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"Elvis' Golden Records [Remaster]" (07/15/1997) Oldies Presley, Elvis, RCA Records (USA)Personnel includes: Elvis Presley (vocals, guitar); The Jordanaires (background vocals). Compilation producers: Ernst Mikael Jorgensen, Roger Semon. Includes liner notes by Colin Escott and Anne Fulchino. All tracks have been digitally remastered. From January 1956 to November 1957, Elvis Presley spent a phenomenal 51 weeks occupying the number 1 spot on the Billboard pop chart. With the possible exception of the Beatles, no pop artist before or since has so completely dominated American pop music. All of Elvis' hits from this period are collected on ELVIS' GOLDEN RECORDS, which was originally released in 1958 and subsequently reissued several times. The 1997 reissue is the best yet, benefiting from digital remastering and the addition of six tracks. Among the extra tracks are three recordings from Elvis' years at Sun Records, which allow GOLDEN RECORDS to present a more complete picture of Presley's trajectory from regional phenomenon to national superstar than it previously had. As for the records themselves, well, no amount of praise can adequately describe the greatness of the twenty recordings collected here. Each stands among the best rock recordings of all time; together, they represent a crucial turning point in American pop music, heralding the beginning of the rock-and-roll era. GOLDEN RECORDS is the first in a series of five greatest hits albums released during Elvis' lifetime; each was remastered and reissued with additional tracks in 1997.

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"Golden Age of American Rock 'n' Roll, Vol. 1" (02/15/1992) Oldies Various Artists, AceLiner Note Author: Rob Finnis. Photographer: Phil Smee. For many years, Original Sound's Oldies but Goodies series was acknowledged as the best source for catching up on the many great early rock & roll hits by artists who had only one (or two, or three, or even a few more) classics to offer. Ace's Golden Age of American Rock'n'Roll series, however, has surpassed Oldies but Goodies as the series of choice in the CD age. Even at an import price, they offer better value (with 30 songs each!); they use the best possible available source tapes for remastering; they also offer lengthy, intelligent liner notes and some photos, where Original Sound have historically offered none. Most important, they offer a wealth of great hits from rock & roll's first decade as a widespread phenomenon (1954-1963), some of which are very difficult to find on other recordings, CD or not. There are some huge hits represented, but an equal amount of attention is paid to lower-charting songs that have fallen out of rotation on oldies stations, as well as some slight and/or regional hits that you might not have heard even if you grew up during the era. Volume One, like each installment, reflects the incredible diversity and excitement of rock's first decade: doo wop, primitive rockabilly, girl groups, instrumental rock, proto- soul, pop/rock, and more, ranging from famous one-shots (the Jaynetts' "Sally Go Round the Roses," the Penguins' "Earth Angel") to semi-forgotten treasures like the Fendermen's "Mule Skinner Blues" and Miss Toni Fisher's "The Big Hurt." ~ Richie Unterberger

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"Grease and Other Golden Oldies" (06/10/1997) Oldies Various Artists, Flashback RecordsAudio Remasterer: Chris Clarke. Liner Note Author: Julee Stover.

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"Golden Oldies, Vol. 5 [Original Sound 2002]" (06/04/2002) Oldies Various Artists, Original Sound EntertainmentPerformers include: The Isley Brothers, Dee Dee Sharp, Ritchie Valens, Bob & Earl. Original Sound's Golden Oldies series boasts digital remastering, a claim often made by labels attempting to pass off shoddy sound with a few hi-fi buzzwords. Surprisingly, these tracks do sound better than in past recreations, though Original Sound could've done music fans an additional favor by stretching out the CD's to more than a bare half-hour running time. The fifth volume collects ten of the hippest, catchiest, dance anthems -- "La Bamba," "The Twist," "Twist & Shout," and "The Jerk," as well as the scene-encompassing hysterics of Cannibal & the Headhunters' "Land of 1000 Dances." ~ John Bush

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"Original Golden Hits, Vols. 1-2" (03/14/2006) Oldies Lewis, Jerry Lee, Collectables Records2 LPs on 1 CD: ORIGINAL GOLDEN HITS VOL.1 (1969)/ORIGINAL GOLDEN HITS VOL.2 (1969). VOL.1 originally released on Sun (102). VOL.2 originally released on Sun (103). Includes liner notes by Mark Marymont. Liner Note Author: Mark Marymont. Recording information: Memphis Tennessee. Along with Johnny Cash, Carl Perkins, and Elvis Presley, Jerry Lee Lewis pioneered the rock & roll sound of the '50s with his early recordings for Sun Records. Reissue specialist Collectables has paired two original Sun hits packages on this single disc. Lewis's frenzied piano style, equal parts barrelhouse and Little Richard, merged blues, country, and an unidentified third party to create a wholly unique and original style that we've come to know as rock & roll. True to the title, this disc features many of Lewis's best-known tunes, including the boisterous "Great Balls of Fire," the country-influenced "Crazy Arms," the ferocious roof-raiser "Breathless" and the suggestive "Whole Lotta Shakin' Going On." A heartfelt version of Hank Williams' "You Win Again" points to the country sound that would become more prevalent in Lewis's sound in years to come.

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"Elvis' Gold Records, Vol. 5 [Remaster]" (07/15/1997) Oldies Presley, Elvis, RCA Records (USA)Personnel includes: Elvis Presley, J.D. Sumner & The Stamps, Kathy Westmoreland, Myrna Smith, Sherrill Nielson. Producer: Joan Deary. Compilation producers: Ernst Mikael Jorgensen, Roger Semon. Includes liner notes by Colin Escott. ELVIS' GOLD RECORDS VOL. 5 is a collection of hits recorded from 1968 to 1977. All tracks have been digitally remastered. Periodically throughout Presley's lifetime, RCA Records would compile Elvis' most recent best-selling records and release them on a GOLDEN RECORDS greatest hits package. VOLUME 5 is the final record in the series, covering Elvis' career from 1967 until his death. During this period, the focus of Elvis' music shifted from youthful, innocent love songs to the more adult themes of loss, betrayal, regret, and loneliness. VOLUME 5 includes numerous examples, including the classics "Suspicious Minds," "Kentucky Rain," and "You Don't Have to Say You Love Me," which was originally a hit for Dusty Springfield. In response to the trend in pop music during the late '60s, Elvis also recorded a number of topical and message songs during this stage of his career, among them "In the Ghetto," "Clean Up Your Own Back Yard," and "If I Can Dream." This package goes a long way toward dispelling the myth that Elvis had little to offer during his final years: the best material here is easily the match of his best earlier work. RCA expanded the original ten-song album to sixteen tracks for its 1997 reissue.

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"Here's a Heart" (03/14/2006) Oldies Diplomats (The), Collectables RecordsIncludes liner notes by Mark Marymont. Unknown Contributor Role: The Diplomats. This is a compilation of Diplomats recordings from 1963 to 1970 issued on Arock, Wand, Minit, and Dynamo Records; omitted are tracks from a stint with Fat Back Records as the Four Puzzles (1967), then as the Puzzles (1968) when William Collier left. Their Dynamo debut in 1968 as Sam, Erv & Tom (Price) -- the remaining Diplomats -- is missing as well. So are tracks cut after 1970 as the Skull Snaps (a trio comprising Samuel Culley and Ervan Waters with newbie George Bragg) on GSF Records, and "Come Back," credited to the Fantastic Puzzles (issued on New Moon and Right On Records). The endearing "Here's a Heart" was their second release and biggest recording; they liked it so much they redid it for their final Dynamo single in 1970; it originally came out on Arock Records in 1963. They never equaled its impact, sales-wise or artistically. If you only know them by "Here's a Heart," then this CD will disappoint you; only "I'm So Glad I Found You" and "So Far Away" (both sweet, lilting ballads), "Accept Me," and the gospel-ish "In My Heart" can run with it. But if you enjoy '50s doo wop/R&B, some of the more dated sounds will please your palate. The 18 tracks represent a good but hardly complete overview of the vast recordings of a group that never smelled the pop Top 40 and barely sniffed the R&B charts. ~ Andrew Hamilton

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"Golden Classics" (04/28/1994) Oldies Five Keys (The), Collectables RecordsThe Five Keys: Maryland Pierce, Rudy West, Bernie West, Ripley Ingram, Ramon Loper, Ulysses Hicks, Dick Threatt. Producers: Dave Cavanaugh, Bill Miller. Compilation producer: Steve Kolanjian. Recorded at Capitol Studios, New York, New York between 1954 & 1958. Includes liner notes by Steve Kolanjian. Audio Remasterer: Larry Walsh. Audio Remixer: Larry Walsh. Liner Note Authors: Ron Furmanek; Steve Kolanjian. Recording information: Capitol Studios, NY (08/30/1954-02/11/1958). Photographer: Brad Benedict. Unknown Contributor Roles: Howard Biggs; Rudy West; Sid Feller; The Five Keys. Arrangers: Dave Cavanaugh ; Van Alexander. The Newport News, VA, crooners deliver 20 of their classiest, including their big novelty hit "Ling Ting Tong" and the original, enchanting version of Chuck Willis' "Close Your Eyes." Three excellent lead singers -- Rudy West, Maryland Pierce, and Dickie Smith -- kept their sound fresh. Among the selections are many R&B interpretations of standards including "She's the Most," "Dream," and "My Pidgeon's Gone." ~ Andrew Hamilton

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"Blue Suede Shoes/Original Golden Hits" (03/14/2006) Oldies Perkins, Carl (Rock), Collectables Records2 LPs on 1 CD: BLUE SUEDE SHOES (1969)/ORIGINAL GOLDEN HITS (1970). Includes liner notes by Mark Marymont. Liner Note Author: Mark Marymont. Appearances to the contrary, these are not CD reissues of genuine '50s albums. In fact, these originally appeared, respectively, in 1969 and 1970, when the Sun catalogue began to be aggressively reissued for the first time, in response, one assumes, to the then-current "rock revival" (as it was so quaintly called). In any case, this is probably the most comprehensive one-CD Perkins-at-Sun-Records best-of around, with all the hits, including the anthemic "Blue Suede Shoes," plus the songs memorably covered by the Beatles ("Matchbox," "Honey Don't," "Everybody's Trying to Be My Baby"). The rest, of course, including classics like "Dixie Fried," "Boppin' the Blues," and "Your True Love," is merely a rockabilly master class.

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"Since I Fell for You [Collectables]" (03/14/2006) Oldies Welch, Lenny, Collectables RecordsPersonnel: Lenny Welch (vocals). Liner Note Author: Mark Marymont. A compilation of Lenny's early Cadence Records recordings with a slightly different track listing than his similarly titled 1963 album. Classified as easy listening, Welch's controlled but unbridled and passionate singing had an emotional edge not normally associated with the genre. A heart-drilling rendition of "Since I Fell for You" is an agonizing declaration of love -- Lenny's defining moment. His vibrant tenor is never mundane, even on the subpar material, and this CD showcases his ability to sing standards, show tunes, contemporary pop, and doo wop numbers like "Congratulations Baby." ~ Andrew Hamilton

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"Kansas City: His Legendary Golden Classics" (03/14/2006) Oldies Harrison, Wilbert, Collectables RecordsPersonnel: Wilbert Harrison (vocals, guitar, harmonica, piano, drums). Liner Note Author: Mark Marymont. After his pop smash "Kansas City," Wilbert Harrison never recorded a single to match it, the only close call being his other chart hit, the pleasantly grooving "Let's Work Together." Those songs lead off this Collectables set (the second appears in its full two-part version), followed by a parade of Harrison's versions of R&B hits of the '50s and '60s, among them "C.C. Rider," "Stand by Me," "Blue Monday," and "Stagger Lee." These weren't just tossoffs, though. Harrison's performances were more interesting than the usual R&B crossovers of the day; he possessed the pacing of an urbane blues vocalist like Jimmy Rushing but his delivery and pitch were oddly reminiscent of honky tonk singers (check out his especially strong version of the Lenny Welch hit "Since I Fell for You"). "Kansas City" and "Let's Work Together" are his only true classics, but Wilbert Harrison recorded some other solid material during his time with Bobby Robinson's Fury label. ~ John Bush

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"Golden Classics" (03/14/2006) Oldies Dixie Belles, Collectables RecordsThe Dixiebelles: Shirley Thomas, Mary Hunt, Mildred Pratcher. Personnel: Mildred Pratcher, Shirley Thomas, Mary Hunt (vocals). Liner Note Author: Mark Marymont. Recording information: Phillips Recording Studio. As part of Collectables' Golden Classics series, the Dixie Belles are spotlighted on previously released material originally recorded for Savage in the early '60s. The 14 tracks include "Way Down Yonder in New Orleans," "Swanee River (Where They Rock All Night)," "The Beale Street Dog," and their biggest hit, "(Down At) Papa Joe's." Considering the obscurity of CDs available by the girl group, this affordable disc should please both casual fans and collectors. ~ Al Campbell

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"Rockin' Rhythm & Blues/Golden Cream of the Country" (03/14/2006) Oldies Lewis, Jerry Lee, Collectables Records2 LPs on 1 CD: ROCKIN' RHYTHM & BLUES (1969)/THE GOLDEN CREAM OF THE COUNTRY (1969). ROCKIN' RHYTHM & BLUES originally released on Sun (107). THE GOLDEN CREAM OF THE COUNTRY originally released on Sun (108). Includes liner notes by Mark Marymont. Along with Johnny Cash, Carl Perkins, and Elvis Presley, Jerry Lee Lewis pioneered the rock & roll sound of the '50s with his early recordings for Sun Records. Reissue specialist Collectables has paired two original Sun packages on this single disc. Lewis's frenzied piano style, equal parts barrelhouse and Little Richard, merged blues, country, and an unidentified third party to create a wholly unique and original style that we've come to know as rock & roll. The ROCKIN' RHYTHM & BLUES album finds Lewis adding his raucous touch to tunes by Fats Domino, Roy Brown, Chuck Berry, and other early rock & roll giants. In contrast, THE GOLDEN CREAM OF THE COUNTRY is where Lewis explores a different side of his musical makeup. Here he tackles tunes by the likes of Hank Williams with aplomb. Instead of a straight country treatment, Lewis rocks it up a bit, adding some groove and sway to "Cold, Cold Heart" and others. This twofer handily represents two different facets of Jerry Lee's unique style.

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"40 Golden Motown Greats" (12/09/1999) Oldies Ross, Diana, Polygram (Japan)Diana Ross and The Supremes present 40 GOLDEN MOTOWN GREATS featuring all their best, solo and together, including "Baby Love" and "Love Hangover."

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"Golden Age of American Rock 'n' Roll, Vol. 7" (11/24/1998) Oldies Various Artists, AceFull title: The Golden Age Of American Rock 'N' Roll Vol. 7. Performers include: The Blenders, The Flares, The Pentagons, Ritchie Valens, The Kendall Sisters, Strangers, The Five Keys, Cascades, Viscounts, Miracles, Bobby Parker, Dale Hawkins, Chuck Willis, Barrett Strong, Frankie Ford, Chris Kenner, Ernie K. Doe. Recorded between 1954 and 1963. Includes liner notes by Rob Finnis. Contains 30 tracks. Liner Note Author: Rob Finnis. Recording information: 1954-1963. Photographers: Rob Finnis; Trevor Churchill. Unknown Contributor Roles: Chris Kenner; Chuck Willis; Dale Hawkins; Ernie K-Doe; Galen Gart; Frankie Ford; Alec Palao; Peter Gibbon; Ritchie Valens; The Five Keys; Barrett Strong; Bobby Parker. Arranger: Chuck Willis. Golden Age of American Rock 'n' Roll, Vol. 7 zig-zags inconsistently between classic oldies that are not hard to find on reissues (the Monotones' "Book of Love," the Miracles' "Shop Around," Frankie Ford's "Sea Cruise"), mid-level hits (Lee Andrews' "Tear Drops," the Flares' "Foot Stomping," the Mystics' "Hushabye," Barrett Strong's "Money"), and forgotten singles that only struggled up to the middle of the Top 100. Still, like the rest of the series, it's a worthwhile compilation of the gamut of rock sounds from rock's first decade, with a number of rarities, or even fairly big hits that don't get anthologized too often, like Barry & the Tamerlanes' "I Wonder What She's Doing Tonight" and the Five Keys' 1954 doo wop lark "Ling, Ting, Tong," one of the first rock songs to crossover into the pop Top 30. The ace rarity is Bobby Parker's 1961 single "Watch Your Step," a must-hear for anyone interested in the birth of soul, with a brash guitar and exuberant vocal that pointed the way out of R&B and into a more assertive style, sounding two or three years ahead of its time. It was covered by the Spencer Davis Group during the British Invasion, and its dynamite riff was part of the inspiration for the guitar licks used by the Beatles in "I Feel Fine." ~ Richie Unterberger

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"Golden Age of American Rock 'n' Roll: Special Novelty Edition" (11/25/2003) Oldies Various Artists, Ace Records (UK)Name any big rock & roll novelty hit from the mid-'50s to the mid-'60s, the sillier the better, and the odds are it's on this 30-song compilation. As just a sample of the big hits here, this has the Ran-Dells' "Martian Hop"; Sheb Wooley's "The Purple People Eater"; David Seville's "Witch Doctor"; the Playmates' "Beep Beep"; Barry Mann's "Who Put the Bomp (In the Bomp Bomp Bomp)"; Gene Simmons' "Haunted House"; the Detergents' "Leader of the Pack" satire "Leader of the Laundromat" (probably the funniest thing here); and, closing the disc, Napoleon XIV's legendarily grating "They're Coming to Take Me Away, Ha-Haa!" Naturally, some of the big hits included weren't as funny as they were popular, like Larry Verne's "Mr. Custer," Brian Hyland's "Itsy Bitsy Teenie Weenie Yellow Polka Dot Bikini," Ray Stevens' "Ahab the Arab," and Buzz Clifford's "Baby Sittin' Boogie." Those are necessary to get a full view of the range of early rock & roll novelty hits, though, and as compensation there are quite a few semi-forgotten amusing small novelty hits, like Murry Kellum's "Long Tall Texan" (covered soon afterward by the Beach Boys), Jimmy Cross' tasteless death rock satire "I Want My Baby Back," Stan Freberg's "The Old Payola Roll Blues," and Spencer & Spencer's "Russian Band Stand" (a simulation of how American Bandstand might have been conducted in the former Soviet Union). As grounds for mild criticism, "Transfusion" would have made a better Nervous Norvus cut than "Ape Call," and the version of "Alley-Oop" is not the number one hit version by the Hollywood Argyles, but the (admittedly far rarer) one by the Dyna-Sores, which made it up to a mere number 59. But overall it's the most in-depth collection of the genre ever produced, accompanied by a 32-page booklet of detailed liner notes. ~ Richie Unterberger

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"The Golden Age of American Rock 'n' Roll, Vol. 2" (05/04/1993) Oldies Various Artists, AceIncludes liner notes by Rob Finnis. Liner Note Author: Rob Finnis. Photographer: Roger Armstrong. No volume of the Golden Age of American Rock 'n' Roll series is more essential than any other one. All have a good range of styles, and a mix of big and small hits, and all are worth acquiring if you want to build a serious rock & roll collection. Golden Age of American Rock 'n' Roll, Vol. 2 has plenty of classics (the Silhouettes "Get a Job," Maurice Williams "Stay," Lonnie Mack's "Memphis," the Rivieras "California Sun," Link Wray's "Rumble") to go along with some neat one-shots (the Bell Notes "I've Had It," Barbara George's "I Know," Harold Kenneth Dorman's "Mountain of Love"). Just as interesting are the minor hits, like the Eternals ridiculous "Rockin' in the Jungle" (up-tempo doo wop with side-splitting bird calls) and the Gladiolas original version of "Little Darlin'" (covered with much bigger success by the Diamonds). ~ Richie Unterberger

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"Golden Age of American Rock 'n' Roll, Vol. 10" (11/05/2002) Oldies Various Artists, AcePerformers include: Bobby Darin, Janis Martin, The Coasters, Ricky Nelson, Roy Orbison, Chuck Berry, Bobbettes, Roy Hamilton, Royal Teens, Sammy Masters, Lee Dorsey, Titus Turner, The Volumes, Jerry Butler, The Impressions, The 5 Royals, Clyde McPhatter. Contains 30 tracks. As inevitably happens when the number of volumes in an anthology series runs into the double digits, the tenth installment of the vaunted Golden Age of American Rock 'n' Roll series is a little diluted in comparison with its earlier counterparts. This digs a little deeper into the lower regions of the charts than most of the prior volumes. While that's a boon for collectors looking for minor early rock & roll chart hits that are rarely anthologized or even played on oldies stations, usually those lower-charting singles weren't nearly as good as the high-charting classics. Still, you can't fault the quantity of songs -- 30 tracks -- and there are a good number of higher-charting classics to balance the rarer but less-interesting rarities. Among those classics are the Coasters' "Searchin'," Chuck Berry's "Maybellene," Clyde McPhatter's "A Lover's Question," Ricky Nelson's "Stood Up," Jerry Butler's "For Your Precious Love," Lloyd Price's "Just Because," the Chords' "Sh-Boom," Clarence "Frogman" Henry's "Ain't Got No Home," Carl Mann's "Mona Lisa," and Lee Dorsey's "Ya Ya" -- none of them hard to find, but all of them a pleasure to hear. Among the best of the lesser-known songs are the 5 Royales' magnificent original version of "Dedicated to the One I Love"; Janis Martin's "Will You, Willyum," an outstanding example of the rarely traveled field of female rockabilly; Roy Orbison's early minor rockabilly hit "Ooby Dooby"; and the Cleftones' "Little Girl of Mine," an acknowledged doo wop standard despite making only number 57 on the charts. There are also numerous barely charting rock & roll, doo wop, and rockabilly singles by the likes of Sammy Masters, Donnie Elbert, the Schoolboys, Titus Turner, the Cues, and Sonny Spencer that aren't too interesting, but are inarguably underexposed and hard to find on reissues. As for oddities, the leading contender is the Bobbettes' "I Shot Mr. Lee," their belated follow-up to their huge 1957 hit "Mr. Lee." ~ Richie Unterberger

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"Golden Age of American Rock 'n' Roll, Vol. 6" (02/25/1997) Oldies Various Artists, AceLiner Note Author: Rob Finnis. As this series progresses, there's a higher proportion of obscure material involved. This is both good and bad: it's good to find worthy minor hits that have largely missed the CD revolution, but some of them didn't make it above the '80s on the charts for good reason. Nonetheless, there are some real goodies here, whether hard to find or not: the Del Vikings' "Come Go with Me," and Bobby Freeman's "Do You Want to Dance," the El Dorados' "At My Front Door," the Rivingtons' "Papa-Oom-Mow-Mow," and Joe Bennett's "Black Slacks." Among the rarities, the most interesting items are John Fred's "Shirley" (recorded almost ten years before "Judy in Disguise"), Ronald & Ruby's original version of "Lollipop" (surpassed commercially by the Chordettes' rendition), the Quotations' "Imagination" (top-flight doo wop), and Bunker Hill's "Hide and Go Seek" (described in the liners as "like a gospel holler in a squash court"). Pick find: the Pentagons' "I Wonder," which sounds like a great lost Drifters hit from the early '60s. ~ Richie Unterberger

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"Golden Era of Rock 'n' Roll: 1954-1963 [Box]" (04/13/2004) Oldies Various Artists, Hip-O RecordsIncludes liner notes by Billy Altman. Liner Note Author: Billy Altman. Photographer: Don Nelson. You'd need a wall full of early rock & roll records to get a truly definitive summary of the best sounds from the music's first decade. That qualification noted, this is about as good a sampling of the most important early rock & roll hits and performers as could be stuffed into a three-CD, 62-song set, and deserves the highest rating even if it can't tell the whole story. Other than Elvis Presley (perhaps not present due to licensing obstacles), it has definitive hits by all the major early rock & roll performers, including Bill Haley, Chuck Berry, Fats Domino, Bo Diddley, Gene Vincent, Carl Perkins, Frankie Lymon & the Teenagers, the Everly Brothers, Jerry Lee Lewis, Buddy Holly, Ricky Nelson, Eddie Cochran, the Coasters, the Drifters, Jackie Wilson, Ray Charles, the Platters, Brenda Lee, and Roy Orbison. There's still room for a wealth of tracks by doo wop groups who had only one or two hits, from the Crows' "Gee" to the Marcels' "Blue Moon"; instrumental rock from Duane Eddy and the Ventures; rockabilly by Dale Hawkins and Johnny Burnette's Rock & Roll Trio (whose "The Train Kept A-Rollin'" is the only song on the whole set that wasn't a big hit); and New Orleans R&B-rock from Shirley & Lee and Frankie Ford. And there are classic hits by other performers who only got one big smash, like Mickey & Sylvia's "Love Is Strange" and Wilbert Harrison's "Kansas City." If you're inclined to nitpick, there are a few tiny flaws in this anthology's execution. Sam Cooke is represented by his relatively minor early hit "I'll Come Running Back to You," where "You Send Me" would have been the obviously better choice, though it might not have been available for licensing reasons. As on Hip-O's companion set, The Roots of Rock 'n' Roll: 1946-1954, the annotation is on the perfunctory side, failing to supply detailed background information on specific artists and tracks. And the early '60s are covered in far less depth than the mid- to late '50s, missing such vital innovators as the Impressions, James Brown, Phil Spector, and all the early Motown hitmakers, though it does at least sample classics of the girl group style; offer smashes by Dion, Del Shannon, and Gary "U.S." Bonds; and provide a glimpse of future trends with the Four Seasons and the Beach Boys. It's still a superb compilation, however, in which virtually every song is great and important. And you could still play it to someone who knows nothing about rock & roll, and after one listen, he or she would have a pretty good idea of how the music was born and evolved in its pre-Beatles days. ~ Richie Unterberger

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