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Brings together ninety-seven poems by the respected twentieth-century writer as culled from her published collections of poetry as well as twenty-three works from her unpublished manuscripts. Reprint.

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Poor Screamin' Millie is just one of the unforgettable characters in this wondrous new book of poems and drawings by the creator of Where the Sidewalk Ends and A Light In the Attic. Here you will also meet Allison Beals and her twenty-five eels; Danny O'Dare, the dancin' bear; the Human Balloon; and Headphone Harold. So come, wander through the Nose Garden, ride the Little Hoarse, eat in the Strange Restaurant, and let the magic of Shel Silverstein open your eyes and tickle your mind.

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Even though he was an important founder of modernism, companion to Picasso, Modigliani, Apollinaire and the early Surrealists, Max Jacob has remained a somewhat neglected and little-known figure. Now this delightful and utterly original poet has been given a detailed and careful presentation in English.

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Twenty-five poems celebrating the sensual frontiers of Sexton's time.

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Including 12 New Poems!

If you are a dreamer, come in,
If you are a dreamer,
A wisher, a liar,
A hope-er, a pray-er,
A magic bean buyer . . .

Come in . . . for where the sidewalk ends, Shel Silverstein's world begins. You'll meet a boy who turns into a TV set, and a girl who eats a whale. The Unicorn and the Bloath live there, and so does Sarah Cynthia Sylvia Stout who will not take the garbage out. It is a place where you wash your shadow and plant diamond gardens, a place where shoes fly, sisters are auctioned off, and crocodiles go to the dentist.

Shel Silverstein's masterful collection of poems and drawings is at once outrageously funny and profound.

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Jalal al-Din Rumi, who wrote and preached in Persia during the thirteenth century, was inspired by a wandering mystic, or dervish, named Shams al-Din. Rumi's vast body of poetry includes a lengthy poem of religious mysticism, the Mathnavi, and more than three thousand lyrics and odes, many of which came to him while he was in a state of trance.

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Here is the real Emily Dickinson -- the only comprehensive and reliably authoritative trade editions of the poet's work. While it is today universally acknowledged that Dickinson was a poet of the highest order, the startling originality of her poems doomed her work to obscurity in her own lifetime. Early posthumous publication efforts -- including the 1924 Complete Poems edited by the poet's niece and published by Little, Brown -- did not fully and fairly represent Dickinson's bold experiments in prosody, her tragic vision, or the range of her intellectual and emotional explorations. Not until the publication of Harvard University Press's 1955 The Complete Poems of Emily Dickinson, comprising three hardcover volumes edited by Thomas H. Johnson, were readers able to understand and appreciate Dickinson's entire oeuvre. These books are also the fruit of Thomas H. Johnson's prodigious scholarship. The Complete Poems of Emily Dickinson distills the three-volume hardcover Complete, bringing together in a single volume all 1,775 poems that Dickinson wrote. Final Harvest is the only truly comprehensive selection of Dickinson's verse: 576 poems that trace the arc of her development as a writer. A feast for all who love poetry, these are the standard texts against which all other Dickinson collections must be measured.

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In a magnificent meeting of words and visuals, of ancient tradition and modern interpretation, this beautiful book assembles in one volume the timeless work of 13th-century Sufi poet and philosopher Jelaluddin Rumi. Extraordinary, contemporary, full-color collages capture the richness of Rumi's teachings.

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This generous volume is a genuine literary milestone, the first comprehensive collection of the verse of a writer who has been called both the poet laureate of African America and our greatest popular poet since Walt Whitman. The book contains 860 poems, including all the verse that Hughes published during his lifetime, and nearly 300 that have never before appeared in book form.

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Playfully invading the traditional territories of poetry, Sally Van Doren throws into question form, subject matter, and the sound and meaning of words. The poems in SEX AT NOON TAXES mix straightforward narrative, midwestern vernacular, and linguistic ambivalence, embedded in which is a struggle between the mind and the body...A preoccupation with the visual, artists, and artwork seeps through many of these imagistic minitexts. These poems look for release in descriptions of physical acts and in intricate manipulations of language. Sometimes they find it...Gender identification blurs as the poems probe theories of articulation and investigate the geographies of language and love. Through wordplay and word work, these poems travel a tightly crafted sphere of emotions and ideas.

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Since its publication in the early nineteenth century, this long narrative poem has stood unchallenged as the supreme masterpiece of Vietnamese literature. Huynh's new and absorbingly readable translation (on pages facing the Vietnamese text) is illuminated by notes that give comparative passages from the Chinese novel on which the poem was based, details on Chinese allusions, and literal translations with background information explaining Vietnamese proverbs and folk sayings.

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Twenty easy-to-read poems for beginning readers offers a fun perspective on exciting school events, such as spelling bees, preparing for the school play, or taking turns to tend to the classroom pet.

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Redesigned and rereleased to delight a new generation of readers, this definitive edition brings together eleven volumes of poems from America's greatest poet, providing complete bibliographic information and noting any textual changes.

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For the first time, the complete collection of Maya Angelou's published poems-including "On the Pulse of Morning"-in a permanent collectible, handsome hardcover edition.

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