveness of TOMMY-era tunes ("I'm Free," "See Me Feel Me"). We get the full-on long-haired, bare-chested glory of the early '70s ("Won't Get Fooled Again") as well as the tapered, synth-flecked smartness of the early '80s ("Eminence Front," "You Better You Bet." For someone looking for an entry point into the work of this larger-than-life group, or just somebody who wants a great all-purpose who disc, THE ULTIMATE COLLECTION is truly a case of truth in advertising. Get one.

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"Greatest Hits [CEMA Special Markets]" (11/01/1995) Oldies Peter & Gordon, EMI-Capitol Special MarketsGreatest Hits is a budget-priced, ten-track selection of some of Peter & Gordon's hits, and while there are plenty of essential items missing, it still functions as a good, affordable sampler, featuring such hits as "A World Without Love," "I Go to Pieces," "True Love Ways," "Lady Godiva" and "Knight in Rusty Armour." ~ Stephen Thomas Erlewine

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"Yakety Yak & Other Favorites [Collectables]" (03/14/2006) Oldies Coasters (The), Collectables RecordsRhino Flashback's brief collection of songs by the Coasters, Yakety Yak & Other Favorites, doesn't purport to be a greatest-hits package; it positions itself as an inexpensive introduction to the hilarious and rocking antics of the group. The ten songs included are among their biggest hits, including "Searchin'," "Smokey Joe's Cafe," "Charlie Brown," and "Yakety Yak," as well as some very worthy non-hits like "Framed" and "Idol With the Golden Head." But it fails as an introduction, a hits collection, and a listening experience because it misses two of their biggest hits and signature songs, namely "Along Came Jones" and "Poison Ivy." Why they couldn't have been included is a mystery. For that reason alone there is almost no reason to buy this collection, when a few dollars more will get you either The Very Best of the Coasters or The Ultimate Coasters, both of which contain the two aforementioned songs and many other great songs as well. ~ Tim Sendra Collectables' brief collection of songs by the Coasters, Yakety Yak & Other Favorites, doesn't purport to be a greatest-hits collection; it positions itself as an inexpensive introduction to the hilarious and rocking antics of the group. The ten songs included are among their biggest hits, including "Searchin'," "Smokey Joe's Cafe," "Charlie Brown," and "Yakety Yak" as well as some very worthy non-hits like "Framed" and "Idol With the Golden Head." It fails as an introduction, a hits collection, and a listening experience because it misses two of their biggest hits and signature songs, namely "Along Came Jones" and "Poison Ivy." Why they couldn't have been included is a mystery. For that reason alone there is almost no reason to buy this collection when a few dollars more will get you either The Very Best of the Coasters or The Ultimate Coasters, both of which contain the two aforementioned songs and many other great songs as well. [The disc is a straight reissue of Rhino Flashbacks' 1997 release of the same name.] ~ Tim Sendra

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"The Essential Bruce Springsteen" (11/11/2003) Oldies Springsteen, Bruce, Legacy RecordingsInitial pressings included a limited edition bonus disc featuring previously unreleased studios and live performances. Personnel includes: Bruce Springsteen (vocals, acoustic & electric guitars, mandolin, harmonica, recorder, bass); Patti Scialfa (vocals, guitar); Nils Lofgren (guitar, slide guitar, dobro, banjo, background vocals); Steve Van Zandt (guitar, mandolin, background vocals); Danny Frederici (accordion, piano, organ, Farfisa organ, glockenspiel, background vocals); Clarence Clemons (saxophone, percussion, background vocals); Garry Tallent (tuba, bass, background vocals); Roy Bittan (piano, Fender Rhodes piano, pump organ, keyboards, synthesizer, glockenspiel, background vocals); David Sancious (piano, electric piano, organ, Clavinet); Max Weinberg (drums, background vocals); Soozie Tyrell (background vocals). Producers includes: Bruce Springsteen, Mike Appel, Jon Landau, Chuck Plotkin, Steve Van Zandt. Recorded between 1973 & 2002. Personnel: Bruce Springsteen (vocals, acoustic guitar, electric guitar, mandolin, harmonica, recorder, hand claps, background vocals); Patti Scialfa (vocals, guitar); Nils Lofgren (guitar, slide guitar, dobro, banjo, background vocals); Steven Van Zandt (guitar, mandolin, background vocals); Suki Lahav (violin); Jane Scarpantoni, Jere Flint (cello); Danny Federici (accordion, piano, organ, Farfisa, glockenspiel, background vocals); Clarence Clemons (saxophone, hand claps, percussion, background vocals); Jerry Vivino (tenor saxophone); Edward Manion (baritone saxophone); Michael Spengler, Mark Pender (trumpet); Richie Rosenberg (trombone); Garry Tallent (tuba, background vocals); David Sancious (piano, electric piano, Clavinet, organ); Roy Bittan (piano, Fender Rhodes piano, pump organ, Mellotron, keyboards, synthesizer, Kurzwell synthesizer, glockenspiel, background vocals); Harold Wheeler (piano); Gary Mallaber, Jeff Porcaro (drums, percussion); Max Weinberg (drums, background vocals); Richard Blackwell (congas, percussion); Mike Appel, Soozie Tyrell (background vocals). Audio Remasterer: Bob Ludwig. Liner Note Author: Bruce Springsteen. Photographers: Tim White; Frank Stefanko; Eric Meola; Neal Preston; Danny Clinch. If you're looking for a definitive Bruce Springsteen collection, search no further. THE ESSENTIAL BRUCE SPRINGSTEEN covers every phase of the Boss's career, from the Dylan-inspired absurdist folk-rock of his 1973 debut, through the Brando-with-a-Telecaster pathos of DARKNESS ON THE EDGE OF TOWN, to the Spectorian grandeur of BORN TO RUN and the stark, existential folk of NEBRASKA. And that's just the first disc! The second goes on to document Springsteen's superstar period with cuts from the epochal BORN IN THE USA and the moody, stripped-down TUNNEL OF LOVE, on through his post-9/11 mission statement, THE RISING. For hardcore fans that already own everything on the first two CDs, there's a bonus disc of rarities--none of which appeared on the prolific songwriter's rarities box set, TRACKS. The brightest spots of disc three are easily the equal of Springsteen's best-known material. Bruce's own version of "From Small Things" (covered successfully by Dave Edmunds), a furious live version of the working man's lament "Held Up Without a Gun," and the gorgeously evanescent "County Fair" are worth the price of admission all by themselves. True to its promise, this collection perfectly captures the essence of the gifted Jersey boy's magic.

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"Billboard Top 10 Karaoke: 1960's" (05/06/2005) Rock & Pop Karaoke, Sybersound

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"Party Tyme Karaoke: Oldies, Vol. 4 [2005]" (11/08/2005) Oldies Karaoke, SybersoundThis is an Enhanced CD, which contains both regular audio tracks and multimedia computer files. Unlike a lot of karaoke discs, Sybersound's Party Tyme Karaoke series gives karaoke enthusiasts the benefit of being able to choose between instrumental and vocal versions. Their releases typically begin with the instrumental versions and then repeat the program with the vocal versions of the same songs. The renditions of the songs are functional but hardly substitute for the originals. Party Tyme Karaoke: Oldies, Vol. 4 includes instrumental and vocal versions of Sam the Sham & the Pharaohs' "Wooly Bully," the Isley Brothers' "Shout," Bill Haley & His Comets' "Shake, Rattle and Roll," the Shirelles' "Soldier Boy," Little Eva's "Loco-Motion," and Elvis Presley's "Heartbreak Hotel." ~ Andy Kellman

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"Old School: Oldies" (06/03/2003) Oldies Various Artists, Thump Records

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"Party Tyme Karaoke: Oldies Party Pack [2003] [Box]" (05/06/2005) Rock & Pop Karaoke, Sybersound

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"The Beatles Compact Disc [EP Collection] [Box]" (06/30/1992) Oldies Beatles (The), Capitol/EMI RecordsThis boxed set comprises all of The Beatles' EP's as they were originally issued on 45rpm vinyl in England. Each 4 song CD-5 has been digitally remastered from original sources. The set comes with a 32-page Magical Mystery Tour book. All selections are mono except the stereo "Magical Mystery Tour" EP. The Beatles: John Lennon (vocals, guitar); Paul McCartney (vocals, bass); George Harrison (guitar); Ringo Starr (drums). The Beatles' impact on popular music is inestimable. They changed the face of rock & roll, introducing new concepts and techniques again and again throughout their career, influencing both their contemporaries and the next several generations of rock & roll. In the early '60s, when the golden age of Chuck Berry and Jerry Lee Lewis had given way to prefabricated teen idols and bland, diluted versions of real rock & roll and R&B, the Beatles' brash, effervescent blend of '50s vintage sounds and bold, electric pop saved the world. Not content with reviving rock & roll almost single-handedly, the Beatles continued to innovate. Borrowing a bit from John Lennon's hero Bob Dylan, they pioneered the progression from generic love songs to more personalized, introspective subject matter. Let loose in the studio, they were among the first in the pop world to use backwards tapes, feedback and exotic instrumentation (George Harrison's well-documented love affair with Indian music inspired a thousand sitar-infested pop tunes). Lennon & McCartney (and occasionally Harrison) were phenomenally gifted tunesmiths who merged a pre-rock harmonic vocabulary with R&B influences and a visionary streak to create a timeless body of work.

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"Golden Oldies, Vol. 1 [Original Sound 2002]" (06/04/2002) Oldies Various Artists, Original Sound EntertainmentPerformers include: The Skyliners, The Crests, The Jaguars, The Chimes, Little Caesar & The Romans. Personnel: Lenny Cocco, James Sheppard, Joey Vann (vocals). Original Sound's Golden Oldies series boasts digital remastering, a claim often made by labels attempting to pass off shoddy sound with a few hi-fi buzzwords. Surprisingly, these tracks do sound better than in past recreations, though Original Sound could've done music fans an additional favor by stretching out the CD's to more than a bare half-hour running time. Highlights on the first volume include "Don't Make Me Over" by Dionne Warwick, "16 Candles" by the Crests, and "Dedicated to the One I Love" by the Shirelles. ~ John Bush

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"Retrospective" (07/20/2004) Oldies Animals (The), ABKCO RecordsThe Animals: Alan Price (keyboards); Chas Chandler (bass instrument); Eric Burdon, John Steel , Hilton Valentine. Personnel: Eric Burdon (vocals); John Weider (guitar, violin); Vic Briggs (guitar, piano, vibraphone); Howard H. Scott, Hilton Valentine (guitar); Charles Miller (flute); Royal Scots Guard Pipe And Drum Marching Band (bagpipe, percussion); Lee Oskar (harmonica); Alan Price (piano, organ); Lonnie Jordan, Dave Rowberry (organ); Barry Jenkins (drums, percussion); Harold Brown, John Steel (drums); Thomas R. Allen, Jr. (percussion). Additional personnel: War. Audio Remixers: Eddie Kramer; Gary Kellgren; Vic Briggs. Liner Note Author: Jim Bessman. Recording information: Kingsway Recording Studio, London, England (01/22/1964-??/??/1970); Mayfair Recording Studio, New York, NY (01/22/1964-??/??/1970); RCA Studios, Hollywood, CA (01/22/1964-??/??/1970); Sunset-Highland Recording Studios, Hollywood, CA (01/22/1964-??/??/1970); Wally Heider Recording Studio, San Francisco, CA (01/22/1964-??/??/1970). Arrangers: Vic Briggs; Horace Ott; Dave Rowberry. Today the most recognition the Animals get is "House of the Rising Sun" being played on oldies radio, but in the mid-1960s they were a powerful part of the British Invasion, often reckoned on a par with the Beatles, the Stones, and the Who. Like those bands, the Animals had strong roots in blues and R&B, but, in their original incarnation, they stayed closer to those roots than their peers did. This definitive compilation, masterfully assembled by the ABKCO think tank of Teri Landi and Jody Klein, shows the tough, uncompromising use to which the Animals put their American influences. John Lee Hooker's "Boom Boom" is recast as a raw garage rocker glazed with Alan Price's sinister organ riffs, and the aforementioned "House of the Rising Sun" is transformed from a traditional folk lament to an urgent, ominous piece of churning tumult. Of course, the group skillfully expanded those roots (with the help of some great writers), and turned out some classic working-class-rebel anthems ("We Gotta Get Out of This Place," "It's My Life"). By '67, the original lineup disbanded, and Eric Burdon led a new batch of Animals into a psychedelic West Coast sound ("San Franciscan Nights," "Monterey"). The Animals may not be given pride of place in the rock history books, but RETROSPECTIVE shows that they fully deserve it.

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Deals on Greatest oldies in Oldies Music. Visit BizRate to find the best deals on Oldies Music. See which Music stores have the Greatest oldies that you want. Read reviews on Music merchants and buy with confidence. Find savings on LOVE by The Beatles (CD - 11/21/2006) - Old School Oldies 2 [10/11].