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"Wicked" (12/16/2003) Pop Vocal Original Cast, Decca (USA)Principal cast includes: Kristin Chenowith (Galinda, Glinda); Sean McCourt (Witch's Father); Cristy Canlder (Witch's Mother); Jan Neuberger (Midwife); Idina Menzel (Elphaba); Michelle Federer (Nessarose); Christopher Fitzgerald (Boq); Carole Shelley (Madame Morrible); William Youmans (Doctor Dillamond); Norbert Leo Butz (Fiyero); Sean McCourt (Ozian Official); Joel Grey (The Wonderful Wizard Of Oz); Manuel Herrera (Chistery). Recorded at Right Track Studios, New York, New York. Although best remembered for the classic 1939 film The Wizard of Oz, L. Frank Baum's series of early 20th century novels about the fairyland Oz have inspired a number of theatrical and cinematic adaptations, beginning with a Broadway musical version of The Wizard of Oz for which Baum himself provided the libretto and lyrics that opened in 1903, only three years after the first publication of the initial book, and including the 1975 all-black Broadway musical The Wiz. In an era rife with sequels and "prequels" to successful properties that has reached back retroactively to include authorized and unauthorized re-imaginings of works such as Gone with the Wind, Gregory Maguire's 1995 novel Wicked: The Life and Times of the Wicked Witch of the West purported to depict the backstory of the villainess of The Wizard of Oz and her counterpart, Glinda the Good. Of course, Maguire's retelling was a revisionist interpretation in which the Wicked Witch turned out to be a misunderstood character with lots of justifications for turning "bad" (one of them being prejudiced reactions to her green skin color), while Glinda was made into more of a goody-goody than actually good, not to mention being something of a dumb-blonde cheerleader type. Theatrical composer Stephen Schwartz (Godspell, Pippin) saw the obvious stage possibilities, and his musical version, Wicked, opened on Broadway on October 30, 2003. In the adaptation, Glinda's role has been beefed up, the better to employ the talents of Tony-winning Broadway star Kristin Chenoweth, though the story still primarily concerns the young Wicked Witch (Idina Menzel), with Broadway veteran Joel Grey as the Wizard, and the storyline has been softened, the better to attract a young audience conditioned by the Disney hits Beauty and the Beast and The Lion King. On disc, the score will have a familiar sound to anyone who knows previous Schwartz efforts and their combination of traditional show music with 1970s-style soft rock music and choral music. Soprano Chenoweth and alto Menzel are given very different kinds of songs to sing; Chenoweth gets the Broadway belting material, Menzel the more adult contemporary-type ballads. This is appropriate to the their characters. Glinda is superficial and showy, Elphaba (the Witch) so earnest that she is eventually embittered. The score is tuneful and the lyrics often witty. This is not great music, but it is craftsmanlike and certainly efficient for this somewhat questionable project. ~ William Ruhlmann Based on Gregory Maguire's novel of the same name, the Broadway musical WICKED creates a history for the two witches from L. Frank Baum's OZ books. Through composer/lyricist Stephen Schwartz's emotive songs, the show reveals the unlikely friendship between Elphaba (Idina Menzel), who eventually becomes the Wicked Witch, and Glinda (Kristin Chenoweth), the Good Witch. The dramatic, horn-laden "No One Mourns the Wicked" starts the story in striking fashion, with the death of the ruby-slipper-wearing Wicked Witch. As Glinda appears, Elphaba's backstory begins, leading to jaunty numbers like "Popular" and "Defying Gravity," as well as ballads such as "I'm Not That Girl" and "For Good," with Menzel and Chenoweth showing off their substantial vocal chops. Adding to the boisterous energy is musical theater veteran Joel Grey, who brings a bit of Broadway's past to his role as the Wizard.

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"In Hollywood, Vol. 2: 1930-1934" (03/14/2006) Pop Vocal Crosby, Bing, Collectables RecordsRecorded in 1933-34. When Columbia Records released the double-LP Bing Crosby in Hollywood in the fall of 1967 as the flagship album in its Hall of Fame reissue series, it was the first comprehensive collection of Crosby recordings from the company's vaults. Crosby recorded for Columbia as singer with the Paul Whiteman Orchestra from 1928 to 1930, and his recordings for Brunswick Records from late 1931 to mid-1934 ended up in Columbia's possession when the Brunswick catalog was divided up and sold off. Columbia had attempted a few compilations in the late 1940s and '50s, but nothing like this: compiler/annotator Miles Krueger assembled a 32-track selection of commercial recordings made in connection with Crosby's early films, among them some of his biggest hits of the early 1930s. The scholarly approach was a precursor to the kind of reissues that started to be done in the CD era. Collectables Records has chosen to reissue the set in two separate volumes, which diminishes its value slightly, at least if you don't buy both of them. The second disc begins halfway through the tracks from 1933's Too Much Harmony, meaning that the date range in the title, 1930-1934, is now inaccurate, as is Kreuger's statement that, "This album contains, without exception, every recording [Crosby] made commercially from all the feature films in which he appeared, from his modest screen debut in The King of Jazz, in 1930, through his eminent screen stardom in She Loves Me Not, in 1934." That's what you'll have if you buy both volumes; here, you get exactly half of it. ~ William Ruhlmann

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"Come Fly with Me" (03/30/2004) Pop Vocal Buble, Michael, RepriseThis release includes a bonus DVD featuring backstage and interview footage, and concert performances from New York, London, Hollywood and South Africa. For Michael Bubl?, 2003 was a whirlwind year that included the release of his successful debut album, an international tour, a Christmas EP, and tons of promotional appearances and press interviews. Therefore, it is not surprising that, in lieu of a proper follow-up, Bubl? has elected to keep his fan base happy with Come Fly with Me, a CD/DVD combo package that features live performances from several of his tour dates along with two new studio tracks. The DVD is the more interesting of the two discs, as it gives a glimpse into the fast-paced world of a rising star, combining musical numbers and candid footage shot during the tour. Bubl? is seen vivaciously performing with his band while snippets of behind-the-scenes interviews act as interludes between the songs. The brief moments provide a little background history and make him out to be an average guy who was blessed with talent and enjoys what he is doing. Although it is nice to get a feel for the person, what is most important is the music, and he more than proves that he is both an excellent vocalist and entertainer. He sounds great, the band is hot, and Bubl? appears to genuinely love performing for an audience. However, the editing of the musical footage is a major distraction. Although the audio track sounds as if it came from one uncut song performance, the visuals are made up of several filmed concerts and are spliced together in a rather jarring fashion. Every two to three seconds a different shot of Bubl? singing a song is edited in (often in layers), but the specific shot onscreen may not be from the same performance as the recorded concert audio. Therefore, there are times when the visuals don't match the audio track (much like a foreign film dub). While this technique may be interesting and thematic for the opening title track, it quickly becomes annoying when done for over an hour. The CD includes live versions of six songs featured on the DVD along with two new studio tracks produced by David Foster. "Nice 'n Easy" is just like its title, as Bubl? sings with a relaxed swagger that charms the listener, but "Can't Help Falling in Love" suffers from a schmaltzy Foster arrangement that Bubl? tries his best to overcome. The song sounds even worse when followed by a brilliant live rendition of "My Funny Valentine." Although the DVD may be more enjoyable if played with the television off, Come Fly with Me has enough excellent musical moments to keep fans tuned in to Bubl?'s one-man revival of standards. ~ Aaron Latham As with many emerging artists, Michael Buble is still developing a distinctive style of his own on COME FLY WITH ME. Regardless of that minor detail, what Buble does know is who he is as a performer, and what he wants to do with his considerable vocal talent. Reviving tunes made famous by artists such as Frank Sinatra, Peggy Lee, Tony Bennett, Elvis Presley, and Bobby Darin, Buble sings each melody with a fetching blend of deep respect and fresh-faced enthusiasm. And he has got the chops to back it all up--Buble is blessed with a sleek, warm tone in the tradition of the aforementioned royalty, as well as an undeniable ability to swing. Coming out backed by a full big band with punchy arrangements is one of his secret weapons--the guy surrounds himself with many like-minded musicians of an extremely high caliber. Highlights include a lightly swaying "My Funny Valentine" and a rousing yet nuanced take on "Nice 'N Easy."

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"Gift Pack" (11/08/2005) Easy Listening Il Divo, Columbia (USA)IL DIVO GIFT PACK contains: THE CHRISTMAS COLLECTION (2005) and IL DIVO (2005). Il Divo: Carlos Marin, David Miller , Sebastien Izambard, Urs Buhler (vocals). Personnel: Esbj?rn ?hrwall (guitar, acoustic guitar); Mathias Venge (guitar, programming); Jannika Gustafsson (violin); Stockholm Session Strings (strings); Jan Bengtsson (flute); Maj Widding (bassoon); Hans Larsson, Rolf Nyqvist (French horn); Dave Arch (piano, grand piano); Per Magnusson (piano, keyboards, programming); J?rgen Ingestr?m (piano, keyboards); Kristoffer Nerg?rdh (grand piano); Steve Mac (keyboards, synthesizer); Andy Hill (keyboards); Chris Laws (drums); Karl Thorsson (percussion); Josef Larossi, David Krueger, J?rgen Elofsson, Andreas "Quiz" Romdhane (programming); Emil Heiling, Anders Von Hofsten, Maria Diephuis, Linda Norrg?rd (background vocals). Audio Mixers: Bernard L?hr; Bo Reimer; Ren Swan; Fredrik Andersson . Recording information: A Side Studios, Stockholm, Sweden (2004); EMI Abbey Road Studios, London, England (2004); Phonix Studios (2004); QuizLarossi-Studio, Stockholm, Sweden (2004); Rokstone Studios, London, England (2004); Sveriges Radio Studio 2, Stockholm, Sweden (2004); The Lighthouse (2004); Whitfield Street Studios, London, England (2004). Photographers: Walter Chin; Neil Kirk. Arrangers: Ulf Janson; Josef Larossi; David Krueger; Henrik Janson; Andreas "Quiz" Romdhane ; Per Magnusson; Kristoffer Nerg?rdh. The Il Divo Gift Pack consists of 2005's Christmas Collection and the group's eponymous debut, Il Divo. There are no bonus cuts or extended liner notes, just the studio albums in their entirety. ~ James Christopher Monger

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"Mary Poppins (Special Editon) [Digipak] [Remaster]" (11/16/2004) Pop Vocal Original Soundtrack, Walt DisneyOriginal score composed by Robert M. Sherman and Robert B. Sherman. Principal cast includes: Julie Andrews (Mary Poppins); Dick Van Dyke, Glynis Johns, David Tomlinson, Karen Dotrice, Matthew Garber, Ed Wynn, The Pearlie Chorus, Richard M. Sherman, J. Pat O'Malley. Music arranged and conducted by Irwin Kostal. Producers: Ron Kidd, Randy Thornton, Ted Kryczko. Includes liner notes by Randy Thornston. Digitally remastered by Shawn Murphy, Bruce Botnick and Jeff Sheridan (Soundworks, Hollywood, California), and John Polito (Audio Mechanics, Los Angeles, California). This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files. Composer/Lyricists: Richard M. Sherman; Robert B. Sherman. Personnel: Dave Tomlinson, Dick Van Dyke, Ed Wynn, Glynis Johns, Julie Andrews, Elsa Lanchester. Disney's 1997 and 2004 reissues of the Mary Poppins soundtrack augmented the classic original release with a handful of demos and interviews, which is enough bonus material to attract collectors, but not enough to overshadow the wonderful qualities of the music. Mary Poppins contained some of the best-known (and best-loved) songs from any Disney film, including "Chim-Chimeree," "Supercalifragilisticexpialidocious," "A Spoonful of Sugar" and "Let's Go Fly a Kite." The music has lost none of its charm over the years, and it stands as some of the finest music from a movie musical in the last half of the 20th century. ~ Stephen Thomas Erlewine Prior to their 14-song score for Mary Poppins, songwriting brothers Richard M. and Robert B. Sherman were best-known for the Top Ten hits "Tall Paul" by Annette Funicello and "You're Sixteen" by Johnny Burnette. Mary Poppins changed all that. It won the brothers Academy Awards for best original musical score and best song -- for "Chim Chim Cher-Ee" -- and the soundtrack album won them a Grammy Award for Best Original Score Written for a Motion Picture or TV Show, as well as winning Best Recording for Children. The album also topped the Billboard LP chart for 14 weeks and reportedly sold 2.3 million copies in its first year of release. Of course, all this success could not be the sole result of the brothers' writing ability, as also expressed in memorable songs like "A Spoonful of Sugar," "Supercalifragilisticexpialidocious," and "Feed the Birds (Tuppence a Bag)." A great deal of it could be credited to the many unnamed talents at the Disney studio, and not a little to Julie Andrews, who embodied the character of Mary Poppins so perfectly that she never really escaped it. But Mary Poppins had a lot of songs for a movie musical, no less than 13 separate numbers, and they were all very good, from Mrs. Banks' (Glynis Johns) declaration of "Sister Suffragette" to Mr. Banks' (Dave Tomlinson) transfiguration, "Let's Go Fly a Kite." The brothers had clearly paid attention to Andrews' stage triumph My Fair Lady, and not just to learn how to craft songs for her. They wrote what might have been a new song for that show's Henry Higgins character in Mr. Banks' statement of purpose as a self-satisfied British male in "The Life I Lead." But their primary influence was the popular music of the period in which the story was set, Edwardian England, specifically the British music hall style of the pre-World War I era. That gave them the buoyancy and glee of many of the numbers, but the wonderful melodies of songs like "Chim Chim Cher-Ee" and "Feed the Birds" were their own. And they benefited from an excellent cast that included Johns, Tomlinson, and Ed Wynn in minor parts, and Dick Van Dyke (sporting an awful, but nevertheless entertaining Cockney accent) in a major one. Best of all, of course, was Andrews, simultaneously warm and proper, bringing out the best in the material. ~ William Ruhlmann Disney's 1997 and 2004 reissues of the Mary Poppins soundtrack augmented the classic original release with a handful of demos and interviews, which is enough bonus material to attract collectors, but not enough to overshadow the wonderful qualities of the music. Mary Poppins contained some of the best-know

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"The Christmas Collection" (10/25/2005) Easy Listening Il Divo, Syco/ColumbiaCHRISTMAS COLLECTION is also available with a bonus disc in the limited edition IL DIVO GIFT PACK. Audio Mixer: Ren Swan. Recording information: Rokstone Studios, London, England (2004); Whitfield Street Studios, London, England (2004). Photographer: Walter Chin. Simon Cowell's "man band" creation Il Divo bring their perfect hair and immaculate throats into the crowded holiday genre with the creatively titled Christmas Collection, a heavily decorated box of yuletide favorites that dutifully showcases each tenor's captivating voice. There's not much difference between this offering and the myriad of similarly themed releases from contemporaries like Celtic Tenors, Josh Groban, and Charlotte Church, but it's a pleasant enough deviation from your parents' Mannheim Steamroller record. ~ James Christopher Monger Quickly following up the success of its 2005 self-titled debut, the international pop/opera quartet Il Divo unveiled its first Christmas album later that year. Vocalists David Miller (US), Sebastien Izambard (France), Urs Buhler (Switzerland), and Carlos Marin (Spain) stick to a mostly English-language set of Christmas classics, with their resonant, emotive voices lifting every track on this lovely holiday album.

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"The Lion King" (11/14/1997) Pop Vocal Original Cast, Walt DisneyThis is a Hyper CD, which contains which contains regular audio tracks and also provides a link to the artist's website with the help of a web browser. Producers: Hans Zimmer, Mark Mancina, Jay Rifkin, Chris Thomas. Compilation producer: Steven Stern. Principally recorded at Media Ventures and Ocean Way Studios, Los Angeles, California; Townhouse Studio, London, England; BPO Studios, Mmabatho, South Africa. All songs written by Tim Rice and Elton John. Instrumental score written by Hans Zimmer. "Can You Feel The Love Tonight" won the 1995 Grammy Award for Best Male Pop Vocal Performance; "Circle Of Life" won the Grammy for Best Instrumental Arrangement Accompanying Vocals; and THE LION KING won the Grammy for Best Musical Album For Children. "Can You Feel The Love Tonight" and "Circle Of Life" were also both nominated for Song Of The Year and Best Song Written Specifically For A Motion Picture Or Television; and the album's instrumental tracks were nominated for Best Instrumental Composition Written For A Motion Picture Or For Television. The heady influence of Paul Simon, Peter Gabriel, David Byrne--and all the other musicians who've introduced pop fans to the sounds and style of Africa--resonate subtly throughout the Hollywood flourishes of THE LION KING. Part of THE LION KING's appeal can be traced to Hans Zimmer's imagistic evocative instrumental score. Instrumental excerpts such as "This Land" and "Under The Stars" are a vibrant amalgam of lush orchestral passages with flashes of idiomatic African vocal colors and ceremonial percussive textures (while "King Of Pride Rock" echoes elements of Mozart's REQUIEM and traditional African six-beat rhythms). But it's THE LION KING's comic operetta songs and the Elton John/Tim Rice pop miniatures that ultimately distinguish this soundtrack and give it fresh legs for all holiday seasons. John's philosophical ruminations on "The Circle Of Life" are framed by power pop on a grand scale, with huge reverberant drum accents and massive sampled choruses and strings. But "I Just Can't Wait To Be King" is this collection's most engaging song, a sort of Afro-Rockabilly groove, tinted by the gospelish drive of John's Little Richard style piano. Principal Cast: Tsidii Le Loka (Rafiki); Samuel E. Wright (Mufasa); Gina Breedlove (Sarabi); Geoff Hoyle (Zazu); John Vickery (Scar); Scott Irby-Ranniar (Young Simba); Kajuana Shuford (Young Nala); Tracy Nicole Chapman (Shenzi); Stanley Wayne Mathis (Banzai); Kevin Cahoon (Ed); Max Casella (Timon); Tom Alan Robbins (Pumbaa); Jason Raize (Simba); Heather Headley (Nala). Producers: Mark Mancina, Lebo M, Jay Rifkin. Recorded at Sony Music Studios, New York, New York. THE LION KING won the 1999 Grammy Award for Best Musical Show Album. Producers: Hans Zimmer, Mark Mancina, Jay Rifkin, Chris Thomas. Compilation producer: Steven Stern. Principally recorded at Media Ventures and Ocean Way Studios, Los Angeles, California; Townhouse Studio, London, England; BPO Studios, Mmabatho, South Africa. All songs written by Tim Rice and Elton John. Instrumental score written by Hans Zimmer. "Can You Feel The Love Tonight" won the 1995 Grammy Award for Best Male Pop Vocal Performance; "Circle Of Life" won the Grammy for Best Instrumental Arrangement Accompanying Vocals; and THE LION KING won the Grammy for Best Musical Album For Children. "Can You Feel The Love Tonight" and "Circle Of Life" were also both nominated for Song Of The Year and Best Song Written Specifically For A Motion Picture Or Television; and the album's instrumental tracks were nominated for Best Instrumental Composition Written For A Motion Picture Or For Television. Principal Cast: Tsidii Le Loka (Rafiki); Samuel E. Wright (Mufasa); Gina Breedlove (Sarabi); Geoff Hoyle (Zazu); John Vickery (Scar); Scott Irby-Ranniar (Young Simba); Kajuana Shuford (Young Nala); Tracy Nicole Chapman (Shenzi); Stanley Wayne Mathis (Banzai); Kevin Cahoon (Ed); Max Casella (Timon); Tom Alan Robbins (Pumbaa); Jason Raize (Simba); Heather Headley (Nala). Producers: Mark Mancina, Lebo M, Jay Rifkin. Recorded at Sony Mus

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"Best of the War Years" (10/03/2000) Pop Vocal Crosby, Bing, Stardust RecordsIncludes liner notes by Athan Maroulis. Liner Note Author: Athan Maroulis. Editor: Liz Ohanesian.

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"Cinderella [Rodgers and Hammerstein's] [1957 TV Soundtrack][Bonus Tracks] [Remaster]" (05/18/1999) Pop Vocal Original Soundtrack, Columbia (USA)This 1999 reissue contains four previously unreleased demos performed by Julie Andrews with piano accompaniment by Richard Rodgers. Principal cast includes: Julie Andrews (Cinderella), Dorothy Stickney (The Queen), Howard Lindsay (The King), Ilka Chase (Stepmother), Kaye Ballard (Stepsister Portia), Alice Ghostley (Stepsister Joy), John Cypher (The Prince), Edith Adams (Fairy Godmother). Producer: Goddard Lieberson. Reissue producers: Didier C. Deutsch, Darcy M. Proper. Engineers: Fred Plaut, Robert Waller, Anthony Janek. Recorded at Columbia 30th Street Studio, New York, New York on March 19, 1957. Includes liner notes by Didier C. Deutsch. Digitally remastered using 24-bit technology by Darcy M. Proper. Music composed by Richard Rodgers. Lyrics written by Oscar Hammerstein II. Recording information: Columbia 30th Street Studio, New York, NY (03/19/1957). Perhaps Rodgers & Hammerstein's most seen but least performed musical, Cinderella was written for and played on television, for only one, non-taped time, on March 31, 1957, resulting in the largest TV audience in history up to that time. The typically lovely music and affecting lyrics softened some of the harder aspects of the fairy tale, and Julie Andrews (then a new Broadway star appearing in My Fair Lady) gave a wonderful performance in the title role. This recording features the TV cast and was made a couple of weeks before the broadcast. The score features memorable songs such as "Do I Love You Because You're Beautiful." The work was so successful that it was mounted again in 1964 with Lesley Ann Warren and in 1997 with Brandy. But neither surpassed Andrews. The 1999 CD reissue adds four bonus tracks drawn from promotional records sent out to radio stations in advance of the broadcast: Richard Rodgers plays piano versions of "Mother and Daughter March" and "Waltz for a Ball," and conducts an orchestra accompanying Andrews on "In My Own Little Corner" and "A Lovely Night." ~ William Ruhlmann

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"The Phantom of the Opera [Original Cast]" (11/23/2004) Pop Vocal Original Cast, Sony Music Distribution (USA)Music composed by Andrew Lloyd Webber. Lyrics by Charles Hart. Principal cast: Michael Crawford (The Phantom Of The Opera); Sarah Brightman (Christine Daae); Steve Barton (Raoul); John Savident (Monsieur Firmin); David Firth (Monsieur Andre); Rosemary Ashe (Carlotta Giudicelli); Mary Millar (Madame Giry); John Aron (Ubaldo Piangi); Paul Arden Griffith (Monsieur Reyer); Barry Clark (auctioneer); David De Van (Porter/Marksman/Fop); Janet Devenish (Meg Giry); David Jackson (Monsieur Lefervre); Janos Kurucz (Joseph Buquet); James Patterson (Don Attilio/Passarino); Peter Bishop (Slave Master); Justin Church (Flunky/Stagehand); Mostyn Evans (Policeman); Sue Flannery, Janet Howd (Page); Andrew Golder (Porter/Fireman); Peggy Ann Jones (Wardrobe Mistress/Confidante); Maria Kesselman (Princess); Patricia Richards (Madame Firmin); Jill Washington (Inkeeper's Wife). Recorded at EMI Studios & Audio International, London, England. Includes liner notes by Andrew Lloyd Webber. All tracks have been digitally remastered. Composer: Andrew Lloyd Webber. Andrew Lloyd Webber's musical adaptation of Gaston Leroux's 1911 gothic mystery novel The Phantom of the Opera proved to be at least the composer's second-most successful project, behind only Cats, and with the potential to outdo even that blockbuster. The musical opened in London in October 1986 and in New York in January 1988, and both productions were still running (along with many others around the world) when the film version finally premiered in December 2004. Because the same starring performers, Michael Crawford and Sarah Brightman, moved from the West End to Broadway, there was no original Broadway cast recording, the original London cast album serving to represent both stagings. In line with the success of the show, that album, a double-disc set, was also a hit, selling four million copies in the U.S. alone by 1996, with another four million copies of a single-disc highlights version as well. Although there was also an original Canadian cast album (not to mention foreign language versions from such countries as Japan and Austria), the movie soundtrack represents the first major re-recording of the score since 1986. Again, Lloyd Webber has opted to issue it in two versions, but this time, the 63-minute single CD is considered the standard release, with the double-disc set billed as the "special edition" version. Even fans of the show and the film may want to stick with the shorter one, however. The two-hour special edition is that rarity, a soundtrack album that actually contains the complete, unedited film soundtrack, including dialogue, incidental background music, and sound effects. This, of course, makes it something of an odd listening experience, especially because there doesn't seem to be any reason why some dialogue is spoken and some is rendered in singsong recitative. Lloyd Webber has written some extra background music here and there, as well as one new song, and that's an oddity, too. Minnie Driver, who plays the prima donna Carlotta, had her singing dubbed by Margaret Preece, but she turns up at the end and, over the closing credits, sings "Learn to Be Lonely," an irrelevant and musically out-of-place song clearly composed just to have a new tune that would be Academy Award-eligible. The film's other singers are adequate but no competition to Crawford, Brightman, and their colleagues, and the initial recording remains the one to buy. ~ William Ruhlmann This is one of Andrew Lloyd Webber's most highly acclaimed productions. The two-disc set comes with a booklet that has not only the lyrics, but also the dialog and stage directions. Sarah Brightman appears as Christine Daae (the heroine) and Michael Crawford as the Phantom. It's also available in a one-disc "highlights" version. ~ Tavia Hobart It's a testament to Andrew Lloyd Webber's crowd-pleasing compositional skills that the original cast recording of THE PHANTOM OF THE OPERA went on to become the biggest-selling cast album ever. So when the time came to adapt his music for the film version of the monumentally success

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"Greatest Love Songs" (01/13/2004) Pop Vocal Humperdinck, Engelbert (Vocal), Hip-O RecordsProducers: Dick Rowe, Peter Sullivan. Compilation producers: Bill Levenson. Recorded between 1967 & 1970. Photographer: Michael Ochs. Despite this 2004 compilation's relatively general title, GREATEST LOVE SONGS is surprisingly sharply focused, zooming in simultaneously on both Engelbert Humperdinck's most romance-obsessed tunes and his 1967-'70 heyday. While the set features a number of the British-raised pop singer's hits, including the pleading "Release Me (And Let Me Love Again)," it also presents other lush, swooning, and lesser-known tunes by the beloved crooner ("The Shadow of Your Smile" is a particular stand-out). Although it doesn't top the more comprehensive ULTIMATE COLLECTION, GREATEST LOVE SONGS remains one of the finer Humperdinck anthologies available. Hip-O's 2004 budget-line release Greatest Love Songs gathers 12 popular romantic themes taken from the balladeer Engelbert Humperdinck's late-'60s to early-'70s catalog on Parrot Records. While the disc contains several classic moments, including "Release Me (And Let Me Love Again)," "The Last Waltz," "A Man Without Love (Quando M'Innamoro)," and "The Way It Used to Be," the selection is too haphazard to make the collection a good introduction. Nevertheless, it's not bad as a sampler, but Humperdinck's Ultimate Collection, also on Hip-O, is the recommended set. ~ Al Campbell

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"The Collection: Funny Girl/The Way We Were/A Star Is Born [Long Box]" (07/13/2004) Pop Vocal Streisand, Barbra, Legacy RecordingsBARBRA STREISAND THE COLLECTION includes 3 LPS on 3 CDS: FUNNY GIRL(1968)/THE WAY WE WERE(1974)/A STAR IS BORN(1976). 3 LPs on 3 CDs: FUNNY GIRL (1968)/THE WAY WE WERE (1974)/A STAR IS BORN (1976). Personnel: Barbra Streisand (vocals); Kris Kristofferson (vocals). This "three-fer" from Columbia includes the classic Barbra Streisand soundtracks Funny Girl, The Way We Were and A Star Is Born. As a collection of music, it's a fairly good bargain, but listeners who are expecting a little window dressing will find nothing in the way of liner notes or photos, as these are just the single-issue CDs thrown together in the same package. ~ James Christopher Monger

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"Plays the Hits Made Famous by Stevie Wonder" (n/a) Pop Vocal Starsound Orchestra, Laserlight (USA)

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"What Every Girl Should Know/I Have Dreamed" (03/14/2006) Pop Vocal Day, Doris, Collectables Records2 LPs on 1 CD: WHAT EVERY GIRL SHOULD KNOW (1960)/I HAVE DREAMED (1961). Originally released on Columbia. Liner Note Author: Pete Martin . Recording information: 12/11/1959-05/05/1961. Directors: Harry Zimmerman; Jim Harbert. In the early '60s, recording artists like Doris Day often would assemble the songs for their albums by coming up with a concept -- travel songs, Oscar winners, etc. -- and then picking 12 tunes, most of them from among the hundreds of pop standards that came from movie and stage musicals of the '20s, '30s, and '40s, sometimes commissioning a new song or two on the theme to be written. (Actually, all this legwork was done less often by the singer herself than by the A&R person assigned to her at the record label.) This discount-priced two-fer reissue presents two such albums, the first released originally in 1960, the second in 1961. What Every Girl Should Know was an album of songs of advice, such as "What's the Use of Wond'rin'" from Rodgers & Hammerstein's Carousel and "You Can't Have Everything" from the 1937 movie of the same name. I Have Dreamed was an album of songs about dreaming, such as the 1945 hit "I'll Buy That Dream" and "You Stepped Out of a Dream" from the 1941 film Ziegfeld Girl. Day, who came up as a '40s band singer, knows her way around dream songs, which were a staple of the swing era, and coming from a pre-women's liberation generation, she has no trouble articulating advice to women to be true to often imperfect males, even if listeners 40 years later may cringe here and there. As a 2001 Day compilation, the 24-track set contains perhaps a few too many obscure and not very good songs, but it does afford fans the opportunity to hear Day address many memorable show tunes, especially a clutch of lyrics by Oscar Hammerstein II. ~ William Ruhlmann

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"The Lion King [Special Edition]" (09/30/2003) Pop Vocal Original Cast, Walt DisneyThis is a Hyper CD, which contains which contains regular audio tracks and also provides a link to the artist's website with the help of a web browser. Producers: Hans Zimmer, Mark Mancina, Jay Rifkin, Chris Thomas. Compilation producer: Steven Stern. Principally recorded at Media Ventures and Ocean Way Studios, Los Angeles, California; Townhouse Studio, London, England; BPO Studios, Mmabatho, South Africa. All songs written by Tim Rice and Elton John. Instrumental score written by Hans Zimmer. "Can You Feel The Love Tonight" won the 1995 Grammy Award for Best Male Pop Vocal Performance; "Circle Of Life" won the Grammy for Best Instrumental Arrangement Accompanying Vocals; and THE LION KING won the Grammy for Best Musical Album For Children. "Can You Feel The Love Tonight" and "Circle Of Life" were also both nominated for Song Of The Year and Best Song Written Specifically For A Motion Picture Or Television; and the album's instrumental tracks were nominated for Best Instrumental Composition Written For A Motion Picture Or For Television. The heady influence of Paul Simon, Peter Gabriel, David Byrne--and all the other musicians who've introduced pop fans to the sounds and style of Africa--resonate subtly throughout the Hollywood flourishes of THE LION KING. Part of THE LION KING's appeal can be traced to Hans Zimmer's imagistic evocative instrumental score. Instrumental excerpts such as "This Land" and "Under The Stars" are a vibrant amalgam of lush orchestral passages with flashes of idiomatic African vocal colors and ceremonial percussive textures (while "King Of Pride Rock" echoes elements of Mozart's REQUIEM and traditional African six-beat rhythms). But it's THE LION KING's comic operetta songs and the Elton John/Tim Rice pop miniatures that ultimately distinguish this soundtrack and give it fresh legs for all holiday seasons. John's philosophical ruminations on "The Circle Of Life" are framed by power pop on a grand scale, with huge reverberant drum accents and massive sampled choruses and strings. But "I Just Can't Wait To Be King" is this collection's most engaging song, a sort of Afro-Rockabilly groove, tinted by the gospelish drive of John's Little Richard style piano. Principal Cast: Tsidii Le Loka (Rafiki); Samuel E. Wright (Mufasa); Gina Breedlove (Sarabi); Geoff Hoyle (Zazu); John Vickery (Scar); Scott Irby-Ranniar (Young Simba); Kajuana Shuford (Young Nala); Tracy Nicole Chapman (Shenzi); Stanley Wayne Mathis (Banzai); Kevin Cahoon (Ed); Max Casella (Timon); Tom Alan Robbins (Pumbaa); Jason Raize (Simba); Heather Headley (Nala). Producers: Mark Mancina, Lebo M, Jay Rifkin. Recorded at Sony Music Studios, New York, New York. THE LION KING won the 1999 Grammy Award for Best Musical Show Album. Producers: Hans Zimmer, Mark Mancina, Jay Rifkin, Chris Thomas. Compilation producer: Steven Stern. Principally recorded at Media Ventures and Ocean Way Studios, Los Angeles, California; Townhouse Studio, London, England; BPO Studios, Mmabatho, South Africa. All songs written by Tim Rice and Elton John. Instrumental score written by Hans Zimmer. "Can You Feel The Love Tonight" won the 1995 Grammy Award for Best Male Pop Vocal Performance; "Circle Of Life" won the Grammy for Best Instrumental Arrangement Accompanying Vocals; and THE LION KING won the Grammy for Best Musical Album For Children. "Can You Feel The Love Tonight" and "Circle Of Life" were also both nominated for Song Of The Year and Best Song Written Specifically For A Motion Picture Or Television; and the album's instrumental tracks were nominated for Best Instrumental Composition Written For A Motion Picture Or For Television. Principal Cast: Tsidii Le Loka (Rafiki); Samuel E. Wright (Mufasa); Gina Breedlove (Sarabi); Geoff Hoyle (Zazu); John Vickery (Scar); Scott Irby-Ranniar (Young Simba); Kajuana Shuford (Young Nala); Tracy Nicole Chapman (Shenzi); Stanley Wayne Mathis (Banzai); Kevin Cahoon (Ed); Max Casella (Timon); Tom Alan Robbins (Pumbaa); Jason Raize (Simba); Heather Headley (Nala). Producers: Mark Mancina, Lebo M, Jay Rifkin. Recorded at Sony Mus

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"20th Century Masters - The Millennium Collection: The Best of Bing Crosby" (03/09/1999) Pop Vocal Crosby, Bing, MCA Records (USA)Crosby. Personnel includes: Bing Crosby (vocals); John Scott Trotter & His Orchestra, Williams Brothers Quartet, Ken Darby Singers, Georgie Stoll & His Orchestra, Les Paul Trio, Perry Botkin's String Band, The Andrews Sisters, Vic Schoen & His Orchestra, Bob Haggart & His Orchestra, Matty Matlock's All Stars, Buddy Cole & His Orchestra. Recorded between 1944 and 1950. Includes liner notes by Joseph Laredo. This is part of MCA's 20th Century Masters: The Millennium Collection series. Liner Note Author: Joseph F. Laredo. Recording information: Hollywood, CA (08/19/1936-03/14/1957); NY, NY (08/19/1936-03/14/1957). You'd be hard-pressed to find a better introduction to the music of Bing Crosby than this 12-track best-of, part of MCA's 20th Century Masters Millennium Collection. All the major biggies are aboard, covering a time frame from 1944 to 1957 ("Swingin' on a Star," "White Christmas," "Don't Fence Me In," "Dear Hearts and Gentle People," "MacNamara's Band," "It's Been a Long, Long Time," "Pennies from Heaven") as well as other highlights from that period ("Far Away Places," a duet with son Gary on "Play a Simple Melody," and the theme song from "Around the World (In Eighty Days)"). Not everything that's essential to digging Crosby, but a darn good start. ~ Cub Koda

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"Harmony Sweepstakes a Cappella Festival 2002 National Finals" (09/24/2002) Pop Vocal Various Artists, Primarily A CappellaPerformers include: Autri, 111 Of A Kind, Chapter 6, Eclipse, Groove, The Standards, Tone Rangers, The Perfect Gentlemen. Recording information: Marin Veteran's Civic Auditorium, San Rafael, CA (05/04/2002).

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Pop Vocal Music calling your name? Find all of the top Music gear that you want at BizRate. Compare prices from top brands like as well as . Browse ratings from merchants that sell Pop Vocal Music and other Music. Narrow your choices down by price range, brand, merchant, and more. Find the product that's right for you: Wicked - In Hollywood, Vol. 2: 1930-1934 by Bing Crosby (CD - 03/14/2006).