Phoenix widescreen edition

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This multi-pack collects Steven Spielberg and George Lucas's Indiana Jones Trilogy, in which Harrison Ford portrays the titular globe-trotting archaeologist. Titles include RAIDERS OF THE LOST ARK, INDIANA JONES AND THE TEMPLE OF DOOM, and INDIANA JONES AND THE LAST CRUSADE. For more detailed descriptions, see individual titles.

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In the silver-screen adaptation of J.K. Rowling's HARRY POTTER AND THE ORDER OF THE PHOENIX, the fifth chapter in the beloved book series, everyone's favorite wizard-in-training (Daniel Radcliffe) finds himself in increasingly perilous situations. Not only is Harry in trouble with the Ministry of Magic for using his abilities outside of school, his trusted mentor, Professor Dumbledore (Michael Gambon), has grown distant, and an icy new Defense Against the Dark Arts teacher, Dolores Umbridge (Imelda Staunton), has arrived to bring a frightening level of discipline to Hogwarts. And waiting in the shadows is the demonic Lord Voldemort (Ralph Fiennes), an ominous figure whose very existence is questioned by the powerful Ministry, leaving Harry and his friends--most notably Ron (Rupert Grint) and Hermione (Emma Watson)--to form a rebel group, Dumbledore's Army. Helmed by little-known British director David Yates and written by Michael Goldenberg (the first scribe to fill the boots of Steve Kloves), THE ORDER OF THE PHOENIX continues the darker tone of the two preceding POTTER installments and deftly follows Harry, Ron, and Hermione as they face new foes and impending adulthood. While Radcliffe, Grint, and Watson all continue to imbue their characters with vitality and complexity, Staunton steals the show as the strict, merciless Umbridge, though the story, which lacks some of the special-effects-heavy set pieces of past chapters, happily leaves room for other actors to shine, most notably Alan Rickman (as the ever-enigmatic Severus Snape), Gary Oldman (Sirius Black), David Thewlis (Remus Lupin), and Helena Bonham Carter (Bellatrix Lestrange). Another fine offering of POTTER movie magic, PHOENIX may not astound quite the way that THE PRISONER OF AZKABAN did, but it easily stands as one of the best films in the series.

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$8
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Ridley Scott (BLADE RUNNER, ALIEN) transports Hollywood to second-century Rome in this rousing historical epic that proudly harkens back to such films as BEN-HUR and SPARTACUS. Russell Crowe plays Maximus, a Roman general who leads the troops in conquering Germania for the empire. When an aging Marcus Aurelius (Richard Harris) tells Maximus that he'd like him to rule Rome once he's gone, a classic confrontation ensues between the brave and charming soldier--who wants to return home to his wife, son, and farm--and the jealous and conniving Commodus (Joaquin Phoenix), the emperor's only son, who is thirsty for power. Bought as a slave by the profiteering Proximo (Oliver Reed, in his last role), Maximus must kill or be killed in the ring, battling to save not only himself but the future of the very empire that he loves and honors. The film features a terrific battle sequence (that recalls the beginning of SAVING PRIVATE RYAN), huge crowd scenes of thousands of people, and even a little romance, albeit mostly taboo. The impeccably choreographed gladiator scenes are violent yet thrilling, flashing by like lightning. GLADIATOR is a glorious spectacle filled with heart and soul.

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$8
 

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$6
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Steven Spielberg's third action-packed entry in the Indiana Jones trilogy evokes the cliffhanger Saturday matinee serials of yesteryear. It's 1938 and Indy (Harrison Ford) receives word that his archaeologist dad, Professor Henry Jones (Sean Connery), has disappeared while on a quest for the Holy Grail. Indy embarks on a search for both his dad and the much-coveted artifact. THE LAST CRUSADE has a unique twist to the series' traditional opening-sequence cliffhanger. Actor River Phoenix plays an adolescent Indy who, while on a field trip with his Boy Scout troop, finds adventure on a circus train. Spielberg wanted to make the film about a father-and-son relationship, and Connery was his first choice to play Indy's dad. The selection was perfect, considering Spielberg and producer George Lucas first came up with the idea of the series as a rival to the James Bond movies in which Connery had starred. Before shooting THE LAST CRUSADE, Spielberg was planning on directing RAIN MAN with Dustin Hoffman and Tom Cruise but gave up the project to fulfill his contractual obligation with Lucas to make a third Indiana Jones movie.

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$6
 

starting at

$7
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Ridley Scott (BLADE RUNNER, ALIEN) transports Hollywood to second-century Rome in this rousing historical epic that proudly harkens back to such films as BEN-HUR and SPARTACUS. Russell Crowe plays Maximus, a Roman general who leads the troops in conquering Germania for the empire. When an aging Marcus Aurelius (Richard Harris) tells Maximus that he'd like him to rule Rome once he's gone, a classic confrontation ensues between the brave and charming soldier--who wants to return home to his wife, son, and farm--and the jealous and conniving Commodus (Joaquin Phoenix), the emperor's only son, who is thirsty for power. Bought as a slave by the profiteering Proximo (Oliver Reed, in his last role), Maximus must kill or be killed in the ring, battling to save not only himself but the future of the very empire that he loves and honors. The film features a terrific battle sequence (that recalls the beginning of SAVING PRIVATE RYAN), huge crowd scenes of thousands of people, and even a little romance, albeit mostly taboo. The impeccably choreographed gladiator scenes are violent yet thrilling, flashing by like lightning. GLADIATOR is a glorious spectacle filled with heart and soul.

starting at

$7
 

starting at

$4
  • product
In the silver-screen adaptation of J.K. Rowling's HARRY POTTER AND THE ORDER OF THE PHOENIX, the fifth chapter in the beloved book series, everyone's favorite wizard-in-training (Daniel Radcliffe) finds himself in increasingly perilous situations. Not only is Harry in trouble with the Ministry of Magic for using his abilities outside of school, his trusted mentor, Professor Dumbledore (Michael Gambon), has grown distant, and an icy new Defense Against the Dark Arts teacher, Dolores Umbridge (Imelda Staunton), has arrived to bring a frightening level of discipline to Hogwarts. And waiting in the shadows is the demonic Lord Voldemort (Ralph Fiennes), an ominous figure whose very existence is questioned by the powerful Ministry, leaving Harry and his friends--most notably Ron (Rupert Grint) and Hermione (Emma Watson)--to form a rebel group, Dumbledore's Army. Helmed by little-known British director David Yates and written by Michael Goldenberg (the first scribe to fill the boots of Steve Kloves), THE ORDER OF THE PHOENIX continues the darker tone of the two preceding POTTER installments and deftly follows Harry, Ron, and Hermione as they face new foes and impending adulthood. While Radcliffe, Grint, and Watson all continue to imbue their characters with vitality and complexity, Staunton steals the show as the strict, merciless Umbridge, though the story, which lacks some of the special-effects-heavy set pieces of past chapters, happily leaves room for other actors to shine, most notably Alan Rickman (as the ever-enigmatic Severus Snape), Gary Oldman (Sirius Black), David Thewlis (Remus Lupin), and Helena Bonham Carter (Bellatrix Lestrange). Another fine offering of POTTER movie magic, PHOENIX may not astound quite the way that THE PRISONER OF AZKABAN did, but it easily stands as one of the best films in the series.

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$4
 

starting at

$5
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This adventurous space tale stars Ethan Hawke (in his film debut at the age of 14) and young star River Phoenix as misfit best friends whose dreams of space travel become a reality when they create an interplanetary spacecraft in their homemade laboratory. Ben Crandall (Hawke) is a young visionary who dreams of space travel while watching late-night B monster movies, pouring over comic books, and playing Galaga in the confines of his bedroom. But one night he has a vivid dream of flying over a space-like circuit board and shares his visions with his best friend Wolfgang (Phoenix), a young scientific genius who is able to translate his dreams into a complex computer program that actually works. With the help of their new friend (Jason Presson), they create a homemade spacecraft and embark on a secret adventure to another galaxy where they find that things are not always as different as they seem. EXPLORERS features highly imaginative special effects and entertaining space creations from George Lucas' Industrial Light and Magic.

starting at

$5
 

starting at

$11
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Steven Spielberg's third action-packed entry in the Indiana Jones trilogy evokes the cliffhanger Saturday matinee serials of yesteryear. It's 1938 and Indy (Harrison Ford) receives word that his archaeologist dad, Professor Henry Jones (Sean Connery), has disappeared while on a quest for the Holy Grail. Indy embarks on a search for both his dad and the much-coveted artifact. THE LAST CRUSADE has a unique twist to the series' traditional opening-sequence cliffhanger. Actor River Phoenix plays an adolescent Indy who, while on a field trip with his Boy Scout troop, finds adventure on a circus train. Spielberg wanted to make the film about a father-and-son relationship, and Connery was his first choice to play Indy's dad. The selection was perfect, considering Spielberg and producer George Lucas first came up with the idea of the series as a rival to the James Bond movies in which Connery had starred. Before shooting THE LAST CRUSADE, Spielberg was planning on directing RAIN MAN with Dustin Hoffman and Tom Cruise but gave up the project to fulfill his contractual obligation with Lucas to make a third Indiana Jones movie.

starting at

$11
 

starting at

$5
  • product
Joaquin Phoenix is great in this saga of Baltimore firefighter Jack Morrison, whose life starts flashing before his eyes when he becomes trapped in a blazing high rise. Flashbacks chronicle his memories of being a rookie at his Baltimore fire company. He remembers fighting his first fire, bonding with fellow firefighters, falling in love with a beautiful local girl (Jacinda Barrett), getting married, and having children. He also looks back on forming a close relationship with the fire chief (John Travolta) and learning to face the danger and heroics of life on the job. This film manages to wring plenty of well-earned tears from its subject matter--as well as spine-tingling thrills--which are the result of solid performances, characterization, and good naturalistic dialogue from screenwriter Lewis Colick. Barrett is great as Jack's worried wife; she and Phoenix exhibit strong, earthy chemistry in their scenes together. Travolta makes a fine fire captain who is graceful, sure of himself, and always ready to give up the spotlight to the younger actors. Other firemen include Morris Chestnut, Balthazar Getty, and Robert Patrick. The addition of a soundtrack of contemporary Irish and Irish-American folk and rock keeps the melancholia just a whisper away. The heroics of 9/11 are subtly honored here, but never directly mentioned, which is to the film's credit.

starting at

$5
 

starting at

$16
  • product
Ridley Scott (BLADE RUNNER, ALIEN) transports Hollywood to second-century Rome in this rousing historical epic that proudly harkens back to such films as BEN-HUR and SPARTACUS. Russell Crowe plays Maximus, a Roman general who leads the troops in conquering Germania for the empire. When an aging Marcus Aurelius (Richard Harris) tells Maximus that he'd like him to rule Rome once he's gone, a classic confrontation ensues between the brave and charming soldier--who wants to return home to his wife, son, and farm--and the jealous and conniving Commodus (Joaquin Phoenix), the emperor's only son, who is thirsty for power. Bought as a slave by the profiteering Proximo (Oliver Reed, in his last role), Maximus must kill or be killed in the ring, battling to save not only himself but the future of the very empire that he loves and honors. The film features a terrific battle sequence (that recalls the beginning of SAVING PRIVATE RYAN), huge crowd scenes of thousands of people, and even a little romance, albeit mostly taboo. The impeccably choreographed gladiator scenes are violent yet thrilling, flashing by like lightning. GLADIATOR is a glorious spectacle filled with heart and soul.

starting at

$16
 

starting at

$18
  • product
This multi-pack collects Steven Spielberg and George Lucas's Indiana Jones Trilogy, in which Harrison Ford portrays the titular globe-trotting archaeologist. Titles include RAIDERS OF THE LOST ARK, INDIANA JONES AND THE TEMPLE OF DOOM, and INDIANA JONES AND THE LAST CRUSADE. For more detailed descriptions, see individual titles.

starting at

$18
 

starting at

$3
  • product
Ridley Scott (BLADE RUNNER, ALIEN) transports Hollywood to second-century Rome in this rousing historical epic that proudly harkens back to such films as BEN-HUR and SPARTACUS. Russell Crowe plays Maximus, a Roman general who leads the troops in conquering Germania for the empire. When an aging Marcus Aurelius (Richard Harris) tells Maximus that he'd like him to rule Rome once he's gone, a classic confrontation ensues between the brave and charming soldier--who wants to return home to his wife, son, and farm--and the jealous and conniving Commodus (Joaquin Phoenix), the emperor's only son, who is thirsty for power. Bought as a slave by the profiteering Proximo (Oliver Reed, in his last role), Maximus must kill or be killed in the ring, battling to save not only himself but the future of the very empire that he loves and honors. The film features a terrific battle sequence (that recalls the beginning of SAVING PRIVATE RYAN), huge crowd scenes of thousands of people, and even a little romance, albeit mostly taboo. The impeccably choreographed gladiator scenes are violent yet thrilling, flashing by like lightning. GLADIATOR is a glorious spectacle filled with heart and soul.

starting at

$3
 

starting at

$6
  • product
The Buckmans are a modern-day family facing the age-old dilemma of trying to raise children the "right" way. At the center of the storm is Gil, who manages to keep his unique sense of humor while maintaining his career, and being a loving husband and parent.

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$6
 

starting at

$3
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Two politically-minded whizkids pull off a daring computer caper in the Sixties, but, by a serendipitous twist of fate, only one of them gets caught. Twenty years later, the lucky half of that daring duo has set himself up in business as the leader of an oddball group of computer hackers who test security systems for big companies. But when agents from the NSA (National Security Agency) catch up with him, he must agree to send his team on a top secret, i.e. illegal, mission to recapture an invaluable decoding device. This powerful "black box" would allow anyone possessing it, including the Russians, the ability to access or alter whatever information they wanted to -- in the entire cyberspace galaxy. But things are not quite as they appear to be, and our aging hero soon realizes he must look into his own past to unlock the biggest secret of all.

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$3
 

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$4
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Based on Stephen King's novella THE BODY, director Rob Reiner's STAND BY ME is the disarmingly tender and subtly sublime story of four kids on the precipice of early adulthood who embark upon a quest. There's Gordie (Wil Wheaton), the intelligent, creative one with the obviously bright future. His best buddy, Chris (River Phoenix), hardens his image in order to hide the pain from the physical abuse he endures at home, all the while harboring the hope of escaping that image. Rounding out the foursome are Vern (Jerry O'Connell), the pudgy tagalong, and Teddy (Corey Feldman), a loyal and funny but troubled kid with a death wish. When the four boys hear about a dead body 20 miles down the railroad tracks from their small Oregon town, they clandestinely set upon the unwieldy journey to lay eyes on this rare find. Amid numerous misadventures, Gordie, Chris, Vern, and Teddy savor what may be their last chance to revel in the simple life of children; around the corner is a future that could tear them apart, not to mention a tough teen gang who desires local fame by finding the body first. Enhanced by excellent performances and an engaging plot, STAND BY ME ranks among the best of the myriad coming-of-age films to dot the 1980s cinematic landscape.

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$4
 

starting at

$6
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Primarily the story of the love that grew between country stars Johnny Cash and June Carter during the early years of Cash's career, WALK THE LINE is the result of intense collaboration between director James Mangold, co-writer Gill Dennis, Johnny Cash, and June Carter Cash. Though both Cashes died in 2003, they oversaw the script's development for seven years. Mangold and Cash's insistence that the film's stars would actually sing paid off. Witherspoon's singing (as June) is lovely, and Phoenix's contains the raw energy and soul that defined Cash's sound. Even as a child on a cotton farm in Depression-era Arkansas, Cash shows a strong interest in music, escaping from his no-frills life and strict father (Robert Patrick) through hymns and listening to the radio. When his brother dies in a freak accident, young Johnny feels responsible, and worries that he will never live up to his brother's goodness. The film follows Cash through his first marriage with Vivian Cash (Ginnifer Goodwin) and into the early stages of his touring career alongside such musicians as Jerry Lee Lewis, Carl Perkins, Roy Orbison, Elvis Presley, and most importantly, June Carter. As Cash's success grows, so does his relationship with drugs, alcohol, and Carter, putting a strain upon his family life. From his initial audition with Sam Phillips of Sun Records on through his legendary 1968 concert at Folsom Prison, Cash is transformed from a hesitant singer riddled with demons to a man whose uniquely bold style would make music history. WALK THE LINE never attempts to paint a full picture of Cash's prolific career, but instead focuses on the passions that drove his music and on the woman who gave him strength. With magical performances by Witherspoon and Phoenix, a haunting and inspiring American romance is brought beautifully to life.

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$6
 

starting at

$2
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Director Tim Blake Nelson sets Shakespeare's OTHELLO in a modern day private high school and the result is a dark, somber teen tragedy. Mekhi Phifer (CLOCKERS) stars as Odin James, an African American star basketball player at the otherwise all-white school. The coach of the team (Martin Sheen) loves Odin like a son, which causes real son Hugo (Josh Hartnett) to squirm with jealousy and plan an elaborate revenge. Julia Stiles (a modern dress Shakespeare regular, having also co-starred in HAMLET and TEN THINGS I HATE ABOUT YOU) is Desi, the virginal daughter of the dean, with whom Odin is in love. The ensuing outburst of tragic teen violence is a shocking denouement that elevates the already dangerous mood of the film to full-fledged terror. Because of the intense violence in the film, it was shelved for years by a nervous Miramax in the wake of the real-life Columbine high school massacre. Finally, it was picked up by Lion's Gate Films. Upon viewing the film, such worry seems needless, as the film does nothing to glorify the violence it depicts. It explores themes of class, race, and all-consuming jealousy. Shakespeare's original dialogue is abandoned in favor of hip-hop-flavored modern language, but the tale's timeless relevance remains unaltered.

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$2
 

O

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$3
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O
Director Tim Blake Nelson sets Shakespeare's OTHELLO in a modern day private high school and the result is a dark, somber teen tragedy. Mekhi Phifer (CLOCKERS) stars as Odin James, an African American star basketball player at the otherwise all-white school. The coach of the team (Martin Sheen) loves Odin like a son, which causes real son Hugo (Josh Hartnett) to squirm with jealousy and plan an elaborate revenge. Julia Stiles (a modern dress Shakespeare regular, having also co-starred in HAMLET and TEN THINGS I HATE ABOUT YOU) is Desi, the virginal daughter of the dean, with whom Odin is in love. The ensuing outburst of tragic teen violence is a shocking denouement that elevates the already dangerous mood of the film to full-fledged terror. Because of the intense violence in the film, it was shelved for years by a nervous Miramax in the wake of the real-life Columbine high school massacre. Finally, it was picked up by Lion's Gate Films. Upon viewing the film, such worry seems needless, as the film does nothing to glorify the violence it depicts. It explores themes of class, race, and all-consuming jealousy. Shakespeare's original dialogue is abandoned in favor of hip-hop-flavored modern language, but the tale's timeless relevance remains unaltered.

starting at

$3
 

starting at

$5
  • product
Director Tim Blake Nelson sets Shakespeare's OTHELLO in a modern day private high school and the result is a dark, somber teen tragedy. Mekhi Phifer (CLOCKERS) stars as Odin James, an African American star basketball player at the otherwise all-white school. The coach of the team (Martin Sheen) loves Odin like a son, which causes real son Hugo (Josh Hartnett) to squirm with jealousy and plan an elaborate revenge. Julia Stiles (a modern dress Shakespeare regular, having also co-starred in HAMLET and TEN THINGS I HATE ABOUT YOU) is Desi, the virginal daughter of the dean, with whom Odin is in love. The ensuing outburst of tragic teen violence is a shocking denouement that elevates the already dangerous mood of the film to full-fledged terror. Because of the intense violence in the film, it was shelved for years by a nervous Miramax in the wake of the real-life Columbine high school massacre. Finally, it was picked up by Lion's Gate Films. Upon viewing the film, such worry seems needless, as the film does nothing to glorify the violence it depicts. It explores themes of class, race, and all-consuming jealousy. Shakespeare's original dialogue is abandoned in favor of hip-hop-flavored modern language, but the tale's timeless relevance remains unaltered.

starting at

$5
 

starting at

$16
  • product
A narcoleptic, psychologically-scarred young man who peddles his body, and his best friend, who also works the streets though he's from a wealthy political family, wander together and apart, from Seattle to as far away as Italy. A loose reworking of Shakespeare's "Henry IV," with Reeves as the prodigal son who slums in the Pacific Northwest's junkie lowlife milieu.

starting at

$16