Bing crosby in Pop Vocal Music

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"In Hollywood, Vol. 2: 1930-1934" (03/14/2006) Pop Vocal Crosby, Bing, Collectables RecordsRecorded in 1933-34. When Columbia Records released the double-LP Bing Crosby in Hollywood in the fall of 1967 as the flagship album in its Hall of Fame reissue series, it was the first comprehensive collection of Crosby recordings from the company's vaults. Crosby recorded for Columbia as singer with the Paul Whiteman Orchestra from 1928 to 1930, and his recordings for Brunswick Records from late 1931 to mid-1934 ended up in Columbia's possession when the Brunswick catalog was divided up and sold off. Columbia had attempted a few compilations in the late 1940s and '50s, but nothing like this: compiler/annotator Miles Krueger assembled a 32-track selection of commercial recordings made in connection with Crosby's early films, among them some of his biggest hits of the early 1930s. The scholarly approach was a precursor to the kind of reissues that started to be done in the CD era. Collectables Records has chosen to reissue the set in two separate volumes, which diminishes its value slightly, at least if you don't buy both of them. The second disc begins halfway through the tracks from 1933's Too Much Harmony, meaning that the date range in the title, 1930-1934, is now inaccurate, as is Kreuger's statement that, "This album contains, without exception, every recording [Crosby] made commercially from all the feature films in which he appeared, from his modest screen debut in The King of Jazz, in 1930, through his eminent screen stardom in She Loves Me Not, in 1934." That's what you'll have if you buy both volumes; here, you get exactly half of it. ~ William Ruhlmann

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"Best of the War Years" (10/03/2000) Pop Vocal Crosby, Bing, Stardust RecordsIncludes liner notes by Athan Maroulis. Liner Note Author: Athan Maroulis. Editor: Liz Ohanesian.

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"20th Century Masters - The Millennium Collection: The Best of Bing Crosby" (03/09/1999) Pop Vocal Crosby, Bing, MCA Records (USA)Crosby. Personnel includes: Bing Crosby (vocals); John Scott Trotter & His Orchestra, Williams Brothers Quartet, Ken Darby Singers, Georgie Stoll & His Orchestra, Les Paul Trio, Perry Botkin's String Band, The Andrews Sisters, Vic Schoen & His Orchestra, Bob Haggart & His Orchestra, Matty Matlock's All Stars, Buddy Cole & His Orchestra. Recorded between 1944 and 1950. Includes liner notes by Joseph Laredo. This is part of MCA's 20th Century Masters: The Millennium Collection series. Liner Note Author: Joseph F. Laredo. Recording information: Hollywood, CA (08/19/1936-03/14/1957); NY, NY (08/19/1936-03/14/1957). You'd be hard-pressed to find a better introduction to the music of Bing Crosby than this 12-track best-of, part of MCA's 20th Century Masters Millennium Collection. All the major biggies are aboard, covering a time frame from 1944 to 1957 ("Swingin' on a Star," "White Christmas," "Don't Fence Me In," "Dear Hearts and Gentle People," "MacNamara's Band," "It's Been a Long, Long Time," "Pennies from Heaven") as well as other highlights from that period ("Far Away Places," a duet with son Gary on "Play a Simple Melody," and the theme song from "Around the World (In Eighty Days)"). Not everything that's essential to digging Crosby, but a darn good start. ~ Cub Koda

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"In Hollywood, Vol. 1: 1930-1934" (03/14/2006) Pop Vocal Crosby, Bing, Collectables RecordsPersonnel includes: Bing Crosby, The Mills Brothers; Paul Whiteman & His Orchestra. Recorded between 1930 & 1933. Personnel: Bing Crosby (vocals); John Fulton, Harry Barris, Boyce Cullen, Al Rinker, Rhythm Boys, Brox Sisters (vocals). Liner Note Author: Miles Kreuger. Recording information: 04/10/1929-08/27/1933. Unknown Contributor Roles: Jimmie Grier; Jimmy Grier & His Orchestra; Anson Weeks; Mills Brothers. When Columbia Records released the double-LP Bing Crosby in Hollywood in the fall of 1967 as the flagship album in its Hall of Fame reissue series, it was the first comprehensive collection of Crosby recordings from the company's vaults. Crosby recorded for Columbia as singer with the Paul Whiteman Orchestra from 1928 to 1930, and his recordings for Brunswick Records from late 1931 to mid-1934 ended up in Columbia's possession when the Brunswick catalog was divided up and sold off. Columbia had attempted a few compilations in the late 1940s and '50s, but nothing like this: compiler/annotator Miles Krueger assembled a 32-track selection of commercial recordings made in connection with Crosby's early films, among them some of his biggest hits of the early 1930s. The scholarly approach was a precursor to the kind of reissues that started to be done in the CD era. Collectables Records has chosen to reissue the set in two separate volumes, which diminishes its value slightly, at least if you don't buy both of them. The first disc ends halfway through the tracks from 1933's Too Much Harmony, rendering Kreuger's note about "I Guess It Had to Be That Way," a song cut from the film, incomprehensible, since it isn't actually on this disc; it's the first track on Vol. 2. Similarly, the date range in the title, 1930-1934, is now inaccurate, as is Kreuger's statement that, "This album contains, without exception, every recording [Crosby] made commercially from all the feature films in which he appeared, from his modest screen debut in The King of Jazz, in 1930, through his eminent screen stardom in She Loves Me Not, in 1934." That's what you'll have if you buy both volumes; here, you get exactly half of it. ~ William Ruhlmann

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"A Centennial Anthology of His Decca Recordings" (04/08/2003) Pop Vocal Crosby, Bing, MCA Records (USA)Personnel includes: Bing Crosby, The Andrew Sisters, Al Jolson, Fred Astaire, Bob Hope, Jane Wyman, Connee Boswell (vocals); Carmen Cavallaro (piano); Les Paul Trio; Buddy Cole Trio; Bob Crosby & His Orchestra; John Scott Trotter & His Orchestra; Jimmy Dorsey & His Orchestra; Vic Schoen & His Orchestra. Recorded between 1934 & 1956. Includes liner notes by Wig Wiggins. Recording information: 11/09/1934-10/03/1956. Before he established himself as an actor, Bing Crosby was America's Number One vocalist, a singer of tremendous popularity throughout the 1920s and `30s (and he held his own during Sinatra's ascendance, too). Crosby sang in a silky-smooth, genial, jazz-influenced style, and he also drew on a wide variety of material (Tin Pan Alley pop, Irish and Hawaiian songs, jazz, etc.). This CENTENNIAL ANTHOLOGY presents a wonderful cross-section of his early hits, some of the most important pop music of the first half of the 20th century. In addition, this DELUXE EDITION has a bonus disc of five songs.

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"Bing Crosby Meets Al Jolson" (08/25/2005) Pop Vocal Crosby, Bing, Sepia RecordsPersonnel: Oscar Levant (piano). Liner Note Author: Ken Barnes. Recording information: Hollywood, CA (09/08/1946-04/10/1950); New York, NY (09/08/1946-04/10/1950); San Francisco, CA (09/08/1946-04/10/1950).

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"The Radio Years, Vol. 1 [Box]" (06/04/2002) Pop Vocal Crosby, Bing, GNP/CrescendoPersonnel includes: Bing Crosby, Rosemary Clooney, The Andrews Sisters, Helen O'Connell, Gary Crosby, Lauren Bacall, Dick Powell. Recorded between 1950 & 1954. Includes liner notes by Pete Cline. Personnel includes: Bing Crosby, Bob Hope, Peggy Lee, Judy Garland, Gary Crosby, Lauren Bacall, Al Jolson, Nat King Cole, The Andrew Sisters, Ella Fitzgerald, Rudy Valllee, Walter O'Keefe, The Mills Brothers, Burl Ives, Frank Sinatra, Dennis Day, Rosemary Clooney, Dick Powell, Helen O'Connell, Patti Page, Jimmy Durante (vocals). Personnel includes: Bing Crosby, Bob Hope, Judy Garland, Rosemary Clooney, Nat King Cole, Peggy Lee, Lauren Bacall, The Andrew Sisters, Gary Crosby, Helen O'Connell, Dick Powell, Patti Page, Maurice Chevalier, Jimmy Durante, Kay Thompson, George Burns, Rudy Vallee, Burl Ives. The particular radio years referred to here are 1952-1954. Astonishingly, there's nary a Christmas song in sight on this collection, making it an anomaly in the world of Crosby CDs. There's also a minimum of showbiz chatter; you pretty much get the songs and the applause, with the occasional introduction crediting either the songwriter or the artist best known for performing the song. There's just enough jiving on the duet numbers to make it feel live without getting in the way of the music. And the material is first-rate, with a track list that includes "Singin' in the Rain," "Young at Heart," "You Go to My Head," and "Surrey With the Fringe on Top," among others. The guest list isn't too shabby either--Crosby goofs around with the Andrews Sisters on "I Can Dream, Can't I?" and duets with Lauren Bacall, Rosemary Clooney, and Patti Page. Accompaniment is provided by the John Scott Trotter Orchestra, a smooth if undistinguished mid-sized jazz ensemble augmented by strings and vocal choirs as necessary. In smartly shifting the focus from Crosby's plethora of holiday material and picking material that eschews the stagy prattle that can bog down other sets, THE RADIO YEARS is a sure bet. This CD documents 25 of Bing Crosby's biggest hits from his days performing radio broadcasts. All the music heard here was recorded during Crosby's postwar singing career (1946-1954). Still, the man who brought smiles to peoples' faces during the grim Great Depression is in fine form on all of these songs. Moreover, he is teamed up (on various tracks) with some of the great entertainers the 20th Century has produced, including the Williams Brothers, Peggy Lee, Bob Hope, the Mills Brothers, Jimmy Durante, Maurice Chevalier, George Burns, Judy Garland, Nat "King" Cole, The Andrew Sisters, and others. Highlights include George "Sugar Throat" Burns' goofy version of "It Might As Well Be Spring" and Jimmy Durante's raspy toned comedy on "You Gotta Start Off Each Day With a Song." However, Crosby's jazzy version of "Everybody Loves My Baby" is perhaps the most endearing of the many selections included on this expansive compilation.

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"Forever Gold" (04/13/2007) Pop Vocal Crosby, Bing, St. Clair

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"Top o' the Morning: His Irish Collection" (02/27/1996) Pop Vocal Crosby, Bing, MCA Records (USA)Full title: Top O' The Morning: His Irish Collection. Personnel includes: Bing Crosby (vocals); John Scott Trotter, Bob Haggart, Victor Young, Matty Matlock, The Jeff Alexander Chorus, The Perry Bodkin String Band, The Jesters, The Mellowmen, The King's Men. Digitally remastered by Paul Elmore. Personnel: Bing Crosby (vocals). Audio Remasterer: Paul Elmore. Recording information: Los Angeles, CA. Photographers: Dr. Demento; Frank Driggs; Wayne Knight; Geary Chansley. Unknown Contributor Roles: Matty Matlock & His Orchestra; John Scott Trotter; The Jesters; Mellomen; Victor Young & His Orchestra; Bob Haggart. While this collection of Bing Crosby's Irish material contains more than double the amount of tracks on the singer's A LITTLE BIT OF IRISH, there is no overlap whatsoever between the two, which tells you something about the breadth of Irish tunes in the Crosby oeuvre. The approach to the songs here is similar to that found on A LITTLE BIT OF IRISH; pop-oriented orchestral arrangements hold sway instead of traditional folk-oriented instrumentation. Nevertheless, the increased selection offered here affords the opportunity to dig a little deeper into Crosby's Irish repertoire. So while familiar tunes such as "Too-Ra-Loo-Ra-Loo-Ra" and "I'll Take You Home Again Kathleen" are present, there's also more obscure material, including such light-hearted romps as "Who Threw the Overalls in Mrs. Murphy's Chowder?" The extensive selection of TOP O' THE MORNING makes it the definitive Crosby Irish collection.

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"It's Easy to Remember [Box]" (04/08/2002) Pop Vocal Crosby, Bing, Proper Records (UK)Includes a 36 page booklet. The European copyright law on recordings, which cuts off after only 50 years, is responsible for many shoddy compilations of the work of vintage artists, scratchy 78s from someone's collection transferred to disc and put out with little or no concern for quality. But it also allows for more respectable efforts, such as the series of four-CD box sets assembled by England's Proper Records. Raiding the catalogs of Sony, BMG, and Universal (i.e., remastering old records now in the vaults of these majors), Proper has assembled this five-hour, 99-track survey of Bing Crosby's recording career that stretches from his first waxing in 1926 to a couple of covers of songs from Guys and Dolls in 1950. That career was less than half over at this legally mandated cutoff point, but Crosby was really at his peak in the '30s and '40s, and his '20s recordings, with Paul Whiteman's Orchestra and others, are interesting juvenilia. Included here are 32 of the record-setting 36 number one singles credited to Crosby by Billboard chart researcher Joel Whitburn (plus one with Duke Ellington and two with the Andrews Sisters), along with 39 other chart records and 25 well-chosen non-chart songs that include compositions by Irving Berlin, Hoagy Carmichael, DeSylva, Brown & Henderson, Walter Donaldson, Frank Loesser, George & Ira Gershwin, W.C. Handy, Jerome Kern, and Vincent Youmans and duets with Fred Astaire, Judy Garland, Bob Hope, Mary Martin, and Lee Wiley, among others, all in chronological order. The sound isn't as good as it probably would have been if the original masters had been used, but it isn't bad, and the set is well-annotated with a reasonable essay by compiler Stan Britt and a discography. As a result, It's Easy to Remember bears comparison with the "official" Crosby box sets and exceeds them in some respects. ~ William Ruhlmann

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"Swingin' with Bing! Bing Crosby's Lost Radio Performances [Long Box]" (08/24/2004) Pop Vocal Crosby, Bing, Shout! FactoryIncludes a 40-page booklet. Personnel: Bing Crosby (vocals); Dinah Shore, Ella Fitzgerald, Jack Teagarden, Louis Armstrong, Nat King Cole, The Andrews Sisters, Mills Brothers, Toni Arden (vocals); Les Paul (guitar); Joe Venuti (violin); Ziggy Elman (trumpet); Red Nichols (cornet); John Scott Trotter & His Orchestra, Jud Conlon's Rhythmaires. Liner Note Author: Ken Barnes. This beautifully packaged Bing Crosby box set is divided into three parts. The first disc features Crosby in radio performances with Nat "King" Cole and the Andrews Sisters. Disc two documents broadcasts with Crosby, Ella Fitzgerald and Louis Armstrong, and, finally, the third disc features additional Crosby collaborations with Fitzgerald and Armstrong, as well as two performances with the Mills Brothers. One of the highlights on this collection is the second rendition of "Memphis Blues," a tune Crosby shares with Fitzgerald and Armstrong. Here, the rapport between the three singers is relaxed and lighthearted, and Armstrong even causes the studio audience to crack up during one of his verses. "Basin Street Blues" is another wonderful example of the simpatico between Crosby and Fitzgerald. At Crosby's request, Fitzgerald imitates Armstrong to the bemusement of the audience, and Red Nichols takes a superbly bluesy cornet solo on this tune, as well. (Not surprisingly, Nichols's playing is very influenced by the swampy, New Orleans approach of Armstrong.) Cole Porter's hit "Don't Fence Me In" is another high point; this song combines 1940s swing with a Western feel (a la Gene Autry), and the Andrews Sisters' rich three-part harmonies add great depth to this selection. Of course, it's Crosby's debonair voice that ultimately steals the show.

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"Two of a Kind" (04/20/2004) Pop Vocal Crosby, Bing, Universal Special ProductsThe most amenable pairing of comic actors and musicians during Hollywood's golden era, Bing Crosby and Bob Hope recorded a lot of material together, not just on film but in the recording studio. Unfortunately, only one example appears on the Universal compilation Two of a Kind. The first five tracks are solo Crosby hits ("Pennies From Heaven," "Too Marvelous for Words") and the subsequent four are Hope duets with Shirley Ross (including his signature, "Thanks for the Memories"); only the closer "Put It There, Pal," a Road picture warhorse, features both singing the same song. ~ John Bush

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"16 Most Requested Songs" (10/06/1992) Pop Vocal Crosby, Bing, Legacy RecordingsPersonnel includes: Bing Crosby (vocals); Eddie Lang, Dick McDonough (guitar); Les Dreyer, Bennie Krueger (alto saxophone); Max Farley, Saxie Mansfield, Larry Binyon (tenor saxophone); Lebert Lombardo (trumpet); Will Bradley (trombone); Hank Stern (tuba); Joe Meresco, Fulton McGrath (piano); Artie Bernstein (acoustic bass); Larry Gomar, Chauncey Morehouse, Stan King (drums). Includes liner notes by Didier C. Deutsch. Digitally remastered by Mark Wilder (1992, Sony Music Studios). For those curious about the origins of American popular singing, this collection of Bing Crosby's early solo recordings (1931-1934) for Brunswick is a must. If there is any doubt how seminal Crosby was, just compare him to any number of white male "crooners" from the late '20s. The crooners are almost without exception irremediably corny, off-pitch, and altogether unlistenable. In contrast, Crosby, whose roots were in jazz, had timing, vocal flexibility, and tremendous verve, as well a certain Midwestern detachment, which allowed him to put across the love songs of the day with his musical integrity intact. The compilation gathers all the essential early Crosby milestones such as his oft-imitated (and parodied) "Temptation," "You're Getting to Be a Habit With Me," the chilling Depression-era classic "Brother, Can You Spare a Dime?," and the astonishingly hard-swinging "Sweet Georgia Brown," guaranteed to perk up even the most jaded of ears. The first three selections also feature the early Mills Brothers, who add a bit of musical if not racial harmony to the proceedings.

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"Cocktail Hour" (10/12/1999) Pop Vocal Crosby, Bing, Columbia River Entertainment GroupThere aren't any frills on the volume in Allegro's Cocktail Hour series dedicated to Bing Crosby. The complete lack of recording information isn't a tragedy though, since this album was obviously produced for beginners who don't need to know where all the performances originated. The lack of any essay or notes on Crosby's life is more of a disappointment, since novices could use at least a few words about what made him one of the greatest popular voices of the century. Of the 27 tracks spread across two discs, about five are honest to goodness Crosby classics in their original versions ("Swinging on a Star," "Dinah," "Pennies from Heaven," "Sunday, Monday or Always," and "You Must Have Been Beautiful Day.") Well-known songs of poor quality (probably from transcriptions or radio performances) make up the rest of the collection. Even these are interesting and well-done, but an assortment of track errors and odd occurrences spoil the entire compilation. On the first disc, "Temptation" appears where "Sweet Georgia Brown" and "June in January" should be, and you hear "I'm an Old Cowhand" (which isn't listed anywhere on the collection). Most of these 1930s and '40s songs aren't really reminiscent of a cocktail hour anyway, so listeners would do well to avoid this haphazard collection. ~ John Bush

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"Cocktail Hour: Bing Crosby Duets" (05/01/2001) Pop Vocal Crosby, Bing, Columbia River Entertainment Group

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Deals on Bing crosby in Pop Vocal Music. Visit BizRate to find the best deals on Pop Vocal Music. See which Music stores have the Bing crosby that you want. Read reviews on Music merchants and buy with confidence. Find savings on In Hollywood, Vol. 2: 1930-1934 by Bing Crosby (CD - 03/14/2006) - Best of the War Years by Bing Crosby (CD - 10/03/2000).